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George Washington Wilson's photographic works
4 George Washington Wilson's photographic works at St. Swithin Street, showing the female workers laying out the glass plates to dry in the sun. Glenburnie Distillery
5 Glenburnie Distillery stood near to the Denburn, about 100 yards east of the dam in Rubislaw Den, and was reached from Spademill Road. It was in operation until 1857 when the buildings were taken over by Mr G. W. Wilson for photographic printing until 1875. They were later demolished to make way for the construction of Forest Road. This photograph dates from the 1860s. George Washington Wilson's photographic works
9 The premises of George Washington Wilson, photographer, in St. Swithin Street. Rev. Henry Cowan
306 A photographic portrait of Rev. Henry Cowan (1844-1932), patron of the Incorporated Trades from 1903. His Press & Journal newspaper obituary can be found in the issue for 4th July 1932, page 8. New Quay
350 New Quay, Aberdeen Harbour. This photograph shows the navigation channel leading from Aberdeen Harbour into the North Sea, with the North Pier in the far distance on the left. The New Quay later became part of Pocra Quay.
The Pier was built by John Smeaton in 1781 and extended on several occasions to provide better access to the harbour. At the corner of the photograph is the customs Watch House, part of which has now been converted into a seafood restaurant.
The brick obilisk in the centre is a ventilation shaft for a sewer which emptied into the channel. A newer sewer outfall has rendered it redundant.
It is popularly known as Scarty's Monument. 'Scarty' was the nickname of William Smith, one of two harbour pilots in the mid-19th century. His duty was to keep watch from the North Pier during rough weather.
Nicknames were often used in the fishing community to distinguish between people of the same surname. The Puffing Briggie
532 A scene of change and renovation in the Denburn Valley. The image looks south from Union Bridge over the suburban platforms of the old Aberdeen Joint Railway Station. The old station's large, curved roof can be seen in the background.
The area we are looking at has seen much change since this time. It is now largely covered by the 1960s retail development on the south side of the bridge, the later Trinity Centre, the development of Wapping Street and Denburn Road, and the building of Atholl House. Though many of the buildings of note we can see in this image are still visible today.
The tall buildings on the far right are the rear of those on Bridge Street. The small street in front of them, going up to Guild Street, is the start of College Street. It is now a partially pedestrianised lane that goes under Wapping Street. The building at the top of this street is the classical style suburban ticket office, built 1909 and now home to Tiffany Hair & Beauty.
Going west along Guild Street's two span road bridge we come to the Great North of Scotland Railway Company's headquarters. This was designed by architects Ellis & Wilson and built in 1894. It is now part of the Station Hotel, along with number 78 next door. The building retains many of its original features. The Guild Street entrance to the Trinity Centre now runs along the western side of this building.
The image also shows features that are no longer present. The covered walkway that can be seen on the near right of the image enabled direct access from the station's central platform to the Palace Hotel on Union Street. The hotel was owned by the Great North of Scotland Railway Co. (GNSR). The walkway was vaulted to pass over the tracks at sufficient height.
Consulting The Joint Station: Aberdeen Station, 1867-1992 (c1992), this image probably dates from 1912 when, in additional to commencing the reconstruction of the Joint Station, the GNSR also laid new loading docks and carriage storage siding in the Hadden Mills site (left of image). This was to ensure that the main station buildings were used purely for passenger traffic.
The walkway that linked Windmill Brae and the Green, known affectionately as the Puffing Briggie, can be seen in the centre of the image. It looks like a section on the left has been temporarily demolished as part of the ongoing work.
The sidings on the extreme left were used for cleaning carriages in the later 20th century. One of our correspondents recounts using the often-unattended carriages, accessible when entering the station from the Green, as an unusually exciting and plush playground during their youth in the late-1940s. Distillery occupied by George Washington Wilson
1264 This distillery stood near the Denburn west of the centre of Aberdeen at Rubislaw, along the Spademill Road. It was in operation until 1857 when the building was then occupied by George Washington Wilson for photographic printing until 1875. The building was eventually demolished to make way for the construction of Forest Road. Family portrait
1622 A studio set photographic portrait of what is likely a family.
The uniforms suggest some may be members of the Royal Army Medical Corps. The photograph was likely taken around the time of the World War I. Two women
1645 A photographic portrait of two women, employed as domestic servants, in the garden setting. This image is thought to be from Aberdeen. The names of these women are unknown. Free Gardener
1659 Photographic portrait of a man wearing the sash and medallion of the Order of Free Gardeners.
The Free Gardeners were a friendly society founded in Scotland in the mid-17th century.
Newspaper reports indicate that the Order was considerably active in Aberdeenshire until at least the mid-20th century.
An article in the Press and Journal of 2nd May 1949, page 6, records the address to the North of Scotland district delegation in Aberdeen of the retiring Worthy District Master Charles I. Crighton.
Crighton reports a drop in local membership of the Order, both among the adult and juvenile branches, largely crediting this to the introduction of the National Health Service. The district adult membership stood at 5124, a drop of 110, and a juvenile membership had decreased by 206.
This photograph of an unknown Free Gardener likely dates from the early 20th century. Provost James Walker
2022 A photographic portrait of Provost James Walker. He served as Provost of Aberdeen between 1903-1905. He entered the Town Council in 1870 and acted as their representative on the Endowments Board for many years. In 1907 Walker was presented with an oil portrait painted by Sir George Reid, R.S.A., in recognition of his extensive public service. Provost James Walker
2023 A photographic portrait of Provost James Walker. He served as Provost of Aberdeen between 1903-1905. He entered the Town Council in 1870 and acted as their representative on the Endowments Board for many years. In 1907 Walker was presented with an oil portrait painted by Sir George Reid, R.S.A., in recognition of his extensive public service. Baillie Rust
2063 A photographic portrait of Baillie John Rust (1853-1919). He was the son of John Rust and Margaret Henderson. His father founded the well-known timber merchants John Rust & Son in 1845.
John Rust junior was an architect and local politician. He served his architectural apprenticeship with John Russell McKenzie before going into business for himself with offices on Union Street, latterly number 224.
Rust was highly active in local life. He was elected to the Council in 1886 representing the Rubislaw Ward. He was re-elected in 1889 and promoted to the position of Third Ballie in 1890.
On the death of the incumbent, William Smith, Rust was a successful applicant for the post of city architect. On his appointment in March 1892 he retired his place on the Council. He served as city architect until his death in 1919.
Along with Sir Alexander Lyon and John Morgan, the builder, Rust was considered a moving spirit in the local government regime known as the "Young Party".
His Aberdeen Journal obituary highlights his involvement in the Beach Bathing Station scheme and the Union Terrace improvements. Also that he was a justice of the peace for Aberdeen City and Kincardineshire.
Moreover he was a significant property owner and was involved in local political, civic, military and church groups.
He died suddenly while on his way to work from his residence of Hawkshill, Milltimber. He was buried in Nellfield Cemetery. His Aberdeen Journal obituary can be found in the issue for 12th September 1919, page 6.
An entry for John Rust can be found in the Dictionary of Scottish Architects here Alexander Ledingham Portrait of Fanny
2139 This studio portrait is of a young woman called Fanny. The stamp on the lower right of the image indicates it was taken by Ledingham of Rosemount. The easel and brush design of the stamp suggests Ledingham's artistic aspirations as a photographer.
Alexander Ledingham ran a photographic studio at 101a Rosemount Place from 1911 until well into the 1950s. He took over these premises from John S. Greenacre who opened his studio in June 1899. Prior to this Greenacre had worked with G. W. Wilson & Co.
Ledingham's father, another Alexander, run a newsagent and took a prominent part in public life. He ran his shop from 27 Bank Street, Ferryhill for 10 years before moving in 1890 to premises at 41 Victoria Road, Torry. He eventually retired from business in 1904. He played a large role in the incorporation of Torry into the city of Aberdeen and was involved in many improvements to the area.
Ledingham Senior died in August 1926 and his obituary is available to view on the Silver City Vault. It gives further details of his involvement in politics, the church and his work as an author - many of his titles are held by Aberdeen Local Studies. John F. Lessels Group Portrait
2141 This group portrait of three women was taken by John Fraser Lessels. He styled himself "The Photo King" and is so credited on the back of this postcard photograph. The postcard is addressed to "Miss Jeannie Robb, 124 Union Street, Aberdeen."
Lessels had a bold approach to promotion. An advert in the Aberdeen Daily Journal from 1908 reads "SALVATION for 6d, Cabinet Size. Get saved now. Lessels, Photo King, 64 St Nicholas Street."
Lessels was born in Aberdeen in 1878 and married a cousin called Faith Duncan in 1907. The Photo King had studios throughout Aberdeen, his main office being at 15 Crown Street, and a number of premises in Edinburgh and Angus. Faith Duncan worked as a photographer's assistant and Lessels' also had a sister who was a photographer but who sadly died aged 25.
As a life-long pacifist he and his family moved to Dublin to avoid conscription in World War I and worked with the Lafayette photographic studio. Lessels later moved to Bangor in Northern Ireland where he is understood to have had a difficult time and appears to have suffered a mental breakdown and incarceration. One of his sons, Maurice Lessels, ran a photographic studio in Lisburn, County Antrim for many years. (Many thanks to Ian McDonald for his research into this Aberdeen photographer). G. W. Morgan Portrait
2145 This portrait of a smartly dressed young man was taken by G. W. Morgan (1855-1909). The photo features the ornate furniture and painted background that was the convention of the time. On the rear of the postcard photograph is printed "For further copies apply Elite Studios, 5 Market St, Aberdeen." This dates the image as between 1897 and 1907 when the business was trading under this name at the Market Street premises. Morgan and his brother William also operated photographic studios at 3 Bridge Place, 393 Union Street, and two in Aboyne and Ballater.
Morgan was the son of a blacksmith from the village of Clatt, called John Morgan. Born in 1855, George trained as a druggist in Aberdeen before leaving for California where he worked as a photographer. He returned to the city in 1880 and became the principal photographic assistant to Mr Dinnie of Bridge Place. The premises in Market Street were his first studio after going into business with his brother. He lived at Westfield Terrace.
In the coming years Morgan established a reputation in the city as an excellent photographer and businessman. He was described in his Aberdeen Daily Journal obituary as "A thorough artist in every sense of the word. Mr Morgan was remarkably successful in developing the very extensive business, and it was largely owning to his efforts that the firm attained its well deserved renown for the excellence of its portraiture and scenic work, all of which reach a high degree of artistic merit."
In 1909, Morgan died aged 54 in quite unusual circumstances. On the night of 25th June he was travelling with Mr J. B. Davidson, a solicitor and business associate, to London on the Caledonian sleeper train. All was well up to Stirling when the two men went to sleep. Davidson was awoken in the night by the wind blowing into their compartment and with Morgan nowhere to be seen. After a thorough search of the train and much telegraphic inquiries it was determined that Morgan had fallen from the train and died just south of Carstairs. The exact conditions of his death are unknown but it was believed that he woke in the night and groggy with sleep used the wrong door.
In addition to photography Morgan was a very accomplished violinist and acted as choirmaster for Ferryhill Parish Church for many years. He and his wife had 12 children. Treasure 11 : East Branch Library (22, Union Street)
2283 Did you know there used to be a small branch library at the east end of Union Street seen here in the 1930s on this image from the Library photographic archive?
A small branch reading room opened on 5 September 1904 located on the first floor of a drapery shop at 34 Castle Street, leased from Baillie George Brown for a sum of £19 per anum.
Since the opening of the Central Library in 1892 there had been an increasing demand for a Library presence in other areas of the city and branch reading rooms were set up with a selection of newspapers, magazines and a small collection of reference books. Castle Street served the east end of the city and proved popular with over 21,000 users by the end of November.
A budget of £25 per anum was allocated for newspapers and periodicals which were supplied by Miss Davidson, of 76 George Street. There were 55 applications for the position of attendant and Miss Lizzie A Douglas was appointed from a shortlist of 6. Opening hours were from 9 in the morning until 10 at night.
Although the lease of 34 Castle Street was intended as a temporary measure it was 1928 before the reading room closed (it was too small and inconvenient) and re- opened at 22 Union Street as East Branch Library and Reading Room.
This image is part of a photographic survey of Union Street in 1936. It shows the Gas Department showroom, 20 Union Street, and the Library Branch, 22 Union Street.
The removal to new premises was described as the "outstanding event of the year" in the library annual report, particularly so as it was Aberdeen's first branch library with over 5000 books available to borrow.
East Branch finally closed in 1953 but memories remain particularly of wet wool coats drying out on the radiators with the smell of "sheep" in the air!!
Union Street Looking East
2312 An Adelphi Series postcard looking east down Union Street. Trams for Rosemount and Queen's Cross can be seen in the centre of the image.
The premises of Knowles & Son, fruit growers and importers, can be seen on the right at 77 Union Street. They moved into this shop, previously occupied by booksellers Messers Brown & Co. in 1893.
A sign for Sangster & Henderson's Warehouse is visible high up on the side of a building in the background and the 2nd statue of Queen Victoria is visible in its original location at the junction with St Nicholas Street.
The postcard is number 148 from the Adelphi Real Photographic Series. Treasure 32: George Washington Wilson South Africa Photography Collection
2320 George Washington Wilson is one of the great names in 19th century photography, famous for capturing images of people, buildings and landscapes across Scotland. His photography drew attention to the beauty of his country, but his travels further afield are not as well known.
As an innovative pioneer in photography, George Washington Wilson's work reflected the reality and attitudes of society during his lifetime (1823-1893). In our collections we hold a vast selection of photographs and portraits taken by the G. W. Wilson Company in South Africa. These images were taken by his son, Charles Wilson, and Fred Hardie, a company photographer of George Washington Wilson & Co.
The company's photographs of South Africa captured scenes of the country which would have been perceived as unusual and exotic to British people at the time.
South Africa and its Treasures
The majority of British colonization was concentrated in South Africa during the 19th century. In the past, the country was colonized in order to control one of the main trade routes to India. Due to the abundance of resources such as spices and tea, European interest in Africa increased dramatically in the late 19th century, especially with the discovery of gold and diamonds in the 1860s-1880s.
On their return to Britain, George Washington Wilson & Co presented many photographs showing these natural resources, from the Robinson Gold mine in Johannesburg to De Beers Diamond Mines in Kimberley.
Tea was also a very valuable resource, and people in Britain were keen to learn more about its production and its use in South Africa.
Photography and Tourism
The collection held by Aberdeen City Libraries shows local places of interest in South Africa. These photographs capture Cape Town and Johannesburg, two of the biggest cities in the country. Many Europeans emigrated to these cities in the 19th century, due to the discovery of valuable resources in the surrounding area.
With the rapid rise of tourism in this period, George Washington Wilson & Co. looked for new ways to promote and sell their work. Around 1880-1890, they started to commercialize their photography via picture postcards, a relatively new concept in Britain. This new form of media met with huge success as it was easy to write and cheap to send. It soon became the standard way to communicate with friends and family when abroad, a holiday tradition which remains today.
The postcards, in colour and having a standard size, featured many different scenes from South Africa and were viewed as an innovative way to publicize the country - and the works of photographic firms such as George Washington Wilson & Co. Guest treasure: Aberdeen Journals' Photographic Collections
2435 The photographic collections of Aberdeen Journal Ltd span over a century. The photographs were taken to support stories and features in The Press & Journal and Evening Express newspapers - a picture speaks a thousand words after all. However, the accumulated photography has created a historical resource documenting life in the north east and Highlands during a century of change and development. The collection covers everything from the changing landscapes of our towns and cities through to global news events. But it's personal, too. People and their images are at the heart of our stories, be it the children on their first day in a new school through to community events and individual achievements. Your image is probably in the archive somewhere if you look hard enough.
The collection is actively used by our journalists. It provides content for favourites like The Aberdonian and Past Lives features in the Evening Express and historical context and background to stories in The Press & Journal. The collection is also used by external researchers looking for copies of images in which they or their family featured, supporting charities and associations celebrating anniversaries and even to supplement content as featured in The Silver City Vault!
archives@ajl.co.uk
View all the Christmas images from the archive in the Treasures from our Collections interactive exhibition on the library touchscreens. Beach Rescue Lifeguard
2466 A photographic portrait of an unknown beach rescue lifeguard.
Correspondent Ed Fowler suggests the sitter may be Willie 'Moosie' Sutherland, an accomplished swimmer, diver, and local life-guard.
In Allenvale Cemetery, there is an ornate granite memorial to Sutherland made by Messrs Bower & Florence of the Spittal Granite Works. It has an inscription that reads: "Erected by public subscription in memory of William Sutherland, in recognition of his gallantry in saving upwards of 120 lives from death by drowning. Born at Aberdeen, 19th January 1845, died 20th September, 1885. A hero in humble life interred here."
Obituaries in the local newspapers state that Sutherland worked as an assistant in the City Surveyor's Office. He was formerly a slater and had become an excellent draughtsman. Between five and six hundred people are reported as in attendance at his funeral. Farquhar Portrait of Elderly Gentleman
2467 A photographic portrait of an unknown elderly gentleman taken in the Victoria Studios of James J. Farquhar. The studio's address was 2 South Esplanade West, Torry and Farquhar was active there from 1907. In 1901 his home address was 10 Orchard Street, Inverness. Diamond Wedding (1 of 2)
2514 A group portrait at the Diamond Wedding celebrations of Mr. and Mrs. William Symon. William Symon was from Portsoy and Elspeth Geddes was from Fochabers. They were married in Fochabers on 26th February 1859 by Rev. Robert Cushnie. The celebrations took place in Turriff on 26th February 1919 and were ministered by Rev. Duncan MacLaren.
Many of the figures in the photograph are wearing military uniforms, which suggests they fought in the world war that ended the previous year.
The photograph was taken by the Milne Photographic Studio of Turriff. It was based at 45 High Street and was likely started by a James Milne who ran a clothes shop at the same address.
These two photographs were donated to the library by a descendant of the family. |