Quick Search
|
Search Results
You searched for: More Like: 'The Peatreek Wars'
8 items
items as
Pittodrie House
270 This photograph shows Pittodrie House which stands on the east slopes of Bennachie near the village of Pitcaple about 20 miles from Aberdeen. The Mither Tap is visible in the background.
Although the house stands over 680 feet above sea level, it is surrounded by trees which provide shelter from the wind. It is a complex house of several dates and was on the estate of the Knight Erskine family for centuries, before being sold in 1903 to George Smith, a Glasgow shipping magnate who founded the City Line of Steamers. The Smith family still own the property which has been run as a luxury hotel since 1977 and the 3000 acre estate is leased for agriculture.
The original house probably dated from around 1490, and a wheel stair from that period still survives, although the house was burnt by Montrose during the Covenanting Wars.
A date stone commemorates the re-building by the Erskines in 1675, and in 1841, the architect Archibald Simpson created the large neo-Jacobean extension with three storey balustraded tower on the east side - seen here covered in ivy. A billiard room was added in the early 1900s and further extensions took place in 1990.
The word 'Pittodrie' is thought to be derived from the Gaelic 'todhar' which can mean either manure or bleach. Aberdeen Football Club's ground is known as Pittodrie Stadium, because the Knight Erskines also owned the lands in the city where the stadium was built. Street entertainer
3346 We believe this photograph shows a man historically known as Fool Friday entertaining a group of children and adults outside a house in Aberdeen. Fool Friday was a street vendor who sold ice cream in summer and hot chestnuts in winter. He may have also played a barrel piano as shown here.
Fool Friday was an often seen, distinctive character on the streets of Aberdeen. References to him in recorded oral history and newspapers suggest he sold his goods around the town centre, including at the Castlegate. He appears to have been around in the earlier years of the 20th century, between the two world wars. Little seems to be known, or recorded, about the life of this intriguing figure.
He is mentioned in an article of reminiscences by Arthur Bruce from the Leopard magazine of December 1986/January 1987. Bruce writes "I am reminded of another worthy who lived round the corner in Harriet Street, an Ice Cream Mannie, with a home and family. Of Italian origins he was known as 'Fool Friday' - nothing to do with being stupid, I may add, simply the local dialect for foul or dirty. Legend had it that the nickname was well deserved, but as a child I was never aware of his less than hygienic approach to the business of selling ice cream from a 'cairtie'. I have never solved the mystery of the 'Friday' part, although I should be delighted to hear from anyone who knows the answer."
It is possible that this photograph shows not Fool Friday, but someone else entirely. A letter in the Evening Express of 30th October 1979, looking back to this earlier time, describes a man known as Can-Tam who played a barrel organ in the streets. The letter writer suggests that Can-Tam's organ was smashed by a tram and subsequently replaced by the council.
A suggestion received through social media and subsequent further research indicates that this image may show Guiseppe, or Joseph, Bordone (1872-1957). He was an eating house keeper and an ice-cream and chestnuts vendor. A brief mention in the Evening Express newspaper of 15th March 1994, page 8, suggests that Bordone may have been known as Fool Friday, but this is uncertain.
This photograph was printed as a postcard and these were perhaps sold to the families visited by the entertainer. This postcard was lent to Aberdeen City Libraries by Bill Cheyne so that we could create and preserve a digital copy for public use. Aberdeen Theatres: The Pavilion on the Promenade
3381 The Beach Promenade between the wars was a busy venue for holiday makers and locals alike.
On the left of the photograph can be seen the Beach Pavilion, home to Harry Gordon's Entertainers. The theatre originally opened as a wooden structure on 6th May 1906. Following many successful summer seasons a new, improved Pavilion opened in 1928, seen here.
In 1962 the Pavilion was re-named the Gaiety and became a licensed restaurant, public bar and lounge. It functioned as a restaurant in the Queens Links leisure complex until the remnants of the original building were destroyed by fire in 2014.
The Beach Bathing Station can be seen in the background. Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Treasure 55: Punch
230 The first edition of the satirical magazine Punch was published on 17 July 1841. The title being derived from a conversation between the founders who claimed that - just as the alcoholic drink of the same name - the magazine would be nothing without Lemon (Punch's first editor was named Mark Lemon).
Despite a difficult start of low circulation figures, the success of the magazine was ensured with the decision to publish an annual edition, or Almanack. Copies of these soared and shortly after the magazine was taken over by the printing firm of Bradbury and Evans whereupon it entered its golden age.
Modern satirical magazines - such as Private Eye or the French publication Charlie Hebdo - often purposefully push the boundaries of good taste in order to land a searing political blow of maximum impact. In the Victorian age, Punch attempted to capture the mood of the public in tasteful, yet no-less provocative terms.
Punch frequently used illustrations to highlight contemporary problems in a stark visual manner. So much so in fact, that it can claim to have changed the English language in the process. The original definition of the word cartoon meant simply a preliminary drawing for a work of art - similar to "sketch" - with no additional meaning. However, the word took on the additional connotation of being applied to humour with the publication of Punch's 'Cartoon No.1 - Substance and Shadow'.
The enduring popularity of the magazine is in many ways, inextricably linked to its own downfall. With changing appetites for publications and satire, Punch desperately needed to keep re-inventing itself, but seen by many as a national institution, change was far from easy. Eventually the magazine succumbed to the pressure of low circulation and finally ceased publication in 2002, leaving behind 160 years of humour and wit.
Punch's lasting legacy is a snapshot of opinion on some key historic events from the preceding decades - notably including coronations, scandals, wars, budgets, coalitions and many other subjects high on the political agenda. Aberdeen County Militia
473 A draft paper for the Aberdeen County Militia from 9th April 1799. At this time, young men in Scotland were chosen by ballot to serve in county regiments. This was the time of the Napoleonic Wars and these militias were primarily intended to defend Britain from invasion.
The surname of the balloted individual is hard to read. It may be John Gartly, or similar. He is recorded as a shoemaker within the parish of Slains. As detailed on the notice, the balloted individual could potentially provide one or more substitutes to take the oath and serve in their place.
The signed name of the issuing constable, given at the bottom, is also unclear. Though it looks like it may be an Alexander Gall.
Substantial records related to the Aberdeen County Militia are held by the Aberdeen City and Aberdeenshire Archives (reference number: AS/AMil) and further information about the militia can be found on their relevant catalogue entry. |