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Hardweird
40 The Hardweird. Part of old Gilcomston, it resembled a small "ferm toon" standing between the foot of Jack's Brae and Upper Denburn and it consisted of 18th and early 19th century artisan and labourers' housing - a product of the period when Gilcomston had a flourishing weaving industry. One of Aberdeen's worst slums, it was cleared during the early 1930s and the playground of Gilcomstoun Primary School now occupies part of the site. Bishop's Loch
173 Bishop's Loch lies to the north of Aberdeen, just within the city boundary. A charter from the 12th century refers to the lands of Goul or Goval, where the Bishop of Aberdeen had his palace or residence on an island in Loch Goul, now called Bishop's Loch, where at one time the site was visible. The approach to the palace was by a drawbridge. At this time, the Bishops were engaged in developing the Chanonry in Old Aberdeen. Over time, the lands outside the Chanonry were sold off. This photograph shows a much larger expanse of water than now exists. The water level has been lowered and certain areas are silted up and there is lush growth of various wetland plants. Nearby, there is new housing and a sand gravel quarry. Many discussions took place about the possible creation of a nature reserve to encompass this loch and two other nearby lochs - Lochs Corby and Lily - and they were listed as Sites of Special Scientific Interest in October 1983. Tomb of Bishop Gavin Dunbar
195 The tomb of Bishop Gavin Dunbar at St. Machar's Cathedral, Aberdeen.
Gavin Dunbar was appointed Bishop of Aberdeen on 5th November 1518 and died on 9th March 1532. He became a great benefactor not only of King's College, but of the town.
It was he who took over the plans left after the death of Bishop Elphinstone and created the Bridge of Dee which opened road access to the City, from the south.
Dunbar also built the twin towers at St. Machar's Cathedral and gave its magnificent ceiling at his own expense. It comprises 48 heraldic shields including the arms of Scottish monarchs, nobles, Kings of Europe, and Scottish Bishops.
When he died in 1532, he was buried in the south transept of the cathedral. This was virtually destroyed after the collapse of the great central tower in 1688, and a recumbent statue of white marble of Dunbar was broken into pieces during the Reformation.
The splendor of the six foot richly carved arch of Morayshire freestone is still obvious despite its exposure to the weather. A bishop's mitre surmounts the Dunbar coat of arms and his initials, at the right hand side. The Castle Street / Rosemount / Mile End horsedrawn omnibus
357 The Castle Street / Rosemount / Mile End horsedrawn omnibus.
This photograph looks north towards the houses where Beechgrove Terrace becomes Kings Gate. Frederick Street Primary School roof playground
453 A photograph showing school children on the roof top playground of Frederick Street Primary School in around 1907.
This was one of very few such playgrounds in the city, perhaps one of only two. The Central School on Schoolhill also had a comparable, roof-top playground for at least some of its history.
Frederick Street School opened in 1905 and had a role of 332 infants and 764 senior/junior pupils. The unusual, elevated playground measured 750 square feet. Aberdeen High School for Girls, playground at rear of building
454 Aberdeen High School for Girls. Playground at rear of building. The pupils are engrossed in a needlework class. The Puffing Briggie
532 A scene of change and renovation in the Denburn Valley. The image looks south from Union Bridge over the suburban platforms of the old Aberdeen Joint Railway Station. The old station's large, curved roof can be seen in the background.
The area we are looking at has seen much change since this time. It is now largely covered by the 1960s retail development on the south side of the bridge, the later Trinity Centre, the development of Wapping Street and Denburn Road, and the building of Atholl House. Though many of the buildings of note we can see in this image are still visible today.
The tall buildings on the far right are the rear of those on Bridge Street. The small street in front of them, going up to Guild Street, is the start of College Street. It is now a partially pedestrianised lane that goes under Wapping Street. The building at the top of this street is the classical style suburban ticket office, built 1909 and now home to Tiffany Hair & Beauty.
Going west along Guild Street's two span road bridge we come to the Great North of Scotland Railway Company's headquarters. This was designed by architects Ellis & Wilson and built in 1894. It is now part of the Station Hotel, along with number 78 next door. The building retains many of its original features. The Guild Street entrance to the Trinity Centre now runs along the western side of this building.
The image also shows features that are no longer present. The covered walkway that can be seen on the near right of the image enabled direct access from the station's central platform to the Palace Hotel on Union Street. The hotel was owned by the Great North of Scotland Railway Co. (GNSR). The walkway was vaulted to pass over the tracks at sufficient height.
Consulting The Joint Station: Aberdeen Station, 1867-1992 (c1992), this image probably dates from 1912 when, in additional to commencing the reconstruction of the Joint Station, the GNSR also laid new loading docks and carriage storage siding in the Hadden Mills site (left of image). This was to ensure that the main station buildings were used purely for passenger traffic.
The walkway that linked Windmill Brae and the Green, known affectionately as the Puffing Briggie, can be seen in the centre of the image. It looks like a section on the left has been temporarily demolished as part of the ongoing work.
The sidings on the extreme left were used for cleaning carriages in the later 20th century. One of our correspondents recounts using the often-unattended carriages, accessible when entering the station from the Green, as an unusually exciting and plush playground during their youth in the late-1940s. March Lane
677 March Lane, 1923. This view of a narrow lane in the Rosemount area of Aberdeen shows a number of small houses with tiled roofs. The rather rundown nature of the lane hides the fact that it stood on the boundary of the City of Aberdeen. At the end of the lane there was a dressed granite stone with the letters CR incised on it. These stood for City Royalty and up to the 19th century, the Town Councillors would inspect these boundaries or marches to check that such landmarks had not been removed. A series of such stones marked what was known as the Inner Marches and another series with the letters ABD marked the Outer Marches which bounded the Freedom Lands, including the lands granted to the City by Robert the Bruce in 1319. Hardweird
718 The Hardweird, so named as having been built on the Hardweird Croft, is now the only street in Aberdeen showing the 'forestairs' that were so common in the older streets of the town. The Hardweird ran from Skene Row to Jack's Brae. Skene Row came off Skene Street, opposite Chapel Street. Part of old Gilcomston, it resembled a small "ferm toon" standing between the foot of Jack's Brae and Upper Denburn and it consisted of 18th and early 19th century artisan and labourers' housing - a product of the period when Gilcomston had a flourishing weaving industry. Some of the houses were demolished in 1908. One of Aberdeen's worst slums, it was cleared during the early 1930s and the playground of Gilcoumston Primary School now occupies part of the site. Culter
876 This image was taken around 1909 from a hill at the west end of Culter - 7 miles west from Aberdeen looking down on the North Deeside Road towards Banchory. The image shows the cottages known as Clayhills with the houses of Malcolm Road beyond. Hidden in the trees at the right hand side is the statue of Rob Roy overlooking the Leuchar Burn which runs through the wooded valley. Scotstown Moor and Moss - looking westwards from Dubford
1759 Scotstown Moor, also known as Perwinnes Moss, was once part of around 230 acres of common heath land situated 4 miles to the north of Aberdeen City centre in the Bridge of Don area. From the 1830s, it was visited regularly by botany students from Aberdeen University and was regarded as the most important botanical facility in the Aberdeen area. Over 250 species of flowering plants have been recorded. The pools and mosses contained insect eating plants including sundew. Because it was a Common land, the local people had the right to cut peats and to graze animals there. In later years, drainage operations, agricultural improvements, construction of roads and housing have greatly reduced the area of heathland and bog. However, the remaining area has been protected as a Site of Special Scientific Interest and is now managed by Aberdeen City Council. Outdoor Group
1979 An outdoor portrait of a large group of Aberdeen women. The nature of the photograph and the dress suggest that the subjects belong to an educational organisation. Royal Medical Corps Portrait I
2146 This portrait of a soldier in The Royal Army Medical Corps dates from around World War I. The badge of the corps can be seen on the soldier's cap.
Unfortunately, there are no identifying marks on the front or back of the postcard so it is highly difficult to establish the photographer who took the picture or discover the subject's name.
Only the head and shoulders of the subject feature, in contrast to the more common full length studio portraits of the time. The plain nature of the image, the lack of props and backdrop, accentuates the beatific quality of the sitter and the poignancy of his wartime fate. Torry bus
2255 This image shows a Torry bus. The driver and young conductor stand outside the vehicle, which has Rover written on its side.
Correspondent Dr Mike Mitchell has provided us with excellent, more detailed information:
"Rover Bus Service started operations on 22 August 1927 between Kings Gate and Torry, extending to Bay of Nigg at the weekend. The company was owned by Scott and Mearns, and by George Scott alone from 1928. It was the only independent bus company in Aberdeen to survive competition with Aberdeen Corporation Tramways, and was bought out by the Corporation in November 1935. This bus is a 19 seat Chevrolet, RS9049, and was Rover's first bus. It had been withdrawn by 1932."
Many thanks for this fantastic information. Aberdeen High School for Girls
2402 This photograph dating from the early 1900s, shows pupils in the playground at the rear of the High School after the large extension to the original building had been constructed. Laurelwood Avenue
2412 This street, photographed around 1910, shows the tranquil nature of this area of the North of Aberdeen in the Ashgrove area. It is one of a group of street named after trees - Cedar Place, Elm Place, Chestnut Row, and was built in the early 1880s. The young lad obviously does not expect to be disturbed on his walk down the middle of the street carrying a milkcan, watched by a little girl on the pavement. One of the gardens on the left has a pair of stone lions looking through the railings, which were removed during the Second World War as part of the salvage of metal for re-processing. Lord Provost Collie at Aberdeen Joint Station
2645 In the 1980s, long distance train travel started to become popular again. The High Speed Trains on the East Coast route to London were the stars of the new fleet. Lord Provost Collie gave the accelerated "Flying Scotsman" service to London Kings Cross a send-off in June 1981. Flora Maxwell Portrait
2720 This postcard features a photographic portrait of a group of women by Flora Maxwell.
Maxwell was a photographer with a studio at 187 Rosemount Place, opposite Watson Street. In her adverts she describes herself as "The Lady Photographer" and offers "Artistic portraiture at a moderate price". Other newspaper mentions indicate she was active in the Soroptimist International.
The group appear to be a branch of the Scottish Women's Rural Institute. They are all, except the central figure, wearing the badge of this organisation. It can not be seen here but the badge features a crowned heart with a chevron reading "For home & country". Which branch of the S.W.R.I. they are is unclear.
If you can provide information on the nature of this group we would be delighted to hear from you. Please contact us by using the comment button below the image. Tullos Place
2930 A photograph showing playground area near Tullos Place in Torry. The lock-ups associated with the street can be seen in the background. This image was taken on 17th July 1989 and shared with Aberdeen Local Studies by our colleagues in the Masterplanning, Design and Conservation Team. F. G. Main farm portrait
3354 A portrait by photographer F. G. Main of a young man and his horses at an Aberdeenshire farm. This was one of three photographs lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
Mr Finney believes the figure in the middle of this image may have been called Stephen Lorimer. This is uncertain however, as is any detail of the location shown. The image may relate to a local ploughing competition or event of this nature.
The figure in the background on the right of the image looks a lot like one of the five workers from Pitglassie shown in another of Mr Finney's images. This strongly suggests this image too is taken at, or connected to, the area and farms of Pitglassie in the Parish of Auchterless.
F. G. Main was an Aberdeen based photographer. Searches in old newspapers do not reveal a great deal about his career, however. As indicated on this card, he had premises in the New Market in Aberdeen town centre. Post office directories suggest this was numbers 39 and 40 in the gallery of the New Market.
Main also appears to have been active as the Electric Studio at 66 St. Nicholas Street. Additionally, searches indicate he operated studios at Aberdeen Sea Beach and at 47 Wellgate in Dundee. Richard D. Torrance in his Photographers in North-Eastern Scotland to 1914 (2001) has entries for both a F. G. Main and a Frank Main. These are likely one and the same photographer.
A newspaper notice for the birth of a son in 1914 indicates that F. G. Main lived at 245 Great Western Road at one time. We can find no obituary for the photographer. A cursory search of statutory records reveals that a Frank G. Main died in Aberdeen aged 65 in 1946. This may be the photographer in question. Aberdeen Cinemas: Regent / Odeon
3417 The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could.
Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland.
The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate.
The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following:
"Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base."
The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two".
The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks.
The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent.
On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Beach
4195 A photograph showing a group of children enjoying the playground at Aberdeen Beach. Broad Hill can be seen in the background.
This playground was opened in June 1962 just north of the Beach Ballroom. It was described as "imaginative in design and practicable for providing maximum freedom". It was built in a horse shoe shape to resemble a miniature fishing village with swings, water chute, roundabout and paddling pool. There were also climbing nets, ropes and poles.
The playground was moved to a new site across Links Road at the Queen's Links in 1987 to make way for the new leisure centre.
This image likely dates from the 1970s. It comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department. Aberdeen Beach
4203 A photograph showing a sizable crowd sitting on the grass watching a gig by local band The Bash Street Kids.
The concert appears to be taking place in front of the tennis courts on the Queen's Links recreational grounds. This was to the south, across Links Road, from the Beach Ballroom. This space would later be the site of the children's playground moved in 1987 to make way for the new leisure centre.
Aberdeen and North-East Bands Through the Decades (2021) by Hugh Falconer states that the Bash Street Kids, known as "The Bashers", started performing in 1978. Inspired by The Beano's cartoon characters and AC/DC, their frontman, Brian Crombie, often wore a cap and shorts. The band has continued to perform for over 40 years.
This image likely dates from the 1970s. It comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department. Treasure 19: Chapbooks
190 Chapbooks were a form of popular literature produced in the 17th, 18th and 19th centuries.
Text was printed on both sides of a large sheet of paper which was then folded repeatedly to create a booklet of 8, 12, 24, or 32 pages, approximately 5 inches by 3 inches in size. The title page had a woodcut illustration which was not necessarily linked to the content of the chapbook but could be selected from illustrations already available in the printer's premises.
Their content was varied but included ballads, songs, folktales, jokes and riddles. They were produced in large numbers and favourite texts would be reprinted over and over again and even by different printers.
In rural areas and at markets and fairs, these little booklets were sold for a halfpenny or a penny by itinerant pedlars or chapmen who carried packs containing bootlaces, needles, thread, ribbons and other trinkets to appeal to their customers. The word "chap" probably derives from the Old English "ceapian" meaning to bargain or trade.
"Tullochgorum" is one of a series of 21 ballad chapbooks, each of 8 pages, printed by John Cumming, a merchant in Hatton of Fintray, about 10 miles north of Aberdeen. He had learnt the merchant business in Aberdeen but, when he returned to Fintray, he also set up a printing press. He sometimes included the music, as here, but for other ballads he only named a tune with which his readers would already have been familiar.
His other printing work included Alexander Watt "The Early History of Kintore" published in 1865 and James Dalgardno "Notes on the Parish of Slains and Forvie in the Olden Days" in 1876.
He died in January 1900 and is buried in the local churchyard.
The popularity of chapbooks declined as other forms of literature, including newspapers and magazines, became more accessible. The physical nature of these unbound flimsy pamphlets has meant that chapbooks have not survived in large numbers but Local Studies has a complete set of those printed by John Cumming bound together as one volume.
Collections of other Scottish chapbooks survive in various libraries and are becoming more available through online cataloguing and indexing while academic researchers are studying the role played by these small publications in their social and literary world.
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