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Treasure 20: Souvenir card to commemorate the open access in the Lending Library
191 In 1925 a major change took place in the Lending Department of the Central Library. The concept of "Open Access" was introduced, allowing readers to select their books directly from the open shelves.
The Lending Library closed for a month for re-organisation and was formally re-opened on 3 October 1925 by Mr FC Thomason MP for Aberdeen South. To mark the occasion an artistic Souvenir card containing notes on the history of the library was presented to each guest (about 100), to the same number of earliest borrowers and to a similar number of libraries throughout the country.
The department was completely transformed with space for over 38,000 books; fiction was arranged around the walls in alphabetical order and non-fiction on island shelving in the middle. Treasure 21: Edward Raban work, 1624
192 As Book Week Scotland is celebrated in November it is appropriate to feature a volume from our historic and special collection, "Aberdeen Early Printers".
Of theological content Cum Bono Deo: Raine from the Clouds by Andrew Logie, printed in Aberdeen in 1624, is the earliest Edward Raban work held in Local Studies. Our image shows the title page the arrangement of which was described as "commendable with the judicious use of woodcuts and ornamental borders delighting the eye" (Edmond, J P: The Aberdeen Printers).
In addition to the item displayed we have at least 11 other items in our collection along with examples of other early Aberdeen printers such as Brown and Chalmers.
Raban's office was on the north side of Castle Street. He printed under the sign of "The Townes Armes" and this continued to be the sign board of the Aberdeen Printers for at least 100 years.
One of his earliest friends was the bookseller David Melville. Many books printed by Raban between 1622 and 1633 were printed for Melville and carry his name on the imprint.
Raban's press produced over 150 publications, ranging from graduation theses, sermons, theological works, editions of the psalms, almanacs to printed notices and schoolbooks for the Council.
Treasure 44: Historic Children's Literature Collection
213 This month we feature beautifully illustrated children's literature from our historic collections to mark World Book Day on 3 March 2016.
World Book Day is a celebration of authors, illustrators, books and - most importantly - it is a celebration of reading. It is designated by UNESCO as a worldwide celebration of books and reading, and marked in over 100 countries all over the world. The main aim of World Book Day in the UK and Ireland is to encourage children to explore the pleasures of books and reading by providing them with the opportunity to have a book of their own.
Little Ann and Other Poems illustrated by Kate Greenaway is a first edition, published by George Routledge & Sons c. 1883. It contains 42 poems all illustrated in her charming style of dainty children dressed in typical Greenaway costume.
Catherine "Kate" Greenaway (17 March 1846 - 6 November 1901) was an English artist and children's book illustrator
Online resources Britannica Encyclopaedia provides a brief biography of Kate Greenaway:
"The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued".
Greenaway's work was praised by John Ruskin, a dear friend who said "her drawings are blissful just in the degree that they are natural; the fairyland that she creates for you is not beyond the sky nor beneath the sea but near to you, even at your doors. She does but show you how to see it and how to cherish".
In our collections we also hold a copy of 'Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends' from 1921.
"In 1890 Greenaway was elected to the Royal Institute of Painters in Water Colours, and in 1891, 1894, and 1898 she exhibited watercolour drawings, including illustrations for her books, at the gallery of the Fine Art Society (by which a representative selection was exhibited in 1902). From 1883 to 1897, with a break only in 1896, she issued a series of Kate Greenaway's Almanacs."
The Kate Greenaway Medal, established in her honour in 1955, is awarded annually by the Chartered Institute of Library and Information Professionals in the UK to an illustrator of children's books.
Treasure 106: The Art of Illuminating
327 To further help celebrate the year of History, Heritage and Archaeology, we have on display this month some beautifully illustrated Victorian guides to medieval manuscript illumination:
- "The Art of Illuminating As Practiced in Europe from the Earliest Times." Selected & Chromolithographed by W. R. Tymms. With an Essay and Instructions by M. D. Wyatt Architect. (1860)
- "The Art of Illumination and Missal Painting. A Guide to Modern Illuminators". By H. Noel Humphreys. (1849)
- "Lessons in the Art of Illuminating. With Practical Instructions, And a Sketch of the History of the Art". By W. J. Loftie, B.A, F.S.A (1895)
One of the most iconic of all "Victorian" styles is that of the Gothic Revival. The idealistic and romantic ideas of chivalry, courage, modesty and beauty appealed to Victorian sensibilities. Furthermore, the rose-tinted notion of the Middle Ages as being an age of pastoral charm with knights in shining armour and damsels in distress, all cocooned in a nicely packaged and organised feudal system, served as an antidote to the rapid expansion and technological advances brought on by the Industrial Revolution. The new found interest in the study of medieval illuminated manuscripts was a consequence of this feeling, and as such we see a number of guides to and facsimiles of medieval manuscripts in the latter half of the 19th century.
To see some more beautiful examples of illuminated manuscript illustration, have a look at our online exhibition on the interactive screens. |