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Treasure 34: A Selection of Original Scots Songs in Three Parts
2322 Although the union of the Parliaments between Scotland and England had taken place almost a hundred years before, as the 18th century was drawing to a close there was still much fascination regarding the differing cultures. In time, Victorian society would give this fascination a renewed vigour, helped by Queen Victoria's passion for Scotland - including the establishment of Balmoral Castle as her residence North of the border. Before that time though, in the late 1790s, books were produced offering English readers an insight into their neighbours' traditions.
One such book was entitled 'A selection of original Scots songs' edited by Franz Haydn and published between 1790 and 1794. The book is designed to introduce the reader to the music and lyrics of traditional songs in Scotland. Haydn's book reproduced the songs along with corresponding music, and also offered a glossary to help with the more obscure language.
Burns' song 'My Heart's In The Highlands' - more popularly regarded today as a poem - makes an appearance in the selected works by Franz Haydn. With the collected works produced between 1790 - 1794, this was at a time when Burns began to suffer from the illnesses which would eventually end his life just a couple of years later.
Robert Burns
Celebrated across Scotland every year, Robert Burns Day takes place on 25 January and is an opportunity to remember Scotland's Bard and his work. Known the world over as the National Poet of Scotland, Robert Burns (1759 - 1796) was born in Alloway, Ayrshire. Burns' early life was one of balance; he toiled on his family's farm by day, and was taught reading and writing by candlelight at night. He conversed in Scots, while learning passages from English texts to further his studies. Although regarded by history largely as a poet, Burns also composed many songs - perhaps his most famous work 'Auld Lang Syne' being one of the few traditionally remembered in song form. One of our treasures this month celebrates Robert Burns' work and that of many other traditional Scottish musicians. Treasure 40: Valentine and Sons Postcards Collection, 1825-1963
209 Founded in 1825 as a printing firm based in Dundee, Valentine & Sons grew to become a prominent force in the postcard industry. Combining established printing practices with new developments in photography, Valentines were one of many companies able to exploit the growing Victorian tourist boom, aided in part by easier travel on Britain's new railway system.
James Valentine, son of the original founder John, became an early pioneer in photography with many of his works reproduced by the company from 1860. After James' death in 1879, the company continued under his two sons, George Dobson Valentine and William Dobson Valentine.
From 1896, Valentine and Sons began producing postcards to complement their existing business which included books of photographs, portraits and Christmas cards. As the postcard business grew in success, the company expanded into other tourist markets - including opening offices in Jamaica, Norway, North Africa, Canada and New York.
By the 1930s, the company focused solely on postcard production, but a focus on monochrome and sepia prints seems to have underestimated a growing demand for colour images. By the 1950s, the business was suffering and elected to change direction by returning to greetings cards. The company was purchased by Waddington & Co in 1963 - which in turn passed to Hallmark cards in 1980. Operations in Dundee ceased in 1994.
As with other producers of photographic material, the legacy of such a prolific business enables modern audiences a glimpse into the past with thousands of images from numerous locations capturing a given moment in time. Postcards have become a staple for those with historical interest, and many private collectors seek to hold the entire works of companies such as Valentine and Sons.
For the Local Studies service, the collection of postcards produced by Valentine and Sons offer some unique and fascinating insights into Aberdeen life in the past. Not only this, the messages written on the back of postcards - both from and to those in Aberdeen - can often bring a more human side to the historical picture.
Treasure 77: The Castle Spectre, 1876 - 1888
288 One of our treasures this month is a rare periodical known as The Castle Spectre. It is unusual as it was printed and published by a Victorian family from their home at 'The Castle', 6 Mackie Place, and later from 'The Galleries' on Skene Street West, and offers an insight into the lives of a middle-class family in Victorian Aberdeen. The copy on display was gifted to the library by the editor, Alexander D Forbes in 1888, and includes a handwritten letter to the City Librarian at the time.
It not only contains amateur poetry, literature, and social and religious commentary, but also sheds a light on a forgotten and mysterious dwelling place in the heart of the city. The area in question is the land behind Skene Street, encompassing Mackie Place, and the grounds of three old houses long since demolished by the Denburn - Cherry Vale, 'The Galleries', and the White House, also known as 'The Castle'.
As long as 'The Castle' at 6 Mackie Place existed (it was built towards the end of the 18th or beginning of the 19th century, according to various reports) it was described as being haunted. No accounts mention a specific ghost, but the eccentricities of the occupant and his young family helped to fuel the reputation for the Castle's hauntings. The first issue of The Castle Spectre (October 21, 1876) states:
"We are the dwellers in that house in the neighbourhood of Skene Street known to the "oldest inhabitants" as the Haunted House, to younger inhabitants as the Castle, and to the Post Office as No.6 Mackie Place. In former days we were "desp'rate wicked". We dressed ourselves in white sheets, and popped out upon passers by, frightening them into fits. We used to scoop out the largest turnips?and having cut out slices to represent eyes, nose, and mouth, light candles in them, and stick them on poles in hedges?We used to lie behind low walls and growl like bears, or caterwaul like cats, whenever any weakly-looking person was passing?In short, we were the terror of the neighbourhood."
View the Treasures from our Collections interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries to find out more about the spooky publication and mysterious Mackie Place. Treasure 103: Royal Wedding Posters
324 The 21st March marks the 146th wedding anniversary of Queen Victoria's sixth child, Princess Louise, and the 9th Duke of Argyll, the Marquis of Lorne. Aberdeenshire has always held the Royal family in high regard, largely due to their associations with the county and their Balmoral residence. As a result, the wedding of Princess Louise and the Scottish Marquis of Lorne in 1871 was cause for great celebrations in Aberdeen. In Aberdeen City Libraries' collection we hold three posters that testify to these celebrations, and serve as a perfect example of Victorian poster design. The Aberdeen Journal of 22 March 1871 described the union thus:
"The happy union hailed with so much satisfaction throughout the realm and especially in Scotland, was celebrated in Aberdeen with feelings of as great loyalty as in any part of Her Majesty's wide dominions. The attachment which Her Royal Highness the Princess Louise has shewn to her home in the Highlands has endeared her in an especial manner to those whom her Royal mother is pleased to call her neighbours; while her high artistic accomplishments and well-known kindliness of heart have, not less than her royal station, made her alliance with one of our most promising young Scottish nobles, an event of more than usual interest."
View our Treasures exhibition on the interactive screen to find out more about this royal couple and how their marriage unfolded in the following years. |