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Aberdeen Theatres: Aberdeen Arts Centre
3386 In 1960 the education committee of Aberdeen Town Council proposed the conversion of the empty North and Trinity Parish Church into an adult education and civic arts centre. The plan was given final approval in February 1961, much to the delight of Aberdeen's art enthusiasts.
The Evening Express detailed the need for such a venue at the time by describing the difficulties faced by the William Gavin Players, a local drama group, in staging a play earlier that week in the ballroom of the Music Hall. They had to overcome the roar of a nearby wrestling audience, the incessant ringing of an unanswered telephone, a cramped stage and poor acoustics.
A temporary restriction on capital expenditure and a particularly severe winter caused delays for the conversion. Work began in late 1961 and was concluded by the autumn of 1963. The work cost around £33,000 and saw the reconstruction of the interior and a thorough re-vamp for the building's exterior. At one point the new centre was going to be called Longacre, but this idea was scrapped in favour of Aberdeen Arts Centre.
The completed venue was opened on 18th October 1963 by Sir Herbert Read (1893-1968), an art critic, poet and anarchist philosopher. In his speech Read criticised the main political parties of the day for neglecting the development of the arts and the human imagination in favour of a blind drive for scientific and technological efficiency.
In addition to the 385-seat auditorium, the venue had an exhibition space, a lounge, and a tea bar. The Arts Centre has remained the focal point for local arts groups and arts education to this day. It has also served as a meeting place and provided a useful stage for theatrical productions of all types.
In 1998, facing the need to cut £17.5 million from their budget, Aberdeen City Council withdrew their funding from the Arts Centre. This left the future of the venue in danger. A popular campaign to avoid its closure was led by Annie Inglis MBE (1922-2010), Aberdeen's first lady of theatre.
This led to the Aberdeen Arts Centre Association taking over the venue on a voluntary basis and the eventual formation of the Castlegate Arts Limited, a company with charitable status who continue to run the venue today.
Over the years the Arts Centre has played host to many noted local theatre groups like the Attic Theatre Co., The Revue Group, the aforementioned William Gavin Players, Phoenix Theatre, the Gilbert & Sullivan Society, Aberdeen Opera Company, Confederate Theatre, Dragongate Theatre, and no doubt many more. It remains a much-loved venue for performers and audiences of all ages. Festival of Britain - Poster
462 A large decorative poster for Festival of Britain celebrations that took place in Aberdeen in 1951.
The poster has a theatre influenced design and lists the planned events between 29th July and 11th August.
The celebrations were organised by the Aberdeen Festival Society and the Corporation of Aberdeen in association with the Arts Council Scottish Committee.
Events included a church service, exhibitions of art and of crafts, theatre performances, concerts, and sporting competitions. Among the groups involved were the Arion Choir Ensemble, the Children's Theatre and the Band of Royal Corps Signals.
Events took place at venues around Aberdeen including Cowdray Hall, the Music Hall, King's College Library, Gaumont Gallery, the News Cinema and many more.
The bottom right of the poster indicates that it was designed by noted British illustrator and graphic artist Eric George Fraser (1902-1983) and was printed for H.M. Stationary Office by Fosh & Cross Ltd., London.
The poster is approximately 77 x 51 cm. Festival of Britain - Programme
463 The front cover of the programme of festivities for Aberdeen's celebrations of the Festival of Britain.
These celebratory events were organised by the Aberdeen Festival Society and the Corporation of Aberdeen in association with the Arts Council Scottish Committee.
The interior of this pamphlet gives a listing of all events and includes descriptions of each with details of particular performers.
The shown design is repeated on both the front and back covers of the programme. It has approximately 6 pages and is 18.5 x 12 cm in dimension. |