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Red Cross Ambulance
364 A photograph from the presentation of a new ambulance by Aberdeen District engineering and shipbuilding firms to the Scottish Branch of the Red Cross Society on Monday 29th January 1917.
The vehicle, funded by subscription, was for use in Aberdeen and was handed over to Colonel J. Scott Riddell, the Red Cross Commissar. He can be seen fourth from the left in the group on the right.
The leftmost figure of that grouping is Lord Provost James Taggart. He presided over the presentation event that took place in the Red Cross Transport Headquarters on Holburn Street, visible here in the background. Taggart was a granite sculptor by trade and had a works nearby at 92 Great Western Road.
The location of this photograph is at the junction of Justice Mill and Holburn Street. A branch of the Summerhill Farm Dairy is visible in the background.
An account of the presentation and a list of subscribers can be read on page 3 of The Aberdeen Daily Journal for 22nd January 1917. A School of Dolphins: Derek at Mastrick Library
2166 The children listened keenly to the presentation given by WDC and wanted to incorporate some of the messages into their designs. To ensure that all children were involved, Heathryburn School held a vote to name the dolphin Derek. Decoupage was used to decorate Derek so all of the children could be involved. Chemistry Department, University of Aberdeen
2381 The Chemistry Department building of the University of Aberdeen. It is was opened on 17th September 1952 by Sir Robert Robinson, winner of the 1947 Nobel Prize in Chemistry.
It was later renamed the Meston Building in memory of the Rt Hon Baron Meston of Agra and Dunnottar KCSI, VD, LLD Chancellor of the University 1928-1944.
The building was refurbished and expanded in 1968.
This image comes from the Lord Provost of Aberdeen John M. Graham's Christmas card from 1954. Edward Hall
2389 In March 1885, the City Librarian, A.W. Robertson, reported to the Free Public Library Committee that he had examined all the volumes that were to be transferred from the Mechanics' Institution, "and a note taken of any injury or imperfections, or both, that may have been found therein". He discovered that, while many were unsuitable due to their poor condition, others required repairs including fixing leaves and plates, re-attaching books to their covers and mending corners, and believed that this work "could be done most economically and conveniently on the library premises".
Edward Hall worked for the William Jackson bookbinders at the time and was sent by the company to carry out this work, including all the gilt lettering.
After the first six months of the new public library, and the wear and tear on the books "being already large and accumulating from day to day", the library committee were considering the appointment of a library binder to maintain the stock and repair minor faults before the volumes needed total rebinding. In August 1886, Mr Hall was appointed at a wage of twenty-three shillings weekly. Although other binding work was still undertaken by local firms William Jackson and John Avery, the Librarian was pleased to note in his annual report for 1885-86 that "The results of the experiment so far have been satisfactory, justifying the expectation that it would effect a saving both of time and of cost of rebinding".
The library bookbinders' wages and working hours were regulated by agreement with their trade union and in the 1890-91 Library Committee Minutes, it is noted that the Bookbinders and Machine Rulers' Consolidated Union had agreed a reduction in the bookbinders' working week from 54 to 51 hours.
After the Town Council made a resolution that all staff should retire when they reached the age of 65 years, the Library Committee had to ask Mr Hall to retire in May 1935. At this time his wages were £3.15. 6 per week.
In an interview with the People's Journal reporter, he expressed his disappointment that he was unable to complete his 50 years' service, even though he was then 72 years old. The Library Committee agreed that he would receive a weekly allowance of 16/8 (sixteen shillings and eight pence) in recognition of his long and efficient service.
At his retiral presentation, he was presented by the City Librarian, G.M. Fraser, with "a beautiful chiming clock with Westminster and the new Jubilee chimes". Aberdeen Cinemas: Picture House / Gaumont
3404 Silver Screen in the Silver City (1988) by Michael Thomson explains that by 1950 the Picture House was owned by the Rank Organisation. The British entertainment conglomerate had acquired various cinema exhibition companies: British-Gaumont, Odeon, and the Provincial Cinematograph Theatres (successor company to Associated Provincial Picture Houses). As part of business rationalisation, on 22nd March 1950 the Picture House was rebranded as The Gaumont.
Thomson's Silver Screen indicates that the Gaumont's vertical neon sign dates from the time of the rebranding. In 1956 the design of the cinema was further updated. This saw the introduction of the illuminated canopy and use of the beech design shown here in the redeveloped interior and exterior, replacing the pillars of the Picture House era. A new marble backed fireplace replaced the old one that had been a well-known feature of the cinema since its opening in 1914. The projection equipment and seating were also modernised. This night-time image from the Aberdeen Journals Archive accompanied an article about the Gaumont's new look in the Evening Express of 19th April 1956.
The image shows promotion for a number of films on the cinema's updated exterior: The Rose Tattoo with Burt Lancaster and Anna Magnani, Flight from Vienna and Aberdeen Photographic Service's presentation of A Photographic Review of the Royal Tour of Nigeria.
The manager at the time of the Gaumont's redesign was Mr. R. E. Miller. He had managed the cinema since January 1948. In early 1951 Miller converted the upstairs restaurant area, which had laid empty since 1928, into a gallery space. Known as the Gaumont Gallery, it was ideal for photographic exhibitions and was in frequent use well into the 1960s.
Thomson states that during this period Mary Garden, the retired opera singer who returned to Aberdeen in 1939, was something of a regular at the Gaumont. This well-known and much-loved figure would be escorted to her seat by the cinema's commissionaire George Repper, who was also a popular and familiar figure. Repper worked at the Gaumont from 1940 to 1964 and his job was to shepherd queues, attend to patrons and ensure all progressed smoothly.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Treasure 17: A souvenir of Aberdeens Cinema
188 This excellent brochure was a souvenir from the opening of the Capitol cinema on Union Street. It was opened on Saturday 4th of February 1933. Despite inclement weather a large crowd gathered for the launch of perhaps the grandest cinema in the history of the city. The ambition of the new establishment is reflected in the design and extent of this brochure.
The Press and Journal reports: "The Capitol was opened to the public in the early evening, and for over two hours before the opening there was a queue in Union Street, while in the heavy rain in the evening hundreds of people were content to wait in the street queues."
The newspaper article stresses the local ownership of the cinema and the local craftsmanship that went into its construction. The Capitol was the undertaking of Aberdeen Picture Palaces Ltd., and was designed by A. G. R. Mackenzie and George Clement.
In the introduction to the souvenir brochure the chairman of Aberdeen Picture Palaces, A. D. Hay, writes "Here then stands the 'Capitol,' a proud, vital and stately landmark in the World of Entertainment. The 'Capitol' was built for you, it is your Theatre, an Aberdeen enterprise incorporating every known value of comfort, and every modern device for the presentation of 'Super Entertainment,' in the interests of Aberdeen patrons whom we feel confident will ever remain, loyal patrons of the 'Capitol.'
The cinema was official declared open by Baillie Watt and he echoed the above sentiments, stating that the Capitol was "the last word in the cinema world, and reflected greatest credit on all concerned in its design and construction."
One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of these adverts, such as that for S. B. Russell, bricklayer and contractor on Affleck Street, provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
"With a gold key, presented by Mr G. A. Wilson, advocate, one of the directors of Aberdeen Picture Palaces, Ltd., the proprietors of the new cinema, Mrs A. D. Hay, wife of Mr A. D. Hay, chairman of the directors, unlocked the main entrance door, and the Capitol, an Aberdeen-owned and Aberdeen-built hall of entertainment, was opened to the people of Aberdeen and the North of Scotland."
The opening day of the new cinema featured a varied evening of entertainment. The Press and Journal states "All the magnificent possibilities of the new theatre were embraced by the items of the opening programme. There was ballet, cinema and organ playing, each of notable worth." The ballet performance by the Henrietta Fuller Dancers was particularly praised. Mr Edward O' Henry played the theatre's new top of the line Compton organ.
At the opening ceremony, B. H. Gates, a director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them." Grand reform meeting held at Aberdeen, 18th May 1832
530 A colourised lithographed sketch of the Grand Reform Meeting that took place on Broad Hill, Aberdeen on Friday 18th May 1832.
Popular and parliamentary support for electoral reform had been growing across the United Kingdom in this period. At the time, only a small number of wealthy landowners had the right to vote, the franchise was geographically inconsistent, and the representation by members of parliament was out-dated.
This Aberdeen meeting, like many that took place around the country at the time, was organised following the House of Lords blocking the Third Reform Bill of Prime Minister Charles Grey (1764-1845), 2nd Earl Grey, and the subsequent resignation of Grey and his Whig ministers.
Newspaper accounts of the meeting indicate that attendees had just learnt that the Duke of Wellington (1769-1852), a Tory opponent to reform, had been unable to form a government following the resignation of the Whigs and an invitation from King William IV, and that the monarch had recalled Earl Grey.
Organised by prominent local supporters of electoral reform, the Reform Committee, the meeting agreed seven resolutions for presentation to parliament including the following: consternation at the bill not being passed, support of Earl Grey and colleagues, agreement to withholding national supplies (funding) from the government until the bill is passed, and that Joseph Hume (1777-1855), then MP for Middlesex, present the petition instead of the member for the Aberdeen boroughs, Horatio Ross (1801-1886), who was accused of backsliding on reform.
The report in the following day's Aberdeen Chronicle newspaper suggest the meeting was attended by 30,000 to 40,000 people. The Tory-leaning Aberdeen Journal, in its issue of Wednesday 23rd May 1832, page 2, gives an estimate of 15,000 to 20,000.
Contingents of various trades began to muster at Union Street West at about 1.30pm. A large procession proceeded east along the street and were joined by the Reform Committee from the Royal Hotel, 63 Union Street, located just after the junction with Market Street.
The full procession, with the Committee at its head and joined by deputations from the country, travelled to the Links via Castle Street, King Street, Frederick Street and Constitution Street. Several bands accompanied the procession and there were a large number of banners with reform slogans.
On the motion of Reverend William Jack (1768-1854), principal of King's College, Sir Michael Bruce of Stenhouse and Scotstown (1798-1862) was called to chair the meeting. John Angus (1799-1878), an advocate and later Town Clerk of Aberdeen, was the secretary.
Speakers included General Andrew Leith Hay of Rannes (1785-1862), Alexander Bannerman (1788-1864), Sir John Forbes of Craigievar (1785-1846), Alexander Blackie, banker, Thomas Burnett, younger of Leys (1778-1849), John M. Gerrard of Midstrath, Alexander Kilgore, surgeon, James Forbes of Echt, Alexander Stronach of Drumallan, James Nicol, advocate, William Allardyce, wine merchant, Harry Leith Lumsden of Auchindour, William Moir of Park and Alexander Forbes of Ainslie.
Both the account in the Aberdeen Chronicle and the speeches on the day remark on the disruptive potential of the crowd, under circumstances of reform not being progressed. Though the speakers urged those in attendance to continue in a peaceful manner.
Some speakers compared the fight for electoral reform to that for religious freedom in Scotland. There is explicit and repeated support given for William VI, but the Duke of Wellington is considered an inappropriate progressor of reform. The return of Earl Grey is promoted.
Faced with the prospect of William VI ennobling new Whig members of the House of Lords, Tory opponents of the Third Reform Bill abstained from votes and it passed through the upper house. The Representation of the People Act 1832 was given royal assent on 7th June 1832, and its Scottish equivalent around the same time, and came into law.
The Act was a substantial reform of Britain's antiquated electoral system, redistributing seats and changing the conditions of the franchise, but still left most people without the vote. Subsequent popular and parliamentary politics would led to further legislation and the fuller suffrage of modern times.
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