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Gordon's Hospital
101 Gordon's Hospital from 1731, designed by William Adam, was a school for the education of orphaned boys, endowed by Robert Gordon. His statue, by John Cheere, is seen above the doorway. Although completed by 1739, it was not occupied by pupils until 1750. John Smith remodelled and extended the building in 1833. It became Robert Gordon's College in the 1880s. The Castlegate
574 The Castlegate, Aberdeen. The Town House is in the centre of the photograph with the spire of the Tolbooth to the right. The Athenaeum Building is on the left and behind the statue of the Duke of Gordon is the headquarters of the North of Scotland Bank. Note the cannon to the left of the Market Cross.
In his Annals of Aberdeen (1818) William Kennedy states "In the year 1394, King Robert III granted to the burgesses and community a charter, dated 20th of October, by which he permitted them to build a tolbooth and court house, eighty feet in length, and thirty feet in breath, in any part of the town except in the middle of the market place. This edifice was accordingly soon afterwards erected on the north side of the Castlegate, on the site of the present town house." (page 403)
In 1615 a new prison replaced the one on this site and it stood for many years. It was largely replaced or subsumed by the new town house development in the 1870s, however the old Tolbooth spire can still be seen - as in this photograph (the right most spire). Marischal Street
732 This photograph shows Marischal Street at its junction with Regent Quay, looking north towards Castle Street.
It was built to improve the connection between the harbour and the main part of the city, which had previously only been accessible via the steep incline of Shore Brae and the Shiprow.
In 1766, the Town Council were successful in purchasing the unoccupied Lodging of the Earl Marischal of Scotland which stood on the south side of the Castlegate. It was then demolished to open up the way for the new street, named in the Earl's honour.
It was the first street in Aberdeen to be paved with dressed granite setts. Houses were built and were occupied by prosperous professional men such as Dr William Dyce; Andrew Roberston, William Young and Alexander Fraser; both to become Provosts of Aberdeen. These properties were mostly converted to commercial use in later years.
The buildings on the right were replaced by the long and narrow, neo-classical building, designed by Robert Gordon Wilson and built in 1901-02, that can still be seen today at 33 Regent Quay. Executive of Trades Council, 1939
2404 A collection of portraits of the Executive of Trades Council taken from William Diack's History of the Trades Council and the Trade Union Movement in Aberdeen (1939).
Top Row - James Hunter, Bakers ; Burnett Gordon, Shop Assistants ; David Roger, Unemployed Association ; Andrew Gray, Unemployed Association.
Second Row - Alexander Brown, N.U.G.M.W ; Robert A. R. Fraser, Shop Assistants ; David G. Campbell, Printing, Book-binding and Paperworkers (Vice-President) ; Gilbert W. Duthie, N.U.R.
Third Row - Veda Maitland, Shop Assistants (Assistant Secretary) ; James J. Stewart, N.U.D.A.W. (President) ; William McLean Brown, N.U.D.A.W (Secretary).
Fourth Row - George Munro, Plasterers ; William Walker, A.E.U. ; Margaret McGregor, Printing, Book-Binding and Paperworkers ; Neil Howie, Scottish Painters ; James Milne, A.S.W.
Fifth Row - Alexander T. Lumsden, Vehicle Builders ; William George Ingram, A.S.L.E. & F. ; William K. Park, E.T.U. ; George Miller, Boilermakers. Horse Drawn Carriage at Rosemount Viaduct
2860 A four horse drawn carriage leaden with passengers on Rosemount Viaduct. On the left of the image is the statue of William Wallace, in the background is most likely Black's Buildings and on the right is Schoolhill Railway Station. The spire that can be seen is likely that of Robert Gordon's College. These buildings and the absence of His Majesty's Theatre suggest the image was taken sometime between the 1890s or 1906. Walford Bodie
2996 In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain.
He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street, Aberdeen on 11 June 1869, he was the son of a journeyman baker called William Bodie and his wife Margaret and received his education at Robert Gordon's College.
He went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon' and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on the Earth.
At Aberdeen City Libraries we hold a family photograph album that offers an insight into the life and times of Bodie and his amazing family.
The inscription on this image reads "To Dear Nan with Fondest Love Sam". Aberdeen Theatres: Walford Bodie
3392 A profile photographic portrait of Aberdeen born magician and entertainer, Walford Bodie (1869-1939).
In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain.
He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street on 11th June 1869, he was the son of a journeyman baker called William Bodie and his wife Margaret and received his education at Robert Gordon's College.
He went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon' and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on the Earth.
The medical profession questioned his qualifications and right to the title of doctor. He would respond that his qualifications were from the United States, a country at the forefront of medical science, though he once conceded that the M.D. following his name in fact stood for "Merry Devil".
This photograph comes from a family photograph album, originally owned by Annie "Nan" Henry, held by Aberdeen City Libraries. Aberdeen Cinemas: Coliseum / New Kinema / Belmont
3433 An Aberdeen Journals Archive image of the Belmont Cinema in 1952.
The building that now houses the Belmont Filmhouse was originally built in 1896 as a Trades Hall to a design by architects Alexander Ellis and Robert Gordon Wilson.
The grey granite ashlar entrance at 49-51 Belmont Street leads to the main building, best seen from Union Terrace and Rosemount Viaduct. With multiple floors, the building makes full use of the different levels of the Denburn valley. Historic Environmental Scotland's statement of special interest for the building notes its tall and narrow design and bartizan towers at its far end, describing it as "a distinctive piece of architecture."
Michael Thomson explains that the Trades Hall provided much needed accommodation for meetings, social events and lectures. The main hall originally featured ceiling paintings by Robert Douglas Strachan (1875-1950), who went on to become an acclaimed stained-glass artist.
The construction of the hall was an ambitious and costly undertaking for Aberdeen's labour movement. This led to the hall being increasingly rented out for commercial performances, including cinematographic showings.
William Walker, a local cinematographic pioneer who was also a successful bookseller, leased out the building's main hall as a picture house. The Coliseum was opened on 22 August 1910 by Messrs Walker and Company and so began the building's long life as a cinema.
In July 1911 Glasgow's J. J. Bennell took over control of the Coliseum. Popular features of the venue during Walker and Bennell's time included short "topicals" that documented local life and live variety acts. Thomson explains that Bennell was also a pioneer of Saturday morning matinees for children.
In August 1913 Dove Paterson, another local pioneer who had opened Aberdeen's first permanent cinema on Shiprow, took over at the Coliseum. Paterson died unexpectedly in May 1916 and this brought a temporary halt to the Coliseum cinema. It briefly reopened in December of that year under the management of the Trades Hall, but this only lasted a couple of months before the cinema closed again.
The cinema was then managed by veteran singer D. Brown McGill, who made use of his established contacts in variety circles. His tenure saw the venue complementing its programme of film showings with a range of other entertainments including roller skating, boxing and dancing.
On 11th April 1921 the cinema reopened as the New Kinema, under the management of Henry Philips, who had previously run the Picturedrome on Skene Terrace. One interesting performer at the venue in 1929 noted by Michael Thomson was an illusionist called Carletta who conjured up rabbits to give away to patrons as pets.
In 1935 the then proprietors of the New Kinema, James Brebner and George Walker, were involved in the formation of the Caledonian Theatre public company. It was formed to purchase the site of the La Scala cinema and nearby buildings on Union Street with the intention of building a new super-cinema. In time this would become the Majestic.
June 1935 saw the renovation of the New Kinema and renewal of its heating plant, lighting and sound equipment. It reopened as The Belmont on the 24th of that month.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Gordon's Hospital
25 Gordon's Hospital from 1731, designed by William Adam, was a school for the education of orphaned boys, endowed by Robert Gordon. His statue, by John Cheere, is seen above the doorway. Although completed by 1739, it was not occupied by pupils until 1750. John Smith remodelled and extended the building in 1833. It became Robert Gordon's College in the 1880s. Treasure 54: On the Planting of Trees in Towns
229 Aberdeen was something of a pioneer when it came to the planting of street trees in Scotland. An article on the subject in the Aberdeen Journal from 1905 states: "As is constantly remarked by visitors, Aberdeen has great reason to be proud of its trees. In some respects, it can, in this direction, show the way to other Scottish cities."
Alongside St. Andrews, Aberdeen led the way in the extensive and effective planting of trees on city streets. This was largely due to the work of Aberdeen's first park superintendent, Robert Walker. The 1905 article states: "To those who know Mr Walker only as the busy man in charge of Victoria and Westburn Parks, the Union Terrace Gardens, the Links, and the grounds of Robert Gordon's College, the fact of his being an author may be new, but it is something to which Mr Walker can look back with pride, because the publication of 'On the Planting of Trees in Towns' was the means of stimulating the movement for tree-planting, not only in Aberdeen, but also in a good many more places in Scotland."
Walker's book, printed in 1890 at the University of Aberdeen, consists of two papers read before The North of Scotland Horticultural Association in 1889. The volume was issued by the two Aberdeen members of Mr Ruskin's Guild of Saint George after a strong request to publish was made by those unable to attend Walker's lectures. The book argues that trees should be planted not just in parks, but in city streets too: "The slight good effected by fine parks placed here or there towards the outskirts of a city is as nothing to what might be carried out by so planning and planting streets and roads, that the air might be comparatively pure and free, and the eye refreshed with green at almost every point."
The Aberdeen Journal states that the value of the book is "very much materially enhanced by illustrations of a number of our best-known trees from drawings from Sir George Reid, lithographed by Messrs Thomson and Duncan." George Reid (1841-1913) was a nationally renowned Aberdeen-born painter. A year after the publication of the book, in 1891, he was elected as the president of the Royal Scottish Academy and knighted by Queen Victoria. In 1905 he played a significant role in the extension of Aberdeen Art Gallery, determining the layout and contents of the building. He died at his home in Somerset in 1913 and was buried in St Peter's Cemetery, Aberdeen.
On the publication of Walker's book a copy was send to keen arboriculturist and habitual Prime Minister William Ewart Gladstone. The 1905 Aberdeen Journal article reports that, in his acknowledgement of the gift, Gladstone wrote that "he would read the book with the greatest pleasure, the subject being one in which he took a special interest." At the time, the post card with acknowledgment could still be seen framed in Mr Walker's house. The Journal article also states that the book has been unobtainable for a long time but that a copy is available to view at the Reference Department of the Public Library. Over a hundred years later this is still correct and the item now sits in our Local Studies collection.
"Trees not only afford shade and shelter," states Walker's book "but adorn the landscape and purify the air. They improve the heart as well as the taste; they refresh the body and enlighten the spirit. And the more refined the taste is, the more exquisite is the gratification that may be enjoyed from every leaf-building tree." Castle Terrace from Castlehill
427 This image was digitised from Artistic Aberdeen: A Sketch Book (1932) by W. S. Percy.
The book describes the scene as follows:
"Castle Terrace from Castlehill, looking towards the Maternity Hospital, with the Town House Tower in the distance. The Castlehill from earliest days has been associated with the military side of Aberdeen, and at the time of this publication is still occupied by the barracks which are the depot of the Gordon Highlanders. Castlehill overlooks river and sea, and it has been stated that earliest Aberdeen nestled in its shadow. Legend and history dealing in famous names such as William Wallace and Robert the Bruce and others not so dear to Scottish ears have surrounded Castlehill with the echoes of stirring events in Aberdeen's long history." |