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Red Cross Ambulance
364 A photograph from the presentation of a new ambulance by Aberdeen District engineering and shipbuilding firms to the Scottish Branch of the Red Cross Society on Monday 29th January 1917.
The vehicle, funded by subscription, was for use in Aberdeen and was handed over to Colonel J. Scott Riddell, the Red Cross Commissar. He can be seen fourth from the left in the group on the right.
The leftmost figure of that grouping is Lord Provost James Taggart. He presided over the presentation event that took place in the Red Cross Transport Headquarters on Holburn Street, visible here in the background. Taggart was a granite sculptor by trade and had a works nearby at 92 Great Western Road.
The location of this photograph is at the junction of Justice Mill and Holburn Street. A branch of the Summerhill Farm Dairy is visible in the background.
An account of the presentation and a list of subscribers can be read on page 3 of The Aberdeen Daily Journal for 22nd January 1917. A School of Dolphins: Kirky at Kincorth Library
2172 To represent the dolphin habitat, their shimmering skin and their bright, happy personalities every child in Kirkhill School made a glass tile with Shelagh Swanson from Oil and Glass to make Kirky a shiny and silky smooth sculpture Clearing the Line to Aberdeen in a Snowstorm
2202 A postcard image showing workers clearing railway tracks of snow. This scene is likely following the great snowstorm of 1908.
In the last week of December of that year, Aberdeen had such severe snowfall that it was cut off from the rest of the country by rail, and residents had shortages of bread and milk as carts were unable to make their usual deliveries.
Snow built up in the streets in banks of up to 6 feet in height. The council engaged over 600 men in the city-wide task of clearing the snow. J. Webster of Derbeth Farm Dairy
2244 J. Webster of Derbeth Farm Dairy on his milk round in a Swift car. He is outside a small general shop. Mansefield Dairy
2257 These premises in this 1905 photograph were situated at 203 Victoria Road in Torry just a few doors away from Mansefield Road from which it took its name. Torry was originally a fishing village on the south side of the River Dee and only became part of the city in 1891. The windows are full of advertising for Fry's Chocolate and there are boxes of biscuits from Gray, Dunn and Co. and from Sangsters. In the centre there is a row of jars of other varieties of sweets, which must have been a great temptation to any passing children. Union Street from Rose Street, Aberdeen
2723 An Adelphi Real Photograph Series postcard (no. 156) showing the western end of Union Street. On the left can be seen a sign for Findlay's Dairy (at 457 Union Street) and on the right is the spire of Gilcomston South Church. In the street are horse drawn carts, cyclists and the number 43 tram to Bridge of Dee. Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Tidal Harbour
3581 From the edge of the Tidal Harbour, most likely by Albert Basin, we look out to the mouth of River Dee.
North Kirkhill sits far in the background, partially obscured by two sailing drifters and a single steam drifter.
Berthed sailing drifters sit moored to the right, and a small steam tug pulls slightly out of the shot in the forefront of the image.
To the left, barely visible is the leading lighthouse. The waters are still. 31-33 Union Street
3829 Maypole Dairy Co., Ltd, a dairy, at 31 Union Street and G. H. Swapp, an optician, at 33 Union Street. Part of the door to Thomsons', a branch of the confectioners, at 35 Union Street can be seen on the right. Above G. H. Swapp can be seen offices of Mackay Brothers and Co., passenger, shipping, railway and tourist agents at 35a Union Street. The entrance to this business was beyond Thomsons'. This images dates from 1937. Books You Can Borrow from Aberdeen Public Library
461 This is the front cover of Books You Can Borrow from Aberdeen Public Library from November 1949. The publication was a quarterly pamphlet created by Aberdeen's library service that was aimed at the general public. It provided thematic lists of recommended titles that had been recently added to the lending stock.
Each number featured an introductory editorial that would provide updates on the activities of the library service or make comment on the subject of books and reading.
Issue number 1 of Books You Can Borrow from Aberdeen Public Library was published in October 1941. It begins with a section entitled 'Introducing Ourselves' by the then City Librarian, Marcus K. Milne. He writes "The issue of a Reading List is an experiment, the success of which depends on the use of the Library by its readers. It will be readily understood that it is only possible to give a selection of the books added to the Library, but the selection is a catholic one and no doubt everyone will find something to their taste."
Published in the midst of the Second World War, early issues of the pamphlet include many lists relating to the conflict; 'The Empire Fights', 'Blue Prints for Peace', and 'Wings Over Europe'. There are also many perennial and more everyday subjects such as 'Days in the Sun', 'General Literature', and 'Photography'. Each issues concludes with a listing of 'Stories for All Moods'.
There are also pages of illustrated adverts for local businesses at the beginning and end of each pamphlet. Companies such as Jamieson & Carry, Balgownie Dairy and Bakery and the Aberdeen Wireless College feature in issue number 1.
The illustrated front cover, showing Aberdeen Central Library, is believed to be the work of Fenton Wyness, the prolific local historian, architect, and artist.
At Aberdeen City Libraries we hold a collection of these pamphlets bound into 2 volumes, dating from issue 1 to number 33 from June 1954. It is likely the publication was stopped after this number, though this is not stated in the final editorial, as one might expect.
During this period, there was also regular, though shorter, listings of new additions to the Library's stock published in the Evening Express newspaper under the Books You Can Borrow title.
Milne concludes his introduction to the first issue with the following suggestion: "When you have finished with this Bulletin do not destroy it - pass it on to a friend, especially if he is not a reader from the Public Library." |