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Castle Street
673 A view of the buildings at Castle Street prior to their demolition for the construction of the new Town House (1867-1874) designed by Peddie and Kinnear.
The entrance to Broad Street is visible in the left foreground. The entrance further on is to Huxter's Row, which turned west and ran behind these building to exit on Broad Street. The Lemon Tree Hotel and the Bon-Accord Hotel were located on this lane. The former soon moved to 7-9 St. Nicholas Street.
Past the fortified facade of the Tolbooth, and its prominent spire, can be seen the entrance to Lodge Walk and Archibald Simpson's North of Scotland Bank premises, opened in 1842.
The signs in the shop windows likely give notice of imminent closure. A sign for Alexander Badenoch, an outfitter, can be seen at 12 Union Street. Further down, at what is likely Chapman and Co., tailors and clothiers, "Great bargains" are advertised.
In addition to the gas lamps and pollards, there is array of traffic on the cobbled street. Two night watchmen stand talking on the left. A Gordon Highlander, presumably coming from the nearby Castlehill Barracks, is outside Badenoch's shop. Two fishwives carry leaden creels to market. A large dog sleeps outside Chapman and Co. and various horse drawn vehicles are shown. Aberdeen Public Soup Kitchen
1191 Aberdeen Public Soup Kitchen was first established as a charity in 1800 in St. Mary's Chapel in St. Nicholas Church. It supplied a breakfast of coffee and bread and a lunch of bread, soup and a piece of beef or mutton to the needy of the city. In a period of nearly 240 days it supplied over 140,000 servings of soup and bread.
The Soup Kitchen moved to Loch Street in 1838 and this new building was opened by Lord Provost Stewart in December 1894. The ground floor dining room had accommodation for at least 50 people and the tables were marble topped. In 1926, a total of nearly 27,000 meals were provided with funding still coming from charitable donations since few could afford even the two pence (1p) for the lunch.
The building survived major developments in the surrounding area but in recent years its charitable purpose was no longer thought necessary, and it was converted into a café in the mid 1990s. In 2022, the building still stands at 41-43 Loch Street, with the covered walkway for John Lewis and the Bon Accord Centre to its south (to the left of this image). It is occupied by a outlet of the Jo Malone London fragrance and candle store. Union Street Looking East
2312 An Adelphi Series postcard looking east down Union Street. Trams for Rosemount and Queen's Cross can be seen in the centre of the image.
The premises of Knowles & Son, fruit growers and importers, can be seen on the right at 77 Union Street. They moved into this shop, previously occupied by booksellers Messers Brown & Co. in 1893.
A sign for Sangster & Henderson's Warehouse is visible high up on the side of a building in the background and the 2nd statue of Queen Victoria is visible in its original location at the junction with St Nicholas Street.
The postcard is number 148 from the Adelphi Real Photographic Series. Treasure 31: Hays' Isometrical View of Aberdeen 1850
2586 In September 1850 an advert appeared in the local papers of Aberdeen for "Hays' Isometrical View of Aberdeen, giving a Distinct and Correct View of the Whole City and Environs". We hold copy of the plan from 1850 in our Local Studies collection.
The plan was available to purchase for 3s. 6d. and measured 34 inches by 19 inches. Carvers and gilders, J. & J. Hays, had premises at 2 Market Street where they also sold prints and optical instruments. At the bottom left of the image we see the words George Wilson, Delt. (abbreviation of delineator, i.e. the artist). George Wilson was to find fame a few years later as George Washington Wilson when he became one of Scotland's premier photographers.
George Washington Wilson
George Washington Wilson was born in 1823 at Waulkmill of Carnousie in Banffshire and left school at 12 years of age to be an apprentice carpenter. He practised his artistic skills by drawing portraits of friends and neighbours and, after training at art schools in Edinburgh and London, he returned to Aberdeen to become an art teacher and portrait painter.
By the late 1840's Wilson was attracted by the work of Fox Talbot in the new art of photography and after initial experiments with a homemade camera, he advertised a business offering photographic portraits before eventually expanding into landscape photography.
A Bird's Eye View of History
Wilson created this panoramic view of the city by making numerous sketches from the roofs of high buildings and then merging them into one comprehensive drawing. We are looking north across the city from the harbour with Union Street running horizontally across the centre and Old Aberdeen in the far distance. We can see how small the city actually was at this time - open fields are visible just to the north of the west end of Union Street.
A key to the most prominent buildings was provided and it is interesting to see which buildings have survived until today, often with additions, and which had yet to be built. Robert Gordon's Hospital (now College), Marischal College, and various churches including the Triple Kirks and St Nicholas East and West are all still standing but the West Prison, Castlehill Barracks and the Poorhouse have been demolished.
Bird's Eye View 1889
In December 1889, the Aberdeen Free Press offered its readers an updated version of the Bird's Eye View as a supplement to their newspaper. Numerous changes to the landscape of the city had taken place since Wilson's view. Aberdeen from Torry
2671 A George Washington Wilson photograph of Aberdeen taken from across the River Dee in Torry.
Fishing boats are seen on the south side of the river. The spires of many Aberdeen landmarks are visible in the distance. The building on the far right of the image is the Castlehill Barracks. F. G. Main farm portrait
3354 A portrait by photographer F. G. Main of a young man and his horses at an Aberdeenshire farm. This was one of three photographs lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
Mr Finney believes the figure in the middle of this image may have been called Stephen Lorimer. This is uncertain however, as is any detail of the location shown. The image may relate to a local ploughing competition or event of this nature.
The figure in the background on the right of the image looks a lot like one of the five workers from Pitglassie shown in another of Mr Finney's images. This strongly suggests this image too is taken at, or connected to, the area and farms of Pitglassie in the Parish of Auchterless.
F. G. Main was an Aberdeen based photographer. Searches in old newspapers do not reveal a great deal about his career, however. As indicated on this card, he had premises in the New Market in Aberdeen town centre. Post office directories suggest this was numbers 39 and 40 in the gallery of the New Market.
Main also appears to have been active as the Electric Studio at 66 St. Nicholas Street. Additionally, searches indicate he operated studios at Aberdeen Sea Beach and at 47 Wellgate in Dundee. Richard D. Torrance in his Photographers in North-Eastern Scotland to 1914 (2001) has entries for both a F. G. Main and a Frank Main. These are likely one and the same photographer.
A newspaper notice for the birth of a son in 1914 indicates that F. G. Main lived at 245 Great Western Road at one time. We can find no obituary for the photographer. A cursory search of statutory records reveals that a Frank G. Main died in Aberdeen aged 65 in 1946. This may be the photographer in question. |