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Treasure 71: Crathie Churches and Royal Bazaar at Balmoral, September 1894
273 Every year Her Majesty the Queen and members of the royal family visit Balmoral Castle and during their stay they may attend services in Crathie Church. This treasure from our Local Studies collection highlights the close connection which has existed for well over a century between the Royal Family and the local church and people in Crathie.
Bazaar books were created to help raise church funds and this particular book is unusual as it was written and published after - rather than before - the bazaar took place. In this sense it might be regarded as a more accurate historical document. It was written by William W Philip, Assistant Forester at Balmoral, and the accounts given are based on his personal observations of the bazaar.
The royal family were closely involved in the organisation and running of the bazaar and it was opened by HRH Princess Louise on the first day and on the second day by her husband, the Marquis of Lorne.
The event was a lavish affair and took place close to Balmoral Castle in the aptly named Statue Park where statues of Queen Victoria and Prince Albert still stand.
Find out more about the vast array of items on sale and the entertainment on offer at the Bazaar in the Treasures from our Collections interactive exhibition on the touchscreen in Central, Airyhall, Tillydrone and Mastrick libraries.
Treasure 106: The Art of Illuminating
327 To further help celebrate the year of History, Heritage and Archaeology, we have on display this month some beautifully illustrated Victorian guides to medieval manuscript illumination:
- "The Art of Illuminating As Practiced in Europe from the Earliest Times." Selected & Chromolithographed by W. R. Tymms. With an Essay and Instructions by M. D. Wyatt Architect. (1860)
- "The Art of Illumination and Missal Painting. A Guide to Modern Illuminators". By H. Noel Humphreys. (1849)
- "Lessons in the Art of Illuminating. With Practical Instructions, And a Sketch of the History of the Art". By W. J. Loftie, B.A, F.S.A (1895)
One of the most iconic of all "Victorian" styles is that of the Gothic Revival. The idealistic and romantic ideas of chivalry, courage, modesty and beauty appealed to Victorian sensibilities. Furthermore, the rose-tinted notion of the Middle Ages as being an age of pastoral charm with knights in shining armour and damsels in distress, all cocooned in a nicely packaged and organised feudal system, served as an antidote to the rapid expansion and technological advances brought on by the Industrial Revolution. The new found interest in the study of medieval illuminated manuscripts was a consequence of this feeling, and as such we see a number of guides to and facsimiles of medieval manuscripts in the latter half of the 19th century.
To see some more beautiful examples of illuminated manuscript illustration, have a look at our online exhibition on the interactive screens. The Dying Confessions of William Gordon and Robert McIntosh
479 Five days before his execution, having murdered his wife, William Gordon recounts his crime. He recalls the evening of the murder. Both intoxicated, he and his wife went out. They had an amicable time. Gordon does not recall much from their return home, bar that he went for his pipe. He later discovered his wife dead. He declares having had no recollection of her death. Three weeks later, Gordon remembers having shoved her to the floor, to which she shouted 'Murder!'. Gordon also remembered having scissors in his hand, which leads him to believe that to have been the murder weapon.
This confession begins by citing the book of Hosea from the Christian Bible. Gordon then articulates the nature of his sin, confessing it to be the 'sin of drunkenness'. He compares the severity of his sin to the eternality of God's omnipotence. His confession warns its readers against sinning as he has. He does not apologise for the murder of his wife, instead expressing regret for becoming intoxicated. This marks the text particularly interesting for understanding perceptions of alcoholism and alcohol related crimes in nineteenth-century Scotland. Fascinatingly, though facing death, Gordon still devotes two paragraphs to acknowledging various people that supported him during his incarceration. Gordon concludes the main body of the text by imploring his audience to take up Christianity.
The confession is reprinted in Aberdeen's Journal, on 5th June 1822, five days after Gordon's execution. The paper confirms that Gordon authored this text, saying it was distributed by the Reverend Thom. The confession is well written and articulate, revealing the author's profound knowledge of Christian scripture. Gordon himself was from the parish of Cabrach, made a livelihood selling fishing tackle, and was aged around forty-five at the time of the murder.
The accompanying editorial declares that many had come to believe that the murder 'had been perpetrated by the unhappy man while under the influence of that most baneful of human vices, and, of course, a prey to all the evil passions which it naturally engenders.' The view that the death was caused by excessively drinking, and that the defendant had not consciously decided to murder her, was prevalent. Remarkably, 'many Gentlemen (including several of the Jury who tried him)' lobbied King George IV to commute Gordon's sentence. The judge, however, refused to capitulate.
Accompanying Gordon's confession is that of the twenty-two-year-old Robert McIntosh, on 29th May 1822. McIntosh describes the conditions of his imprisonment in the dungeon, expresses regret for the repercussions of his crime and prostrates himself before God. The Journal reports that McIntosh had murdered the forty-year-old Elizabeth Anderson of Crathie. The paper continues that McIntosh had slit Anderson's throat. At the time, Anderson had been promised marriage by him and was pregnant with his child.
The Journal reports the day of their execution. In the Old Court Room, Psalm 51 was sung. Gordon joined in loudly. As they went to the scaffold, both prayed. The paper reports McIntosh's nerves getting the better of him, and him being brought a glass of water. After Gordon finished praying, at twenty minutes past three, they were hung. Gordon passed very quickly. McIntosh, on the other hand, 'struggled considerably, and was convulsed for several minutes', due to the rope being improperly set up. The Journal reports that countless thousands witnessed their hanging, the first of its kind in seventy-years. |