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Lower Justice Mill, Union Glen
810 Justice Mills of one kind or another are first mentioned in the 1300s, and were the site of a famous battle. In their final form, an Upper Justice Mill occupied a site later partially covered by the Odeon Cinema building, while the Lower Mill stood in Union Glen, at the bottom of the steep slope with its mill dam above and behind it (see water wheel centre left). The left hand part of the building and the wheel were removed when the cinema was built, the dam was drained and a thoroughfare created into Union Glen, but the central and right hand parts survived, albeit derelict, into the 1960s.
The wagon in front of the buildings is painted with the business name James Alexander & Son, Grain Merchants. The 1866-67 Ordnance Survey large scale town plan of Aberdeen indicates that Lower Justice Mill was a corn mill.
A black cat can also be seen in the centre right of the image and a woman carrying some type of load is in front of the waterwheel.
Correspondent Geoffrey Mann has been in touch to inform us that in 1793 there was a miller at the Justice Mills called George Reid. This information was found from an Old Machar baptismal record for his and Margaret Smith's (his wife) daughter Elizabeth.
Coincidentally, there was another George Reid (1826-1881) who was a partner in the prominent seedsmen and agricultural implement makers, Messrs Benjamin Reid & Co., who had their Bon-Accord Works just to the east of the Justice Mills. The obituary of this later George Reid from The Aberdeen Journal 16/07/1881 states that at the time his death he lived with his two sisters in Justice Mill Lane. Aberdeen Cinemas: Regent / Odeon
3417 The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could.
Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland.
The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate.
The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following:
"Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base."
The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two".
The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks.
The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent.
On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] |