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Treasure 5: The Aberdeen Bon-Accord and Northern Pictorial Holiday Numbers
173 The Aberdeen Bon-Accord and Northern Pictorial was published weekly from April 1926 until June 1959. It delighted readers with news and sports items illustrated with high quality photographs. This image is from the cover of one of the special Holiday Numbers which were produced annually in June to promote Aberdeen as "The Mecca of Holidaymakers".
It is the cover of the 1932 number, and we have also uploaded that from 1935. The covers feature pleasing use of bold colours and graphic design. In this image we see a boat racing past a packed Aberdeen beach and the city's distinctive skyline in the background.
Come and visit our 125 Treasure exhibition in the Central Library during July 2015 to take a closer look at the full bound volumes of these remarkable newspapers. Treasure 44: Historic Children's Literature Collection
213 This month we feature beautifully illustrated children's literature from our historic collections to mark World Book Day on 3 March 2016.
World Book Day is a celebration of authors, illustrators, books and - most importantly - it is a celebration of reading. It is designated by UNESCO as a worldwide celebration of books and reading, and marked in over 100 countries all over the world. The main aim of World Book Day in the UK and Ireland is to encourage children to explore the pleasures of books and reading by providing them with the opportunity to have a book of their own.
Little Ann and Other Poems illustrated by Kate Greenaway is a first edition, published by George Routledge & Sons c. 1883. It contains 42 poems all illustrated in her charming style of dainty children dressed in typical Greenaway costume.
Catherine "Kate" Greenaway (17 March 1846 - 6 November 1901) was an English artist and children's book illustrator
Online resources Britannica Encyclopaedia provides a brief biography of Kate Greenaway:
"The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued".
Greenaway's work was praised by John Ruskin, a dear friend who said "her drawings are blissful just in the degree that they are natural; the fairyland that she creates for you is not beyond the sky nor beneath the sea but near to you, even at your doors. She does but show you how to see it and how to cherish".
In our collections we also hold a copy of 'Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends' from 1921.
"In 1890 Greenaway was elected to the Royal Institute of Painters in Water Colours, and in 1891, 1894, and 1898 she exhibited watercolour drawings, including illustrations for her books, at the gallery of the Fine Art Society (by which a representative selection was exhibited in 1902). From 1883 to 1897, with a break only in 1896, she issued a series of Kate Greenaway's Almanacs."
The Kate Greenaway Medal, established in her honour in 1955, is awarded annually by the Chartered Institute of Library and Information Professionals in the UK to an illustrator of children's books.
Treasure 49: Popular Fallacies Book
220 In 1924 Alfred Seabold Eli Ackermann (1867-1951), member of the Society of Engineers in London, published his book Popular Fallacies Explained and Corrected to explore common beliefs among the people of his time.
Filled with useful information and interesting facts, the book proved to be very popular and was republished many times afterwards. This month's treasure features the third edition, published in 1924, and held in our Reference Collection.
Only 460 fallacies were listed in the first edition. Our copy of the book features 890 new myths and analyses 1,350 in total. In an article published in the Yorkshire Post and Leeds Intelligencer, Ackermann provides details about the book, and describes what he considers to be a fallacy:
"A popular fallacy or error is something which is generally thought to be true, but which in fact is not, and it is remarkable for how long error may continue. It is a fallacy, for example, that a thick glass tumbler can stand hot water better than a thin one" (5 May 1924).
The book explores a diverse range of topics concerning animals, minerals and vegetables, science and technology, domestic environment, statistics, music, the human body, law, weather, and many other subjects.
Popular Fallacies remains interesting even today and reflects the popular myths of the era. In an amusing tone, it "explains in a new way entirely not a few of our long-cherished fads and freaks" (Dundee Courier, 9 November 1907). It also provides an important insight into societal views and scientific and engineering discoveries of the 19th and 20th Century.
British newspapers were very enthusiastic when the book was first published in 1907. The Framlingham Weekly News in Suffolk, England reported that: "[it] is remarkable to a student to notice how false notions gain currency and become unquestionably accepted as though they had behind them all the weight of the law, natural or man-made as the case may be." (26 October 1907).
Ackermann revised the book between the first and the third version. He also added new categories, such as astronomy, geography, etymology and a biography of famous people.
Treasure 68: Select Views of Edinburgh, from original paintings by Lieutenant Colonel Batty, 1831
268 To coincide with the Edinburgh International Festival, we are showcasing our collection of engravings and etchings of the city by early Victorian artists.
The engravings are extracted from Select views of some of the principal cities of Europe. From Original paintings by Lieutenant Colonel Batty which was published in January 1831 by Moon, Boys and Graves, known as the "printsellers [sic] to the King" and initially sold for £7.
Robert Batty (1789-1848) was an army officer and an artist who recorded and illustrated his many experiences of active service. Select Views are compiled of etchings and notes from his time spent serving abroad in cities such as Gibraltar, Lisbon, Rotterdam, Amsterdam, Brussels and Antwerp. In total, seven plates of Edinburgh were presented in the volume. Each plate is accompanied by a descriptive text published both in English and in French.
Many local and London-based artists contributed to the volume including Edward Goodall (1795-1870), W.R. Smith (active 1826-1852), George Cooke (1781-1834), and William John Cooke (ca. 1796-1865). The plates portray Edinburgh from different viewpoints with many featuring the city's iconic castle and skyline.
The collection depicts Scotland's capital through the eyes of 19th Century artists, residents and visitors to the city of Edinburgh and reflects the artistic style and techniques of Victorian Britain.
Find out more about the Victorian artists behind the engravings in the Treasures from our Collections interactive exhibition on our touchscreens. Treasure 78: Northfield and Mastrick Libraries
289 Both Northfield and Mastrick Libraries opened during the month of October in 1955 and 1957 respectively as part of a plan formulated by the Library Committee to extend the provision of branch libraries into new housing areas. From photographs, plans and news cuttings in the Library Archive we can take a look at the early history of both libraries.
In January 1950, building began on the Northfield estate, the first major housing development in post war Aberdeen. By June 1952, 800 families had moved to the area and were served by the mobile library which made evening visits to Marchburn Drive and Deansloch Terrace. These sites were very busy with over 9000 books issued and people often queued to use the service.
At a meeting of the Public Library Committee in January 1953 it was agreed to ask Aberdeen Corporation to erect a library building on a site in Northfield.
The construction of a new branch library began in the autumn of 1954. On 12 October 1955, the G. M. Fraser Branch (named in memory of the late City Librarian) was officially opened on Byron Square by Mr. Thomas Johnston, former Scottish Secretary.
The success and popularity of Northfield Library inspired the committee to open a similar unit on the adjacent housing estate of Mastrick. The first section of the new Mastrick Branch Library opened on Greenfern Road on 18 October 1957, with the second section opening in 1961.
View the Treasures from our Collection interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries to find out more about the history of Mastrick and Northfield libraries. Treasure 87: His Majesty's Theatre Posters
299 December 2016 marks 110 years since His Majesty's Theatre (HMT) was built on Rosemount Viaduct. The venue was designed by the renowned English theatre architect Frank Matcham (22 November 1854 - 18 May 1920) and opened with a production of Red Riding Hood.
His Majesty's Theatre is now operated by Aberdeen Performing Arts and remains an important part of the cultural life of the city. On its construction HMT replaced The Tivoli as Aberdeen's leading venue for plays and pantomimes. The Tivoli was sold two days prior to the opening of His Majesty's with the stipulation that it would not programme competing productions.
His Majesty's is the largest theatre in the north east of Scotland and continues to be a popular venue on UK's touring circuit. The venue's varied programme includes shows from London's West End and productions by Scotland's national arts companies.
Over the last 110 years Aberdeen City Libraries have collected a number of posters, flyers and programmes from throughout the history of our theatrical neighbour, some of which are on display here.
Take a closer look at posters from HMT's history on our interactive exhibition on the touchscreen. The opening of the line to Ferryhill in 1850
358 The Aberdeen Railway which connected the city by rail with the south for the first time had opened a station at Ferryhill just north of the River Dee in 1850, being joined there by the Deeside Railway from Banchory three years later. In 1854 the line was extended the final 600 yards to a terminus on Guild Street on a site now occupied by the Union Square Shopping Centre.
This lithograph was published in The Illustrated London News. It depicts the opening of the
line to Ferryhill in 1850. The temporary station building seems very substantial. The engine shed on the left still survives.
The Aberdeen Railway soon amalgamated with the Scottish Midland Junction Railway, which connected it with Perth, to become the Scottish North-Eastern Railway. In turn the SNER was absorbed by the Caledonian Railway in 1866. |