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Victoria Park
241 In 1871 Aberdeen Town Council decided to convert nearly 14 acres of Glennie's Parks, which had been used for cattle grazing, into a public recreation ground - Aberdeen's first public park.
Aberdeen's lack of a public park up to this point had become a contentious issue. For example, newspaper reports indicate that those opposed to the Municipality Extension Act of 1871 (which extended the boundary of the city, brought the functions of the Police Commissioners under the Council and incorporated the gasworks) repeatedly suggested that the expense involved in the new bill would be better used in the creation of a much wanted public park.
It is not unreasonable to suppose that this debate, and criticism of the Council, hastened the creation of Victoria Park. While work likely begun in 1871, it was not until March 1873 that the Improvements Committee of the Council recommended that the new park should be called "Victoria Park". At the same time, they also outlined a series of 13 rules and regulations for agreement by the full Council. There does not appear to have been an official opening for the new amenity.
Glennie's Park was not the only site considered for Aberdeen's first public park. Interest in such an undertaking was increasing at the same time as work was underway to divert the River Dee and improve the harbour. The new ground created in this latter project, encompassing the old, more northerly course of the river and the Inches, was a much proposed location for a park. Following the creation of Victoria Park this newly leveled ground was instead given over for buildings related to the expanding fishing industry.
A nurseryman called Robert Walker (1848-1930), originally from Perth, was chosen out of 450 candidates to be the city's first public park keeper and appointed to Victoria Park. He was likely largely responsible for the park's initial layout and appearance. His Press & Journal obituary (21/04/1930, p.6) suggests that prior to his appointment the site was "little better than a waste space".
Walker subsequently laid out Westburn Park, Stewart Park, Union Terrace Gardens and the Promenade. He also advocated and pioneered the planting of street trees. He served the Corporation for 46 years, retiring in 1919, and must be considered one of the unsung heroes of Aberdeen history.
This photograph, taken around 1900, shows one of the main paths leading to a large granite fountain, which was designed by J.B. Pirie. It is built of 14 different types of granite and was presented by the granite polishers and master builders of the city.
Since the park is almost in the city centre, it is an oasis of peace with its mature trees and, in spring, there are masses of flowering bulbs scattered through the grass. Watson Street Lodge
733 A photograph of the Watson Street Lodge in Victoria Park.
The figures standing in the doorway are most likely to be Robert Walker (1848-1930), the Keeper of Victoria Park, and his family; his second wife Christina Walker and daughters Elizabeth and Ann. Judging by the 1891 census and Robert's eventual obituary, the family also had at least five sons.
Walker was previously married to Isabella Robertson. She died on 24th November 1877. This photograph likely dates from the later 19th century.
Robert Walker was originally from Perth and was himself a son of a gardener. He came to Aberdeen as a nurseryman and in around 1871 was chosen out of 450 candidates to be the city's first keeper of parks.
He oversaw the creation of Victoria Park, Aberdeen's first public park, before going on to lay out Westburn Park, Stewart Park, Union Terrace Gardens and the Promenade. Walker was also an early advocate and pioneer of the planting of street trees.
For a number of years Aberdeen had two superintendents of parks, Walker and a Mr Peter Harper at Duthie Park. When Harper retired in 1914 Walker was appointed general superintendent.
Post Office directories indicate that Walker and his family lived at the Watson Street Lodge, also known as the Victoria Park Lodge, from its construction in around 1872 to his retirement in 1919. His residence at the lodge was part of the job. On retirement Walker moved to the relatively nearby 111 Westburn Drive.
He was succeeded as general superintendent of parks by William B. Clark, who resided at the West Lodge of Duthie Park. A man called Robert Duncan replaced Walker as the keeper of Victoria and Westburn Park.
Over the years Aberdeen has had substantial success and renown as an attractive, green city. A considerable portion of the credit for this success must reside with the pioneering and dedicated work of Robert Walker. Free Churches and Denburn
2263 This photo, taken from Union Bridge, shows the Denburn Valley being used as a bleaching green, prior to the creation of Union Terrace Gardens. The photo also predates the Denburn railway constructed in 1865 and the Belmont Street Congregational Church. The absence of Rosemount Viaduct means that Woolmanhill Hospital is visible in the distance.
The photo was probably taken in the early 1860s. It is almost certainly the work of noted Aberdeen photographer George Washington Wilson. The image is one of two that made up a stereo picture when viewed using a special device. This type of stereoscopy was an early method of creating the illusion of depth in an image by presenting each eye with a slightly different image. Wilson created a series of such views and they were sold by "A. Brown & Co., 77 Union Street".
This image was very kindly shared with Aberdeen Local Studies by Michael Eriksson from Södertälje, Sweden. We are always pleased to receive new images of Aberdeen and hear from our users. If you would like to share images with the general public or just get in touch, we can be reached at localstudies@aberdeencity.gov.uk. Union Terrace Gardens
2953 A James Valentine colourised postcard image showing Union Terrace Gardens. The photograph must be from before 1905 as there is no His Majesty's Theatre or extension to the Central Library visible on Rosemount Viaduct. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Regent / Odeon
3417 The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could.
Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland.
The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate.
The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following:
"Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base."
The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two".
The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks.
The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent.
On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Union Terrace Gardens: before and after 12
4296 The before image shows a pedestrian walking past planters and the Edward VII statue with trees in the background. Taken on 28/08/2019.
The after photograph shows new wildflower planting and the Union Street Pavilion behind Edward VII. Taken on 24/08/2023.
This composite image is part of a series by Roddy Millar showing Union Terrace Gardens and its surrounds before and after its major redevelopment. |