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Hall Russell shipbuilders
6 Hall Russell, Ship Builders, Marine Place c. 1950s/60s. Note the main office is off to the right. The entrance at the top of the stairs is to the loft, where scale drawing and templates were drafted. The shipwrights department was on the ground floor to the south of this building.
[Many thanks to Stanley Bruce for providing us with correct details on the building layout.] Union Street junction with Broad Street
18 Union Street at its junction with Broad Street, with the tower of the Tolbooth at the right of the photograph. Huxter Row, starting below the tower at the left of the photograph, ran parallel with Union Street to the Old Town House joining Union Street at right angles. These buildings were demolished in the late 1860's and the site is now occupied by the Town House designed by Peddie and Kinnear in 1874. Crown Street
27 Crown Street. The view of Crown Street changed when the block of three houses seen on the right was demolished to make way for the construction of the new General Post Office opened in April 1907. The shop seen on the left was Alexander Maver who was a tailor specialising in military uniforms. Image c.1897 Gallowgate
30 Gallowgate at Farquhar Place showing William Hobrow's confectionery and grocery shop (No. 218) at the left and W. Routledge and Son, rope and twine manufacturers (No. 219), on the right. Holburn Junction
32 Holburn Junction, looking towards Albyn Place (right) and Holburn Street (left), with Holburn Central Church in its original form (left), Babbie Law's sweet shop (centre) and the UF Christ's College (right). Babbie Law's corner was redeveloped in the late 19th century. Castlegate at Christmas time
44 The junction of the Castlegate and Union Street at Christmas. Note the sunken public toilets at the right of the photograph. They were filled in prior to the pedestrianisation of the Castlegate. Denburn Valley
48 The Denburn Valley Railway, shown here on the right, was constructed in 1865-67. It runs from the Joint Station at Guild Street north through the valley. To the left of the railway lines is Union Terrace Gardens which were opened to the public on 11th August 1879.
The closeness of the railway led to the gardens being nicknamed the "Trainie Park". The bandstand shown here in the centre of the park was removed in around 1931.
The iron footbridge visible in this image allowed access over the Denburn and railway between Rosemount and the city centre. It was replaced by the Denburn Viaduct which was built in 1886, at the same time as Rosemount Viaduct, by engineer William Boulton. Part of the footbridge was moved and reassembled in the newly created Duthie Park.
This image also predates the construction of significant buildings on Rosemount Viaduct such as the Public Library and the Free South Church (both dating from 1892). In the background, on the left of the image can be seen the houses at the foot of a then longer Skene Terrace. These are on the site later occupied by the library and church.
To the right of those houses are Black's Buildings. Local historian Diane Morgan explains that they were "a small curving crescent of tall tenements, four and five storeys high, [and] sat below the Royal Infirmary, Woolmanhill, just west of the apex of the Woolmanhill triangle. (...) The houses were built in stages between 1789 and 1830, by the wine merchant James Black." (Lost Aberdeen: Aberdeen's lost architectural heritage, 2004). The tenements were pulled down in 1957.
Woolmanhill Hospital, designed by Archibald Simpson and built 1832-1838, can be seen in the background. Chimneys of Broadford Works, the textile factory located between Ann Street, Maberly Street and Hutcheon Street, are also visible. Union Bridge
58 The Denburn looking southward towards and beyond Union Bridge, with the old Bow Brig in the distance and the houses adjacent. The Bow Brig featured largely in the social life of the inhabitants of the area. Note the bleaching green on the right of the print. Illustration taken from a plate drawn by Sir John Carr, 1807 Allenvale Cemetery from Kincorth
60 An early photograph of Allenvale Cemetery, taking shape in the middle distance, as seen from Kincorth, with Abbotswell Farm in the foreground.
A limited company called the Aberdeen Cemetery Company was established for the purpose of creating this new graveyard. A prospectus inviting public investment was published in the Aberdeen Journal of 29th January 1873. It reads as follows:
"It is well known that in Aberdeen cemetery accommodation is limited and insufficient, and it is generally admitted that its extension is necessary, and cannot much longer be delayed. It is therefore desirable to acquire additional space for that purpose, and to treat it in accordance with modern ideas and practice.
"This company has been formed for the purpose of providing an extensive Cemetery, in the neighbourhood of Aberdeen, suitable in all respects for the purposes of internment, and of easy access - but sufficiently removed from town to preserve its suburban character."
The new cemetery opened in late 1874 and, as we know, was a big hit. It was officially known as the Aberdeen Cemetery but quickly became known as Allenvale Cemetery, after the property on which it was built.
Allenvale saw major extensions in 1912 and 1932. A London syndicate purchased control of the graveyard from the Aberdeen Cemetery Company in 1958. Aberdeen Town Council subsequently took control of the cemetery in 1965 following the then owners going into liquidation and worries about Allenvale's future. Allenvale remains a fine example of a planned Victorian cemetery to this day.
Notable residents of Allenvale include John James Rickard MacLeod (1876-1935), co-discoverer of insulin, James Scott Skinner (1843-1927), fiddler and composer, and Mary Esslemont (1891-1984), the influential doctor. Though, of course, many interned at Allenvale would have their own interesting stories to tell.
In this photograph, Duthie Park, later created on the right, has yet to be landscaped. St. Machar Poorhouse, Fonthill House and Devanha House can all be seen in the distance. View of Old Aberdeen
70 Print of Old Aberdeen drawn by John Slezer. General view with the Crown Tower of King's College and the spires of St. Machar's Cathedral in the distance. The small building in the right foreground was the Snow Church - St. Mary ad Nives - which was demolished in the 1600's, although part of the burial ground survives. Old Aberdeen
71 A reproduced engraving showing the skyline of Old Aberdeen. The image looks north from around the lands of Sunnyside Farm.
In the foreground can be seen two agricultural labourers. On the skyline, going left to right, is the circular Powis Hermitage, on a hill, with its small spire, the twin spires of St. Machar Cathedral in the far distance, the tower of the Old Town House at the end of the High Street, which is protruding above the southern elevation of St. Mary's United Free Church.
Moving back along the High Street, the south facing front elevation, with bow windows, of Powis Lodge can be seen above the line of trees. The crown tower of King's College is across the street. The two minarets of the Powis Gateway are just next to it. Further along are the crenelations of Cromwell's Tower.
The tower on the far left of the image may be Dunbar's Tower.
The minaret gateway was finished in 1834 and this image likely dates from around that period. Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. St. Nicholas Street
78 St. Nicholas Street at its junction with Union Street, showing the statue of Queen Victoria (right). The premises of H. Samuel the jewellers is on the left. Union Bridge
81 Union Bridge, Aberdeen, from Bridge Street, looking east. The spires at the left belong to Kirk House, later a restaurant and bar, and to St. Nicholas Church. The corner of the Palace Hotel is just visible at the right. St. Nicholas Street
87 St. Nicholas Street looking up the Netherkirkgate. The old Frigate Bar is seen in the middle distance with the Wallace Tower to its right. The buildings on the right were demolished in the 1960s to allow Marks and Spencer to extend their store across the Netherkirkgate. The Wallace Tower was relocated to a site near Tillydrone and Seaton Park. Queen's Cross
90 Queen's Cross, Aberdeen, looking west. Rubislaw Church (architect J. Russell Mackenzie) 1875, is on the right. The structure in the centre of the street was part of the tramways system and was later removed to Hazlehead Park. Schoolhill
95 Schoolhill, Aberdeen. The building on the left is Aberdeen Art Gallery. The archway leads to Robert Gordon's College and the building at the far right was Gray's School of Art, which took its name from John Gray, an engineer who paid for the building. It was built in 1884 on the site of the Old Grammar School, hence the name Schoolhill. Honeybrae House
96 Honeybrae House. This house stood in the middle of a market garden near Morningfield Hospital about one-and-a-half miles west of Aberdeen City Centre. The lands were part of the old royal hunting forest of Stocket, given to the town of Aberdeen by Robert the Bruce. In the 17th century, it came into the ownership of the Skenes of Rubislaw and, in 1875, it was owned by Aberdeen Land Association. This two-storeyed house is most famous for its connection with the poet Lord Byron. In 1798, as a boy of about 10, he was taken there to spend a summer holiday while he was a pupil at Aberdeen Grammar School. At that time, it was probably a fairly new house, standing in its own grounds in a rural situation. He stayed there with his mother and their maid, Isabella Mitchell, before going to visit his old nurse, Agnes Gray. His room was on the first floor. By the 1830s, it was the home of a Captain John Boyd and later of market gardeners. Above the main door, there was a window whose thirteen small designed panes led it to be called 'the thirteen' window. By the 1920s, it had fallen into disrepair and the house was demolished in November 1928. The site was redeveloped for modern housing. Crimonmogate House
107 Crimonmogate House, Union Street, prior to its demolition in 1963/64. It stood just west of the Music Hall at the corner of Huntly Street. It was designed by John Smith in 1810 as a town house for Patrick Milne of Crimonmogate, Lonmay, near Fraserburgh. By 1840, it had passed to Sir Charles Bannerman and the original arched entrances to the garden behind were replaced by the wings seen in this photo. From 1874, it was the home of the Royal Northern Club until it moved to other premises in 1955. Plans were submitted in 1959 for its demolition, along with the YMCA next door, to make way for a supermarket. Massey's supermarket was opened in 1965. It was a branch of Somerfield, around 2007, and later Sainburys and the Co-op. Marischal College
127 Granite facade of Marischal College, Broad Street, with Greyfriars Church at the right.
Woodside electric tram
137 The inaugural procession on 23rd December 1899 for the electrification of the Woodside tram route, the first in Aberdeen to be modernised.
Lord Provost John Fleming is at the helm, with Tramways Convener Alexander Wilkie standing next to him, and Councillor Alexander Glass has his foot on the platform.
Next to Fleming and Wilkie, and above Glass, appears to be Alexander Lyon, provost between 1905-1908. Baillie James Taggart, also later to be provost, is the right-most figure in the back row on the roof of the car. Two to the left of Taggart may be James Walker, provost between 1903-1905.
James Alexander Bell, City Electrical Engineer for Aberdeen in the late 19th and early 20th centuries, is the bowler hatted figure on the stairs above Lord Provost Fleming.
This inauguration is detailed in an article titled 'Electric tramways in Aberdeen: Opening of Woodside section' in the Aberdeen Journal of 25th December 1899, page 7. It details the celebratory tram trip shown here and a luncheon in the Town and County Hall that followed. Interior of King's College Chapel
139 Interior of King's College Chapel, University of Aberdeen, Old Aberdeen, c.1900. King's College was founded by Bishop William Elphinstone under a Papal Bull issued by Pope Alexander VI on 10th February 1495. Marischal College was founded as an independent university in 1593 and the two became the University of Aberdeen in the Fusion of 1860. Work began on the College in 1500 and it took 6 years to complete the Chapel. This photograph shows the interior looking west, showing Bishop Stewart's pulpit on the right, through the nave and choir to the choir stalls and rood screen, with the antechapel behind it. Non-residents entered through the west door and occupied the antechapel, while students entered from the College Library via a special staircase within the rood screen. The central gallery of the screen is still used to house the organ. The 52 choir stalls, commissioned by Elphinstone, are "a unique survival as well as the finest of their king in Scotland". The finely panelled Renaissance pulpit of William Stewart (Bishop 1532-1545) bears his coat of arms and was originally in use in St. Machar's Cathedral. The timber ceiling was constructed soon after 1506 and was probably designed by John Fendour. It consists of a diagonal arrangement of ribs and widely spreading foliage sprigs radiating from centre bosses. The choir stalls and ceiling both show a strong Flemish influence. The Chapel is still in use today for University services and is a popular marriage venue for graduates. Woolmanhill looking towards Schoolhill
148 Photograph of Woolmanhill taken 1907, looking towards Schoolhill. This image is thought to show the house where Joseph Robertson (1810-1866), the journalist and historian, was born.
For more information on Robertson see the entry about him in the Oxford Dictionary of National Biography (available online with an active library membership) and an obituary for him can be found in the Aberdeen Journal of 19th December 1866, page 6.
Roberston was mostly likely born at 73 Woolmanhill. He and his family certainly appear to have lived at this address for some time. Robertson is listed at this number in the Aberdeen Directory 1833-34 (D. Chalmers & Co.), page 116. Additionally, a death notice for Robertson's mother, Christian Leslie, features in the Aberdeen Journal of 23rd March 1859, page 5, which gives her address as 73 Woolmanhill.
Exactly which of the shown buildings is Robertson's birthplace, or no. 73, is somewhat unclear. A Press & Journal article on "Historic Woolmanhill" from 6th June 1925, page 5, states "it was in the line of houses that separate Blackfriars Street from Woolmanhill that there was born in 1810 Joseph Robertson, who became the most noted antiquary of his day, the most accomplished that Aberdeen has produced." This would suggest that Robertson's birthplace is one of the buildings on the left.
This image featured in the Evening Express' 'Flashback' feature from 12th January 1985, page 12. The accompany information states "Joseph Robertson, an eminent historian and one time editor of the 'Aberdeen Observer' was born at 37 Woolmanhill - the tall building in the foreground of our picture - in 1810." This slightly vague description could refer to the building on the right of the image or perhaps to the first tall building on the left side of the road. The latter would accord better with other references. Additionally, the buildings on the right were known as Black's Buildings.
The above reference to "37 Woolmanhill" may initially suggest a confusion of 73 Woolmanhill, but the former is not without precedent. In Historical Aberdeen (1905), within an informative chapter on Woolmanhill, G. M. Fraser writes the following on page 149:
"Then hardly less remarkable, either in historical knowledge, or general scholarship, was Dr. Joseph Robertson, whose name appears so frequently in these pages, born in the unpretending house, still standing, No. 37 Woolmanhill. It is strange that in Aberdeen there is no public memorial of this distinguished man."
If 37 Woolmanhill is the correct address, 1950s Ordnance Survey mapping, which includes building numbers, suggests the relevant house may be the one in the centre of this image, of those on left, in the middle distance, just after the building marked as a tea warehouse. |