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Gala and Heather Day in the Duthie Park
395 This Adelphi Series postcard shows the Gala Day taking place in Duthie Park on 21st August 1915.
The Gala in Duthie Park and the accompanying Heather Day were both organised to raise funds for the Aberdeen Royal Infirmary.
The Gala Day is one of largest events ever to take place at the park. It was estimated that between 25,000 and 26,000 people attended. Tickets cost 6 pence (6d) for general admission and 2s 6d for carriages or motor cars.
Within the park there was an elaborate programme of entertainment and refreshments organised. Details of the programme were published in a 32 page booklet prior to the event. Upwards of 1,300 people took part in the programme.
Gates to the park opened at 3pm and the event officially commence at 3pm with a grand military parade. Lieut-Colonel A. H. Leith of Glenkindie, Garrison Commander, and Lord Provost James Taggart "took the salute" opposite the Hygiea statue.
The Gala and Heather Day were organised by a distinct committee; Taggart was its president and Alexander Findlay, Superintendent of Cleansing, was its chairman. Councillor H. J. Gray was the secretary and treasurer and Mr John Lints was his assistant. There were also conveners and secretaries for various sub-committees concerned with aspects like entertainment and refreshments.
There was a wide range of entertainment organised for within the park including singing, dancing, gymnastic displays, musical drill, motor cycle gymkhana and bayonet fighting. Various platforms saw performances from acts such as a company lead by D. M. Kinghorn, pierrots directed by Minnie Mearns, Dan Williams, and W. A. Craig's operatic choir. Charles Soutar lead a 500 strong choir of children from the city's public schools.
Practically all naval and military units present in the city were represented at the event and individuals from many of them took part in the sporting competitions. The day also included a 5-a-side football and tug of war competition. Preliminary matches for these took place prior to the day at Pittodrie Park.
The Gala Day was filmed and this was later shown as part of a special programme at the Picture House on Union Street from the 25th of the month.
Over £500 was taken at the gates for the event. Entertainment and refreshments within further increased the figure raised.
Heather Day itself generated another £474. This involved over 1,500 vendors going around all parts of the city selling sprigs of the plant. The sale started on the afternoon of the Friday and continued all through Saturday. Entertainment venues throughout the city were also visited.
The vendors were primarily young women and members of organisations like the boys brigade. Stores present in all areas of the city were replenished from a central depot at 173a Union Street. This in turn was supplied by the cleansing department buildings in Poynernook Road, where the preceding week had seen 200,000 sprigs prepared for sale. Peterhead, Inverurie, Ellon and Banchory organised their own Heather Days for the same fund.
The sum taken from both the Gala and the Heather Day was estimated at considerably over £1,000.
See the report in the Aberdeen Journal, Monday 23rd August 1915 page 8, for further details about the occasion. Settmaker at Persley Quarry
1071 The Aberdeen area had many granite quarries, and there was a need for men who had the skill to reduce huge blocks of granite into manageable pieces by chipping it with a variety of hammers, and chisels to produce the required shape and size. In this 1920's photograph we see a settmaker at Persley Quarry on the north side of the River Don in Aberdeen, at his wooden shelter or 'skaithie'. These shelters provided some sort of wind break for these men who had to sit on blocks of granite patiently working on the hard stone. Settmakers made cassies for roads and Aberdeen setts were used to pave streets in London. On his left is a tripod structure which acted like a small crane to lift the bigger stones into position. Note the lack of protective safety equipment apart from some extra padding on his knees. Bucksburn School
1137 A photograph showing Bucksburn School.
There have been many different schools in the area but we believe this image shows the old school located on the north side of the Inverurie Road just after Church Lane.
These building are understood to have been demolished in the latter half of the 20th century. Rothienorman Church
1730 Rothienorman is a village about 25 miles north of Aberdeen and 10 miles from Inverurie. The church began as a mission station in 1935, under Inverurie, before being raised to full status in 1947. In 1958, it became a joint charge with Culsalmond but it is now linked with Fyvie. Rev. Alexander Noble has recently been inducted to the charge but, at the time of this photo, the minister was Rev. Rodney Milligan, who had the charge from 1958. The church was designed by the Aberdeen architect, George Bennett Mitchell, in 1936. The roof is supported by arched oak beams which are painted black, as is the bell tower, in contrast to the grey harled walls. The pews came from the United Free Church in Rayne, while the communion table and chains in light oak were gifted by James Dalgarno, in memory of his wife. At first glance, its unusual design makes the passerby think that it is a private house but most visitors regard it as a beautiful building. The Aberdeenshire Canal
1789 This drawing shows a barge being pulled by two horses along the Aberdeenshire Canal, with the twin spires of St. Machar Cathedral in the background.
The Aberdeenshire Canal was opened in 1805 and ran for 18 miles from Aberdeen to Port Elphinstone, near Inverurie. It was first proposed in 1795 by various landed proprietors as a means of providing better transport connections for the rural interior of Aberdeenshire.
The new waterway was fed by the River Don and various streams and springs. Barges transported goods and fly boats or gig boats carried passengers.
In 1840, the goods transported included nearly 4000 tons of lime, 5000 tons of coal, 1124 tons of meal, 54 tons of salt, 110 tons of wood, 51 tons of granite, 43 tons of livestock and 8 tons of whisky. Passenger traffic was catered for by two iron boats, which made the trip twice a day in summer and once a day in winter. It cost 2 shillings (10p.) for the full journey or 2d. (about a half pence) per mile.
As a result of the number of locks to be negotiated at the Aberdeen end, passengers disembarked at the Boathouse at Kittybrewster, having completed the journey in 2 and a half hours. Goods traffic was handled by various barges, some of which belonged to the canal company. It took them 10-14 hours to complete their passage to Aberdeen Harbour. There were facilities for changing the horses at Dyce and Kintore.
In his book The Annals of Woodside and Newhills Patrick Morgan remarks that the canal "was a great convenience to the inhabitants, and a luxury to the boys for bathing in summer and skating in winter." There is no mention of girls using the canal for leisure purposes - perhaps they were required to stay at home and help with housework instead.
The canal increased the prosperity of the area that it served but it was never a huge financial success for its owners. Also it was about to be overtaken by a much speedier rival. Its demise as in other parts of the country was largely brought about by the coming of the railways. The Aberdeenshire Canal was bought over by the Great North of Scotland Railway and finally closed in 1854. The company gave £1000 as compensation for depriving the inhabitants of Woodside of the privilege of the Canal and to assist in obtaining a supply of water from other sources.
There is very little physical evidence to remind us that the Aberdeenshire Canal ever existed. However there is one quite substantial remnant which lies close to Great Northern Road - Warrack's Bridge was one of the original canal bridges and looking over the west side of the bridge the curve of the canal bed can clearly be seen. An Inverurie Portrait
1973 A studio portrait of an couple and their three children taken by Inverurie photographer Robert Brown. Stoneywood Paper Mill Group
1985 A group of people associated with the Stoneywood Paper Mill.
"The man in the centre name is William Ford, who was born in 1855. He was the manager of the counting house at Stoneywood Paper mill and these photos were of him and all the women who worked in the counting house. The photos are taken on the lawn in front of the Stoneywood Mill Canteen.
Incidentally William Ford was also one of the founders of Stoneywood Brass Band and can be seen with his trumpet standing to the left of the bass drum in the picture - he looks like he was in his late twenties".
The above information was provided by Mr Keith AM Ford, March 2016. William Ford was his Great Grandfather. The Aberdeenshire Canal
2008 This drawing shows a barge being pulled by two horses along the Aberdeenshire Canal, with the twin spires of St. Machar Cathedral in the background. The canal ran for 19 miles from Aberdeen Harbour to Port Elphinstone, near Inverurie, and was first proposed in 1795 by various landed proprietors as a means of providing better transport connections for the rural interior of Aberdeenshire. It was opened in 1805. Passenger traffic was catered for by two iron boats, which made the trip twice a day in summer and once a day in winter. It cost 2 shillings (10p.) for the full journey or 2d. (about a half pence) per mile. Because there were several locks to be negotiated at the Aberdeen end, passengers disembarked at the Boathouse at Kittybrewster, having completed the journey in 2 and a half hours. Goods traffic was handled by various barges, some of which belonged to the canal company. It took them 10-14 hours to complete their passage to Aberdeen Harbour. There were facilities for changing the horses at Dyce and Kintore. In 1840, the goods transported included nearly 4000 tons of lime, 5000 tons of coal, 1124 tons of meal, 54 tons of salt, 110 tons of wood, 51 tons of granite, 43 tons of livestock and 8 tons of whisky. The canal was purchased by the Great North of Scotland Railway Company and it closed in 1854, when the railway line was opened using part of the old canal route. There are still some remnants of the canal to be seen including milestones and the street names Canal Street and Terrace recall its existence. Police Headquarters
2111 The North-Eastern Counties Constabulary (later Grampian Police) headquarters, at the corner of Howes Road and Inverurie Road, Bucksburn. Staff moved in from 1963, from when this photograph dates, and it was officially opened by the Queen Mother on 14th May 1964. Upper Mill Farm, Bucksburn
2112 Upper Mill Farm, which became the site of the Bucksburn Headquarters of the North-Eastern Counties Constabulary, later Grampian Police, at the corner of Howes Road and Inverurie Road. Staffing began in 1963 and it was officially opened by the Queen Mother on 14th May 1964. Aberdeen Women's Alliance: Isabella Fyvie Mayo
2335 A photograph of poet, novelist and translator Isabella Fyvie Mayo (1843-1914) and cat taken from the frontispiece of her Recollections of Fifty Years (London: John Murray, 1910). Aberdeen Local Studies have a copy of this work in our collection. Pitglassie Group Portrait
3353 This photograph was one of three lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
This photograph by David Smith is a group portrait that appears to show five workers from the farm or area of Pitglassie in 1923. The image might have been taken at a local event or competition. This could well be a competitive ploughing team.
Pitglassie is an area with a number of farms located to the south of Turriff and north of the Kirktown of Auchterless. Ordnance Survey maps from the period show farms called Upper Pitglassie, Mid Pitglassie and North Pitglassie. There is also a Wood of Pitglassie and Crofts of Pitglassie.
The man in the middle of the lower row bears a resemblance to a figure from another of Mr Finney's images who is tentatively identified as a Fred Matthews. The man in the top left can be seen in the background of another of the three images. We do not have any knowledge about the other sitters.
Not a great deal is known about the photographer either. The card states David Smith is a "Photographic artist and picture frame maker" and that he is available for marriages and picnics. A search of old newspapers indicates there was a photographer called David Smith active in Inverurie in the 1910s. He appears to have lived in Souterford, a property that still stands today, though derelict, on the Oldmeldrum Road just after it crosses the River Urie, going out of the town. This may or may not be the David Smith who took this portrait. Aberdeen Theatres: Dufton Scott
3393 Robert Dufton Scott (1880-1944), born in Forgue, was another prominent North-East entertainer.
Much can be learnt of his life from the Press & Journal obituary that followed his death at his home at 3 Kirkland Terrace, Inverurie on 19th September 1944. He was sixty four years of age.
He is described as a well known elocutionist and exponent of Aberdeenshire doric. He spent his youth in Huntly and later moved to Aberdeen. The P&J suggest his "vivid delineation of Aberdeen life and character" quickly placed him at the forefront of Scottish entertainers.
He toured with Walker & Company, the local cinema pioneers, and appeared on the same bill as artists such as James Scott Skinner, Durward Lely, Mackenzie Murdoch and Jessie McLachlan.
He was associated with David Thomson at the Beach Pavilion and also appeared in concerts at the Music Hall.
Additionally, Scott found success publishing books of Scottish stories and broadcasting on the radio. In the 1910s he had moved to Inverurie and had set up business as a bookseller.
He was survived by his wife and three sons.
34-38 Loch Street (Swan Bar)
4343 A photograph looking south towards the Swan Bar at 34-38 Loch Street in around 1986 or 1987.
This image is one of a series taken by Aberdeen City Council to record buildings prior to the redevelopment of the area and construction of the Bon Accord Centre.
The Aberdeen Pub Companion (1975) by Archibald Hopkin describes the Swan Bar as "a small old pub just off George Street. It consists of a small lounge and public bar where darts figure prominently - the manager for many years was George Baxter who founded the Aberdeen Darts Association. The Lounge has its own door on Loch Street but not a separate bar counter. The range of drinks is unexceptional even for a brewer's bar but the pints of Tennant's lager or Bass special will not need any forcing down." (Page 108).
An account of the final night of service in this popular pub is given in the Press and Journal of Wednesday 15th April 1987, page 3.
All the buildings along this part of Loch Street were replaced with the north elevation of the new shopping centre. Treasure 25: Alexander Ogg, Land Surveyor: Inverurie, Aberdeen and New Zealand
196 November 27th 2015 marks the 150th anniversary of the death of the land surveyor Alexander Ogg. Local historian, and Central Library user, Dr Douglas Lockhart made the excellent suggestion that we celebrate this anniversary by displaying Ogg's rare Map of New and Old Aberdeen (1855) as a treasure for November.
The tremendous level of detail; annotation of residential and business occupants and the inclusion of various proposed city developments, make the map a particularly interesting historical item.
This version of the map was corrected to 1855 and published by J. Gellatly, 26 George Street, Edinburgh.
There is a brief description of the map in the bottom right of the sheet that reads:
"This map, continued from the Original Survey made in 1809, by John Smith Architect; has been revised and corrected to 1848, by Alexr. Ogg Land Surveyor; the Railways and Approaches by Alexr. Gibb, C.E. and the Harbour Improvements by James Abernethy, Harbour Engineer."
The National Library of Scotland hold a version of the map corrected to 1847 and published by D. Wyllie & Son, 111 Union Street, Aberdeen. It features a similar description to the one above, the only difference being it states it is corrected by Ogg to 1847.
There are visible differences between the two versions, particularly around the railway areas. How much these amendments are due to Ogg in 1848 or a later cartographer is unclear. Treasure 41: Mary Garden Record Collection
210 We hold a number of original vinyl records in our collections, including those of Mary Garden, a local girl who found global fame as an opera singer in the early 20th Century.
Born at 35 Charlotte Street on 20 February 1874, Mary Garden left her native Aberdeen around the age of nine when the family moved to America in search of better opportunities and a new life.
After a period of uncertainty and several moves, a young Mary accepted a role as a childminder in Chicago, with payment taking the form of singing lessons to further her obvious interest. By 1896, Mary had shown sufficient progress that she accompanied her tutor to Paris in a quest to pursue a career in opera.
Mary's first big break came in 1900, when she performed in the new opera, Louise after the main star became unwell. A series of leading roles followed in 1901, including Thaïs, Manon and Madame Chrysanthème. For the next decade, Mary courted both limelight and controversy as she portrayed leading characters on stage, while being romantically linked to various composers and directors off-stage. Adding fuel to these fires of speculation, Claude Debussy chose Garden to create the title role of his new play, Mélisande, overruling the preference of his own librettist.
At the outbreak of the First World War, Mary attempted to enlist in the French army - but with her identity discovered, she instead turned to nursing at a hospital in Versailles. When she returned to America, she continued to raise funds for the French Red Cross. Her efforts during both war and peacetime generated awards from Serbia and France.
Mary appeared in two silent films - the first released in 1918 - but she found difficulty adapting to the new medium and this separate career never took off. She returned to her first passion and continued to perform in opera until the mid-1930s.
In 1921, Mary was offered the role of director of the Chicago Opera Association, and as she was still performing - undertook both roles with fervour. Under her tenure, the Association took on many new and exciting artists and works.
At the outbreak of war in 1939, Mary chose to remain in Paris, until the German invasion forced her to escape, leaving all of her possessions behind. In June 1940, she returned to Aberdeen but the lure of teaching the next operatic generation proved too strong and she once again travelled to America to coach young stars and give lectures in 1949-1950.
By this time, it appears that Mary's memory had started to suffer - evidenced by the 1951 autobiographical publication Mary Garden's Story which was riddled with factual errors. The book received disastrous reviews and possibly led to her decision to reside permanently in Aberdeen from 1954.
Mary died in 1967 in the House of Daviot, a country hospital near Inverurie, aged 92. Fifty friends attended a small ceremony. A small commemorative plaque is located at 41 Dee Street where the Garden family lived, and a small garden is dedicated to her memory in Craigie Loanings.
Although she remains relatively little known in her native Aberdeen, Mary's legacy is considerable in the United States - particularly in Chicago where her stewardship of the Opera Association is still remembered fondly.
Treasure 46: The Aberdeen Herald
217 When the first weekly issue of The Aberdeen's Journal was published by James Chalmers in January 1748 who would have guessed it would still be in production today (admittedly with several changes of title and ownership) as The Press and Journal.
The monopoly of The Aberdeen Journal, as it soon became, remained almost unchallenged throughout the eighteenth century but the nineteenth century saw the publication of several competing newspapers. Most of these were short-lived but included The Aberdeen Herald, and General Advertiser for The Counties of Aberdeenshire, Banffshire, and Kincardineshire, which was published between 1832 and 1876.
We hold the first copy of this weekly newspaper in our collections. It was printed and published by George Cornwall, and was issued on Saturday 1 September 1832. It succeeded an earlier paper called The Aberdeen Chronicle which had been in production since 1806. The Aberdeen Journal was seen then as politically neutral but the Herald is described as Whig-Radical and its opening advertisement states "In fact, the chief object of The Aberdeen Herald will be to obtain a cheap, efficient, and patriotic system of Government".
Since the Herald was published on a Saturday while the Journal appeared on Wednesday, it was able to include articles which would have been old news by the following Wednesday and could also provide updates to news from earlier in the week.
The newspaper cost 7d which was far beyond what an ordinary person could pay and restricted readership to the wealthy. This high cost was a result of taxes imposed by the Stamp Act of 1712 which was not abolished until 1855. Papers could then be bought for 1d and there was freedom to produce mass-circulation newspapers with improved text layout.
The front pages of newspapers, even as recently as the early 1900s, did not contain news stories but were filled with adverts - business, theatrical events, shipping, property and public notices. The issue of The Aberdeen Herald for 21 April 1866 contained an advert explaining the change of name for the town of Inverurie. Local historian, Dr Douglas Lockhart, provides the following account of the town's name change.
The market town of Inverurie was one of the fastest growing places in Aberdeenshire during the mid-nineteenth century when its population increased from 735 in 1821 to 2524 in 1871. Many factors contributed to rapid growth at this time including good communications, initially by turnpike roads and the Aberdeenshire Canal to nearby Port Elphinstone, and from the mid-century it lay astride the railway line between Aberdeen, Elgin and Inverness.
Further advantages were the extensive agricultural surroundings, markets and successful local businesses. Surprisingly Alexander Smith in A New History of Aberdeenshire, which was published in 1875, has little to say about the transformation of the town. However, he wrote a lengthy paragraph to describe how 'INVERURIE was, in former times, written Inneraury, Ennerawrie, and Hennerawie, and latterly Inverury' and he notes that the name meant "the confluence of the river of the margin".
On 5 February 1866 the Council met to discuss what appears to have become a growing problem - mail was being sent to Inveraray in Argyllshire because Inverury was not listed by the Post Office as a Post Town. The solution was simple: "return to the ancient spelling of the Burgh as Inverurie and to memorialise the Postmaster General to have it set down on the Lists as a Post Town". The Postmaster agreed to the name change and the scene was set on 19 April for the Council to discuss advertising the new arrangements. The wording of an advertisement was approved and it was decided to place it in the Edinburgh Gazette, Aberdeen Journal, Aberdeen Free Press, Aberdeen Herald and Banffshire Journal and "to endeavour to get the Railway Company to alter the spelling of the Station in their Tables".
Inverury officially became Inverurie the following day and on 21 April The Aberdeen Herald announced the change of name in the advertising columns of its front page. The Banffshire Journal in addition to printing the advertisement also published a glowing report on building activity in the burgh and noted that "within the memory of living inhabitants [the town] has been thoroughly regenerated".
Aberdeen Local Studies holds files of many local newspapers on microfilm, including the Aberdeen Herald and the Free Press. A digitised partial file is also available on the British Newspaper Archive which can be freely consulted online in the Central Library using your library card. Treasure 99: Local Fiction Collection
318 A lesser known part of our Local Studies stock is our substantial collection of local fiction.
The collection ranges from well-known figures like Lewis Grassic Gibbon to more obscure authors, largely forgotten in the history of literature. As way of an introduction to this sizable collection we will consider some of the lesser known authors in the collection and explore their lives. During the years of 1892 to 1894 Aberdeen City and Shire was home to the eccentric artist and man of letters, Frederick William Rolfe (1860-1913), also known as Baron Corvo. Rolfe was a Londoner who came from a strict and respectable family of Dissenters. He left school early before working as a schoolmaster and tutor. In Local Studies we have a copy of perhaps his most challenging work, Don Renato: An Ideal Content. It was published posthumously by Chatto & Windus in 1963. This is an experimental novel, taking the form of a diary of a fictional chaplain and physician in 16th century Rome.
Another author in our collection is William Gordon Stables (c.1837 - 1910), born in Aberchirder, who was the son of a vintner in Marnock and later Inverurie. During his time in the Navy and later in the merchant services, he worked and travelled all over the world including the Mediterranean, Africa, India and the South Seas. He wrote over 130 books and is primarily remembered as an author of boy's own adventure stories such as The Cruise of the Snowbird (1882), Wild Adventures Round the Pole (1883), and From Pole to Pole (1886). We hold a large number of Stables' novels. The volumes, published by a variety of companies, are often quite beautiful with intricate designs and illustrations on the binding and inside to accompany the story.
To learn about more interesting authors in our collection, have a browse in the Treasures from our Collections interactive exhibition. |