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George Washington Wilson's works
1261 In 1875, the photographer George Washington Wilson acquired a vacant site at St Swithin Street, near Queens Cross, when he was forced to leave his premises at Glenburnie which were required for redevelopment. By late 1876, this building had been constructed and his stock of materials had been transferred. On the evening of 14th June 1882, a fire broke out in the offices and nearly all his stock of prints and much of his machinery were lost. However, because his negatives were stored in part of the building which was not destroyed, his business could continue and rebuilding took place. This photograph shows the shell of the building after the fire. Because of his Royal connections he received a telegram of sympathy from Queen Victoria at Balmoral. Concourse of the Aberdeen Joint Station
2642 The concourse was dominated by the train departure board, manually operated of course. In front of this was the bookstall, complete with posters announcing the latest news.
The shell in the centre of the concourse was used by many as a meeting place and is still there today. Rosie's Cafe
2667 Rosie's Cafe on the corner of Esslemont Avenue and Rosemout Place, photographed on 24th January 2018. The address is 137 Rosemount Place.
The cafe and takeaway is part of a social enterprise that provides vocational training, support and work experience for people recovering from acquired brain injuries, mental health and a range of other conditions. They also operate a framers and craft shop at 45-49 Holburn Street.
Rosie's Social Enterprise developed out of a craft workshop organised by Turning Point Scotland. The cafe in Rosemount opened in 1999.
The enterprise has won a number of awards over the years and has successfully bid for lottery funding. In 2012 they launched a wedding stationary business. Aberdeen Cinemas: Regal / ABC / Cannon
3396 An Aberdeen Journals Archive photograph of the Shiprow entrance to the Regal cinema in February 1961. The cinema is advertising showings of Saturday Night, Sunday Morning with Albert Finney, Linda with Carol White and Alan Rothwell, and Pathé News.
The Regal was opened on Monday 26th June 1954 by Associated British Cinema (ABC). The opening of this substantial cinema was the conclusion of a long and much delayed enterprise.
This Shiprow site was previously the location of Aberdeen's first permanent cinema, Dove Paterson's Gaiety. It had later become the Palladium and had laid shuttered for close to seven years when the owner put the site up for sale in early 1937.
Bert Gates of Aberdeen Picture Palaces (APP) put in an offer and made plans to build a very large cinema at the location. Michael Thomson in Silver Screen in the Silver City (1988) suggests that had this plan gone ahead it would have made the local company a force with which to be reckoned.
Gate's plans were thwarted however when another offer for the property from ABC (Cinemas) was accepted. ABC were a major cinema operator throughout the UK, at the time second only to the Rank Organisation, which owned the Odeon and Gaumont chains. ABC's arrival in Aberdeen would offer stiff competition to local companies such as APP. Both in terms of having the best venues and having the best films to show in them.
ABC's arrival in Aberdeen did not go smoothly, however. It was not until 1939 that the cinema's plans received official approval. War was declared not long after construction had begun and in 1941 the project was stopped by government restrictions that halted the construction of non-essential buildings where roofing had not already been started. Only the outer shell had been built at Shiprow and the building would subsequently lie incomplete for over a decade.
After much campaigning, including by local MP Hector Hughes, the government finally gave its consent and on 28th October 1953 ABC announced that work on the Regal would recommence. The plans for the cinema were modernised and construction was quickly finished.
The completed Regal was an impressive, modern cinema with a seating capacity of 1,914. Its inaugural film was The Knights of the Round Table and the opening gala was attended by stars Richard Todd and Anne Crawford.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Queen's
3420 The building that housed the Queen's cinema was initially built in 1836-37 to a design by John Smith for the Society of Advocates in Aberdeen. It was their first purpose-built meeting hall and library in the city. The society sold this building at 120 Union Street in 1870 and moved to new premises in Concert Court, where they remain to this day.
After varied use as a restaurant, billiard hall, and salesroom, the building was converted into a cinema in 1913 by its then owner Robert J. Mackenzie. He shortly afterwards opened a companion cinema, also called the Queen's, in Stonehaven's Allardyce Street.
Michael Thomson in Silver Screen in the Silver City (1988) explains that by the late 1920s the Queen's Rooms Cinema Syndicate was struggling. In the spring of 1927 James F. Donald made an offer for a majority share interest in the company and this was accepted. On 24th July of that year, a re-seated and redecorated Queen's reopened under Donald's operation. This revitalised the venue and it became a popular picture house once more.
The cinema saw its first talking picture, So this is College, on 6th August 1930 and was advertised at the time as "The Finest and Clearest Talkie House in Town". A severe fire at the Queen's Cinema in 1936 led to the reconstruction of the building's interior. Thomson states that the granite outer shell was all that the rebuilt cinema, designed by architects George Watt & Stewart, had in common with its predecessor.
The Queen's was a popular cinema for much of the 20th century. This Aberdeen Journals Archive photograph shows the cinema in 1969 at its prominent location at the junction of Back Wynd and Union Street. Its large display boards are advertising screenings of the film Never Mention Murder.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Treasure 22: Aberdeen Public Library - Children's Book Week Programme, May 1945
193 Our featured treasure from the Library archive is a programme describing lectures and exhibitions held in the Central Library Juvenile Department during Children's Book Week 21-26 May 1945. It's really quite different compared to events held for Book Week Scotland, 23-29 November 2015 and the Scottish Children's Book Awards 2015-2016!
The first Children's Book Week organised by the National Book Council/League (now the Book Trust) started in November 1931. Aberdeen received a letter suggesting the "Public Library should be the pivot of local book week activities". However the Library Book subcommittee deferred consideration and instructed the City Librarian meantime to keep in touch with the movement in view of further developments. Surprising there was no uptake considering a reward scheme had been introduced in 1924. Young readers who had completed one year's membership and read at least 12 books during the year were presented with a Library badge with the name of the Library round the outside and the city arms in heraldic colours in the centre.
It was not until 1945 that the Education Department and public library together organised a programme of events, including book displays, lectures and films with a couple of well-known speakers - Nan Shepherd and Dr. W. Douglas Simpson. Over 2000 pupils from schools visited the Library in organised groups and perhaps as a result of the "How to Use Your Library" talk 400 young people applied for membership. Equally important were the beginnings of cooperation between the library and education authorities and the adoption of a scheme of Library visits as part of the school curriculum. Interestingly the Education Committee proposed payment of £117 towards the salary of Library staff for their time spent during the visits.
Treasure 41: Mary Garden Record Collection
210 We hold a number of original vinyl records in our collections, including those of Mary Garden, a local girl who found global fame as an opera singer in the early 20th Century.
Born at 35 Charlotte Street on 20 February 1874, Mary Garden left her native Aberdeen around the age of nine when the family moved to America in search of better opportunities and a new life.
After a period of uncertainty and several moves, a young Mary accepted a role as a childminder in Chicago, with payment taking the form of singing lessons to further her obvious interest. By 1896, Mary had shown sufficient progress that she accompanied her tutor to Paris in a quest to pursue a career in opera.
Mary's first big break came in 1900, when she performed in the new opera, Louise after the main star became unwell. A series of leading roles followed in 1901, including Thaïs, Manon and Madame Chrysanthème. For the next decade, Mary courted both limelight and controversy as she portrayed leading characters on stage, while being romantically linked to various composers and directors off-stage. Adding fuel to these fires of speculation, Claude Debussy chose Garden to create the title role of his new play, Mélisande, overruling the preference of his own librettist.
At the outbreak of the First World War, Mary attempted to enlist in the French army - but with her identity discovered, she instead turned to nursing at a hospital in Versailles. When she returned to America, she continued to raise funds for the French Red Cross. Her efforts during both war and peacetime generated awards from Serbia and France.
Mary appeared in two silent films - the first released in 1918 - but she found difficulty adapting to the new medium and this separate career never took off. She returned to her first passion and continued to perform in opera until the mid-1930s.
In 1921, Mary was offered the role of director of the Chicago Opera Association, and as she was still performing - undertook both roles with fervour. Under her tenure, the Association took on many new and exciting artists and works.
At the outbreak of war in 1939, Mary chose to remain in Paris, until the German invasion forced her to escape, leaving all of her possessions behind. In June 1940, she returned to Aberdeen but the lure of teaching the next operatic generation proved too strong and she once again travelled to America to coach young stars and give lectures in 1949-1950.
By this time, it appears that Mary's memory had started to suffer - evidenced by the 1951 autobiographical publication Mary Garden's Story which was riddled with factual errors. The book received disastrous reviews and possibly led to her decision to reside permanently in Aberdeen from 1954.
Mary died in 1967 in the House of Daviot, a country hospital near Inverurie, aged 92. Fifty friends attended a small ceremony. A small commemorative plaque is located at 41 Dee Street where the Garden family lived, and a small garden is dedicated to her memory in Craigie Loanings.
Although she remains relatively little known in her native Aberdeen, Mary's legacy is considerable in the United States - particularly in Chicago where her stewardship of the Opera Association is still remembered fondly.
Mr Bannister's first night
470 A broadside from 1811 announcing the exclusive show of Mr Bannister, referred to as "the first comedian of the British stage".
This would have been the actor John (or Jack) Bannister (1760-1836). An entry, written by Joseph Knight and revised by Nilanjana Banerji, for Bannister can be found in the Oxford Dictionary of National Biography (available online with an active library membership). Bannister was a pupil of David Garrick, of the Drury Lane Theatre in London, and was one of the foremost comic actors of his day.
For six nights, Bannister was to perform in a comedy, Bold Stroke for a Wife, a comic song, The Tortoise-shell Tom-cat, and a farce, The Prize; or 2, 5, 3, 8.
These appearances in Aberdeen may have been part of a tour of the provinces and Ireland that Bannister commenced in 1809. His ODNB entry explains that the tour, comprising a monologue entertainment and songs, was called Bannister's Budget and was a financial, popular, and critical success.
Appealing to the expected high level of the entertainment, the reputation of the performer, and the great distance from Aberdeen to London, the theatre's manager, Mrs Mudie, hoped the public would understand slightly increased ticket prices for seats in the theatre's boxes and pit.
Tickets could be purchased from a variety of local booksellers; Messrs. Stevenson, Mortimer, Gordon, Spark and Watson or from a Mr. Phillips at the theatre's box office.
The Theatre Royal mentioned in this document, the first permanent one built in Aberdeen and opened in 1795, is no longer in use. It was turned into a church after the construction of Her Majesty's Opera House (later the Tivoli Theatre), which opened in 1872.
This playbill broadside was printed by Chalmers & Co. The document is referenced and transcribed in an Aberdeen Journal article from 26th November 1906, page 3, titled 'Two Aberdeen play-houses'. The article suggests that this might be "one of the earliest specimens of a local playbill probably in existence." |