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Victoria Park
241 In 1871 Aberdeen Town Council decided to convert nearly 14 acres of Glennie's Parks, which had been used for cattle grazing, into a public recreation ground - Aberdeen's first public park.
Aberdeen's lack of a public park up to this point had become a contentious issue. For example, newspaper reports indicate that those opposed to the Municipality Extension Act of 1871 (which extended the boundary of the city, brought the functions of the Police Commissioners under the Council and incorporated the gasworks) repeatedly suggested that the expense involved in the new bill would be better used in the creation of a much wanted public park.
It is not unreasonable to suppose that this debate, and criticism of the Council, hastened the creation of Victoria Park. While work likely begun in 1871, it was not until March 1873 that the Improvements Committee of the Council recommended that the new park should be called "Victoria Park". At the same time, they also outlined a series of 13 rules and regulations for agreement by the full Council. There does not appear to have been an official opening for the new amenity.
Glennie's Park was not the only site considered for Aberdeen's first public park. Interest in such an undertaking was increasing at the same time as work was underway to divert the River Dee and improve the harbour. The new ground created in this latter project, encompassing the old, more northerly course of the river and the Inches, was a much proposed location for a park. Following the creation of Victoria Park this newly leveled ground was instead given over for buildings related to the expanding fishing industry.
A nurseryman called Robert Walker (1848-1930), originally from Perth, was chosen out of 450 candidates to be the city's first public park keeper and appointed to Victoria Park. He was likely largely responsible for the park's initial layout and appearance. His Press & Journal obituary (21/04/1930, p.6) suggests that prior to his appointment the site was "little better than a waste space".
Walker subsequently laid out Westburn Park, Stewart Park, Union Terrace Gardens and the Promenade. He also advocated and pioneered the planting of street trees. He served the Corporation for 46 years, retiring in 1919, and must be considered one of the unsung heroes of Aberdeen history.
This photograph, taken around 1900, shows one of the main paths leading to a large granite fountain, which was designed by J.B. Pirie. It is built of 14 different types of granite and was presented by the granite polishers and master builders of the city.
Since the park is almost in the city centre, it is an oasis of peace with its mature trees and, in spring, there are masses of flowering bulbs scattered through the grass. Plan of the Harbour of Aberdeen
292 Plan of the Harbour of Aberdeen with its alterations as proposed 1787 by Mr. Smeaton.
Demolition of Torry Brickworks chimney
310 A photograph of the demolition of the largest of the chimney stalks at the Torry brick and tile works that took place on Saturday 12th September 1903.
The photograph illustrates the method employed to fall the 175 foot structure, by the overseer Peter Tawse, as described in the Press & Journal:
"The preliminary work of cutting a gap in the chimney near the base was early accomplished by three of the skilled tunnellers employed by Mr Tawse at the Girdleness outfall sewer. As the gap widened, stout wooden props were put in to support the structure. The gap was carried to more than half the circumference of the chimney, and the sight of the weighty pile supported on one side by only a half-dozen wooden props was certainty sufficient to make one nervous. The gang was under the charge of a Lancashire foreman, and they worked away, pipe in mouth, quite unconcernedly.
"The gap having been completed, a charge of dynamite was inserted at the bottom of the props, and a time fuse attached to each.
"Excitement reached a high pitch among the spectators when the signal was given to fire the fuses, and the crowd began to edge further away when the smoke was seen curling round the props, and as the workmen bolted to get beyond the danger zone. First one charge and then the other exploded with a sharp report, but it was not until the props at the extreme ends of the half circles were blown to splinters, that the chimney showed any sign of moving. It then came down, as a spectator remarked, - 'Jist like a rum'le o' bricks.' It slid rather than fell straight down at first, but the top portion toppled over in a south-easternly direction, exactly on the line expected by the contractor. It was all over in a couple of seconds, and certainly it was a sensational sight - so quick, so clear, so safe."
P&J, 14/09/1903, page 6. Dyer's Hall Lane
685 A photograph looking north-west across Dyer's Hall Lane in 1904.
This lane and row of cottages were situated south of Union Street near the Hardgate at what was soon to become Willowbank Road.
Some of these cottages were thought to date to before 1789. Though some would be more recent than that. The lane's name derives from when the old Dyers' Association met there.
The houses were roofed with red pantiles which were replaced with asbestos when the roofs began to leak. They had outside stairs to the upper floors and water taps outside the door.
The Town Council felt that it would be too costly to preserve the cottages despite their historic interest. They were among the few remaining examples of 18th century houses in the city.
They were demolished in 1956 to make way for extensions to the Station Garage.
The tall chimney in the background likely belonged to the nearby North of Scotland Distillery (formerly known as the Bon-Accord Distillery).
Dyer's Hall Lane was replaced by Willowbank Road in around 1906. This was the first part of a new thoroughfare, incorporating Springbank Terrace, that would connect Holburn Street to Wellington Road (later South College Street).
An article detailing the improvement scheme can be found in the Aberdeen Daily Journal of 21st March 1906 on page 4. Sandilands Chemical Works
845 Foundation work for the new granulation plant, Sandilands Chemical Works. In the background are the old lodge buildings which became laboratory and office buildings in the later history of Sandilands. The granular fertiliser produced by the new plant was based on ammonium phosphate and as such was a more concentrated chemical fertiliser than that produced on superphosphate base. The batch mixer was replaced by a continuous mixer and the plant produced approximately 20 tons per hour, 24 hours a day, every day. James J. Wilson's bakery fleet, Bucksburn, 1910s
1140 James J. Wilson's bakery fleet, Bucksburn - this photograph dates from the 1910s, when the shop and bakery at 13 Auchmill Road was owned by James Wilson. Here we see his horse-drawn vans setting out on their deliveries to homes and shops in the area. By 1920, however, the shop and bakery belonged to James S. Rodger and "Rodger's Bakery" was to be a familiar store in Bucksburn for more than 30 years. It is now the parent shop of Chalmers of Bucksburn Ltd., which owns shops all over Aberdeen and Deeside. Astoria Cinema, Aberdeen
1152 The exterior of the Astoria Cinema, Clifton Road, Kittybrewster, Aberdeen, c.1960. In 1934, a new cinema was built on part of the old Central Park, just north of Kittybrewster Auction Marts. It was designed by the architect, T. Scott Sutherland, and was opened on 8th December 1934, with space for more than 2000 people. Its proximity to the relatively new housing areas of Kittybrewster, Powis, Woodside and Hilton should have ensured its success. It was made of concrete over a steel framework, with the roof sloping in a series of steps to produce the best acoustics. It had a colour scheme of light pink, invory and brown with walnut panelling and 2 miles of Wilton carpet. It closed on Saturday 13th August 1966, re-opening later that month as a Bingo Hall but that only lasted a few months and it finally closed in January 1967. In April 1967, it was being demolished and the site redeveloped as a shopping complex. The cinema had had one of the latest Compton theatre organs, which had been removed piece by piece and restored to be placed in the hall of Powis Academy. In November 1982, an arson attack destroyed the organ. Alexander Ledingham Portrait
2140 This portrait of a woman is also by Alexander Ledingham of Rosemount. The photographer's stamp is present in the bottom right corner. The woman is standing by a chair that can be seen in other Ledingham portraits so this was obviously a recurrent prop. The painted backdrop in this picture suggests the setting of a large estate house.
The subject of the photograph wears a rather serious expression which was the convention in 19th and early 20th century photography. This was a continuation of the tradition of painted portraiture and suggested the stature and respectability of the subject. The great American writer Mark Twain wrote, "A photograph is a most important document, and there is nothing more damning to go down to posterity than a silly, foolish smile caught and fixed forever." Stillness was also required due to the exposure times of early photography. The Astoria Cinema
2268 The Astoria Cinema on Clifton Road, Woodside.
In 1934, a new cinema was built on part of the old Central Park, just north of Kittybrewster Auction Marts. It was designed by the architect T. Scott Sutherland and was opened on 8th December 1934 with space for more than 2000 people. Its proximity to the relatively new housing areas of Kittybrewster, Powis, Woodside and Hilton should have ensured its success.
It was made of concrete over a steel framework, with the roof sloping in a series of steps to produce the best acoustics. It had a colour scheme of light pink, ivory and brown with walnut panelling and 2 miles of Wilton carpet. It closed on Saturday 13th August 1966, reopening later that month as a Bingo Hall but that only lasted a few months and it finally closed in January 1967. In April 1967, it was being demolished and the site redeveloped as a shopping complex.
The cinema had had one of the latest Compton theatre organs, which had been removed piece by piece and restored to be placed in the hall of Powis Academy. Tragedy befell it in November 1982, when, in an act of vandalism, a youth set fire to the hall and the organ was totally destroyed. Treasure 36: Aberdeen City Libraries' First Book Sale, 24 February 1979
2327 National Libraries Day has been held every February since 2011 to celebrate and raise awareness of libraries, library staff and their communities all over the UK. It is an opportunity for libraries to showcase and promote what they have to offer and to attract as many visitors as possible to local libraries.
This month our selection from the Library archive brings the focus to a Library event the likes of which has never been seen before or since in Aberdeen City Libraries. The photograph shows the queue for the first ever Library book sale held in the Ballroom of the Music Hall on Saturday 24 February 1979, when well over a thousand people swarmed through the doors to grab a bargain. The Press and Journal covered the event with the headline: "Bonanza Day for Bookworms; bargain hunters pack the Music Hall".
In September 1978 the Aberdeen District Council's library committee agreed to a recommendation from City Librarian Peter Grant to hold a sale of more than 30,000 books which had been withdrawn from stock for various reasons. There was also considerable duplication of stock following local government re-organisation in 1975 when Aberdeen inherited six former county branch libraries.
Books were divided into three categories: Children's, Adult Fiction and Non-Fiction (including reference books) and prices were kept low at 20p for fiction books and non-fiction titles slightly more at 50p.
Best sellers included children's books purchased by play groups, out of date encyclopaedias and Whittaker's Almanacs, and bound volumes of National Geographic Magazine. By the end of the day, the event was deemed an overwhelming success, selling over 13,000 books and raising more than £3645 for the purchase of new stock.
The hard work and dedication of the Library staff was recognised by the Convener of the Library Committee Councillor Henry Rae who said "It turned out to be a resounding success and this was achieved by the dedication of the staff".
199 Union Street
2800 F.W. Woolworth & Co., Ltd. at 119 Union Street in 1937. This first 3d and 6d department store in Aberdeen opened at 50-52 St. Nicholas Street on Saturday 18th October 1919. The lowest price was 1d and nothing cost more than 6d (2 and a half pence). Although they were an American company, goods were of British manufacture and straight from the factory - hence the low prices. Crowds of spectators had peered through the windows before the opening preview on the Friday afternoon when over 35,000 people visited the premises. On the Saturday, the shop was open till 9pm and was so thronged that a policeman had to regulate the crowds. Around 1927, this second store was opened at 119 Union Street and this 1937 photograph still shows the 3d and 6d advertising and window displays of pyramids of pans, tins and other household goods. "Woolies" moved to the Bon Accord Centre when it opened in 1990 and these Union Street premises have later been occupied by McDonalds, while the St. Nicholas Street premises were demolished for the St. Nicholas Centre. ROBERT GORDON'S REMUNERATIVE RELATIONS WITH DANZIG
2874 In 17th century Poland, business was at its peak. At the time the country had the same population as Russia. The port town of Danzig - now known as Gdansk - was a worldwide trading centre to which many people migrated in order to make their riches.
It may be a shock to you, but in 1570 the number of Scottish immigrants in Poland was estimated to be 30,000. This is an immense number of immigrants when compared to the relatively small population of Scotland in the 16th century. One of these migrants was Robert Gordon (1668-1731), later to be the founder of Gordon's Hospital; which is now known as Robert Gordon's College and the Robert Gordon University.
Robert Gordon was a merchant trader during his time in Poland and he was successful from early on in his career. With a fortune of £10,000 amassed in Poland he invested in the rebuilding of Marischal College, lent money to estate owners and funded Robert Gordon's School for Boys.
In his Founder's Day oration of 1935, former Gordonian, Sir Alexander Roger, described presenting to the Polish government a photograph of the letter Robert Gordon wrote in 1700 from Warsaw to the people of Aberdeen, describing his plans to set-up up his hospital, and the reaction from the recipients:
"My Polish audience were more than ordinarily interested to learn what the writer of that letter, with a fortune strenuously acquired from Poland two hundred years ago, had been enabled to found a college in Scotland which today offered inestimable benefit balanced and liberal education to a thousands boys." Aberdeen Press and Journal, 27th April 1935
The image to the left is a reproduction of a painted portrait of Robert Gordon taken from The History of Robert Gordon's Hospital Aberdeen 1729 - 1881 (1896) by Robert Anderson. Aberdeen Portraits: Group No. 8
3110 Group No. 8 from Messrs G. W. Wilson & Co.'s Aberdeen portraits series published in 1907. An article in The Aberdeen Daily Journal of 27th April 1907, page 4, states:
"There are few more interesting local pictures than the two groups of photographic portraits of Aberdeen public men which were published by Mr G. W. Wilson in the very early days of photography - in 1856 and 1857.
These groups were selected and arranged by Mr (afterwards Baillie) George Walker, who is one of the very few survivors of the 196 note worthy Aberdonians portrayed; and an animated description of one of them is given by Mr William Carnie in 'Reporting Reminiscences.'
A third group was published 1896; and most of the faces presented in it have likewise vanished from the scene. The happy idea has just occurred to Messrs G. W. Wilson and Co. to reproduce these three groups, along with six other groups (containing 100 portraits each) selected from the large collection of negatives taken at the firm's Crown Street studio between 1852 and 1896.
The nine groups thus constitute a collection fairly representative of the leading men of Aberdeen during the latter half of the nineteenth century. They are printed in permanent collotype, and are encased in a handsome portfolio, an index of names also being supplied. But each group can be had separately, and is so mounted as to be available for framing; while copies printed on gelatine paper are also to be had, and copies of the single portraits may be secured.
Messrs G. W. Wilson and Co. claim - and probably with every reason - that this series of portraits is unique, no other city having a similar portrait gallery of its leading citizens, covering practically the whole period between the beginning of the photographic portraiture on paper and the end of the nineteenth century." Aberdeen Portraits: Group No. 9
3111 Group No. 9 from Messrs G. W. Wilson & Co.'s Aberdeen portraits series published in 1907. An article in The Aberdeen Daily Journal of 27th April 1907, page 4, states:
"There are few more interesting local pictures than the two groups of photographic portraits of Aberdeen public men which were published by Mr G. W. Wilson in the very early days of photography - in 1856 and 1857.
These groups were selected and arranged by Mr (afterwards Baillie) George Walker, who is one of the very few survivors of the 196 note worthy Aberdonians portrayed; and an animated description of one of them is given by Mr William Carnie in 'Reporting Reminiscences.'
A third group was published 1896; and most of the faces presented in it have likewise vanished from the scene. The happy idea has just occurred to Messrs G. W. Wilson and Co. to reproduce these three groups, along with six other groups (containing 100 portraits each) selected from the large collection of negatives taken at the firm's Crown Street studio between 1852 and 1896.
The nine groups thus constitute a collection fairly representative of the leading men of Aberdeen during the latter half of the nineteenth century. They are printed in permanent collotype, and are encased in a handsome portfolio, an index of names also being supplied. But each group can be had separately, and is so mounted as to be available for framing; while copies printed on gelatine paper are also to be had, and copies of the single portraits may be secured.
Messrs G. W. Wilson and Co. claim - and probably with every reason - that this series of portraits is unique, no other city having a similar portrait gallery of its leading citizens, covering practically the whole period between the beginning of the photographic portraiture on paper and the end of the nineteenth century." Old Gateway, Marischal College
3127 A photograph showing the gateway on Broad Street that once lead through to Marischal College and Greyfriars Church. It was demolished to make way for the new frontage of the College opened in 1906. On the right can be seen a small part of the College Gate Clothing House.
The following description is given on the back of this undated printed image:
"The City of Aberdeen has risen rapidly within the last decade or two in population and in importance as a commercial centre, and those conducting its business have from time to time found it necessary to adapt themselves and their premises to the altered circumstances. There is no business in connection with the Drapery Trade which has developed more than that conducted by the Proprietor of Greyfriars Warehouse. The business was commenced in 1867, in a small shop with one window on the east side of Broad Street, in front of Marischal College. Two years later a double shop adjoining was added, and, in 1878, the premises known as Greyfriars Buildings were opened, with several new departments.
"Ultimately these were found to be insufficient for the rapidly increasing business, when three blocks of buildings were secured on the west side of Broad Street, fronting Marischal College. These were partly rebuilt and arranged so as to admit of the introduction of new departments, such as Furniture, Carpets, Bedding and General Upholstery, and during the past year an entirely new block has been erected." Fingal's Cave on Staffa
3332 This photograph was taken by George Washington Wilson.
Wilson made arrangements with a local man, Sandy Macdonald, for a rowing boat with four oarsmen to take them to Staffa. George Walker described the problems experienced by Wilson when small clouds racing across the sky caused variations in the light levels thus affecting the exposure times needed for his glass plates.
However, Wilson's skill was such that only one plate of two dozen images was under-exposed. Walker notes "so much were Wilson's views in demand at this time that he could have sold each of these negatives for £10, (about £800 today), thus making £230 (nearly £20,000 today) as his day's work but by selling the views taken from these he must have turned out much more than this large sum". Aberdeen Theatres: His Majesty's Theatre
3356 Seating more than 1400, His Majesty's Theatre is the largest theatre in North-East Scotland and is now a category A listed building.
Situated on Rosemount Viaduct, it was designed by the architect Frank Matcham and costed £35,000. It was originally built as a replacement for the former Her Majesty's Theatre (now the Tivoli), meeting the need for a larger venue and better staging facilities.
Robert Arthur, the theatre impresario, submitted the plans for the new theatre in 1901. Construction started in 1904 and it opened on the 3rd December 1906 with a production of the pantomime Little Red Riding Hood, of which you will see the programme next in this exhibition. The pantomime played to a full house on its opening night and ran until the end of the year to great success.
Arthur's company presented plays, opera and pantomimes until 1912, when it ran out of funds. Robert Arthur Theatres Ltd. sold the theatre in 1923 to Walter Gilbert, managing director of the Tivoli Theatre. It changed hands again in 1932, after Gilbert's death, when it was bought by Councillor James F. Donald. The new owner refurbished the venue and introduced new features such as a revolving stage and a cinema projector.
In 1975, Aberdeen City council bought the venue, then allocated £3.5 million to give it a new life. After being closed for 23 months, His Majesty's Theatre was reopened on the 17th of September 1982 by Prince Charles.
In 2004, the theatre was once again closed for refurbishment. It reopened in 2005, renovated and modernised with a new green room, a coffee shop and re-upholstered seating. Aberdeen Theatres: The Music Hall and Union Street
3372 The Music Hall opened in 1822 as Aberdeen's Assembly Rooms and was designed by Archibald Simpson; the building was originally intended as a place for the elite to socialise.
In 1858, the Aberdeen Music Hall Company bought the building and a large concert hall was added, reopening as the Aberdeen Music Hall in September 1859. The building was refurbished in the mid 1980's, spending more than £2.5 million, and reopening in 1986.
The Music Hall has been run by Aberdeen Performing Arts since 2004 and celebrated its 150th anniversary in 2009.
The latest renovations took place between 2016 and 2018 and the Music hall has been a vibrant part of Aberdeen since then, welcoming artists and entertainers. Aberdeen Theatres: Libraries' book sale
3378 This photograph shows the queue for the first ever Public Library book sale held in the Ballroom of the Music Hall on Saturday 24 February 1979, when well over a thousand people swarmed through the doors to grab a bargain. The Press and Journal covered the event with the headline: "Bonanza Day for Bookworms; bargain hunters pack the Music Hall".
Books were divided into three categories: Children's, Adult Fiction and Non-Fiction (including reference books) and prices were kept low at 20p for fiction books and non-fiction titles slightly more at 50p.
Best sellers included children's books purchased by play groups, out of date encyclopaedias and Whittaker's Almanacs, and bound volumes of National Geographic Magazine. By the end of the day, the event was deemed an overwhelming success, selling over 13,000 books and raising more than £3,645 for the purchase of new stock. Aberdeen Theatres: Pavilion programmes
3382 For more than 30 years Harry Gordon, one of Scotland's most talented comedians of the 20th Century, dominated Aberdeen's entertainment industry and prompted local historian Fenton Wyness to describe him as "possibly the only real attraction Aberdeen beach has ever had". Aberdeen Local Studies hold a collection of bound volumes of Beach Pavilion programmes, published between 1924 and 1940.
The Beach Pavilion opened in 1905 and later became the home of Harry Gordon, the Laird of Inversnecky and one of Aberdeen's most popular comedians. He entertained visitors at the Beach Pavilion throughout the 1920s and 1930s, helping to make the Beach Pavilion one of the brightest and best places of entertainment in town and brought many world-famous artists to Aberdeen.
The final curtain came down with the Second World War. Due to its vulnerable location, many people were reluctant to go the Beach and the Pavilion was closed during the war years. It was re-opened in 1946 (although Harry Gordon had given up his tenancy by then) and continued as an entertainment venue. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: News Cinema / Curzon / Cosmo 2
3426 An Aberdeen Journals Archive photograph of the Cosmo 2 cinema at 15 Diamond Street in January 1976.
This site was first used as a picture hall by the News Cinema which opened on Saturday 5th September 1936. This was only the second cinema of its type to open in Scotland. Michael Thomson explains that news cinemas aimed to entertain those with only limited time, with programmes lasting approximately an hour made up of comedy and local interest shorts, newsreels and cartoons. They were ideal for travellers waiting for connections or those passing time before appointments.
The News Cinema in Aberdeen was owned by Ernest Bromberg and was located next door to the Palais on Diamond Street. The cinema was converted from a former stable building that Bromberg had owned since 1931. Thomson states that "the acoustics and the RCA talkie system were excellent, and all in all the little cinema more than made up in comfort and quality for what it lacked in size."
The News Cinema made its own local newsreels that documented happenings in the town. In October 1941 one of these captured footage of the tragic fire that destroyed the upper section of the Palace Hotel and killed 6 people. Major national events such as coronations and the second world war were also heavily represented in the News Cinema's programme.
On 4th April 1955 the cinema was rebranded by Bromberg as the Newcine Continental and specialised in showing films from Europe, which were then growing in popularity. During the next year the cinema shifted back to news programmes and reverted to its original name on 3rd December 1956.
The current events function of news cinemas was increasingly superseded by the growth and availability of TV news reporting. In May 1959 the cinema changed its name to the Curzon and returned to showing continental films, including the more risqué variety which were popular at the time.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Grand Central
3432 An Aberdeen Journals Archive photograph of the Grand Central cinema at 286 George Street in September 1981. This photograph is taken from the end of Craigie Street.
The Grand Central was first opened on 3rd April 1922. The building at 286 George Street had previously been a furniture branch of Allan's Public Supply Stores. It was converted into a cinema by James F. Donald.
Michael Thomson explains that the Grand Central was initially very small and quite plain. In the late 1920s Donald acquired the property to the north of the cinema, plus the hall at its rear, and planned for its extension. In 1927 architect George Watt drew up plans for the enlarged cinema and these were enacted in the autumn of 1929.
The enlarged cinema reopened on 30th December 1929 with a ceremony led by Provost James Rust. The Grand Central's capacity had been increased from its original 730 to 1,640. Thomson states this was a good 400 more than any other hall in town.
Michael Thomson also states that the enlarged cinema was decorated in an "atmospheric" style and that it pointed the way to the super-cinemas that would soon arrive in the city. Bulldog Drummond was the cinema's first talking picture in 1930.
The Grand Central, after 59 years as a cinema, finally closed down on the same day as Union Street's Queen's Cinema on 17th October 1981. The latter showed Watership Down as its final film, whereas the Grand Central showed the more adult orientated double bill of Love, Lust and Ecstasy and More Danish Blue.
The Press and Journal reporting on the final screenings at both cinemas, records the staff at the Grand Central, led by manager Mr Anthony Veal, closing the cinema for the last time before heading to a nearby pub for a drink.
The Grand Central cinema was demolished in 1984 and replaced by a block of flats.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Forresterhill House
3838 A photograph of Forresterhill (or Foresterhill) House taken from The Freedom Lands and Marches of Aberdeen 1319-1929 compiled by Donald B. Gunn (1929).
This house still stands at the time of writing in 2022. It has been incorporated into the Foresterhill hospital complex and can be found north of the main Aberdeen Royal Infirmary building, east of the tennis courts.
Concerning the Forresterhill estate more generally, which was initially feued in 1551, Gunn writes the following:
"Forresterhill was feued to Gilbert Colison at a feu duty of £20 Scots. This estate was, in comparatively recent times, purchased by the Town, who, in 1925 and 1928, sold parts of the central portion to the Governors of the Royal Sick Children's Hospital and the Royal Infirmary respectively, for hospital purposes. Other parts of this estate are known as Ashgrove, Woodhill, Stockethill, Cornhill and Westburn." (page 13). |