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A Dead Whale
868 Crowds gathered round a dead whale, with fishing boats (A329) in the background.
Correspondent Ed Fowler suggests that this photograph shows the "Nairn whale".
Initially wrongly identified at the time as a blue whale, it was actually a sei whale (Balaenoptera Borealis), one of the 4th-largest balaenopterid.
The whale stranded at Nairn on 18th December 1884 and was subsequently purchased by Mr Davidson, fish-dealer, Aberdeen. The whale was then towed by the tug Granite City on 2nd February 1885.
The Evening Express from Wednesday 4th February 1885 provides more details about the operation:
"This was accordingly done about five o'clock yesterday afternoon by the tug Granite City, and the leviathan was successfully placed on the waggons which had been provided for the purpose. Suspended in mid-air, the whale presented a remarkable spectacle, its huge proportions being displayed to full advantage. The task of placing it on the huge waggons by which it was conveyed to its destination proved a very laborious and onerous one, and occupied a large staff of men from four o'clock in the afternoon till midnight. Ultimately, the leviathan stretched upon the waggons, and the horses - numbering about two dozen - being attached, the unusual procession proceeded on its way to the Recreation Grounds [Queens Links]. The quay was literally besieged by a crowd which swelled in proportions as time wore on, and whose enthusiasm the disagreeable odour which proceeded from the whale was wholly unable to quench. [About] four o'clock this afternoon, after many difficulties had been encountered and overcome, the whale reached its destination - the Recreations Grounds - where it now lies. As before stated, a very strong smell is felt in the vicinity of the carcase, and the sanitary inspector has brought the matter under the notice of the Public Health Committee".
Ed Fowler adds that "The Landing was a difficult operation as it can reach 19.5M (64-ft) long and weighing as much as 28-Tons. An attempt to haul it from the water at Fittie (Perhaps Alexander Hall's Slipway) with Horses failed and so it was Towed into the harbour to the North Lock Sheer-legs (a lifting system) at the North Lock, Waterloo Quay and hoisted in mid-air with a tackle around the Tail, then placed on a series of Wagons and then dragged by 24 Horses and a crowd of Men to the Recreation Grounds (Queens Links), for Public Exhibition."
Aberdeen Cinemas: Picture House / Gaumont
3403 The Picture House was opened on 14th December 1914 with an inauguration ceremony chaired by Lord Provost James Taggart. It was built at 181 Union Street by the rapidly expanding English firm, Associated Provincial Picture Houses. Michael Thomson in Silver Screen in the Silver City (1988) explains that construction of the cinema was delayed due to the war.
As seen here in 1937, the cinema's entrance was dominated by two squat white marble finish pillars topped by bronze capitals. The atmosphere inside was said to be cosy and luxurious. After conversion, the pre-existing building on Union Street contained the cinema's large foyer and within this was retained a large, original fireplace to warm visitors.
The 900-seater auditorium stood side-on between Union Street and Windmill Brae. With a budget of £12,000, the Picture House was designed by English architects Robert Atkinson and George Alexander. Thomson explains that the architects were inspired along Classical theatre lines and the building featured dark wood walls hung with French tapestries. A large tea-room, called the Tapestry Room, took up the first floor of the Union Street building. Above that, on the top floor, was the manager's office.
Thomson suggests that an early strength of the Picture House was its highly competent orchestra, originally led by pianist W. G. Ross. These were pre-radio days, with recording still in its infancy, so the orchestral playing would have been a significant attraction.
The profits from the Picture House's first screening back in December 1914 were distributed to Aberdeen charities. The first talking picture to be shown at the cinema was The Singing Fool in 1929. The Picture House was an upscale operation and one of the key early venues for cinema exhibition in Aberdeen.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Picture House / Gaumont
3404 Silver Screen in the Silver City (1988) by Michael Thomson explains that by 1950 the Picture House was owned by the Rank Organisation. The British entertainment conglomerate had acquired various cinema exhibition companies: British-Gaumont, Odeon, and the Provincial Cinematograph Theatres (successor company to Associated Provincial Picture Houses). As part of business rationalisation, on 22nd March 1950 the Picture House was rebranded as The Gaumont.
Thomson's Silver Screen indicates that the Gaumont's vertical neon sign dates from the time of the rebranding. In 1956 the design of the cinema was further updated. This saw the introduction of the illuminated canopy and use of the beech design shown here in the redeveloped interior and exterior, replacing the pillars of the Picture House era. A new marble backed fireplace replaced the old one that had been a well-known feature of the cinema since its opening in 1914. The projection equipment and seating were also modernised. This night-time image from the Aberdeen Journals Archive accompanied an article about the Gaumont's new look in the Evening Express of 19th April 1956.
The image shows promotion for a number of films on the cinema's updated exterior: The Rose Tattoo with Burt Lancaster and Anna Magnani, Flight from Vienna and Aberdeen Photographic Service's presentation of A Photographic Review of the Royal Tour of Nigeria.
The manager at the time of the Gaumont's redesign was Mr. R. E. Miller. He had managed the cinema since January 1948. In early 1951 Miller converted the upstairs restaurant area, which had laid empty since 1928, into a gallery space. Known as the Gaumont Gallery, it was ideal for photographic exhibitions and was in frequent use well into the 1960s.
Thomson states that during this period Mary Garden, the retired opera singer who returned to Aberdeen in 1939, was something of a regular at the Gaumont. This well-known and much-loved figure would be escorted to her seat by the cinema's commissionaire George Repper, who was also a popular and familiar figure. Repper worked at the Gaumont from 1940 to 1964 and his job was to shepherd queues, attend to patrons and ensure all progressed smoothly.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. The Foundry
4409 A photograph of The Foundry pub and restaurant at 41-43 Holburn Street taken on 21st March 2024.
43 Holburn Street, today The Foundry, was built in around 1915/16 as a motor showroom and workshop for Mr. John Harper, engineer of Bournemouth, to a design by architect George B. Mitchell (Aberdeen Daily Journal, 20th September 1915, p. 4).
In November 1916, during the First World War, the Harper Motor Company put their new garage, at the junction of Holburn Street and Justice Mill Lane, at the disposal of the Red Cross. The commodious building, ideal for transport work, became the headquarters of the Aberdeen Transport Section of the Red Cross Society (Evening Express, 21st November 1916, p. 5).
43 Holburn Street was occupied and in use by the Harper Motor Company until at least 1979. In 1986, George Dowdles, who had ran a roller skating rink called Rollerland Disco in Bon-Accord Terrace, proposed to turn the premises into a leisure centre for teenagers (Press & Journal, 19th June 1986, p. 3).
The new venture at 43 Holburn Street was to be a soda and burger café modelled on the TV show Happy Days and called Up The Junction. It opened in October 1986 (P&J, 10th October 1986, p. 3).
Up The Junction appears to have struggled financially and 43 Holburn Street was remodelled and opened as Rollerland Mark II in August 1987 (EE, 22nd February 1988, p. 8). The original Rollerland skating rink had been on the second floor of 5 Bon-Accord Terrace and operated from 26th June 1981 to mid-1986.
Rollerland on Holburn Street was briefly owned by Cove Rangers football club and was temporarily renamed Wheels Leisure Centre. George Dowdles remained its manager (P&J, 1st April 1989, p. 1). The venue was reopened as Rollerland under the ownership of Aberdeen District Council in July 1989. DJs Robin Galloway and Gary Stein provided music for a reopening gala night (EE, 27th July 1989, p. 5).
Rollerland finally closed in February 1991 on safety grounds. Water leaks had warped the floor making it unsafe for skating. The venue had struggled financially and the estimated cost of repair was too large (P&J, 18th September 1991, p. 3). In June 1995, there was a significant fire in the building (EE, 19 June 1995, p. 2).
In September 1995, the company Alloa Pubs and Restaurants, who had leased the building from the District Council, unveiled plans for a £500,000 transformation of the run-down property. It was to be turned into a prestige bar-diner called The Granary, with a lay-out based on the company's Glasgow venue of the same name (EE, 16th September 1995, p. 7).
With a final redevelopment cost of £600,000, The Granary opened to the public on 6th February 1996 (P&J, 7th February 1996, p. 11).
A search of Aberdeen City valuation rolls indicates that by April 2005 The Granary had changed its name to The Foundry. At the time, The Foundry was operated by Mitchell & Butlers, one of the largest restaurant and pub businesses in the UK.
Mitchell & Butlers own the O'Neill's chain of Irish pubs, the first branch of which opened at 9-10 Back Wynd, Aberdeen on 22nd September 1994. This was formerly the premises of the Tappit Hen pub (P&J, 16th September 1994, p. 3).
In 2010, Mitchell & Butlers disposed of 333 of their town and community pubs to the Stonegate Pub Company. This likely included The Foundry ('Our history' page on Mitchell & Butlers website: https://www.mbplc.com/about-us/our-history/: accessed 22/03/2024).
In November 2023, The Foundry reopened to the public following a brief closure for a significant redevelopment. Backed by a £277,000 investment from the Stonegate Group, the UK's largest pub company, the work aimed to shift the venue from a sports-focused pub to a more family-friendly food destination. The exterior design changed from a black and gold colour scheme to the red and gold of Aberdeen Football Club (Aberdeen Business News, 23rd November 2023, https://aberdeenbusinessnews.co.uk/the-foundry-unveils-stylish-transformation-after-major-investment/: accessed 22/03/2024).
Treasure 14: What's On in Aberdeen (1960s)
184 What was happening in Aberdeen over 50 years ago?
In Local Studies we have a great collection of "What's On in Aberdeen guides", the earliest of which is an "Aberdeen Events" leaflet covering March to August 1952. Our collection does have a few gaps but continues from the 1950s right through to 2008.
From the guides we get a fascinating insight into the variety of events and activities throughout the decades available to both Aberdonians and visitors.
What can you find listed in the What's On? - Cinema and Theatre guide, Dancing, General events and information, Holiday attractions, City Parks, Musical events, Sport, Highland Games & Agricultural Shows in and around Aberdeen, Places of interest, Club programmes and always a city map to help you find your way around. Plenty to choose from!
The events leaflet was published by Aberdeen Corporation Publicity Department who from March 1956, renamed the publication "What's On?" and changed the style and format to the colour booklet we can see in the image. The booklet now also included advertisements for shops, restaurants, hotels, and businesses all of which contribute to building up a picture of the social, economic and retail scene in Aberdeen back then.
From November 1969 a more slender version of the guide was produced and published by different departments of the City Council - Public Relations, Information & Tourism, and Development & Tourism - until April 1989 when the Aberdeen Tourist Board took it on.
From 2000 onwards it was commercially published as "Your Ideal Guide to What's On in and around Aberdeen" and ceased publication round about 2008.
Treasure 48: Tuberculosis Exhibition Poster
219 In March 1912 an exhibition on the infectious disease tuberculosis was held in the Music Hall on Union Street. This striking poster, with the headline 'War on consumption', advertised the six day event and the accompanying series of lectures.
The exhibition was organised by the Town Council of Aberdeen and the National Association for the Prevention of Consumption. The majority of the exhibition was brought to the city by the latter party with local additions from the Aberdeen Public Health Department, the pathological and public health laboratories of the University of Aberdeen and the Aberdeen Mothers' and Babies' Club.
The exhibition arrived in Aberdeen on the 16 March from Dundee where it had been visited by 30,000 people. It had also toured Glasgow, Edinburgh, Liverpool and Hull.
The exhibits were arranged in the Music Hall's Ball Room and Square Room by Mr Haughton, the organising secretary, with assistance by officials of the Public Health Department. The exhibition included two full sized model rooms. Living conditions such as good ventilation, fresh air and sunlight were considered vital in combating the disease. A "bad room" was modelled on a real property in the East End of London.
Tuberculosis was a grave health concern at the time. The poster states that "During the past Ten Years in Aberdeen 1997 persons died from Consumption, and 1039 from other forms of Tuberculosis." In a preview of the exhibition from 19 March, the Aberdeen Journal wrote "The object of the exhibition is to draw attention to the enormous wastage of life and work caused by tuberculosis in its various forms; to show how the disease is caused and spread; and to illustrate the methods of cure and the precautions for its prevention."
The importance of the exhibition was further stressed in a later article which stated: "There is no single disease that causes among civilian communities so many deaths and manifests itself in such various forms, and nothing can be more desirable than to bring home to the masses of people how the deadly scourge can best be prevented or checked. In Aberdeen alone the number of deaths yearly from all forms of tuberculosis is about 270, and of these about two-thirds, or 180, are due to pulmonary tuberculosis. The disease usually lasts long, and the number of definite diseases attributable to it at any one time in the city is probably not less than four or even five times as large as the deaths."
The exhibition was opened by the Principal of the University of Aberdeen, George Adam Smith, and was accompanied by a series of daily public lectures by experts on the disease. Each day's lecture was followed by cinematograph presentations illustrating the precautions taken in connection to tuberculosis. The lectures were held next-door to the Music Hall in the Aberdeen Y.M.C.A. Hall.
At the close of the "six day crusade against tuberculosis", Lord Provost Maitland described the exhibition and lecture series as "Magnificent" and the Journal stated that the success of the event, "judged by popularity, is beyond all doubt." In total 39,960 attended over the six days, placing Aberdeen behind only Hull which was open for an extra day. Approximately 20,000 health pamphlets were disseminated around the city, including 15,000 catalogues freely distributed by the Public Health Committee. A copy of this catalogue, which includes an instructive article from Hay, is kept in the collection of Aberdeen Local Studies. Treasure 56: Cooke's Royal Circus Programme, 1880s
232 A world-famous equestrian establishment, the Cooke's Royal Circus provided family entertainment in Aberdeen for 125 years. One of the stars of the show, John Henry Cooke, was born in New York 180 years ago this month.
Part of the fifth generation of the family, John Henry Cooke began acting at the age of four and was an expert tightrope walker by the time he was five years old. At 18, he was known as the "champion equestrian of the universe". When he was young, John Henry Cooke moved with his family to Aberdeen, where he would grow up to entertain and amuse the public with his equestrian and gymnastic skills.
To mark the anniversary of his birth, this month's treasures include our collection of Cooke's Royal Circus programmes, which advertised equestrian acts and performances in Aberdeen from around 1880.
Read more about the circus and the many stars of the show - including Little Pickles and the Leotard Family - in the Treasures from our Collections interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 57: James Scott Skinner Collection
233 James Scott Skinner (5 August 1843 - 17 March 1927) was a Scottish dancing master, violinist, fiddler, and composer.
Born in Arbeadie village in Banchory-Ternan on 5 August 1843, Skinner was taught to play cello and violin by his father and brother at a young age and went on to become a successful musician, composer and dancer. He published more than 600 musical compositions, toured the United States and Canada and taught dancing at Balmoral Castle, Queen Victoria's Scottish retreat.
Aberdeen City Libraries hold many copies of Skinner's published work - including his Elgin and Logie Collections - and in 2001 we produced facsimile publications of some of Skinner's works to share with a new generation of readers.
One of our treasures this month is the Skinner collection editions which have been signed by J. Scott Skinner himself. A favourite of our signed collection is the frontispiece to the second edition of the Elgin Collection in which Skinner writes a passage to the father of the first City Librarian, George Milne Fraser.
The dedication reads:
To Joseph Fraser,
"Talent does what it can,
Genius does what it must!"
Patriotically yours,
J. Scott Skinner
Bon Accord,
9th Feb 1914
Find out more about James Scott Skinner and George Milne Fraser in the Treasures from our Collections interactive exhibition on our touchscreens.
Treasure 58: Princess Mary's Gift Book, 1914
234 One of our treasures this month was a wartime endeavour of Princess Mary (25 April 1897 - 28 March 1965), the third child and only daughter of King George V and Queen Mary.
Princess Mary's Gift Book was a fundraising volume published on 27 November 1914 by Hodder & Stoughton. All profits from its sale went to the Queen's 'Work For Women' Fund, which was created to secure paid employment for women whose livelihood was threatened by the war.
The volume features stories and poems by some of the most popular authors of the day such as J. M. Barrie, Arthur Conan Doyle and Rudyard Kipling. The stories are accompanied by black and white illustrations and colour paintings by famous artists like Arthur Rackham and all the artwork was created specifically for the book.
Princess Mary's Gift Book was designed to appeal to all members of the family. It opens with a piece by J. M. Barrie on how best to enjoy a holiday in bed and includes many other stories and poems including Magepa the Buck and Out of the Jaws of Death: A Pimpernel by H. Rider Haggard and Baroness Orczy.
The gift book was sold for 2s. 6d. and half a million copies were sold within a month of its publication.
View the Treasures from our Collection interactive exhibition on the touchscreen to find out more about Princess Mary and her gift book - and discover the coincidence linking the book to one of the biggest supernatural scandals of the 20th Century.
Treasure 59: City of Aberdeen Coronation Celebrations Programme, 1953
235 This month we pay tribute to Her Majesty Queen Elizabeth II who became the longest ever reigning British monarch on 10 September 2015.
On 21 April this year Queen Elizabeth II celebrated her 90th birthday and on 11 June will take part in the Trooping The Colour ceremony to commemorate her official birthday.
We feature a selection of local material celebrating her Coronation which took place in Westminster Abbey on 2 June 1953. Aberdeen celebrated the Coronation with a full programme of events designed to interest the whole community including inter-city sports meetings, a grand procession, historical pageant, youth festival and many more.
Find out more about these events in our interactive exhibition on touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries.
Treasure 60: Library bindery
236 This month we pay tribute to a number of craftsmen whose daily work was seen as essential to the maintenance of the book stock in the library service. These were the library bookbinders who, with their assistants, ensured that the library books were in as good condition as possible.
The Library Bindery was based in the basement of the Central Library and bookbinders would spend their working day there rebinding and repairing damaged books, in addition to numbering and labelling new stock.
This photo dates from around 1950, and shows bookbinder Joseph T. Duncan and his assistant Ruth Chalmers in the bindery. He is applying gold lettering to the spine of a volume using the tools laid out on the rack beside him.
Find out more about Mr Duncan and the library service's bookbinders over the years in our interactive exhibition on touchscreens.
Treasure 66: Aberdeen International Youth Festival Programmes
266 The Aberdeen International Youth Festival (AIYF) takes place in venues across the city and beyond from 29 July to 6 August 2016. This will be the 44th year that Aberdeen has hosted a youth arts festival and Aberdeen Local Studies hold a large collection of programmes and flyers from throughout its history.
The AIYF as we know it today evolved out of an earlier undertaking called the International Festival of Youth Orchestras (IFYO) which was first held in Aberdeen in 1973.
The festival became known as the Aberdeen International Youth Festival in 1983, the same year in which the AIYF Dance School, AIYF International Music School and the Mary Garden Memorial Prize were established.
AIYF has welcomed over 30,000 performers to Aberdeen since its inception and has become one of Scotland's major international cultural events, offering unique opportunities to the local community and talented young performers from around the world.
Find out more about the ups and downs of the festival's history in the Treasures from our Collections interactive exhibition on the touchscreen in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 68: Select Views of Edinburgh, from original paintings by Lieutenant Colonel Batty, 1831
268 To coincide with the Edinburgh International Festival, we are showcasing our collection of engravings and etchings of the city by early Victorian artists.
The engravings are extracted from Select views of some of the principal cities of Europe. From Original paintings by Lieutenant Colonel Batty which was published in January 1831 by Moon, Boys and Graves, known as the "printsellers [sic] to the King" and initially sold for £7.
Robert Batty (1789-1848) was an army officer and an artist who recorded and illustrated his many experiences of active service. Select Views are compiled of etchings and notes from his time spent serving abroad in cities such as Gibraltar, Lisbon, Rotterdam, Amsterdam, Brussels and Antwerp. In total, seven plates of Edinburgh were presented in the volume. Each plate is accompanied by a descriptive text published both in English and in French.
Many local and London-based artists contributed to the volume including Edward Goodall (1795-1870), W.R. Smith (active 1826-1852), George Cooke (1781-1834), and William John Cooke (ca. 1796-1865). The plates portray Edinburgh from different viewpoints with many featuring the city's iconic castle and skyline.
The collection depicts Scotland's capital through the eyes of 19th Century artists, residents and visitors to the city of Edinburgh and reflects the artistic style and techniques of Victorian Britain.
Find out more about the Victorian artists behind the engravings in the Treasures from our Collections interactive exhibition on our touchscreens. Treasure 69: Mrs Elmslie's Institution Plans by Archibald Simpson, 1837
269 Mrs Elmslie was one of a number of Victorian philanthropic benefactors sympathetic to the plight of those who were poor, neglected or homeless and on 19 November 1840, she opened the Aberdeen Female Orphan Asylum - known also as Mrs Elmslie's Institution - on 19 Albyn Place.
This lithograph shows the building as originally envisaged by architect Archibald Simpson with little gate-houses at either side of the street entrance. Aberdeen City Libraries hold a series of 14 plans of the granite building which have been bound together into a single volume. The collection includes elevations, sections and floor plans dated September 1837.
The Orphan Asylum closed its doors on 27 July 1891 and the remaining girls were transferred to the Girls' Home and School of Domestic Economy on King Street. The building was sold to the Aberdeen School Board for £4,500 and, after extensive additions and refurbishment, it became the new home of Aberdeen High School for Girls, renamed as Harlaw Academy in 1970.
Find out more about Mrs Elmslie and her Institution, including its rules and regulations, daily meals and class timetables, in the Treasures from our Collections exhibition on touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 71: Crathie Churches and Royal Bazaar at Balmoral, September 1894
273 Every year Her Majesty the Queen and members of the royal family visit Balmoral Castle and during their stay they may attend services in Crathie Church. This treasure from our Local Studies collection highlights the close connection which has existed for well over a century between the Royal Family and the local church and people in Crathie.
Bazaar books were created to help raise church funds and this particular book is unusual as it was written and published after - rather than before - the bazaar took place. In this sense it might be regarded as a more accurate historical document. It was written by William W Philip, Assistant Forester at Balmoral, and the accounts given are based on his personal observations of the bazaar.
The royal family were closely involved in the organisation and running of the bazaar and it was opened by HRH Princess Louise on the first day and on the second day by her husband, the Marquis of Lorne.
The event was a lavish affair and took place close to Balmoral Castle in the aptly named Statue Park where statues of Queen Victoria and Prince Albert still stand.
Find out more about the vast array of items on sale and the entertainment on offer at the Bazaar in the Treasures from our Collections interactive exhibition on the touchscreen in Central, Airyhall, Tillydrone and Mastrick libraries.
Treasure 72: George MacDonald Victorian Children's Books
274 In our Local Studies collection we hold a number of works by Victorian author George MacDonald. He wrote extensively over his lifetime in a variety of genres yet it is probably for his fantasy writing that he is most highly regarded. He is sometimes referred to as the founding father of modern fantasy writing and subsequent renowned writers C.S. Lewis and J.R.R. Tolkien drew inspiration from his work.
MacDonald's novels "At the Back of the North Wind" (1871); "The Princess and the Goblin" (1872) and its sequel "The Princess and Curdie" (1882) are titles that we are still familiar with today and, as a result of their enduring popularity, they continue to be reprinted and sold nearly 150 years after they were first published.
In common with other popular fiction from the Victorian period, they were originally serialized and instalments appeared in Good Words for the Young - a magazine which aimed to provide wholesome literature for children to read.
The editions of George MacDonald's children's books in our collection are all printed by Glasgow firm Blackie & Son Ltd whose business activities included bookselling, publishing, printing and book production. Their children's publications are notable for their colourful covers and striking illustrations.
View the Treasures from our Collections interactive exhibition on our touchscreens to find out more about the Victorian author and his varied works.
Treasure 73: Jamieson's Dictionary of the Scottish Language, 1895
275 Our treasure for the month of September looks at the person responsible for collating the first dictionary of the Scottish language. Born in Glasgow in 1759, John Jamieson was the son of a Scottish minister. Following his father's path, Jamieson studied theology and became pastor of a congregation at Forfar, Angus in 1781.
Alongside his ecclesiastical work, Jamieson developed a passionate interest in the development and study of language - philology. In Forfar, Jamieson briefly met Grimur Thorkelin, the National Archivist of Denmark who was in Britain researching the links between Danish and English. Thorkelin's chief legacy was the transcription and publication of the epic medieval poem, Beowulf.
From conversation with Thorklein, Jamieson set himself upon the task of recording those words he felt were exclusive to Scotland. It would be twenty years before his lifetime's work, The Etymological Dictionary of the Scottish Language would be published.
Subsequent revisions, amendments and abridgements refined Jamieson's original work - refuting some claims of Gothic origin, and proposing others. Our treasure is one of the revised editions of Jamieson's original work - a later edition from 1895.
View the Treasures from our Collection interactive exhibition on the touchscreen in Central, Airyhall, Tillydrone and Mastrick libraries to find out more about John Jamieson and his work.
Treasure 74: Kelly's Cats
276 One of this month's treasures showcases some of the most famous felines in the Silver City. Cast-iron and proud in their stance, despite their small stature, the cats silently stand watch over the citizens of Aberdeen as they sit atop the parapet of Union Bridge. These silent sentinels are known as 'Kelly's Cats', named after noted Aberdeen architect William Kelly (1861-1944).
Although some cats remain at their post on Union Bridge, others were removed in the 1960s when shops were added to one side of the bridge (where the Trinity Centre stands). Today, some of the cats can be found in Duthie Park and three were gifted to Aberdeen City Libraries where they have spent many years watching over the staff of the Central Library.
This September sees the launch of The Cat Parade in Aberdeen, a civic art project centred around our Union Bridge cats.
Up to 100 concrete replicas of 'Kelly's Cats' have been decorated by sponsoring organisations, and are being exhibited in the window of Waterstones throughout the month. At Aberdeen City Libraries, we have sponsored our very own cat - decorated by three of our talented members of staff, Meghan, Sarah, and Rhys.
The design of the cat is inspired by the history of Aberdeen Central Library ahead of its 125th Anniversary in July 2017 and is named Valentine after one of our most influential past employees, Miss Emma Valentine, who became the first female Assistant in Charge of the Reference Department between 1892 and 1915. You can view Valentine in Waterstones this month and in the Central Library from October.
Find out more about the history of the cats and the mystery surrounding their true designer in the Treasures from our Collections exhibition on the touchscreen in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 76: Aberdeen Film Society Programmes, 1949-1954
287 From 17 to 26 October 2016, the Aberdeen Film Festival takes place in ACT Aberdeen and Woodend Barn. The schedule includes an array of independent movies from Aberdeen and around the globe, a 48-hour filmmaking challenge and two free screenings of classic films for school students.
To celebrate the festival and all things cinematic this month we are taking another trip into Aberdeen City Libraries' film related material. The Local Studies collection contains programmes for the Aberdeen Film Society from the period of 1949 to 1954. These programmes offer a fascinating glimpse into the historic film culture of the city outside standard commercial cinema exhibition.
Our first programme is from the 16th season of film exhibition which took place in 1949-50.
Find out more about the history of the Society and its pioneering work in the Treasures from our Collections interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 77: The Castle Spectre, 1876 - 1888
288 One of our treasures this month is a rare periodical known as The Castle Spectre. It is unusual as it was printed and published by a Victorian family from their home at 'The Castle', 6 Mackie Place, and later from 'The Galleries' on Skene Street West, and offers an insight into the lives of a middle-class family in Victorian Aberdeen. The copy on display was gifted to the library by the editor, Alexander D Forbes in 1888, and includes a handwritten letter to the City Librarian at the time.
It not only contains amateur poetry, literature, and social and religious commentary, but also sheds a light on a forgotten and mysterious dwelling place in the heart of the city. The area in question is the land behind Skene Street, encompassing Mackie Place, and the grounds of three old houses long since demolished by the Denburn - Cherry Vale, 'The Galleries', and the White House, also known as 'The Castle'.
As long as 'The Castle' at 6 Mackie Place existed (it was built towards the end of the 18th or beginning of the 19th century, according to various reports) it was described as being haunted. No accounts mention a specific ghost, but the eccentricities of the occupant and his young family helped to fuel the reputation for the Castle's hauntings. The first issue of The Castle Spectre (October 21, 1876) states:
"We are the dwellers in that house in the neighbourhood of Skene Street known to the "oldest inhabitants" as the Haunted House, to younger inhabitants as the Castle, and to the Post Office as No.6 Mackie Place. In former days we were "desp'rate wicked". We dressed ourselves in white sheets, and popped out upon passers by, frightening them into fits. We used to scoop out the largest turnips?and having cut out slices to represent eyes, nose, and mouth, light candles in them, and stick them on poles in hedges?We used to lie behind low walls and growl like bears, or caterwaul like cats, whenever any weakly-looking person was passing?In short, we were the terror of the neighbourhood."
View the Treasures from our Collections interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries to find out more about the spooky publication and mysterious Mackie Place. Treasure 78: Northfield and Mastrick Libraries
289 Both Northfield and Mastrick Libraries opened during the month of October in 1955 and 1957 respectively as part of a plan formulated by the Library Committee to extend the provision of branch libraries into new housing areas. From photographs, plans and news cuttings in the Library Archive we can take a look at the early history of both libraries.
In January 1950, building began on the Northfield estate, the first major housing development in post war Aberdeen. By June 1952, 800 families had moved to the area and were served by the mobile library which made evening visits to Marchburn Drive and Deansloch Terrace. These sites were very busy with over 9000 books issued and people often queued to use the service.
At a meeting of the Public Library Committee in January 1953 it was agreed to ask Aberdeen Corporation to erect a library building on a site in Northfield.
The construction of a new branch library began in the autumn of 1954. On 12 October 1955, the G. M. Fraser Branch (named in memory of the late City Librarian) was officially opened on Byron Square by Mr. Thomas Johnston, former Scottish Secretary.
The success and popularity of Northfield Library inspired the committee to open a similar unit on the adjacent housing estate of Mastrick. The first section of the new Mastrick Branch Library opened on Greenfern Road on 18 October 1957, with the second section opening in 1961.
View the Treasures from our Collection interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries to find out more about the history of Mastrick and Northfield libraries. Treasure 79: Cosmo Mitchell Collection
290 Adam "Cosmo" Mitchell was born at Kennethmont in 1860. Raised on a croft, little is known of his early childhood but by the age of 21, he had become a dancing master teaching in several areas near his home.
By the end of 1881, Mitchell had brought his dance classes to Aberdeen. Using rooms in the Music Hall for instruction, he taught children and adults in increasingly popular classes.
His professional associations with local schools, as well as local, regional and international societies, also helped strengthen his professional reputation and furthered his integrity as an authority on dancing and, by 1895-6, he was creating his own dances.
Mitchell joined the newly-formed Imperial Society of Dance Teachers in 1904. By the following year, he had been elected as vice-president and continued to be re-elected in that post for many years.
In 1915, Mitchell published A Guide to Ballroom Dancing. In 1919, Mitchell's wife died. A key part of his business life, the loss of his wife led to the immediate cessation of his teaching in schools. By 1924, he had retired from teaching altogether. Mitchell died in 1932 and bequeathed his entire professional library of dance textbooks, notebooks and ephemera to Aberdeen City Libraries.
Our Treasure showcases some of the items from this collection. Patricia Ballantyne produced a thesis on the development of Scottish dance, utilising much of the Cosmo Mitchell collection. Her thesis Regulation and Reaction is available to view in the Information Centre. It is largely due to her research that we are able to explore the life of this little-known local celebrity.
Find out about the marketing ploys adopted by Mitchell, and the origins of his middle name, in the Treasures from our Collections interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 80: The Great Wizard of the North's Hand-Book of Natural Magic by John Henry Anderson
291 Ninety years since the Aberdeen Magical Society was founded, we feature a rare edition of the Hand-book of Natural Magic written and published by the famous 'Wizard of the North', John Henry Anderson, one of the best magicians of the 19th Century.
The book reveals 128 experiments "adapted for performance at the parlour or drawing-room table or fire-side? practicable without expensive chemical or mechanical apparatus".
The book features tricks such as The Conjuror's Table, The Gun Trick, and The Self-Balancing Pail, in addition to a number of card tricks and ruses.
For nearly forty years of his life, John Henry Anderson baffled appreciative audiences with his popular performances, which often featured advanced and intricate props. The 'Wizard of the North' travelled around the world delighting audiences in many countries, including Australia and America.
John Henry Anderson died in February 1874 and was buried alongside his mother Mary Robertson, in Mither Kirk graveyard in Aberdeen. He had many imitators and the great Houdini himself said he was one of his mentors. Houdini paid his respects to John Henry Anderson when he visited the Granite City in 1909.
In 1930, the Aberdeen Magical Society arranged to have the gravestone of Professor Anderson restored "as a mark of respect to this past-master in the art of conjuring entertainment" (Press and Journal, 8 August 1930).
Explore the life and work of the great wizard, and find out more about Aberdeen Magical Society in our interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 81: John Morgan Plans
293 In this year of Innovation, Architecture and Design, we feature original building plans which provide us with an insight into the development of Aberdeen in the late 19th century. The plans were designed by builder John Morgan (1844-1907), who worked with many well-known city architects.
John Morgan's memoirs are held in our collections and the 282-page document provides a first-hand account of the builder's career. Along with his memoirs, we hold a bound volume of Morgan's original plans which were donated by a tobacconist named James Yule Keswick, husband of John Morgan's eldest daughter, Elisabeth Jane.
Together, the plans and memoirs reveal the personality of an important figure from our city's past, and map the changing landscape of Victorian Aberdeen as witnessed by Morgan himself.
Find out more about John Morgan and the many buildings he constructed in the Treasures from our Collections interactive exhibition on the touchscreens in our libraries. |