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Culter War Memorial
994 A photograph showing the unveiling of a new panel at Culter War Memorial on Sunday 19th June 1949.
The article 'Tribute to War Dead of Culter' from the Press & Journal of 20th June 1949, page 6, describes the ceremony as follows:
"A panel containing the names of 29 men from the parish who lost their lives in the recent war was unveiled at Culter War Memorial yesterday.
"Relatives of the fallen and representatives of the Boys' Brigade, Girl Guides, Brownies, and the Territorial Army were grouped round the memorial as Mrs Tough, Hillside Road, Culter, who lost two sons in the war, unveiled the tablet.
"The panel was dedicated by the Rev. J. R. Dey, Kelman Memorial Church, who, along with the Rev. T. W. Howie, St Peter's Church, conducted the service"
Culter War Memorial is a tapering, crenelated tower located on a hillock to the west of the village. It is accessed by a footpath that leaves North Deeside Road not far beyond the bridge over the Culter Burn.
Correspondent Brian Coutts has been in touch to inform us that one of the representatives of the Brownies present at the ceremony was Elizabeth McNab.
The abovementioned sons of Mrs Jane Tough of Hillside Road were Driver Frank Tough, Royal Corps of Signals, formerly an employee of Culter Paper Mills, who was killed by enemy action in the Middle East on 24th September 1942, aged 24, and Private Ernest "Ernie" Tough, 2nd Gordons, who died on 5th October 1943, aged 26, while a prisoner-of-war in Thailand. (Source: Press & Journal, 26th September 1946, page 3.)
The former, Frank Tough, is buried at Alexandria (Hadra) War Memorial in Egypt and Ernest is buried Thanbyuzayat War Cemetery in Myanmar. (Source: Commonwealth War Graves Commission website.) Family portrait
1622 A studio set photographic portrait of what is likely a family.
The uniforms suggest some may be members of the Royal Army Medical Corps. The photograph was likely taken around the time of the World War I. Royal Medical Corps Portrait II
2147 This is another World War I era portrait of a soldier. The badge on his cap and the two-bar chevron on his arm indicate that he was a corporal in The Royal Army Medical Corps. The swagger stick held in his left hand is a symbol of his authority as an officer. Aberdeen Maternity Hospital
2409 A photograph of the new Aberdeen Maternity Hospital buildings at Foresterhill. The Aberdeen Maternity Hospital joined the Joint Hospital Scheme late after encouragement from the Medical Officer of Health, other concerned bodies and public opinion. The hospital's site at Foresterhill was gifted by the University of Aberdeen's Medical School and the Aberdeen Royal Infirmary.
Building of the new maternity hospital began in 1934 after being delayed by a lack of funds. It was opened in 1937 with 32 beds at a cost of £52,000. An extra 8 beds were added in 1939 by means of internal reconstruction and in 1941 an antenatal annexe, built by the Town Council and joined to the Maternity Hospital by a corridor, opened with 28 beds.
For more details on the Aberdeen Maternity Hospital please see 'History of the Aberdeen Joint Hospital Scheme and Site' by N. J. Logie and 'The History of Midwifery in Aberdeen' by G. P. Milne, both in Aberdeen Medico-Chirurgical Society: A Bicentennial History 1789-1989 (1989).
This image comes from the hospital's annual report for 1939. Aberdeen Local Studies hold these reports from 1912 to 1947. Dr Linton
2628 A portrait of Dr Alexander Linton taken from East Neuk Chronicles by William Skene (1905). Linton was a surgeon in the Royal Navy and was heavily involved in the Aberdeen Phrenological Society, the temperance movement and the industrial and reformatory schools. Post Office directories tell us that in 1850 he was living at 11 Canal Street. He was born in Baluss, near Mintlaw, and died in 1872 at the age of 82. Tragedy of Douglas; or, The Noble Shepherd
488 This broadside advertises a play on Saturday 20th November 1813 at the Theatre Royal on Marischal Street. The play is Douglas; or, The Noble Shepherd. Printed locally by John Booth of North Street, the broadside modestly declares the play to be of equal quality to any production outside of London.
Accompanying the play were comical songs, a ballad, and a reworking of Shakespeare's Taming of the Shrew by David Garrick, titled Catharine & Petruchio.
The broadside indicates locations that tickets may be bought, the "Public Library" and the "Musical Repository", and other productions available for viewing. The play's cheapest ticket, for the gallery, cost 1 shilling. This was approximately half a shilling shy of the cost of a loaf of bread (Aberdeen Journal, 7th July 1813).
Douglas was a five-act tragedy authored by John Homes. Performed first in 1756 Edinburgh, it was a resounding success, with productions put on across the eighteenth and nineteenth centuries, travelling as far a field as North America. That being said, that week's edition of Aberdeen's Journal only gave the announcement of the play's arrival one line, buried in the third page.
The play's contents was often changed by Home, depending on its audience. The play examines the deep tension between Scotland's people and its nationhood, particularly in regard to Scotland's cultural independence from Britain. On the play's first night in 1756, the play so inspired one playgoer with patriotism that he shouted "Whar's yer Wully Shakespeare noo!" in the middle of the performance. (Megan Stoner Morgan, Scottish Literary Review, vol. 4, no. 1 (2012)).
The play also left a deep impression on the Scottish Enlightenment philosopher David Hume. Regarding the broadside, it is interesting to note that Douglas, not the Shakespearean comedy, was the headline act.
The play's protagonist, Douglas, is played by an H. Johnston, most likely a 36-year-old Henry Erskine Johnston. A portrait of him playing the title role is held at the National Portrait Gallery. Impressively, he also serves as Petruchio in Garrick's Catherine & Petruchio. Likewise, other actors play characters in both productions. |