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Union Terrace and Gardens
412 A postcard image showing Union Terrace Gardens in the centre of Aberdeen.
There are a couple of notable features that might be able to help date the image: there is no bandstand present and the lower, central area in this image is still in the older lay-out with wide dividing paths.
The removal of the bandstand and change of lay-out may have been carried at around the same time. A minute from an Aberdeen Town Council meeting of 21st September 1931, detailing a recommendation from the Links and Parks Committee to the full Council, reads as follows:
"The Committee had before them a report by the Superintendent of the City Parks, in which he points out that he has had the bandstand in Union Terrace Gardens examined, that it is in a bad state of repair, and that he has been informed that the cost of repairing the worn-out parts would be almost equal to the cost of a new stand. He further states that the bandstand has not been used for some years, owing to the noise from the adjoining railway interfering with the performances, and suggests that the stand should be removed, the site and surrounding pathways levelled, covered with soil and sown with grass seed. If this were done, the playing area would be increased by 1,407 square yards, as shown coloured yellow on the plan herewith submitted, thereby giving greater facilities to the large number of children who frequent the Gardens.
"The Committee approved of the report, and beg to recommend that the Council should grant authority to the Superintendent of Parks to have the bandstand removed and the other work carried out as proposed." (Minutes and Proceedings of Town Council, City of Aberdeen, 1930-1931, page 660.
The full Council approved this recommendation from the Links and Parks Committee. In light of this information, the image may date from relatively shortly after September 1931. After the bandstand has been removed but before the ground had been leveled and sown as a single larger grass lawn. The Town House under construction
1757 Discussions had been held in relation to the construction of new public buildings for the County and City of Aberdeen since the early 1860s.
Royal Assent was given to the Aberdeen County and Municipal Buildings Act 1866, which gave permission for a Court House for the County and City of Aberdeen; a hall for public meetings; a Town House for the City with offices for staff; a building for the accommodation of the Police Commissioners and their staff.
Plans were drawn up by the Edinburgh architects Peddie and Kinnear and work on the demolition of buildings on the site (including the old Town House) at the junction of Castle Street/Union Street and Broad Street began in 1867.
The offices in this section were occupied in January 1871. A lofty vestibule and broad circular stair led to the Town Hall and offices on the first and second storeys.
The architecture is of a medieval Flemish style which recalls Aberdeen's trading links with the Low Countries. The building was completed in 1874.
This image shows the partially completed building around 1869/70 when the 200-foot-high West Tower and one block had been completed - two more matching sections were still to be done. Treasure 73: Jamieson's Dictionary of the Scottish Language, 1895
275 Our treasure for the month of September looks at the person responsible for collating the first dictionary of the Scottish language. Born in Glasgow in 1759, John Jamieson was the son of a Scottish minister. Following his father's path, Jamieson studied theology and became pastor of a congregation at Forfar, Angus in 1781.
Alongside his ecclesiastical work, Jamieson developed a passionate interest in the development and study of language - philology. In Forfar, Jamieson briefly met Grimur Thorkelin, the National Archivist of Denmark who was in Britain researching the links between Danish and English. Thorkelin's chief legacy was the transcription and publication of the epic medieval poem, Beowulf.
From conversation with Thorklein, Jamieson set himself upon the task of recording those words he felt were exclusive to Scotland. It would be twenty years before his lifetime's work, The Etymological Dictionary of the Scottish Language would be published.
Subsequent revisions, amendments and abridgements refined Jamieson's original work - refuting some claims of Gothic origin, and proposing others. Our treasure is one of the revised editions of Jamieson's original work - a later edition from 1895.
View the Treasures from our Collection interactive exhibition on the touchscreen in Central, Airyhall, Tillydrone and Mastrick libraries to find out more about John Jamieson and his work.
Treasure 100: Pugin books and the Gothic Revival
319 The Gothic Revival is a term used to describe a movement in art, architecture and design from the mid-18th century to the late 19th century that was heavily influenced by medieval gothic style. In its beginnings it was an architectural style adopted largely by the rich and powerful for their grand houses and follies, and coincided with the rise in gothic literature such as Horace Walpole's Castle of Otranto (1764), and M.G. Lewis's The Monk (1796). However, towards the middle of the 19th century, the gothic style was beginning to filter into all aspects of private and public life, and one of the leading figures in this trend was Augustus Welby Northmore Pugin, son of the French born architect Auguste Pugin. In our collection we have two books by A.W.N. Pugin, and they are on display until the end of February. The first is a volume published in Edinburgh in the late 19th century that includes a number of publications by Pugin from the 1830s:
· Details of Antient Timber Houses of the 15th & 16th Centuries Selected from those existing at Rouen, Caen, Beauvais, Gisors, Abbeville, Strasbourg, etc. drawn on the spot [London, 1836]
· Gothic Furniture in the Style of the 15th Century designed and etched by A.W.N. Pugin [London 1835]
· Designs for Gold and Silversmiths [London 1836]
· Designs for Iron and Brass Work in the style of XV and XVI Centuries [London 1836]
The second is a very rare and highly detailed 1875 edition of floral designs intended for stencilling that was originally published in 1849; Floriated Ornament: A Series of Thirty-One Designs. Both books are rich in design and detail, and perfectly demonstrate the Victorian fervour for the application of gothic design in all aspects of their decoration, from architecture to interiors, tableware to jewellery.
View our Treasure exhibition on the interactive screen to see some more beautiful engravings from these unique publications. |