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Glenburnie Distillery
5 Glenburnie Distillery stood near to the Denburn, about 100 yards east of the dam in Rubislaw Den, and was reached from Spademill Road. It was in operation until 1857 when the buildings were taken over by Mr G. W. Wilson for photographic printing until 1875. They were later demolished to make way for the construction of Forest Road. This photograph dates from the 1860s. Gaelic Chapel, Belmont Street
322 The Gaelic Chapel was founded in the 18th century in response to the increasing numbers of Highlanders who came to the city in search of work.
At first, they held services in the East Church of St. Nicholas but, in the 1790s, they obtained ground in the area between Belmont Street and Back Wynd, now known as Gaelic Lane.
The opening services in the new church were conducted on 30th August 1795. In 1843, at the Disruption, the whole congregation followed their minister, Rev. Hugh Mackenzie, into the Free Church.
By 1882, the church had become old and dilapidated and needed so much renovation that the congregation decided to move. The property was disposed of and was used as a printing office by G. & W. Fraser for a number of years.
The congregation moved to a church on Dee Street which had become vacant on the disbanding of the United Free Methodists and it was named St. Columba United Free Church.
In 1907, they amalgamated with the High United Free Church and moved to their church at the junction of Belmont Street and Schoolhill.
Comparing the scene shown here and large scale historic maps suggests that this is likely a view of the rear of the Gaelic Chapel buildings, looking north, potentially taken from the back of a building on Union Street. 13 Skene Square
792 A photograph showing 13 Skene Square in the late 19th century. This tenement is thought to be the birthplace of the genre and portrait painter John Phillip (1817-1867).
The image is included as a plate in Historical Aberdeen: the Castle and the Castle-hill, the Snow Church, the Woolmanhill and neighbourhood, the Guestrow by G. M. Fraser (1905).
Fraser indicates that the tablet that can be seen above the door was put up in memory of John Phillip by his friend William Brodie (1815-1881), the sculptor.
Fraser elaborates as follows:
"The first plate on the house, 13 Skene Square, was placed there by William Brodie, the sculptor. that house was pulled down six years ago, but fortunately Mr George Watt, architect, the proprietor of the house erected on the spot, has, with much public spirit, placed a bronze tablet on the new house telling that Phillip's house stood on that site. I wish we could be absolutely certain that Phillip was born here. There can be no doubt that he lived here as a child, but it suggestive that in the detailed notices of Phillip in the Aberdeen papers at the time of his death, it was said that he was born in Windy Wynd, where his father was a shoemaker. See Aberdeen Journal, 6th March, 1867; Aberdeen Free Press, 1st March, 1867. Belmont Street
798 This photograph shows the old corner of Belmont Street and Gaelic Lane.
The building on the far left is the Gaelic Free Church. It was opened for worship on 30th August 1795 and in time gave its name to the lane. It was used for the services of Aberdeen's Gaelic congregation until 1882.
The congregation moved and the building was sold to Messers G. and W. Fraser, printers, who owned adjoining premises. They replaced the old church frontage with the more business like façade that can be seen in this photograph.
See the entry for St. Columba United Free Church in Alexander Gammie's Churches of Aberdeen (1909) for more details.
A sign for George Cowie, a hairdressers, is prominently visible at number 4 around the corner on Belmont Street. Culter Football Club
883 A team photograph of Culter Football Club from the 1931-32 season.
Local historian Brian Coutts has been in touch with names for some of the people shown:
The fourth from the left,of the five men in the back row is David Sangster.
The middle row, of nine men, starts on the left with T. Emsie, the club secretary. 4th along is G. Petrie and the 5th is Arthur Jackson.
The front row, starting again from the left, is A.J. Moir, H. Wilson, L. Cooper, W. Jamieson and an unknown 5th man.
Brian also suggests that the trophy at the front might be the Archibald Cup. Culter Juniors Football Club, 1911
946 A team photograph of Culter Juniors Football Club in 1911.
Local historian Brian Coutts has been in touch with names of the individuals shown (all from left to right):
Back row - D. Guild, P. Low, J. MacDonald, W. Duncan, C. Dunbar, J. McAra, J. Milne and J. Ogilvie.
Middle Row (kneeling) - G. Insch, C. Allan and J. Milne.
Front row - J. Reid, Alastair Thomson, J. Agnew, G. McKenzie and J. Fraser.
Silver City Vault visitor David Allan suggests that the C. Allan in the middle row looks like his uncle, Charlie Allan, who lived in Culter's Clayhills cottages. Boys' Brigade King's Message
1010 A photograph showing the Boys' Brigade King's Message at Stonehaven Market on 23rd April 1935. The town's 1827 Market Buildings can be seen in the background.
To mark the silver jubilee of King George V on 6th May 1935 the Boys' Brigade undertook a roughly 2300 mile relay run of a silver baton containing a message of homage and congratulation from John O' Groats to London.
The journey started in stormy weather at 7am on 16th April 1935. As the baton travelled south it was passed from runners from one Brigade company to another.
The leg from Culter to Maryculter was carried by Sgt. W. Duthie, Cpl. D. Birse and Pte. D. Angus. The baton was then transferred to Sgt. H. Douglas, Pte. W. Brooks and Pte. L. Gordon for the next leg to Netherley and the leg to Stonehaven was carried by Sgt. J. Brown, Pte. A. Brown and Pte. I. Hay.
This photo likely shows the latter three runners having handed on the baton for the next leg. An account of this part of the baton's journey can be found in the Press & Journal of 24th April 1935 on page 5. The article indicates the baton left Culter at 7.45am on 23rd April 1935 and reached Stonehaven at 11am the same day.
The next stage south, to Kinneff, was undertaken by Sergeant J. Thomson, escorted by Corporal Christie and Lance-Corporal G. Thomson, all of 21st Aberdeen company. Cults and District Recreation Club
1048 Cults and District Recreation Club performed "Mains' Wooin'" in East Church Hall 1923. The players are named as: Piper - G. Wilson, J. W. Robertson, W. Christie, W. A. Thompson, John Kidd, unknown, Jack Morrison, A. Ironside, Bert Anderson, Miss Robertson, Miss Skakle, Peter Walker, John Forsyth, Miss Skakle, Dr Robert Bruce, Mrs Pirie, Miss Ironside, W. Ironside, Miss Robertson, W. Marshall. Front of stage: T. Ambrose, J. Milne, John Salthouse, unknown, D. Kidd, M. Morrison, D. Kidd, John Lovie, J. Adams, Jack Meston. Wellwood, Pitfodels
1063 This beautiful mansion house in its 15 acre grounds is situated about 3 miles from Aberdeen and is set back from the North Deeside Road at Pitfodels. It was the home of George Davidson of G &W Davidson, merchants, rope and twine manufacturers but was purchased by Aberdeen Royal Mental Asylum in August 1930 and opened as a private nursing home for the treatment of early nervous and mental disorders. In 1964, it became part of the neighbouring Woodlands Home providing accommodation and care for mentally handicapped adults who might be successful in finding employment in the community. It became a day centre for adults with physical or learning difficulties, but planning permission for housing was granted in 2003. Brae Farm
1790 This photograph was taken in 1951 by James Kellas and looks east showing, on the left, the rear of Brae Farm, located on Morningside Road, and part of 142 Morningside Avenue on the right.
There was originally a Brae Farm to the north west of this location that can be seen the Ordnance Survey map published in 1869 (Aberdeen Sheet LXXV.14). Just to the north of the old farm on the map is a single Aberdeen Water Works reservoir.
An article from The Leopard magazine by Diane Morgan (October/November 1985) explains that in 1885 an Aberdeen Corporation Water Act was passed to empower the Town Council to take eight million gallons daily from the River Dee and to build a second reservoir at Mannofield. This was to keep up with the city's rapid population increase.
To carry out the expansion, the council acquired the land adjoining the initial reservoir including the first Brae Farmhouse and its steadings. They then became known as Reservoir Cottage and Reservoir House and served as the home of the inspector of the water works. A relatively early inspector was called William Clark. On 28th February 1898 he died at the cottage aged 64. He was buried in the John Knox Churchyard (Aberdeen Weekly Journal, 02/03/1898, p.4).
Clark was likely succeeded as waterworks inspector by James Forsyth. The Forsyth family lived at the cottage well into the 20th century. James was married to Margaret (née Jaffray), who died after him on 28th July 1945, aged 85. Their second son, Sapper John Forsyth, died aged 26 at Oldmill Military Hospital on 20th April 1917. He was buried at Springback Cemetery.
The reservoirs continue to play a vital role in supplying water to Aberdeen. The cottage and house however were demolished in the late 20th century and replaced by modern water treatment buildings.
As shown on the 1901 OS map, sometime shortly after the passing of the 1885 act the Brae Farm we can see in this picture was built to the south east, where Morningside Road met Auchinyell Bridge. To the east, Aberdeenshire County Cricket Ground was also built around the same time.
This later Brae Farm was the home to the Kinnaird family for the first half of the 20th century. The heads of the family were Frank Kinnaird and Margaret Amelia Smith.
Their son Lance-Corporal A. G. Kinnaird, of the Royal Scots, was reported as a prisoner of war in Germany in June 1918. Prior to the war he had worked with the Clydesdale Bank (Evening Express, 03/06/1918 p.3).
Frank's eldest daughter, Jessie Sinclair, married James Smith Mathieson at Ruthrieston U.F. Church on 7th September 1927 (Evening Express, 08/09/1927, p.6).
A younger daughter, Edith Kinnaird, married a man from Portsmouth called Andrew Livingstone in July 1936. The marriage took place in Ruthrieston West Church and the reception was at the Caledonian Hotel (Press & Journal, 06/06/1936 p.8).
Daughters Amelia Elizabeth and Margaret Kinnaird both left Brae Farm in the 1920s (1924 and 1920, respectively) to reunite with fiancés who had travelled ahead to Canada.
Frank Kinnaird died on 12th August 1950, aged 84.
At some point during the 1930s-1950s the residential streets we know today, Morningside Avenue, Terrace and Place were constructed between the reservoir and the new farmstead. These streets take their name from Morningside Farm to the east. As can be seen in this photograph, the farm stood into the 1950s. It was eventually demolished when Morningside Avenue was extended to meet Morningside Road. The newer bungalows can be distinguished by their tiled, rather than slated roofs. John Morgan
1893 A portrait of John Morgan, Treasurer and building contractor. He lived in Rubislaw House. Sir William Geddes
1907 A portrait of Sir William Duguid Geddes (21st November 1828 - 9th February 1900). He was educated at Elgin academy and King's College, Aberdeen. In 1885 Geddes was appointed Principal of the University of Aberdeen. He succeed Dr W. R. Pirie. He is particularly noted as a scholar of classical Greek. A popular lecturer, Geddes was nicked Old Homer. He died in the Chanonary Lodge in Old Aberdeen. Baillie Rust
2063 A photographic portrait of Baillie John Rust (1853-1919). He was the son of John Rust and Margaret Henderson. His father founded the well-known timber merchants John Rust & Son in 1845.
John Rust junior was an architect and local politician. He served his architectural apprenticeship with John Russell McKenzie before going into business for himself with offices on Union Street, latterly number 224.
Rust was highly active in local life. He was elected to the Council in 1886 representing the Rubislaw Ward. He was re-elected in 1889 and promoted to the position of Third Ballie in 1890.
On the death of the incumbent, William Smith, Rust was a successful applicant for the post of city architect. On his appointment in March 1892 he retired his place on the Council. He served as city architect until his death in 1919.
Along with Sir Alexander Lyon and John Morgan, the builder, Rust was considered a moving spirit in the local government regime known as the "Young Party".
His Aberdeen Journal obituary highlights his involvement in the Beach Bathing Station scheme and the Union Terrace improvements. Also that he was a justice of the peace for Aberdeen City and Kincardineshire.
Moreover he was a significant property owner and was involved in local political, civic, military and church groups.
He died suddenly while on his way to work from his residence of Hawkshill, Milltimber. He was buried in Nellfield Cemetery. His Aberdeen Journal obituary can be found in the issue for 12th September 1919, page 6.
An entry for John Rust can be found in the Dictionary of Scottish Architects here Alexander Ledingham Portrait of Fanny
2139 This studio portrait is of a young woman called Fanny. The stamp on the lower right of the image indicates it was taken by Ledingham of Rosemount. The easel and brush design of the stamp suggests Ledingham's artistic aspirations as a photographer.
Alexander Ledingham ran a photographic studio at 101a Rosemount Place from 1911 until well into the 1950s. He took over these premises from John S. Greenacre who opened his studio in June 1899. Prior to this Greenacre had worked with G. W. Wilson & Co.
Ledingham's father, another Alexander, run a newsagent and took a prominent part in public life. He ran his shop from 27 Bank Street, Ferryhill for 10 years before moving in 1890 to premises at 41 Victoria Road, Torry. He eventually retired from business in 1904. He played a large role in the incorporation of Torry into the city of Aberdeen and was involved in many improvements to the area.
Ledingham Senior died in August 1926 and his obituary is available to view on the Silver City Vault. It gives further details of his involvement in politics, the church and his work as an author - many of his titles are held by Aberdeen Local Studies. Treasure 32: George Washington Wilson South Africa Photography Collection
2320 George Washington Wilson is one of the great names in 19th century photography, famous for capturing images of people, buildings and landscapes across Scotland. His photography drew attention to the beauty of his country, but his travels further afield are not as well known.
As an innovative pioneer in photography, George Washington Wilson's work reflected the reality and attitudes of society during his lifetime (1823-1893). In our collections we hold a vast selection of photographs and portraits taken by the G. W. Wilson Company in South Africa. These images were taken by his son, Charles Wilson, and Fred Hardie, a company photographer of George Washington Wilson & Co.
The company's photographs of South Africa captured scenes of the country which would have been perceived as unusual and exotic to British people at the time.
South Africa and its Treasures
The majority of British colonization was concentrated in South Africa during the 19th century. In the past, the country was colonized in order to control one of the main trade routes to India. Due to the abundance of resources such as spices and tea, European interest in Africa increased dramatically in the late 19th century, especially with the discovery of gold and diamonds in the 1860s-1880s.
On their return to Britain, George Washington Wilson & Co presented many photographs showing these natural resources, from the Robinson Gold mine in Johannesburg to De Beers Diamond Mines in Kimberley.
Tea was also a very valuable resource, and people in Britain were keen to learn more about its production and its use in South Africa.
Photography and Tourism
The collection held by Aberdeen City Libraries shows local places of interest in South Africa. These photographs capture Cape Town and Johannesburg, two of the biggest cities in the country. Many Europeans emigrated to these cities in the 19th century, due to the discovery of valuable resources in the surrounding area.
With the rapid rise of tourism in this period, George Washington Wilson & Co. looked for new ways to promote and sell their work. Around 1880-1890, they started to commercialize their photography via picture postcards, a relatively new concept in Britain. This new form of media met with huge success as it was easy to write and cheap to send. It soon became the standard way to communicate with friends and family when abroad, a holiday tradition which remains today.
The postcards, in colour and having a standard size, featured many different scenes from South Africa and were viewed as an innovative way to publicize the country - and the works of photographic firms such as George Washington Wilson & Co. Treasure 33: The Pedigree of the Cruickshanks of Stracathro
2321 Among the Local Studies collection of family trees is a chart from 1847 entitled Pedigree of the Cruickshanks of Stracathro. The title initially referred to the Cruickshanks of Langley Park but this has been scored out and replaced with Stracathro. A pedigree is a form of genealogical table. Collections of pedigrees were first made in the 15th century and, according to The Oxford Companion, were "a matter of aristocratic pride and of practical necessity for legal purposes". The term pedigree comes from the French 'pied de grue', meaning crane's foot, due to the resemblance of the genealogical lines to the thin legs and feet of the bird.
The pedigree of the Cruickshanks was compiled by E. G. G. Cruickshank, who features in the 10th generation detailed on the table.
The pedigree begins with the earliest ancestor at the top of the document with lines dropping down to succeeding generations. Each generation is given a Roman numeral and individuals within each generation are assigned Arabic numbers. The pedigree begins with "John Cruickshank first in Strathspey m. Mary Cumming of Elgin" and extends down to an incomplete 12th generation. The individuals in the 11th generation were mostly born in the 1870s.
The information listed on a family tree is dependent on the sources available and the purpose for which it was created. The information given on the Cruickshank's pedigree varies but typically includes an individual's date of birth, marriage details and date of death. Additional information is also supplied as is the case with the 7th generation of Cruickshanks - Margaret Helen is described as the daughter of Rev. Gerard of Aberdeen, author of a book whose title is unreadable, and sister to a Colonel Gerald. Details of army service are supplied for some individuals and many of the Cruickshanks were involved in the administration of India or served in the army there.
The tiny handwriting, use of abbreviations and sparse punctuation makes the document challenging to read so familiarity with the subject matter and names of places is useful. A later interpreter of the document has made a number of annotations in pencil. For example, one of the later additions points to an individual and reads "Is this W. Robertson of Auchinroath? Yes!"
In addition to a listing of descendants the pedigree is annotated with a number of original notes and a description of a coat of arms. The latin motto of Cavendo tutus translates as 'Safe through caution'. One note, quoting "an old paper", describes from where the family came prior to being in Strathspey. A note on the other side of the chart states that "distinguished Officer and Author the late Colonel Stewart of Garth" links the family to the Royal Family of Stewart and suggests the name of Cruickshank derives from "some deformity in the first cadet of the house."
Attached to the document is a letter dated 23 October 1927 from a Jim Bulloch to City Librarian G. M. Fraser. Bulloch explains that he got the pedigree from a Mr. Mackintosh of Elgin, thinks it is quite rare and that the library might like it for its collection. It has stayed in the Local Studies collection to this day.
The Gazetteer for Scotland website states that in 1775 Patrick Cruickshank, listed at No. 11 of the 7th generation, bought the estate of Stracathro in Angus. The property was subsequently inherited by his brother Alexander Cruickshank (1764 - 1846). Alexander hired the Aberdeen architect Archibald Simpson to build Stracathro House between 1824 and 1827. The Palladian Scottish country house still exists today.
University College London's Legacies of British Slave-ownership website indicates that Patrick and Alexander, and two other Cruickshank brothers, owned plantations on the Caribbean island of St Vincent that used slave labour. See Alexander Cruickshank's entry in the database here: 'Alexander Cruikshank of Stracathro', Legacies of British Slave-ownership database, http://wwwdepts-live.ucl.ac.uk/lbs/person/view/8590 [accessed 9th June 2020]. In 1833 when Britain abolished the ownership of slaves the government granted £20 million in compensation to former slave-owners. Alexander Cruickshank made three claims for compensation, two of which were successful.
In 1874, Stracathro House and estate were sold to Sir James Bannerman, Lord Provost of Glasgow, and father of Prime Minister Sir Henry Campbell-Bannerman. The country house was later used as a World War II hospital and owned by Tay Health Board before being sold to private owners in 2003. Executive of Trades Council, 1939
2404 A collection of portraits of the Executive of Trades Council taken from William Diack's History of the Trades Council and the Trade Union Movement in Aberdeen (1939).
Top Row - James Hunter, Bakers ; Burnett Gordon, Shop Assistants ; David Roger, Unemployed Association ; Andrew Gray, Unemployed Association.
Second Row - Alexander Brown, N.U.G.M.W ; Robert A. R. Fraser, Shop Assistants ; David G. Campbell, Printing, Book-binding and Paperworkers (Vice-President) ; Gilbert W. Duthie, N.U.R.
Third Row - Veda Maitland, Shop Assistants (Assistant Secretary) ; James J. Stewart, N.U.D.A.W. (President) ; William McLean Brown, N.U.D.A.W (Secretary).
Fourth Row - George Munro, Plasterers ; William Walker, A.E.U. ; Margaret McGregor, Printing, Book-Binding and Paperworkers ; Neil Howie, Scottish Painters ; James Milne, A.S.W.
Fifth Row - Alexander T. Lumsden, Vehicle Builders ; William George Ingram, A.S.L.E. & F. ; William K. Park, E.T.U. ; George Miller, Boilermakers. J. Scott Skinner
2538 A photographic portrait of composer James Scott Skinner by Morgan of Aberdeen. It is taken from the front cover of an issue of The Cairngorm Series. 123-125 Union Street
2798 Royal Liver Friendly Society and William W. Gray, ladies & gents tailor, at 123 and W. Barratt & Co., Ltd., boot and shoe makers, at 125 Union Street in 1937. 123 Union Street was also the address of Aberdeen & District Motor Club, The Federated Employers Insurance Association, Ltd., Canada Life Assurance Co., Paton, Lythgoe & Co., Paton's Shipping Offices, Ltd., Northern Pools, Walker & Johnston, commission agents, George Dawson Cable, check trader, D.L. Debt Recovery Agency, Philips & Piper, Ltd., Robert J. G. Menzies, T. M. Newbigging and Helen Cassie, solicitor. A. McRobb, plumber & electrician
2904 A collated group portrait from 1928 of the staff of Andrew McRobb, a then prominent plumbing and electrician business in Aberdeen. McRobb himself is pictured in the middle at the top.
The print features a inscription reading "by the employees, as a mark of esteem on the occasion of his acquiring Central Premises 27, 28, 29 Adelphi."
The Aberdeen Post Office directory from 1928-29 indicates that McRobb also had a branch at 103 Market Street and his home address was 24 Murray Terrace. In the directory he is described as a plumber, gasfitter, electrical and sanitation engineer.
The print includes a small photograph of the new premises in the Adelphi. In 2018 the shown shopfront is occupied by Asylum, a retailer of comics, graphic novels and roleplaying games.
McRobb took an active part in Aberdeen civic life and his profession. In May 1935 he was elected as the president of the Scottish Federation of Plumbers' and Domestic Engineers Association (Press & Journal, 11/05/1935, p. 8). He was also later a councillor for the Ferryhill Ward, a Town Council baillie, and elder and Sunday school superintendent at Trinity Church (Evening Express, 13/03/1952, p. 12).
The portraits in this print were taken and compiled by prominent Aberdeen photographer Fred W. Hardie. At the time he had premises at 416 Union Street and 8 Justice Mill Lane.
This print was kindly donated to Aberdeen Local Studies by David Parkinson. His grandfather, David Charles Kelly Parkinson, can be seen by counting four portraits to the right from the bottom right and then three up. His portrait is just down and left from a symbol showing two tools of the trade. Bonnymuir Bowling Club
3106 A group portrait showing the management council of Bonnymuir Bowling Club in 1924. The photograph was taken by Alexander Ledingham, who ran a studio at 101a Rosemount Place for many years.
This print is attached to a larger board which identifies all the figures present:
Standing: W. H. Davidson, G. Cooper, C. B. Garrioch, J. S. Taylor, A. Craig, W. Allan, C. D. Davidson, A. Milne, J. Reid, W. Tocher, J. M. McFarlane, J. Rigg, J. M. Ross.
Sittings: J. Gordon, A. G. R. Weir, R. Cameron (Treasurer), J. M. Begg (Vice-President), G. H. Simpson (President), P. Scott, E. Swan (Secretary), H. Reid, A. Matthews.
The green is located to the west of Bonnymuir Place and was previously a garden area. The land was given to the community to serve as a bowling green in the early 1920s. This image was used in Old Rosemount (2015) by Patricia Newman and this book gives a short account of the formation of Bonnymuir Bowling Green Ltd. and its initial fundraising.
The bowling club closed down in 2015. A group of local residents have subsequently formed the Bonnymuir Green Community Trust with the aim to develop and use the site of the former green as an asset, owned by and operated for, the benefit of the community. Aberdeen Portraits: Group No. 8
3110 Group No. 8 from Messrs G. W. Wilson & Co.'s Aberdeen portraits series published in 1907. An article in The Aberdeen Daily Journal of 27th April 1907, page 4, states:
"There are few more interesting local pictures than the two groups of photographic portraits of Aberdeen public men which were published by Mr G. W. Wilson in the very early days of photography - in 1856 and 1857.
These groups were selected and arranged by Mr (afterwards Baillie) George Walker, who is one of the very few survivors of the 196 note worthy Aberdonians portrayed; and an animated description of one of them is given by Mr William Carnie in 'Reporting Reminiscences.'
A third group was published 1896; and most of the faces presented in it have likewise vanished from the scene. The happy idea has just occurred to Messrs G. W. Wilson and Co. to reproduce these three groups, along with six other groups (containing 100 portraits each) selected from the large collection of negatives taken at the firm's Crown Street studio between 1852 and 1896.
The nine groups thus constitute a collection fairly representative of the leading men of Aberdeen during the latter half of the nineteenth century. They are printed in permanent collotype, and are encased in a handsome portfolio, an index of names also being supplied. But each group can be had separately, and is so mounted as to be available for framing; while copies printed on gelatine paper are also to be had, and copies of the single portraits may be secured.
Messrs G. W. Wilson and Co. claim - and probably with every reason - that this series of portraits is unique, no other city having a similar portrait gallery of its leading citizens, covering practically the whole period between the beginning of the photographic portraiture on paper and the end of the nineteenth century." Aberdeen Portraits: Group No. 9
3111 Group No. 9 from Messrs G. W. Wilson & Co.'s Aberdeen portraits series published in 1907. An article in The Aberdeen Daily Journal of 27th April 1907, page 4, states:
"There are few more interesting local pictures than the two groups of photographic portraits of Aberdeen public men which were published by Mr G. W. Wilson in the very early days of photography - in 1856 and 1857.
These groups were selected and arranged by Mr (afterwards Baillie) George Walker, who is one of the very few survivors of the 196 note worthy Aberdonians portrayed; and an animated description of one of them is given by Mr William Carnie in 'Reporting Reminiscences.'
A third group was published 1896; and most of the faces presented in it have likewise vanished from the scene. The happy idea has just occurred to Messrs G. W. Wilson and Co. to reproduce these three groups, along with six other groups (containing 100 portraits each) selected from the large collection of negatives taken at the firm's Crown Street studio between 1852 and 1896.
The nine groups thus constitute a collection fairly representative of the leading men of Aberdeen during the latter half of the nineteenth century. They are printed in permanent collotype, and are encased in a handsome portfolio, an index of names also being supplied. But each group can be had separately, and is so mounted as to be available for framing; while copies printed on gelatine paper are also to be had, and copies of the single portraits may be secured.
Messrs G. W. Wilson and Co. claim - and probably with every reason - that this series of portraits is unique, no other city having a similar portrait gallery of its leading citizens, covering practically the whole period between the beginning of the photographic portraiture on paper and the end of the nineteenth century." Rev. John Duncan, D.D.
3128 A photographic portrait of Rev. John Duncan, D.D., minister of Trinity Congregational Church. See the book Rev. John Duncan, D.D.: A Memoir and a Tribute (1909) by J. B. Allan for information on Duncan's life and career.
This reproduction was included as a supplement to the Aberdeen Weekly Journal of Wednesday 28th December 1898. |