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Aberdeen Sea Beach
51 The Promenade at Aberdeen Sea Beach, c. 1950 with the Beach Shelter and Beach Bathing Station in the background. Allenvale Cemetery from Kincorth
60 An early photograph of Allenvale Cemetery, taking shape in the middle distance, as seen from Kincorth, with Abbotswell Farm in the foreground.
A limited company called the Aberdeen Cemetery Company was established for the purpose of creating this new graveyard. A prospectus inviting public investment was published in the Aberdeen Journal of 29th January 1873. It reads as follows:
"It is well known that in Aberdeen cemetery accommodation is limited and insufficient, and it is generally admitted that its extension is necessary, and cannot much longer be delayed. It is therefore desirable to acquire additional space for that purpose, and to treat it in accordance with modern ideas and practice.
"This company has been formed for the purpose of providing an extensive Cemetery, in the neighbourhood of Aberdeen, suitable in all respects for the purposes of internment, and of easy access - but sufficiently removed from town to preserve its suburban character."
The new cemetery opened in late 1874 and, as we know, was a big hit. It was officially known as the Aberdeen Cemetery but quickly became known as Allenvale Cemetery, after the property on which it was built.
Allenvale saw major extensions in 1912 and 1932. A London syndicate purchased control of the graveyard from the Aberdeen Cemetery Company in 1958. Aberdeen Town Council subsequently took control of the cemetery in 1965 following the then owners going into liquidation and worries about Allenvale's future. Allenvale remains a fine example of a planned Victorian cemetery to this day.
Notable residents of Allenvale include John James Rickard MacLeod (1876-1935), co-discoverer of insulin, James Scott Skinner (1843-1927), fiddler and composer, and Mary Esslemont (1891-1984), the influential doctor. Though, of course, many interned at Allenvale would have their own interesting stories to tell.
In this photograph, Duthie Park, later created on the right, has yet to be landscaped. St. Machar Poorhouse, Fonthill House and Devanha House can all be seen in the distance. Gala and Heather Day in the Duthie Park
395 This Adelphi Series postcard shows the Gala Day taking place in Duthie Park on 21st August 1915.
The Gala in Duthie Park and the accompanying Heather Day were both organised to raise funds for the Aberdeen Royal Infirmary.
The Gala Day is one of largest events ever to take place at the park. It was estimated that between 25,000 and 26,000 people attended. Tickets cost 6 pence (6d) for general admission and 2s 6d for carriages or motor cars.
Within the park there was an elaborate programme of entertainment and refreshments organised. Details of the programme were published in a 32 page booklet prior to the event. Upwards of 1,300 people took part in the programme.
Gates to the park opened at 3pm and the event officially commence at 3pm with a grand military parade. Lieut-Colonel A. H. Leith of Glenkindie, Garrison Commander, and Lord Provost James Taggart "took the salute" opposite the Hygiea statue.
The Gala and Heather Day were organised by a distinct committee; Taggart was its president and Alexander Findlay, Superintendent of Cleansing, was its chairman. Councillor H. J. Gray was the secretary and treasurer and Mr John Lints was his assistant. There were also conveners and secretaries for various sub-committees concerned with aspects like entertainment and refreshments.
There was a wide range of entertainment organised for within the park including singing, dancing, gymnastic displays, musical drill, motor cycle gymkhana and bayonet fighting. Various platforms saw performances from acts such as a company lead by D. M. Kinghorn, pierrots directed by Minnie Mearns, Dan Williams, and W. A. Craig's operatic choir. Charles Soutar lead a 500 strong choir of children from the city's public schools.
Practically all naval and military units present in the city were represented at the event and individuals from many of them took part in the sporting competitions. The day also included a 5-a-side football and tug of war competition. Preliminary matches for these took place prior to the day at Pittodrie Park.
The Gala Day was filmed and this was later shown as part of a special programme at the Picture House on Union Street from the 25th of the month.
Over £500 was taken at the gates for the event. Entertainment and refreshments within further increased the figure raised.
Heather Day itself generated another £474. This involved over 1,500 vendors going around all parts of the city selling sprigs of the plant. The sale started on the afternoon of the Friday and continued all through Saturday. Entertainment venues throughout the city were also visited.
The vendors were primarily young women and members of organisations like the boys brigade. Stores present in all areas of the city were replenished from a central depot at 173a Union Street. This in turn was supplied by the cleansing department buildings in Poynernook Road, where the preceding week had seen 200,000 sprigs prepared for sale. Peterhead, Inverurie, Ellon and Banchory organised their own Heather Days for the same fund.
The sum taken from both the Gala and the Heather Day was estimated at considerably over £1,000.
See the report in the Aberdeen Journal, Monday 23rd August 1915 page 8, for further details about the occasion. Culter
876 This image was taken around 1909 from a hill at the west end of Culter - 7 miles west from Aberdeen looking down on the North Deeside Road towards Banchory. The image shows the cottages known as Clayhills with the houses of Malcolm Road beyond. Hidden in the trees at the right hand side is the statue of Rob Roy overlooking the Leuchar Burn which runs through the wooded valley. Dunecht Smiddy
1146 Blacksmiths in the smiddy at Dunecht. This shop appears to have been fairly busy, employing as it did, 3 blacksmiths. They were called upon for all sorts of metal related jobs. All the tools of the trade can be noted, including 2 anvils for hammering and a main furnace (centre of picture). All 3 blacksmiths are seen here wearing leather aprons, which protected them from the hot flying sparks. No industrial glasses were in use however at this time, and the traditional flat bonnet is still the norm.
Correspondent David Christie has identified the blacksmith on the left as James Stephenson Smith, his great grandfather. David explains that Smith worked as a blacksmith for Dunecht Estate from 1925 to 1929 and so this dates the photograph to this period. His great grandfather also worked at other properties belonging to the estate, such as renovations of Dunnottar Castle. Smith had to give up working as a Blacksmith after breaking his leg in a fall while working there.
He subsequently worked as a driver for the Dunecht Garage, which ran buses at the time, and later for the W. Alexander & Sons bus operating firm.
There is an article about this image by Hilary Simpson in the Evening Express of 17 September 1986. It details the memories of readers Margaret Skene and John Gray. Margaret's grandfather was Alexander Innes, the figure in the middle. On the right is Bill Innes, a son of Alexander. They are said to have run the smiddy with the assistance of James Smith.
The article also explains that the image was originally a postcard. One of a series detailing the various trades active on the Dunecht estate of Lord Cowdray.
(Many thanks to David for getting in touch and providing additional information and making us aware of the newspaper article.) Aberdeen Steam Laundry, Claremont Street
1148 Ironing room, Aberdeen Steam Laundry, Claremont Street, c.1890. In this busy location, several dozen women were employed in ironing what appears to be mainly large sheets. Long trestle tables have been erected to allow for a greater flow of productivity. All the irons in operation would have been gas irons. Several wicker carrying baskets can also be noted in the picture. The Laundry itself had begun in 1879. In the early 1890s, their wash-house was fitted with steam washers, boilers, rinsing vessels, tubs for handwork and hydro-extractors. Studio portrait of four ladies beside boat, all wearing swimming costumes
1635 This image has not yet been indexed. Use the Comments button below the image to enter information about the image.
Please note: we will not include any personal information provided unless you indicate that you wish to be acknowledged. The standard form for crediting your information is (name, place) e.g. (John Smith, Aberdeen). Sir David Stewart
2029 A portrait of Lord Provost Sir David Stewart (1835 - 1919). He served as Provost of Aberdeen from 1889 to 1894. After graduating from King's College in 1855 he joined his father in the firm Messrs. S. R. Stewart & Co., the largest combmaking business in the world. Stewart was the president of the Aberdeen Chamber of Commerce for 1883-84 and was also a member of the School Board. He entered the Town Council in November 1889. One very significant development during his term as Provost was the Aberdeen Corporation Act of 1891. This extended the boundaries of the city to include Old Aberdeen, Woodside and Torry.
He also, somewhat reluctantly, gave his name to Stewart Park. The Woodside amenity was officially opened on the afternoon of Saturday 9th June 1894. The Aberdeen Journal's report of the ceremony has the Provost responding to a toast by stating "he did not know what the park was to be called. It was rather hard lines that he should be put in the position of saying 'No' to the request that had been made, but if he had been properly consulted - he would have advised them not to call it the Stewart Park. He might have possibly been chaffed [chuffed] about it being called the Stewart Park, and taken a good-natured smile, but he did not think he ever gave his consent any way. He felt it would be just as well perhaps if the committee called it 'Hilton' or 'Woodside,' and perhaps they would reconsider it." He left the matter in the hands of the Town Council and the name stood. A School of Dolphins: Inspire at Dyce Library
2162 One half of Inspire was designed by Megan Lovie. This half displays the school's logo and motto. Megan says it 'reflects school life where all pupils aim high'. Megan Warnock designed the other half to inspire people to think about helping with the conservation of this wonderful mammal. Treasure 35: Notes and Jottings of G.M. Fraser
2323 George Milne Fraser had a lifelong interest and expertise in local history; delivering talks (as seen in the December 2015 Treasure), publishing books and numerous letters and articles in the local press. His 'Notes and Jottings' collection comprise over 70 volumes, mostly hand written (including a form of shorthand), which are a treasure trove of information about the local area.
Within these notebooks are newspaper articles and advertisements, photographs, personal correspondence, sketches and many other interesting bits and pieces. Library staff have compiled an index to this invaluable resource and consult it on a regular basis when researching enquiries. It is quite a challenge deciphering his handwriting sometimes!
As a journalist by profession, G. M. Fraser retained his talent for writing and contributed articles to the Aberdeen Free Press, Bon Accord and Northern Pictorial, Evening Gazette, and journals such as the Deeside Field.
His contributions to local literature began in 1904 with the publication of The Green. Historical Aberdeen appeared the following year and after Aberdeen Street Names in 1911 the Town Clerk Depute wrote to Fraser with the words "We must now regard you as our Principal Historian".
The Life and Work of G. M. Fraser
G. M. Fraser was appointed city librarian in 1899 and was the second public librarian in Aberdeen. He can be seen on the far right of this image from the library archive.
His name was known all over the north east and he was mentioned in the chorus of one of Harry Gordon's popular songs, The Auldest Aiberdonian: "I ken lots o' stories G. M. Fraser disna ken". On 30 October 1923 he gave a 15 minute talk on the radio about Castlegate, becoming the first librarian in Aberdeen to make a radio broadcast.
During his term of office there were many developments in the Library service:
- The Central Library was extended in 1905 to include a new reading room
- Branch reading rooms and delivery stations were established throughout the city
- The Juvenile Library in Skene Street opened in 1911
- Open access was introduced in the Lending Library 1925 (find out more about Open Access libraries in the October treasures!)
- Fraser's strongest legacy is the Local Studies collection, which still contains many of our treasures.
G. M. Fraser was remembered very fondly after his death on 7 June 1938. There were many tributes including one from the Library Committee. Perhaps one of the warmest tributes was paid by his successor as City Librarian, Marcus Milne:
"Somehow the Library and G.M. were one. You could not think of the Library without thinking of that kindly figure who was head of it; and one could not meet him without thinking of the building he graced for so long. Mr Fraser had 2 hobbies and work was both of them. He lived for nothing else. The library was ever uppermost in his thoughts and closely allied to his love for the Library was his great love for things Aberdeen".
Mr Fraser's funeral service was attended by many prominent city officials and floral wreaths included one from Lady Aberdeen with the inscription "In affectionate and grateful remembrance of a much valued friend". He is buried in Springbank Cemetery.
In 1955, Aberdeen's first post-war permanent branch library was opened at Northfield and named the G. M. Fraser Branch Library in his honour.
In further recognition of his contribution to the development of the Library service, a commemorative plaque can be found on the front of the Central Library building. Treasure 36: Aberdeen City Libraries' First Book Sale, 24 February 1979
2327 National Libraries Day has been held every February since 2011 to celebrate and raise awareness of libraries, library staff and their communities all over the UK. It is an opportunity for libraries to showcase and promote what they have to offer and to attract as many visitors as possible to local libraries.
This month our selection from the Library archive brings the focus to a Library event the likes of which has never been seen before or since in Aberdeen City Libraries. The photograph shows the queue for the first ever Library book sale held in the Ballroom of the Music Hall on Saturday 24 February 1979, when well over a thousand people swarmed through the doors to grab a bargain. The Press and Journal covered the event with the headline: "Bonanza Day for Bookworms; bargain hunters pack the Music Hall".
In September 1978 the Aberdeen District Council's library committee agreed to a recommendation from City Librarian Peter Grant to hold a sale of more than 30,000 books which had been withdrawn from stock for various reasons. There was also considerable duplication of stock following local government re-organisation in 1975 when Aberdeen inherited six former county branch libraries.
Books were divided into three categories: Children's, Adult Fiction and Non-Fiction (including reference books) and prices were kept low at 20p for fiction books and non-fiction titles slightly more at 50p.
Best sellers included children's books purchased by play groups, out of date encyclopaedias and Whittaker's Almanacs, and bound volumes of National Geographic Magazine. By the end of the day, the event was deemed an overwhelming success, selling over 13,000 books and raising more than £3645 for the purchase of new stock.
The hard work and dedication of the Library staff was recognised by the Convener of the Library Committee Councillor Henry Rae who said "It turned out to be a resounding success and this was achieved by the dedication of the staff".
Treasure 61: Aberdeen City Mobile Library Service
2379 By 1948 Aberdeen Central Lending Library had issued a total of 388,528 books and the City Librarian reported that it could "barely cope with all the readers which crowd it at its busiest time".
He proposed the introduction of a mobile library service to cater to the growing population in what The Press & Journal newspaper called "new housing colonies" in areas such as Rosehill, Hilton, Middlefield, Stockethill, Kaimhill and Garthdee.
His recommendation was accepted and an order was placed with Aberdeen Motors Ltd for Aberdeen City Libraries' first mobile library - an Austin 30 H.P vehicle.
Over the years, the mobile library service grew and consisted of four vehicles at its peak. Hamilton Place, Looking West
2732 A postcard of Hamilton Place likely dating from the early 20th century. The view looks west from the juntion with Westfield Road. The house on the left foreground appears to be 8 Hamilton Place. A small part of 3 Hamilton Place can be seen across the road.
Correspondent Urlan Wannop, a former resident at 41 Hamilton Place, shared his memories about this place:
"My family lived in Hamilton Place between 1935 and 1948. The trees have since been removed, but on warm summer evenings we played ball games in the street before cars became prevalent. The trees stood in for stumps for games of cricket. In wartime, snow clearance for the very few motor cars and steam powered coal delivery wagons meant walls of snow at the pavement edge. I still have weights cast from lead left when all garden railings were removed in an abortive attempt to build tanks and ships for the war effort. (...)
[The] photograph precedes the wartime removal of railings. For historical record, the photograph was possibly taken in the 1920's, judging by the motor car in the background, the presence of the railings and the trees being less fully grown than in the days when they stood in as wickets for street games of cricket.
No sign of the knife grinders, bicycles of visiting French onion sellers nor of the street singer that progressed down Hamilton Place. All disappeared except from my memory.
The wartime Lord Provost, Tommy Mitchell - of Mitchell and Muil, the bakers - lived in a house at the near left; my Headmaster at the Grammar School, JJ Robertson, lived in one at the near right. Like me, he would walk to school down Craigie Loanings". Fidler's Well
2737 A photograph showing a horse drinking from Fidler's Well in Guild Street. The image is taken from the Evening Express of 13th September 1929. It was accompanied by an article detailing the visit to Aberdeen of the grandson of the well's benefactor, Alexander Fidler. The grandson, who lived in Chicago, had visited the public library and learnt much about his ancestor and the well from G. M. Fraser and then visited the Evening Express office.
The article contains information on Dr William Guild, to whom the well is dedicated, Alexander Fidler and his brother John, who ran a well known pie-shop on Shiprow.
The wording on the well's granite basin reads "Dedicated to Dr William Guild. Died 1657. Lammas, A. F."
The inscription on the cast iron fountain is as follows:
"Fountainhall, 1st August 1857.
Water springs for man and beast,
At your service I am here;
Although six thousand years of age,
I am caller, clean, and clear.
Erected for the inhabitants of The World
by
Alexander Fidler."
In this image the well is shown at its 2nd location, outside the Goods Station and opposite what was the Balmoral Temperance Hotel & Restaurant. INTRODUCTION
2873 Aberdeen is home to an estimated 1,020 Poles. This number is gradually growing every year. Although the Polish community has integrated well with the Scots, there is still prejudice lingering. Statistics from 2017 show that Poles were the ethnic minority group in Aberdeen which had received the most racial discrimination. 70% of a total 144 incidents of discrimination consisted of verbal abuse.
It is important to demolish any type of discrimination towards any race to maintain peace within Aberdeen's communities. I believe that in order to do so, we all have to look back at our history together.
Significant relations between Scotland and Poland date back to at least the 16th century. From that time onwards, whether it was fighting together in WW1 and WW2 or making lucrative trades, our relationship has remained fruitful. In this article I shall be writing about our countries' most cardinal points in history. Ploughing portrait
3355 A photograph showing a young man working an Aberdeenshire field with a plough and two horses.
This photograph was one of three photographs lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
The man shown was tentatively idenitied by Mr Finney's father as a Fred Matthews. Though his identity is not known for certain. The location shown is also unknown for sure. The man resembles one of a group of workers from the Pitglassie area shown in another of Mr Finney's images.
This image likely dates from around the 1920s. It is possible that the portion of the card that has been removed at the bottom once gave details of the photographer.
Our current hypothesis is that Mr Finney's three images (that can be found on this site using the following image references: DO03_24, DO03_25 and DO03_26) all relate to involvement in competitive ploughing events, held around the 1920s, by inhabitants of the Pitglassie area in the Parish of Auchterless. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Picture House / Gaumont
3404 Silver Screen in the Silver City (1988) by Michael Thomson explains that by 1950 the Picture House was owned by the Rank Organisation. The British entertainment conglomerate had acquired various cinema exhibition companies: British-Gaumont, Odeon, and the Provincial Cinematograph Theatres (successor company to Associated Provincial Picture Houses). As part of business rationalisation, on 22nd March 1950 the Picture House was rebranded as The Gaumont.
Thomson's Silver Screen indicates that the Gaumont's vertical neon sign dates from the time of the rebranding. In 1956 the design of the cinema was further updated. This saw the introduction of the illuminated canopy and use of the beech design shown here in the redeveloped interior and exterior, replacing the pillars of the Picture House era. A new marble backed fireplace replaced the old one that had been a well-known feature of the cinema since its opening in 1914. The projection equipment and seating were also modernised. This night-time image from the Aberdeen Journals Archive accompanied an article about the Gaumont's new look in the Evening Express of 19th April 1956.
The image shows promotion for a number of films on the cinema's updated exterior: The Rose Tattoo with Burt Lancaster and Anna Magnani, Flight from Vienna and Aberdeen Photographic Service's presentation of A Photographic Review of the Royal Tour of Nigeria.
The manager at the time of the Gaumont's redesign was Mr. R. E. Miller. He had managed the cinema since January 1948. In early 1951 Miller converted the upstairs restaurant area, which had laid empty since 1928, into a gallery space. Known as the Gaumont Gallery, it was ideal for photographic exhibitions and was in frequent use well into the 1960s.
Thomson states that during this period Mary Garden, the retired opera singer who returned to Aberdeen in 1939, was something of a regular at the Gaumont. This well-known and much-loved figure would be escorted to her seat by the cinema's commissionaire George Repper, who was also a popular and familiar figure. Repper worked at the Gaumont from 1940 to 1964 and his job was to shepherd queues, attend to patrons and ensure all progressed smoothly.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Regent / Odeon
3417 The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could.
Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland.
The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate.
The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following:
"Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base."
The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two".
The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks.
The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent.
On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: News Cinema / Curzon / Cosmo 2
3426 An Aberdeen Journals Archive photograph of the Cosmo 2 cinema at 15 Diamond Street in January 1976.
This site was first used as a picture hall by the News Cinema which opened on Saturday 5th September 1936. This was only the second cinema of its type to open in Scotland. Michael Thomson explains that news cinemas aimed to entertain those with only limited time, with programmes lasting approximately an hour made up of comedy and local interest shorts, newsreels and cartoons. They were ideal for travellers waiting for connections or those passing time before appointments.
The News Cinema in Aberdeen was owned by Ernest Bromberg and was located next door to the Palais on Diamond Street. The cinema was converted from a former stable building that Bromberg had owned since 1931. Thomson states that "the acoustics and the RCA talkie system were excellent, and all in all the little cinema more than made up in comfort and quality for what it lacked in size."
The News Cinema made its own local newsreels that documented happenings in the town. In October 1941 one of these captured footage of the tragic fire that destroyed the upper section of the Palace Hotel and killed 6 people. Major national events such as coronations and the second world war were also heavily represented in the News Cinema's programme.
On 4th April 1955 the cinema was rebranded by Bromberg as the Newcine Continental and specialised in showing films from Europe, which were then growing in popularity. During the next year the cinema shifted back to news programmes and reverted to its original name on 3rd December 1956.
The current events function of news cinemas was increasingly superseded by the growth and availability of TV news reporting. In May 1959 the cinema changed its name to the Curzon and returned to showing continental films, including the more risqué variety which were popular at the time.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Coliseum / New Kinema / Belmont
3437 The cinema on Belmont Street had operated as the Belmont from 24th June 1935. On 4th January 1938 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had acquired a controlling share in Caledonian Theatres, who ran the Majestic on Union Street and the Belmont. Michael Thomson credits Caledonian Theatres' financial difficulties at this time to their inability to book the best films.
An organisation known as the Ship Contractors' and Ship Wrights' Association had a right to sell bond on the Belmont Street property that included both the cinema and the headquarters of the Aberdeen Trades Council. From 1946 onwards the aforementioned association tried to sell the property and this was contested by the Trades Council. This fight went all the way to the House of Lords but the Trades Council's appeal was dismissed in January 1949.
Caledonian Theatres had attempted to purchase the building outright from the Ship Contractors' and Ship Wrights' Association but this sale was interrupted by the Aberdeen Sheriff Court following an appeal from the Trades Council. In the end the building was sold to the NAAFI (Navy, Army and Air Force Institutes) in February 1952 to be converted into their new Aberdeen headquarters.
Following this sale, the Belmont cinema closed on down 29th March 1952. Its final film was The Steel Helmet an American film, directed by Samuel Fuller, about the Korean War.
In mid-1956 NAAFI moved its accounts operations out of Aberdeen and put the block up for sale. On 22nd April 1958 the Clydesdale Supply Co. Ltd. moved from premises at 111/2 Rose Street to the former Trades Hall and cinema at 49 Belmont Street. The large premises were employed as the warehouse for the company's wide range of clothing, household goods, furniture, radios, televisions and radiograms. Clydesdale appear to have occupied the building until around 1962.
This Aberdeen Journals Archive photograph from 1966 likely shows the building when it was unoccupied.
During the early 1980s the building was used as a carpet showroom. In October 1994 plans were announced by Aberdeen City Council to create a media centre at 49 Belmont Street. This included three cinema screens, educational facilities and a café bar. The building was converted for this purpose but funding could not be secured for its operation.
The revamped cinema finally opened as The Belmont Picturehouse in September 2000 and was operated by the Picturehouse company. This firm was later bought by Cineworld and had to relinquish the lease on The Belmont in adherence with competition law. In 2014, the Centre for the Moving Image was selected to take on its management and the much-loved cinema became the Belmont Filmhouse.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. The mobile library van outside Aberdeen Central Library
3835 By 1948 Aberdeen Central Lending Library had issued a total of 388,528 books and the City Librarian reported that it could "barely cope with all the readers which crowd it at its busiest time".
He proposed the introduction of a mobile library service to cater to the growing population in what the Press & Journal newspaper called "new housing colonies" in areas such as Rosehill, Hilton, Middlefield, Stockethill, Kaimhill and Garthdee.
His recommendation was accepted and an order was placed with Aberdeen Motors Ltd. for Aberdeen City Libraries' first mobile library - an Austin 30 H.P vehicle.
Over the years, the mobile library service grew and consisted of four vehicles at its peak. Bowman & Webster, Cork Manufacturers
164 A receipt from Bowman & Webster, Cork Manufacturers & Bottle Merchants. The document dating from 21st April, 1916 features illustrations of the premises at 8 & 10 South Constitution Street and lists other offices in Dundee and Sevilla, Spain. The receipt is for the purchase of beer corks by the Douglas Arms Hotel in Banchory.
The business of Bowman & Webster had a long history in the City of Aberdeen. It was initially a partnership between Thomas Bowman and Fred Webster. The partnership was dissolved in 1901, with Bowman leaving, but the company retained its original name throughout its history.
Thomas Bowman died suddenly, aged between 40 and 50, on 28th August 1905 and his obituary can be read in the next day's Aberdeen Journal. Like his father and grandfather he had joined the army and served in North India with the Gordon Highlanders.
Fred Webster and his son ran the business after the departure of Bowman. A descendant of the family has been touch and explained that both had troubled lives and died relatively young. The business was then taken over by John Webster, Fred's brother, in 1925.
The obituary of Fred Webster can be read in the Press & Journal of 25th June 1924. In addition to describing his successful business and work in Spain, the article describes him as follows:
"A man of genial disposition, Mr Webster was exceedingly popular with all who knew him. He was a keen bowler and a member of the Northern Bowling Club. For many years Mr Webster was a well-known pigeon fancier and breeder, and won prizes all over the country, including Crystal Palace, and his services were often in request as a judge."
Before taking over the business, John and his wife had spent twenty years living and working in Canada. Fred willed the company to a daughter of John's called Evelyn. John successfully ran the business as its Managing Director until his death on 8th November 1961, aged 78. He was a life-long member of the Thistle Swimming Club and lived at 122 Desswood Place.
John's son, Edwin John Webster, then ran the business until it closed down in the later 20th century. The growing influence of large brewers made business and survival more difficult for local companies involved in the licensed trade.
Edwin John Webster died, aged 78, on 30th September 1990.
Many thanks to Michael John Webster (from Angus), son of Edwin, for providing us with additional information about the family and business. Treasure 3: Aberdeen Public Library Bye-laws, 1906
170 In 1906 the Public Library Committee of Aberdeen City created a series of bye-laws that outlined the management of the library and the behaviour required of all library users. Aberdeen City Libraries have retained a copy of the original document in our Local Studies collection.
The document is informative on the then organisation of the library and also provides an at times comical insight into the attitudes and lifestyle at the beginning of the century.
Bye-law number 38, in the general section, states: "No audible conversation shall be permitted in the Library rooms, nor shall any person be allowed to partake of refreshments, to whistle, smoke, spit, strike matches, or bring a dog therein. Loitering or rambling about the premises is strictly prohibited; and no person shall be permitted to lie on the benches or chairs, to sleep in any room, or to interfere with the arrangements for conducting the Library".
Bye-law number 23 states, in no uncertain terms, that: "On the occurrence of any infectious disease in their homes, Borrowers shall give up any books in their possession to the Sanitary Inspector of the Burgh, and shall be debarred from borrowing until they shall produce to the Librarian a medical certificate of health."
If you would like to read more of the library bye-laws please visit Local Studies in the Central Library. Just do not let us catch you whistling or rambling on the premises! |