Quick Search
|
Search Results
You searched for: More Like: 'Key appointment at Cadherent'
55 items
items as
Victoria Park
241 In 1871 Aberdeen Town Council decided to convert nearly 14 acres of Glennie's Parks, which had been used for cattle grazing, into a public recreation ground - Aberdeen's first public park.
Aberdeen's lack of a public park up to this point had become a contentious issue. For example, newspaper reports indicate that those opposed to the Municipality Extension Act of 1871 (which extended the boundary of the city, brought the functions of the Police Commissioners under the Council and incorporated the gasworks) repeatedly suggested that the expense involved in the new bill would be better used in the creation of a much wanted public park.
It is not unreasonable to suppose that this debate, and criticism of the Council, hastened the creation of Victoria Park. While work likely begun in 1871, it was not until March 1873 that the Improvements Committee of the Council recommended that the new park should be called "Victoria Park". At the same time, they also outlined a series of 13 rules and regulations for agreement by the full Council. There does not appear to have been an official opening for the new amenity.
Glennie's Park was not the only site considered for Aberdeen's first public park. Interest in such an undertaking was increasing at the same time as work was underway to divert the River Dee and improve the harbour. The new ground created in this latter project, encompassing the old, more northerly course of the river and the Inches, was a much proposed location for a park. Following the creation of Victoria Park this newly leveled ground was instead given over for buildings related to the expanding fishing industry.
A nurseryman called Robert Walker (1848-1930), originally from Perth, was chosen out of 450 candidates to be the city's first public park keeper and appointed to Victoria Park. He was likely largely responsible for the park's initial layout and appearance. His Press & Journal obituary (21/04/1930, p.6) suggests that prior to his appointment the site was "little better than a waste space".
Walker subsequently laid out Westburn Park, Stewart Park, Union Terrace Gardens and the Promenade. He also advocated and pioneered the planting of street trees. He served the Corporation for 46 years, retiring in 1919, and must be considered one of the unsung heroes of Aberdeen history.
This photograph, taken around 1900, shows one of the main paths leading to a large granite fountain, which was designed by J.B. Pirie. It is built of 14 different types of granite and was presented by the granite polishers and master builders of the city.
Since the park is almost in the city centre, it is an oasis of peace with its mature trees and, in spring, there are masses of flowering bulbs scattered through the grass. Alexander Robertson
1386 Alexander W Robertson MA was appointed Librarian from 123 applicants including only one female. He submitted 21 testimonials to the Public Library Committee in support of his application. Prior to his appointment he was Assistant Librarian at Aberdeen University. George Jamieson of Rosebank
2048 A portrait of Provost George Jamieson (c.1809 - 2nd February 1893). He served as Provost of Aberdeen between 1874-1879. Jamieson was born in Perth about 1809 but came to Aberdeen with his family early in his life when his father was employed by the Aberdeen Copper Company. He was apprenticed to grocer Robert Troup and for fifty years was the senior partner in the wholesale firm Jamieson & Mitchell. His first appointment in public life was a position on the Police Board in 1839. He was chosen as dean of guild in 1860. In addition to much council work, Jamieson was chairman of St Nicholas Parochial Board from 1864 to 1868, a director of the North of Scotland Bank and a number of public companies and also chairman of the Aberdeen District Tramways Company. He died at his residence, 19 Queen's Road, aged eighty-four years. Baillie Rust
2063 A photographic portrait of Baillie John Rust (1853-1919). He was the son of John Rust and Margaret Henderson. His father founded the well-known timber merchants John Rust & Son in 1845.
John Rust junior was an architect and local politician. He served his architectural apprenticeship with John Russell McKenzie before going into business for himself with offices on Union Street, latterly number 224.
Rust was highly active in local life. He was elected to the Council in 1886 representing the Rubislaw Ward. He was re-elected in 1889 and promoted to the position of Third Ballie in 1890.
On the death of the incumbent, William Smith, Rust was a successful applicant for the post of city architect. On his appointment in March 1892 he retired his place on the Council. He served as city architect until his death in 1919.
Along with Sir Alexander Lyon and John Morgan, the builder, Rust was considered a moving spirit in the local government regime known as the "Young Party".
His Aberdeen Journal obituary highlights his involvement in the Beach Bathing Station scheme and the Union Terrace improvements. Also that he was a justice of the peace for Aberdeen City and Kincardineshire.
Moreover he was a significant property owner and was involved in local political, civic, military and church groups.
He died suddenly while on his way to work from his residence of Hawkshill, Milltimber. He was buried in Nellfield Cemetery. His Aberdeen Journal obituary can be found in the issue for 12th September 1919, page 6.
An entry for John Rust can be found in the Dictionary of Scottish Architects here Joseph T. Duncan
2388 This photo dates from around 1950, and shows bookbinder Joseph T. Duncan and his assistant Ruth Chalmers in the bindery which was located in the basement of the Central Library. He is applying gold lettering to the spine of a volume using the tools laid out on the rack beside him.
Mr Duncan was appointed in 1935 at the age of 37, after the retirement of the Library's first bookbinder, and remained in post until his sudden death in 1962.
Prior to his appointment, he was employed by printing firm George Cornwall and Sons for 22 years. During his time there, he spent a year on loan with William Jackson, a bookbinding company in Back Wynd, who also carried out work for the Public Library. He was tasked with stamping class numbers on the spines of books for the Sir John Anderson Library in Woodside whose management had been transferred to the Public Library Committee in 1930. Edward Hall
2389 In March 1885, the City Librarian, A.W. Robertson, reported to the Free Public Library Committee that he had examined all the volumes that were to be transferred from the Mechanics' Institution, "and a note taken of any injury or imperfections, or both, that may have been found therein". He discovered that, while many were unsuitable due to their poor condition, others required repairs including fixing leaves and plates, re-attaching books to their covers and mending corners, and believed that this work "could be done most economically and conveniently on the library premises".
Edward Hall worked for the William Jackson bookbinders at the time and was sent by the company to carry out this work, including all the gilt lettering.
After the first six months of the new public library, and the wear and tear on the books "being already large and accumulating from day to day", the library committee were considering the appointment of a library binder to maintain the stock and repair minor faults before the volumes needed total rebinding. In August 1886, Mr Hall was appointed at a wage of twenty-three shillings weekly. Although other binding work was still undertaken by local firms William Jackson and John Avery, the Librarian was pleased to note in his annual report for 1885-86 that "The results of the experiment so far have been satisfactory, justifying the expectation that it would effect a saving both of time and of cost of rebinding".
The library bookbinders' wages and working hours were regulated by agreement with their trade union and in the 1890-91 Library Committee Minutes, it is noted that the Bookbinders and Machine Rulers' Consolidated Union had agreed a reduction in the bookbinders' working week from 54 to 51 hours.
After the Town Council made a resolution that all staff should retire when they reached the age of 65 years, the Library Committee had to ask Mr Hall to retire in May 1935. At this time his wages were £3.15. 6 per week.
In an interview with the People's Journal reporter, he expressed his disappointment that he was unable to complete his 50 years' service, even though he was then 72 years old. The Library Committee agreed that he would receive a weekly allowance of 16/8 (sixteen shillings and eight pence) in recognition of his long and efficient service.
At his retiral presentation, he was presented by the City Librarian, G.M. Fraser, with "a beautiful chiming clock with Westminster and the new Jubilee chimes". Treasure 31: Hays' Isometrical View of Aberdeen 1850
2586 In September 1850 an advert appeared in the local papers of Aberdeen for "Hays' Isometrical View of Aberdeen, giving a Distinct and Correct View of the Whole City and Environs". We hold copy of the plan from 1850 in our Local Studies collection.
The plan was available to purchase for 3s. 6d. and measured 34 inches by 19 inches. Carvers and gilders, J. & J. Hays, had premises at 2 Market Street where they also sold prints and optical instruments. At the bottom left of the image we see the words George Wilson, Delt. (abbreviation of delineator, i.e. the artist). George Wilson was to find fame a few years later as George Washington Wilson when he became one of Scotland's premier photographers.
George Washington Wilson
George Washington Wilson was born in 1823 at Waulkmill of Carnousie in Banffshire and left school at 12 years of age to be an apprentice carpenter. He practised his artistic skills by drawing portraits of friends and neighbours and, after training at art schools in Edinburgh and London, he returned to Aberdeen to become an art teacher and portrait painter.
By the late 1840's Wilson was attracted by the work of Fox Talbot in the new art of photography and after initial experiments with a homemade camera, he advertised a business offering photographic portraits before eventually expanding into landscape photography.
A Bird's Eye View of History
Wilson created this panoramic view of the city by making numerous sketches from the roofs of high buildings and then merging them into one comprehensive drawing. We are looking north across the city from the harbour with Union Street running horizontally across the centre and Old Aberdeen in the far distance. We can see how small the city actually was at this time - open fields are visible just to the north of the west end of Union Street.
A key to the most prominent buildings was provided and it is interesting to see which buildings have survived until today, often with additions, and which had yet to be built. Robert Gordon's Hospital (now College), Marischal College, and various churches including the Triple Kirks and St Nicholas East and West are all still standing but the West Prison, Castlehill Barracks and the Poorhouse have been demolished.
Bird's Eye View 1889
In December 1889, the Aberdeen Free Press offered its readers an updated version of the Bird's Eye View as a supplement to their newspaper. Numerous changes to the landscape of the city had taken place since Wilson's view. Lord Provost Collie at Aberdeen Joint Station
2645 In the 1980s, long distance train travel started to become popular again. The High Speed Trains on the East Coast route to London were the stars of the new fleet. Lord Provost Collie gave the accelerated "Flying Scotsman" service to London Kings Cross a send-off in June 1981. James Alexander Bell
2871 A portrait of James Alexander Bell, the City Electrical Engineer for Aberdeen in the late 19th and early 20th centuries. Bell directed the electrification of the trams and was key in the creation of the Dee Village power station. He reported on the necessity of constructing the new generating station and tram depot to the Gas and Electric Lighting Committee convened by Councillor George Kemp in December 1899. Aberdeen Cable Subway
2886 This photograph shows the interior of the Aberdeen Cable Subway and was taken on the 1st March 1903. The subway was constructed as part of the Dee Village Electricity Works.
It was designed as a clever way to supply electricity to key areas without either unsightly overhead cables or repeatedly digging up of the streets. It was installed at a cost of £18,661 and was eight feet high by four feet eight inches wide. It runs up Crown Street, turns along Langstane Place and horse-shoes into Holburn Street.
It was designed with room to add cabling as demand increased. In order to minimise disruption, the subway was installed at the same time as a new sewer located below. The cable subway is still there today and remains one of many intriguing subterranean features of the city. The subway's ornate Art Nouveau ventilation shaft can be seen at the western end of Justine Mill Lane.
This image is from an album of photographs held by Aberdeen City Libraries detailing the construction of the Dee Village Electricity Works between 1901 and 1903. Aberdeen Cable Subway
2887 This photograph shows the Aberdeen Cable Subway under-construction in around 1901. The subway was constructed as part of the Dee Village Electricity Works.
It was designed as a clever way to supply electricity to key areas without either unsightly overhead cables or repeatedly digging up of the streets. It was installed at a cost of £18,661 and was eight feet high by four feet eight inches wide. It runs up Crown Street, turns along Langstane Place and horse-shoes into Holburn Street.
It was designed with room to add cabling as demand increased. In order to minimise disruption, the subway was installed at the same time as a new sewer located below. The cable subway is still there today and remains one of many intriguing subterranean features of the city. The subway's ornate Art Nouveau ventilation shaft can be seen at the western end of Justine Mill Lane.
This image is taken towards the bottom of Crown Street. The buildings in the distance are those on the south side of Millburn Street at its junction with Crown Street. In the mid distance can be seen the lone standing premises of Charles R. Fraser, paperhanger and decorator. The view in this image would later to blocked with the construction of the electricity works and connected tram depot.
This image is from an album of photographs held by Aberdeen City Libraries detailing the construction of the Dee Village Electricity Works between 1901 and 1903. March Stone 52
3236 This stone is located on the pavement adjacent to 2-8 Smithfield Road, Woodside. It is marked "52 ABD".
The marker was described in 1780 as "a large earthfast stone... marked with a saucer and also a key...".
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers.
March Stone 53
3238 This stone is located up Smithfield Road, left along Hilton Drive. The stone is set flush in the pavement at Hilton Road / Drive, south east corner. It is marked "53 ABD".
It was described in 1780 as marked with a saucer and key.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 54
3240 This stone is located in the pavement on the west side of Smithfield Drive, at the junction with Provost Rust Drive. It is marked "54 ABD".
It was described in 1780 as marked with a saucer and a key. In 1698 ridings, it was noted to stand next to the supposed site of Caperstown kiln.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 55
3243 This stone is located against the wall near the gateway at the junction of Cattofield Terrace and Back Hilton Road. It is marked "55 ABD".
It was described in 1780 as marked with a saucer and key.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 56
3246 This stone is located at the back of the pavement opposite 12 Clifton Road. It is marked "56 ABD".
It was described in 1698 as marked with a saucer and key.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 57
3248 This stone is located at 55 Powis Terrace. It is marked "57 ABD".
It was described in 1698 as at "the croft of Pickelltillin, in the midst of which croft there are two march stones, markt with Sanct Peter's Key with carnes..."
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 58
3250 This stone is located at the back of the pavement against the front garden wall of 21 Elmbank Terrace. It is marked "58 ABD".
It was not mentioned in 1698 but it was described in 1780 as marked with a saucer and a key.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 61
3259 This stone is located adjacent to the gable wall of 35 King's Crescent, in the front garden of Viewton Cottage. It is marked "61 ABD CR".
It was described in 1698 as an earthfast stone with a saucer and key mark, this stone marks the junction of Inner and Outer marches on the north side. This stone is at the top of a steep path.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 63
3275 In 2020 this stone is set flush into the pavement on Golf Road, near the east entry to Pittodrie Football Ground. In front of the Richard Donald Stand.
This 1980s image shows the stone standing upright in front of the football ground prior to redevelopment. It is marked "63 ABD CR".
It was described in 1698 as an earthfast stone marked by a saucer and key.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Picture House / Gaumont
3403 The Picture House was opened on 14th December 1914 with an inauguration ceremony chaired by Lord Provost James Taggart. It was built at 181 Union Street by the rapidly expanding English firm, Associated Provincial Picture Houses. Michael Thomson in Silver Screen in the Silver City (1988) explains that construction of the cinema was delayed due to the war.
As seen here in 1937, the cinema's entrance was dominated by two squat white marble finish pillars topped by bronze capitals. The atmosphere inside was said to be cosy and luxurious. After conversion, the pre-existing building on Union Street contained the cinema's large foyer and within this was retained a large, original fireplace to warm visitors.
The 900-seater auditorium stood side-on between Union Street and Windmill Brae. With a budget of £12,000, the Picture House was designed by English architects Robert Atkinson and George Alexander. Thomson explains that the architects were inspired along Classical theatre lines and the building featured dark wood walls hung with French tapestries. A large tea-room, called the Tapestry Room, took up the first floor of the Union Street building. Above that, on the top floor, was the manager's office.
Thomson suggests that an early strength of the Picture House was its highly competent orchestra, originally led by pianist W. G. Ross. These were pre-radio days, with recording still in its infancy, so the orchestral playing would have been a significant attraction.
The profits from the Picture House's first screening back in December 1914 were distributed to Aberdeen charities. The first talking picture to be shown at the cinema was The Singing Fool in 1929. The Picture House was an upscale operation and one of the key early venues for cinema exhibition in Aberdeen.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. |