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Newhills Parish Church
174 This picture shows the present Church of Newhills as it would have been at the time of its opening in June 1830.
It was built to replace the old kirk, endowed by George Davidson of Pettens in 1662, the ruins of which can still be seen among the tombstones in the churchyard.
After a decline in membership in the 1940s and 1950s, the church benefited from the building of a private and a council housing estate in its area. Membership of the church and its organisations increased till, in 1978, it was reported to be one of the most vibrant and successful in the Aberdeen Presbytery.
The external appearance of the church is little changed but a huge congregational effort in recent years has resulted in the building of a two-storey extension housing a number of meeting rooms plus toilets and kitchen facilities.
The road seen in this picture is now used by a large numbers of vehicles en route to Kingswells and the west of Aberdeen. Proclamation of King Edward VII, 1901
320 This view was taken in the Castlegate on 26th January 1901 at the proclamation of Edward VII as King in succession to Queen Victoria. Because of her recent death a jubilant celebration was out of the question. However, the Town Council and other public dignitaries assembled to form a procession from the Town House on the left to the Market Cross at the right. A crowd of 100,000 attended with windows and roofs all occupied. Cheers were given as the National Anthem was played by the Band of the First Volunteer Batallion (Gordon Highlanders). The procession then returned to the Town House where the health of the King was pledged and God save the King was sung. James Beattie's House
362 This house stood in Crown Court at 36 Upperkirkgate, Aberdeen. It had an internal stone stair and some of the rooms were oak panelled. James Beattie was born in 1735 in Laurencekirk and in 1760 he was appointed Professor of Moral Philosophy at Marischal College. He died at this house on 18th August 1803 and was buried in St. Nicholas Churchyard.
His house became the home of an advocate, but in the 1850s and 60s it was used by the Aberdeen General Dispensary, lying in an vaccine institution which supplied advice and medicines to the sick and poor. In more recent times, the area behind the Upperkirkgate was cleared and redeveloped as the Bon-Accord Shopping Centre.
Correspondent Ed Fowler suggests that the items that can be seen in front of the house are likely early Victorian laundry mangles. This would account for the trail of water draining from its position. The tarpaulin that is visible would have been to protect the wooden rollers and gears from the elements. The drying area was probably in the garden beyond the Dispensary building, to the north, as no improvised window drying jibs are visible. Oldmill Military Hospital, Aberdeen
418 Oldmill Military Hospital, Aberdeen. c.1908. Now known as Woodend Hospital was opened on 15th May 1907. During WWl the hospital was used as a military hospital and sebsequently re-opened as Woodend Hospital in October 1927. This photograph was taken prior to a concert by a pipe band. Old Tolbooth
485 Old Tolbooth, Aberdeen, from an etching by J. Skene. This view of the Tolbooth shows the Market Cross in front of it. The Tolbooth was built in 1615. In recent times, it was converted to a museum. Double outside stairs lead up to the main entrance. On the east side was the New Inn. Most of the building is obscured by the modern Town House development. Dyer's Hall Lane
685 A photograph looking north-west across Dyer's Hall Lane in 1904.
This lane and row of cottages were situated south of Union Street near the Hardgate at what was soon to become Willowbank Road.
Some of these cottages were thought to date to before 1789. Though some would be more recent than that. The lane's name derives from when the old Dyers' Association met there.
The houses were roofed with red pantiles which were replaced with asbestos when the roofs began to leak. They had outside stairs to the upper floors and water taps outside the door.
The Town Council felt that it would be too costly to preserve the cottages despite their historic interest. They were among the few remaining examples of 18th century houses in the city.
They were demolished in 1956 to make way for extensions to the Station Garage.
The tall chimney in the background likely belonged to the nearby North of Scotland Distillery (formerly known as the Bon-Accord Distillery).
Dyer's Hall Lane was replaced by Willowbank Road in around 1906. This was the first part of a new thoroughfare, incorporating Springbank Terrace, that would connect Holburn Street to Wellington Road (later South College Street).
An article detailing the improvement scheme can be found in the Aberdeen Daily Journal of 21st March 1906 on page 4. Union Street with the Music Hall
723 Union Street with the imposing facade of the Music Hall on the left. The Music Hall or The Assembly Rooms as they were originally known were built in 1820 by Archibald Simpson. The concert hall designed by James Matthews and was added in 1858. Quaker Meeting House
771 A photograph of the the Quaker meeting house that was located between Gallowgate and Sea Mount Place. This image shows the front elevation of the building that faced south east on to Port Hill.
The large scale Ordnance Survey town plan of Aberdeen (sheet LXXV.11.8., surveyed in 1867) indicates that their associated burial ground was located to the west of the building, towards Gallowgate. The plan also states that the meeting house had seating for 350 people.
The Quaker Meeting Houses Heritage Project (link here) states that the group first established their meeting house and burial ground on this site in 1672 and they continued to meet there until moving to a new location in 1800.
This building was later acquired by John Watt & Sons, leather merchants. The upper part had louvre windows which made it suitable for drying leather. Later OS maps suggest the building may have stood as a ruin into the mid-20th century.
At the time of writing in 2022, the site is now an elevated outdoor space surrounded by blocks of flats, to the south of Porthill Court, that go from Gallowgate around Seamount Road
A more recent, late-Victorian Quaker meeting house can be found at 98 Crown Street, Aberdeen.
To find out more about Quakers in Aberdeen, in addition to the above mentioned Quaker Meeting House Heritage Project, there is information on a relevant collection of books held by the University of Aberdeen, including a list of associated publications, here. Culter War Memorial
994 A photograph showing the unveiling of a new panel at Culter War Memorial on Sunday 19th June 1949.
The article 'Tribute to War Dead of Culter' from the Press & Journal of 20th June 1949, page 6, describes the ceremony as follows:
"A panel containing the names of 29 men from the parish who lost their lives in the recent war was unveiled at Culter War Memorial yesterday.
"Relatives of the fallen and representatives of the Boys' Brigade, Girl Guides, Brownies, and the Territorial Army were grouped round the memorial as Mrs Tough, Hillside Road, Culter, who lost two sons in the war, unveiled the tablet.
"The panel was dedicated by the Rev. J. R. Dey, Kelman Memorial Church, who, along with the Rev. T. W. Howie, St Peter's Church, conducted the service"
Culter War Memorial is a tapering, crenelated tower located on a hillock to the west of the village. It is accessed by a footpath that leaves North Deeside Road not far beyond the bridge over the Culter Burn.
Correspondent Brian Coutts has been in touch to inform us that one of the representatives of the Brownies present at the ceremony was Elizabeth McNab.
The abovementioned sons of Mrs Jane Tough of Hillside Road were Driver Frank Tough, Royal Corps of Signals, formerly an employee of Culter Paper Mills, who was killed by enemy action in the Middle East on 24th September 1942, aged 24, and Private Ernest "Ernie" Tough, 2nd Gordons, who died on 5th October 1943, aged 26, while a prisoner-of-war in Thailand. (Source: Press & Journal, 26th September 1946, page 3.)
The former, Frank Tough, is buried at Alexandria (Hadra) War Memorial in Egypt and Ernest is buried Thanbyuzayat War Cemetery in Myanmar. (Source: Commonwealth War Graves Commission website.) Jubilee bonfire on Brimmond Hill, Bucksburn, 1935
1139 During the 16th century, Brimmond Hill, in the parish of Newhills, was designated the site of a warning beacon, or "fyer bitte", to be lit in the event of a Spanish invasion.
In more recent times, celebratory bonfires on Brimmond have marked important national events. In this photograph, we see the bonfire built in honour of the Silver Jubilee of King George V and Queen Mary.
An advertisement in the local press intimated that "Lady Orr, Wardenhill, will set alight a thousand loads of wood to blaze sky-high the Loyal Greetings of Bucksburn and all the Parish of Newhills. This is the biggest bonfire in Britain. A wonderful spectacle." Aberdeen Public Soup Kitchen
1191 Aberdeen Public Soup Kitchen was first established as a charity in 1800 in St. Mary's Chapel in St. Nicholas Church. It supplied a breakfast of coffee and bread and a lunch of bread, soup and a piece of beef or mutton to the needy of the city. In a period of nearly 240 days it supplied over 140,000 servings of soup and bread.
The Soup Kitchen moved to Loch Street in 1838 and this new building was opened by Lord Provost Stewart in December 1894. The ground floor dining room had accommodation for at least 50 people and the tables were marble topped. In 1926, a total of nearly 27,000 meals were provided with funding still coming from charitable donations since few could afford even the two pence (1p) for the lunch.
The building survived major developments in the surrounding area but in recent years its charitable purpose was no longer thought necessary, and it was converted into a café in the mid 1990s. In 2022, the building still stands at 41-43 Loch Street, with the covered walkway for John Lewis and the Bon Accord Centre to its south (to the left of this image). It is occupied by a outlet of the Jo Malone London fragrance and candle store. Newpark
1521 A photograph of the gateway and avenue of Newpark. Located between Sheddocksley and Kingswells, this property was once known as Cuttlehill.
In Historical Walks and Names (1927) local historian G. M. Fraser writes:
"You descend Brimmond Hill at the south-west corner, and passing between the properties of Fairley and Cloghill, you presently pass the farm of Gillahill (properly Gallowhill), on your left, and strike the western end of the "Lang Stracht," near the property of Newpark. This is a comparatively recent name for Cuttlehill, the property that once formed part of Sheddocksley, and was bought in 1777 by Robert Dyce of Aberdeen, father of the well-known physician, Dr. William Dyce, of Cuttlehill, whose town house for many years was No. 48 Marischal Street. In this country residence of Cuttlehill, the old entrance gate and avenue of which are still in existence, was born on 19th September, 1806, William Dyce, afterwards William Dyce, R.A., a gifted artist, who took a leading part in decorating the House of Lords, and better still, who, having been sent by the government to report on the Art schools of the Continent in the middle of the last century, was the means of re-organising the art education system of Great Britain. It is singular that this accomplished man, although he is commemorated on a monumental brass in Streatham Parish Church, where he latterly stayed, is as yet unremembered by any mark on his father's house in Aberdeen, where he passed the early part of his life."
Newpark and the gated and avenue, though likely thoroughly modified, can still be seen today.
Other sources suggest that William Dyce, the above mentioned artist, was born at 48 Marischal Street. His birthplace remains something of a mystery. There is no indication of the location in the old parish register record of his baptism at St. Nicholas Kirk. 446 and 448 Union Street
2615 This photograph of Union Street was taken in 1936 and shows the premises of John Raffan, shoe fitting specialists, at 446 and Dugan & Mitchell, clothiers, at 448 Union Street.
James Dugan and Duncan Mitchell entered into partnership around 1919. Mitchell had previously been in the former's employment as a cutter.
Dugan had worked as a tailor on his own account since about 1907 in premises in Bon Accord Street, Rose Street and 443 Union Street. Prior to this he was a commercial traveller representing two local tailoring firms; Messers Milne and Low and Messers Kenneth McLean and Sons.
He became a well respected figure in the tailoring and clothing trade in Aberdeen and the North East. He was the son of a china merchant in George Street called Hugh Dugan. James was married and had a daughter. He died suddenly at his residence at Glen-Shiel, Bieldside on 10th May 1927.
Duncan Mitchell was a native of Largs, Ayrshire and served his apprenticeship in Glasgow. He was a keen golfer and was a member of the Deeside Golf Club. He died aged 73 after a short illness in January 1955.
John Raffan died on Sunday 10th June 1906 after suffering an apoplectic seizure in his Union Steet shop the preceding Friday. He was 52 years old at the time of his death. He was born in the parish of Ordiquhill and his father was a shoemaker named James Raffan.
He served his apprenticeship in Portsoy with a draper called James Guthrie before coming to Aberdeen. He worked with Messers J. & A. Gibb and Mr James Saint, warehousemen and silk mercers, prior to starting his own business as a boot and shoe merchant in Market Street and then Union Street.
Beyond his business, Raffan was deeply involved in religious and philanthropic work. He was a force in the establishment of Union Grove Baptist Church and was connected to Aberdeen Royal Infirmary, as a life member, the Aberdeen Association for Improving the Condition of the Poor, the Seabank Home, and Stronach's Close Mission. He was married and had a daughter and two sons.
Above the shop fronts is a sign for Imperial Typewriters. The buildings in this photograph were across the road, just west, from the Capitol Cinema. They are still visible today. In more recent times they have been occupied by general food shops such as the Co-operative and Costcutters. Union Street, Aberdeen
2775 A Davidson Bros. "Real Photographic" Series postcard looking east up Union Street. The image likely dates from the early 20th century. Before the junction with Back Wynd can be seen the Queen's Restaurant at 120 Union Street and R. Hunter, Chemist at 118.
The building at the junction of Union Street and Back Wynd was initially built in 1837 to a design by John Smith. It was the first purpose built home of the Society of Advocates in Aberdeen.
Doreathea Bruce, in her history of the Society, explains that they sold the building in 1870 after construction of the the new, James Matthew designed, Advocates' Hall in Concert Court.
The old hall was bought by Lockhart & Salmond, confectioners, and later functioned as a restaurant and as a cinema. Bruce suggests the building became known as Queen's after it was decorated by City Architect John Smith shortly after Victoria's wedding to Prince Albert in 1840.
Her full history of the Society of Advocates in Aberdeen can be read in Aberdeen University Review, LVI, no. 195, Spring 1996. Union St, Aberdeen, Looking East
3169 An Adelphi Series postcard showing a crowded Union Street with trams running in both directions. The photograph is looking east down Union Street.
The building on the left, at the junction with Back Wynd, is now inhabited by shops on the ground floor and a nightclub above. It was initially built in 1836-37 to a design by John Smith for the Society of Advocates in Aberdeen. It was their first purpose-built meeting hall and library in the city.
The society sold this building at 120 Union Street in 1870 and moved to new premises in Concert Court, where they remain to this day. The Union Street building was purchased by a confectioners called Lockhart & Salmond, later R. & J. Salmond, and functioned as a restaurant and public hall.
It was taken over in the early 1880s by a prominent Aberdeen caterer called George Watson. He had previously been the proprietor at The Grill and of a restaurant at 1 Union Terrace. For much of that decade the meeting rooms were also the home of the Aberdeen Conservative Club.
Watson opened the Queen's Restaurant at 118 Union Street in 1888 and this appears to be the origin of the building's lasting name. The main hall became the Queen's Billiards Saloon in the 1890s following the death of Watson in 1893.
The building was partially reconstructed and reopened as the lavish Queen's Restaurant and Tea Rooms by the Cabin Tea Rooms company in 1899. Following a stint as an auction house, it became a popular Aberdeen cinema in 1913 that operated for much of the 20th century.
A severe fire at the Queen's Cinema in 1936 led to the reconstruction of the building's interior. After the cinema closed in 1981 the premises laid empty before the reopening as a nightclub called Eagles in 1987. The building has remained in use as a nightclub ever since, becoming De Niro's in 1996 and Espionage in 2002.
This postcard was lent to Aberdeen City Libraries so that we could create a digital copy for public use. March Stone 14 (plus cup stone)
3196 This photograph shows two stones located opposite the entrance to Cults Primary School, off Earlswells Road. The more recent is marked "14 ABD". They are not far south west of stone number 13.
In 1525 the marker was described as a stone with "three hollis hewing in the same..." In 1698 a saucer stone was recorded, which may be the one sitting behind the lettered nineteenth-century stone shown here.
The stone in 2020 appears to be significantly more obscured. This may be the result of a subsequent redevelopment of Cults Primary School and Community School.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. Alpha Stone (colour)
3284 A colour image of the Alpha Stone located at the north end of the parapet over the mouth of Ferryhill Burn at River Dee, opposite Old Ford Road. It is marked "A ABD CR".
This stone is a comparatively recent addition to the series, dating to the early nineteenth century.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. Aberdeen Theatres: The Music Hall and Union Street
3372 The Music Hall opened in 1822 as Aberdeen's Assembly Rooms and was designed by Archibald Simpson; the building was originally intended as a place for the elite to socialise.
In 1858, the Aberdeen Music Hall Company bought the building and a large concert hall was added, reopening as the Aberdeen Music Hall in September 1859. The building was refurbished in the mid 1980's, spending more than £2.5 million, and reopening in 1986.
The Music Hall has been run by Aberdeen Performing Arts since 2004 and celebrated its 150th anniversary in 2009.
The latest renovations took place between 2016 and 2018 and the Music hall has been a vibrant part of Aberdeen since then, welcoming artists and entertainers. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Picture House / Gaumont
3406 An Aberdeen Journals Archive photograph showing the exterior of the Gaumont Cinema at 181 Union Street in October 1972. Promotion for Doomwatch, the British science-fiction film, Cabaret, starring Liza Minelli and The Concert for Bangladesh can all be seen.
This image dates from when the Rank Organisation, the cinema's owners, applied to Aberdeen City Council for permission to demolish the venue and redevelop the site for shops and office space.
As detailed in Michael Thomson's book Silver Screen in the Silver City (1988) the Rank Organisation had a special department that considered cinema sites they owned that could be profitably redeveloped by the company. Aberdeen was experiencing a pre-oil property boom and the early 1970s saw the closure and redevelopment of a number of cinemas.
The final night of the Gaumont was Saturday 6th October 1973. The last film to be shown as The Lovers with Paula Wilcox and Richard Beckinsale. This photograph was used in the preview of the cinema's final night in the Evening Express of the day before.
The majority of the cinema was demolished not long after. The façade of the upper floors was retained as it was listed as of architectural and historic interest. The site laid empty for some time due to the financial recession of 1974-75 and subsequent uncertainty over its occupancy. In 1976 the site was redeveloped as a Job Centre and shops.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Casino
3410 An Aberdeen Journals Archive photograph of the Casino cinema in around 1963.
The Casino cinema was opened on Wales Street on 7th February 1916 by John Peter Kilgour, a dealer in various waste materials. It had close competition with Bert Gate's Star Picture Palace just around the corner on Park Street. Michael Thomson in The Silver Screen in the Silver City describes the Casino as the second of Aberdeen's purpose-built picture halls. It and the "Starrie" served the population of the city's east end for many years.
The Casino was built on the site of Kilgour's factory yards. The architects for the project were George Sutherland and Clement George. The building's "Spanish villa" design is described by Thomson as unique for Aberdeen and highly unusual throughout Scotland. One distinctive feature was the low square tower at the Park Street side of the building that was topped by a red-tiled concave pyramidal roof. Thomson writes that features of the building combined to "bring a welcome splash of colour and gaiety to an otherwise drab corner of the city."
Following the death of John Peter Kilgour in 1920, the running of the Casino and his waste business was taken over by his son, Ormande L. Kilgour.
In the silent era the venue was a stronghold of cine-variety, showing all manner of performances in-between film screenings. In February 1936 the cinema celebrated its 20th birthday and a cake was cut by Kilgour and one the Casino's oldest patrons, a Mrs Stewart.
In November 1939 Bert Gates and Aberdeen Picture Palaces bought a controlling interest share in the Casino. The Beach Boulevard, which opened on 25th May 1959, ran directly outside the cinema and gave the Casino a prominent location. In March of that year the cinema was given a thorough renovation.
Despite its new prominent location and recent renovation, the Casino closed down as a cinema on Saturday 3rd October 1959. A spokesperson for the Donald Cinemas Group stated in the Evening Express at the time that the closure was due to the housing in the area being pulled down and people moving to new estates. Michael Thomson suggests that the proximity of the relatively new first-run Regal in Shiprow might also have drawn away the hoped-for holiday crowds from the Casino.
In 1961 the empty Casino was sold to local bookmakers James Rennie and Arthur Forbes to be used as a bingo hall. This was at the height of bingo's popularity and the Casino proved too small. The bingo operation was moved to the Kingsway Cinema which had showed its final film, Warlord of Crete on 3rd February 1962.
The area around the Casino was earmarked for redevelopment by Aberdeen Town Council. The cinema building was compulsorily purchased and, after spending some time as a store, was demolished at the same time as the Star in 1971. The site is now occupied by a residential development.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Picturedrome / Cinema House
3413 This photograph shows the Picturedrome/Cinema House building in the mid-to-late 1970s, after it had ceased being a cinema. As with many cinemas at the time, it was converted into a bingo hall. In 1981 it was rechristened Casino Bingo.
In the Evening Express of 22nd December 1986 it was announced that Coral Social Clubs of Nottingham had purchased the Kingsways on King Street and Casino Bingo on Skene Terrace. Both were former cinemas owned by James F. Donald (Aberdeen Cinemas) that were then operational as bingo halls.
The chairman of James F. Donald (Aberdeen Cinemas), Richard Donald, confirm the sale of the venues and expressed sadness to see them go, particularly the old Cinema House hall that had been in the family firm for over 50 years and that he had managed as a 14-year-old. Both venues were retained as bingo halls by Coral Social Clubs, which later became known as Gala Bingo.
In 1995 the Cinema House building was redeveloped and opened as a 350-capacity live entertainment centre. It was named the Playhouse after the old Donald owned cinema located at the west end of Union Street.
The new Playhouse offered live music, cabaret and dancing. At the time of opening a spokesperson for the owners, Balgownie Development Company Ltd., said "We're offering a full night's entertainment where they can come in have a meal and enjoy a night of cabaret and dancing all under the one roof". Interior changes were kept to a minimum in the redevelopment to retain the atmosphere (Evening Express, 21/10/1995, p. 4).
1995 also saw the opening of the Stage Door Restaurant in the North Silver Street side of the building. The eatery was from the same team that operated Aberdeen's Courtyard Restaurant and retained a number of design features from its time as a cinema. The restaurant had an impressive large bowed ceiling and theatre related wall illustrations. This space was later occupied by a computer gaming and esports hub called Engage Gaming. In 2020 this company changed their name to Reset Gaming and moved to premises on John Street.
After the Playhouse, the main part of the building was occupied by the Forum from 1998 and operated as a well-known concert and events venue. Most recently it was a venue called The Assembly, which sadly closed down in 2019. Aberdeen Cinemas: Queen's
3420 The building that housed the Queen's cinema was initially built in 1836-37 to a design by John Smith for the Society of Advocates in Aberdeen. It was their first purpose-built meeting hall and library in the city. The society sold this building at 120 Union Street in 1870 and moved to new premises in Concert Court, where they remain to this day.
After varied use as a restaurant, billiard hall, and salesroom, the building was converted into a cinema in 1913 by its then owner Robert J. Mackenzie. He shortly afterwards opened a companion cinema, also called the Queen's, in Stonehaven's Allardyce Street.
Michael Thomson in Silver Screen in the Silver City (1988) explains that by the late 1920s the Queen's Rooms Cinema Syndicate was struggling. In the spring of 1927 James F. Donald made an offer for a majority share interest in the company and this was accepted. On 24th July of that year, a re-seated and redecorated Queen's reopened under Donald's operation. This revitalised the venue and it became a popular picture house once more.
The cinema saw its first talking picture, So this is College, on 6th August 1930 and was advertised at the time as "The Finest and Clearest Talkie House in Town". A severe fire at the Queen's Cinema in 1936 led to the reconstruction of the building's interior. Thomson states that the granite outer shell was all that the rebuilt cinema, designed by architects George Watt & Stewart, had in common with its predecessor.
The Queen's was a popular cinema for much of the 20th century. This Aberdeen Journals Archive photograph shows the cinema in 1969 at its prominent location at the junction of Back Wynd and Union Street. Its large display boards are advertising screenings of the film Never Mention Murder.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: News Cinema / Curzon / Cosmo 2
3427 An Aberdeen Journals Archive photograph of the Cosmo 2 at 15 Diamond Street in 1977.
The Cosmo 2 was on the site of Aberdeen's News Cinema that had opened 1936. In 1959 it had become the Curzon. In 1963 the Curzon was sold to Singleton Cinemas, a Glasgow based cinema operating firm that had been in the business since 1911.
The venue was renovated and re-opened on 22nd January 1964 as the Cosmo 2. The Cosmo 1 was the former King's cinema in Glasgow, owned by Singleton Cinemas, that is now the Glasgow Film Theatre. The inaugural film at the Cosmo 2 was the Italian film Il Posto directed by Ermanno Olmi.
The Cosmo 2 showed quality British and foreign films that might not have been shown at other cinemas. Michael Thomson likened this valuable role to that of the old La Scala long before. It could also be likened to the role of the Belmont in more recent times.
The Cosmo 2 sadly closed down in August 1977. The closure was credited to a dearth of attractive foreign language films coupled with the now tripled major circuit venues taking a wider range of pictures.
There was much discussion if the venue could be carried on by another party with the Scottish Film Council suggested as a possibility. The smallness of the cinema made this unfeasible however as a Scottish Film Council venue would need adequate meeting and social space.
There were subsequent plans to convert the premises into a restaurant though these came to nothing. The fate of the cinema was sealed in September 1981 when the next-door Palais, then operating as Satchmo's disco club, was destroyed by a serious fire and the site was left roofless. The corner block towards Union Street survives but the rest of the buildings were later demolished and are now the site of a car park.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. |