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Broad Street, Aberdeen
25 Drawing of Broad Street, at junction with Queen Street, looking towards Union Street. Spire of the Town House at the left of the image. Denburn Valley
48 The Denburn Valley Railway, shown here on the right, was constructed in 1865-67. It runs from the Joint Station at Guild Street north through the valley. To the left of the railway lines is Union Terrace Gardens which were opened to the public on 11th August 1879.
The closeness of the railway led to the gardens being nicknamed the "Trainie Park". The bandstand shown here in the centre of the park was removed in around 1931.
The iron footbridge visible in this image allowed access over the Denburn and railway between Rosemount and the city centre. It was replaced by the Denburn Viaduct which was built in 1886, at the same time as Rosemount Viaduct, by engineer William Boulton. Part of the footbridge was moved and reassembled in the newly created Duthie Park.
This image also predates the construction of significant buildings on Rosemount Viaduct such as the Public Library and the Free South Church (both dating from 1892). In the background, on the left of the image can be seen the houses at the foot of a then longer Skene Terrace. These are on the site later occupied by the library and church.
To the right of those houses are Black's Buildings. Local historian Diane Morgan explains that they were "a small curving crescent of tall tenements, four and five storeys high, [and] sat below the Royal Infirmary, Woolmanhill, just west of the apex of the Woolmanhill triangle. (...) The houses were built in stages between 1789 and 1830, by the wine merchant James Black." (Lost Aberdeen: Aberdeen's lost architectural heritage, 2004). The tenements were pulled down in 1957.
Woolmanhill Hospital, designed by Archibald Simpson and built 1832-1838, can be seen in the background. Chimneys of Broadford Works, the textile factory located between Ann Street, Maberly Street and Hutcheon Street, are also visible. Lodge Walk
50 Lodge Walk which ran from Castle Street to Queen Street dates back to 1754 when the Aberdeen Lodge moved into Chambers at the New Inn. The jail for Aberdeen was at one time the Tolbooth, the spire of which can be seen at the centre of the photograph. Gateway to Bridewell Prison
54 Gateway to Bridewell Prison, Rose Street, c.1880 - this massive gateway was the impressive entrance to the Bridewell in Rose Street, situated off the west end of Union Street. The Bridewell was opened in 1809 as a House of Correction and became known as the West Prison. It was in use till 1868, when it was closed and later demolished. For a short while, the site was laid out as the West End Pleasure Gardens and Recreation Grounds. The gateway had a porter's lodge and a guardhouse attached and it remained until 1883, when it was demolished to allow Rose Street to be extended northwards to link with Henry Street which in turn led on to Skene Street. Henry Street had been named after George Henry, Provost of the City between 1850-53 but the whole street then became known as Rose Street. Allenvale Cemetery from Kincorth
60 An early photograph of Allenvale Cemetery, taking shape in the middle distance, as seen from Kincorth, with Abbotswell Farm in the foreground.
A limited company called the Aberdeen Cemetery Company was established for the purpose of creating this new graveyard. A prospectus inviting public investment was published in the Aberdeen Journal of 29th January 1873. It reads as follows:
"It is well known that in Aberdeen cemetery accommodation is limited and insufficient, and it is generally admitted that its extension is necessary, and cannot much longer be delayed. It is therefore desirable to acquire additional space for that purpose, and to treat it in accordance with modern ideas and practice.
"This company has been formed for the purpose of providing an extensive Cemetery, in the neighbourhood of Aberdeen, suitable in all respects for the purposes of internment, and of easy access - but sufficiently removed from town to preserve its suburban character."
The new cemetery opened in late 1874 and, as we know, was a big hit. It was officially known as the Aberdeen Cemetery but quickly became known as Allenvale Cemetery, after the property on which it was built.
Allenvale saw major extensions in 1912 and 1932. A London syndicate purchased control of the graveyard from the Aberdeen Cemetery Company in 1958. Aberdeen Town Council subsequently took control of the cemetery in 1965 following the then owners going into liquidation and worries about Allenvale's future. Allenvale remains a fine example of a planned Victorian cemetery to this day.
Notable residents of Allenvale include John James Rickard MacLeod (1876-1935), co-discoverer of insulin, James Scott Skinner (1843-1927), fiddler and composer, and Mary Esslemont (1891-1984), the influential doctor. Though, of course, many interned at Allenvale would have their own interesting stories to tell.
In this photograph, Duthie Park, later created on the right, has yet to be landscaped. St. Machar Poorhouse, Fonthill House and Devanha House can all be seen in the distance. Statue of Queen Victoria
72 Statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The statue of Queen Victoria was sculpted by Alexander Brodie. The statue was inaugurated in 1866. The marble began to show weathering due to the frost and was moved to the vestibule of the Town House in 1888. The plaster model of the statue can still be seen in the Music Hall. Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. St. Nicholas Street
78 St. Nicholas Street at its junction with Union Street, showing the statue of Queen Victoria (right). The premises of H. Samuel the jewellers is on the left. Union Terrace Gardens
85 Union Terrace showing Union Terrace Gardens. The gardens were laid out between 1891 and 1893. Union Street
88 Union Street at the junction with St. Nicholas Street. The marble statue of Queen Victoria at the corner of St. Nicholas Street was removed to the Town House to prevent further erosion of the marble and a bronze statue of the older Queen was erected in the 1890s. Union Terrace Gardens
89 Union Terrace Gardens looking towards the Union Bridge. The spires of Belmont Congregational Church are on the left. The gardens were laid out in 1891-3. The chimney belonged to Hadden's textile factory in the Green. Queen's Cross
90 Queen's Cross, Aberdeen, looking west. Rubislaw Church (architect J. Russell Mackenzie) 1875, is on the right. The structure in the centre of the street was part of the tramways system and was later removed to Hazlehead Park. Provost Skene's House
98 Provost Skene's House, dating from 1545, also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum. Provost Skene's House
100 Provost Skene's House c.1880. The building dates from 1545, and is also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum. Rubislaw House
104 Rubislaw House, 50 Queen's Road, Aberdeen. It was designed by J.B. Pirie and built in 1886 for the builder, John Morgan. Union Terrace Gardens
116 This photograph was taken from the Union Terrace Gardens, in the city centre. The building in the background is the Palace Hotel in Union Street. The building burnt on the 31st October 1941 and was subsequently demolished after the WW2, which give us a solid lead to date the photograph. The building on the corner is the Monkey house. The Cowdray Hall War Memorial
122 The Cowdray Hall, War Memorial and Art Gallery taken from Union Terrace Gardens. The Hall was opened by King George V and Queen Mary on 29th September 1925. Bishop's Loch
173 Bishop's Loch lies to the north of Aberdeen, just within the city boundary. A charter from the 12th century refers to the lands of Goul or Goval, where the Bishop of Aberdeen had his palace or residence on an island in Loch Goul, now called Bishop's Loch, where at one time the site was visible. The approach to the palace was by a drawbridge. At this time, the Bishops were engaged in developing the Chanonry in Old Aberdeen. Over time, the lands outside the Chanonry were sold off. This photograph shows a much larger expanse of water than now exists. The water level has been lowered and certain areas are silted up and there is lush growth of various wetland plants. Nearby, there is new housing and a sand gravel quarry. Many discussions took place about the possible creation of a nature reserve to encompass this loch and two other nearby lochs - Lochs Corby and Lily - and they were listed as Sites of Special Scientific Interest in October 1983. Cowdray Hall, 1927
218 Shrine, war memorial, Cowdray Hall, 1927.
The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925.
These were erected at a cost of 80,000 pounds, with the cost of the War Memorial being raised by public subscription.
The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'".
The shrine is of white and grey marble in a niche in the north wall of the Memorial Court, directly opposite the entrance. It takes the form of a table on which is placed the Roll of Honour, printed on vellum, within glass.
The table is supported by trusses decorated in Renaissance style. On either side are the Union Jack and White Ensign, representing Army and Navy, and in the centre is a laurel wreath in gilt bronze.
Also in the picture can be seen the circular balcony or gallery, with a graceful balustrade, grey marble coping and ornate mouldings, which encircles the Court and leads to various picture galleries, one of which can be seen through the doorway War memorial at Cowdray Hall
219 War memorial at Cowdray Hall. The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925. These were erected at a cost of £80,000, with the cost of the War Memorial being raised by public subscription. The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'". Union Terrace Gardens
229 Union Terrace Gardens in the winter, looking across from Union Terrace towards the Belmont Congregational Church. Union Bridge and the Trinity Hall from Union Terrace Gardens
238 Union Bridge and the Trinity Hall from Union Terrace Gardens. Trinity Hall was the home of the Incorporated Trades until they moved to their new Hall at the junction of Holburn Street and Great Western Road. This building, designed by John and William Smith in 1846, was incorporated into Littlewoods Store and the Trinity Shopping Centre. Rosemount Viaduct at night
239 The illuminated facade of His Majesty's Theatre and St. Mark's Church from Union Terrace Gardens. |