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New Quay
350 New Quay, Aberdeen Harbour. This photograph shows the navigation channel leading from Aberdeen Harbour into the North Sea, with the North Pier in the far distance on the left. The New Quay later became part of Pocra Quay.
The Pier was built by John Smeaton in 1781 and extended on several occasions to provide better access to the harbour. At the corner of the photograph is the customs Watch House, part of which has now been converted into a seafood restaurant.
The brick obilisk in the centre is a ventilation shaft for a sewer which emptied into the channel. A newer sewer outfall has rendered it redundant.
It is popularly known as Scarty's Monument. 'Scarty' was the nickname of William Smith, one of two harbour pilots in the mid-19th century. His duty was to keep watch from the North Pier during rough weather.
Nicknames were often used in the fishing community to distinguish between people of the same surname. Union Terrace
1850 Union Terrace covered with snow after the great snowstorm of 1908. The statue of Robert Burns on the right of the image is by Bain Smith. It was unveiled to public gaze on the 15th September 1892. The statue depicts Burns in deep contemplation pondering upon the fate of the 'crimson tipped flou'r', the daisy. Treasure 34: A Selection of Original Scots Songs in Three Parts
2322 Although the union of the Parliaments between Scotland and England had taken place almost a hundred years before, as the 18th century was drawing to a close there was still much fascination regarding the differing cultures. In time, Victorian society would give this fascination a renewed vigour, helped by Queen Victoria's passion for Scotland - including the establishment of Balmoral Castle as her residence North of the border. Before that time though, in the late 1790s, books were produced offering English readers an insight into their neighbours' traditions.
One such book was entitled 'A selection of original Scots songs' edited by Franz Haydn and published between 1790 and 1794. The book is designed to introduce the reader to the music and lyrics of traditional songs in Scotland. Haydn's book reproduced the songs along with corresponding music, and also offered a glossary to help with the more obscure language.
Burns' song 'My Heart's In The Highlands' - more popularly regarded today as a poem - makes an appearance in the selected works by Franz Haydn. With the collected works produced between 1790 - 1794, this was at a time when Burns began to suffer from the illnesses which would eventually end his life just a couple of years later.
Robert Burns
Celebrated across Scotland every year, Robert Burns Day takes place on 25 January and is an opportunity to remember Scotland's Bard and his work. Known the world over as the National Poet of Scotland, Robert Burns (1759 - 1796) was born in Alloway, Ayrshire. Burns' early life was one of balance; he toiled on his family's farm by day, and was taught reading and writing by candlelight at night. He conversed in Scots, while learning passages from English texts to further his studies. Although regarded by history largely as a poet, Burns also composed many songs - perhaps his most famous work 'Auld Lang Syne' being one of the few traditionally remembered in song form. One of our treasures this month celebrates Robert Burns' work and that of many other traditional Scottish musicians. March Stone 1 CR|ABD
3177 This stone is located near the kerb at 79 Hardgate, at the east side of the intersection with Union Glen. It is march stone 1 and marks the the junction of the Inner and Outer Marches to the south of the town.
The 1929 Blue Book gives the following 1525 description for an earlier version of the stone: "[...] ane gret grey stane, with ane sawssir [...]". It was still marked with a saucer in 1698 but a new stone marked '1 ABD CR' was in place by the late 18th century.
The Ordnance Survey town plan of Aberdeen from 1867 has a first March stone marked on the north east corner of the New Bridge, on the Hardgate, which went over the then open Hol Burn. This stream ran east then south, joining Ferryhill Burn on its way to the Dee (where we can now find the Alpha stone).
The Hol and Ferryhill burns have since been fully, or for the most part, covered over by urban development.
The Blue Book records stone 1 at the north gable of 81 Hardgate and a photograph of it up-right at this location is included.
The inscription in this 1980s image looks different and the marker was likely moved to this flat, roadside location when the properties on the Hardgate were redeveloped sometime in the mid-20th century. The stone would have been either moved and altered, or replaced.
The stone in 2020 looks in better condition than shown here in the 1980s, which suggests it has had further attention in the intervening years.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 17
3199 This stone is located 150 metres east of Hillhead Cottage (east of Hillhead Road), adjacent to dyke and two burns. North west from stone 16. It is marked "17 ABD".
In 1780 the marker was described as an earthfast saucer stone.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 26
3208 This stone is located at the confluence of Brodiach and Silver Burns. Access is best achieved from Brotherfield Farm. The line of the marches has headed west from number 25. This stone is marked "26 ABD".
The Brodiach has flown here from the north and can be followed through the lands between Westhill, on the west, and Kingswells to the east. Stone number 28 also sits on the burn.
This stone marks the south west corner of the Freedom Lands. The boundary has travelled west, a west-south-westerly curve, from the Ferryhill Burn at the River Dee to this point and will now head north, with gentle zig-zag, to the Doupin' stone, number 31, at Wynford Farm.
In 1698 it was noted that there had never been a march stone here but the location had always been pointed out on ridings. A stone was recommended in 1780.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. March Stone 30
3212 This stone is located in a field north west of Wynford. At the back of the field, opposite the junction of the Clinterty/Blackburn road and that coming the north east from the Craibstone Estate. The stone is marked "30 ABD". The line of the marches from number 29 has followed the Littlemill Burn.
An older saucer stone mentioned in 1698 and 1780 survived until some time after 1929.
The Blue Book states that the stone is at the confluence of the Tulloch and Blind burns, which at this point form the Black burn.
The book also states that an agreement, dated 3rd August 1597, between the Town Council and Andrew Fraser of Stoneywood and Clinterty defines the boundary stones 30 to 34.
A slide of this image was kindly lent to Aberdeen City Libraries by Colin Johnston so that we could create a digital copy for public use.
The image was taken in the early 1980s when Colin worked as a teacher at Bridge of Don Academy. He led several current and former pupils, and staff members in an investigation into the location, physical condition and public knowledge of Aberdeen's historic boundary markers. Aberdeen Theatres: A Nicht Wi' Burns
3371 The poster for an event at the Tivoli Theatre featuring the songs and music of Robert Burns. The show commenced on Monday 22nd January 1962 and had two performances nightly.
The show was devised and produced by William Cummings. There was a large bill of performers; Calum Kennedy, Billy Stutt, Irene Campbell, Robbie Shepherd, The Garlogie Four, Ken Swan & McGhee ("Scotland's Greatest Ventriloquist"), The Heatherisle Trio ("Scotch with a Beat"), Anne Fields, Moxon Heatherbelles, Irene Adair, Tommy Wright and Will Starr. Mearns' Quay
3542 A photograph looking east along Mearns' Quay. Multiple trawlers with designations from Aberdeen and Great Yarmouth can be seen along the quayside.
The fishing boat Trustful (BF369) can be seen in the middle distance. The Scottish Built Ships website states that this boat was built in 1906 by Carnegie & Matthew of Peterhead.
The boat's first owner was George Mair Snr & Sons, Portknockie. By 1920 it was registered in Peterhead, for a new owner, with the number PD366. This gives a probable date for this photograph of between 1906 and 1920.
The ornate granite building on the quayside in the distance is one of two Valve House Siphon Outlets of Aberdeen Corporation Sewage Works located on either side of the River Dee.
These valve houses were vital pieces of infrastructure in the Girdleness Outfall Sewerage Works. This engineering scheme, completed in 1907, involved tunnelling under the river to provide a safer outlet for much of a growing Aberdeen's sewage.
An article on the ceremonial opening of the system featured in the Aberdeen Daily Journal of 14th November 1907 on page 7. The complete sewer was 3 1/2 miles long and a total £137,000 had been spent on it at the time of opening.
Due to Aberdeen's growing population, which was approaching 200,000 at the time, a more systematic method was needed to take the city's sewage to the North Sea, as opposed to simply using nearby rivers and burns.
The scheme, which appears to have been primarily designed by burgh surveyor William Dyack, took sewage to the North Sea at Girdleness and aimed to prevent harm to both residents of the city and visitors to the Bay of Nigg.
As the two harbour side valve houses continue to stand, the final drainage works building and the outflow pipe can still be found today to the east of Girdleness Lighthouse. Union Terrace Gardens: before and after 1
4254 Above, a before image showing two figures looking up at the Burns Statue on Union Terrace. Cowdray Hall and the Triple Kirks spire are visible in the background. This image was taken on 10/06/2015.
The after photograph below shows the statue in front of the park's new Burns Pavilion. Union Terrace has been revamped with increased walking space and new street furniture. Taken on 26/07/2023.
This composite image is part of a series by Roddy Millar showing Union Terrace Gardens and its surrounds before, during and after its major redevelopment. Union Terrace Gardens: before and after 2
4255 A before image showing Union Terrace Gardens on a misty day. To the left can be seen the Burns Statue on Union Terrace, while the path on the right leads further into the gardens. Taken on 13/05/2017.
The after image shows the new Burns Pavilion directly ahead. New railings can be seen on the gardens' walkways. The Burns Statue is visible on the left side of the image. Taken on 26/06/2023.
This composite image is part of a series by Roddy Millar showing Union Terrace Gardens and its surrounds before and after its major redevelopment. Union Terrace Gardens: before and after 5
4265 The before image shows a man relaxing on a bench in an upper part of the gardens. Construction work on the Point development around Triple Kirks is shown in the background. Taken on 12/05/2018.
The after image shows a family strolling past the lower section of the Burns Pavilion on one of the new walkways. The now completed Point development is in the background. Taken on 26/07/2023.
This composite image is part of a series by Roddy Millar showing Union Terrace Gardens and its surrounds before and after its major redevelopment. In Victoria Park, Aberdeen
4316 An L. S. and S. postcard image looking north along a walkway, past a park bench, towards the Watson Street Lodge of Victoria Park.
The rear of the postcard features an Aberdeen postage stamp dated 23rd July 1927. Someone called Stanley sent the card to a Dr. A. B. Burns of Glasgow.
The handwriting suggests Stanley may have been a young person. His message states that he is "Having a rare holiday here." Bust of Professor Alexander Bain
4373 A photograph of a 1891 bust of Professor Alexander Bain (1818-1903) by sculptor Henry Bain Smith (1857-1893).
Alexander Bain was a philosopher, educationalist, early psychologist and free thinker. At a public meeting on 25th March 1884, he put forward the successful motion for Aberdeen to adopt the Public Libraries Act and create a Free Public Library. This noble enterprise would first open in the old Mechanics' Institute building on Market Street in March 1886.
Bain was an autodidact from an impoverished family. He had studied at the Mechanics' Institute prior to entering Marischal College so he knew well the importance and potential of libraries and public education.
A new purpose built Public Library for Aberdeen, now known as the Central Library, opened on Rosemount Viaduct on 5th July 1892. Two months after first being open to the public, with a Lending Department and Reading Room, a Reference Department opened on the second floor on 29th August.
Three days before this addition, the Library was presented with the first of a number of marble busts which would grace the Reference Department until the 1960s.
It was this bust of Alexander Bain, the professor of logic, who had been an early champion of Aberdeen's public library. The bust, funded by public subscription, was work of the sculptor Henry Bain-Smith. Bain-Smith was also the artist of the Burns Statue on Union Terrace.
The bust of Professor Bain is now in the collection of the Aberdeen Archives, Gallery and Museums (AAGM), having been gifted by the Libraries in 1999. The entry for the bust on their online catalogue contains further details on Bain's life and work. Treasure 94: William Beattie's Scotland Illustrated (1838)
313 To celebrate the anniversary of Scotland's National Bard Robert Burns on 25 January, we are showcasing a beautifully illustrated work in two volumes on the history and landscape of Scotland by the physician, poet and writer William Beattie (1793-1875).
Volume I includes descriptions and illustrations of Berwickshire, District of Lothian, Edinburgh, Linlithgow, Stirlingshire, Ayrshire, the Counties of Dumfries and Roxburgh, and Roxburghshire.
Volume II describes the regions of Perthshire, Inverness-shire, Argyllshire, Dunbartonshire, or, The Lennox, Lanarkshire, the Counties of Fife, Aberdeen, and Moray, and Sutherland.
The work includes 121 engravings on steel, from original drawings, chiefly by the architect and artist Thomas Allom (1804-1872) and the topographical artist William Henry Bartlett (1809-1854). Poetry is interspersed throughout the volume is by the author.
The whole work is reflective of the romantic ideology of the power of nature to inspire the poet or artist with ideas of the beautiful, sublime and picturesque.
In his introduction to Scotland Illustrated, Beattie presents to us a poet's Scotland - a land steeped in its mysterious folkloric past and claimed by Beattie as the "Fairy Land of modern times" - influenced in no small part by the great romantic works of Sir Walter Scott and Robert Burns.
To see more beautiful examples of 'picturesque' landscape engravings of Scotland, have a browse in the Treasures from our Collections interactive exhibition. Glen Cinema Poster
407 A poster for the Glen Cinema in Culter advertising showings of Home at Seven (1952), Bride of the Gorilla (1951), Call of the Jungle (1944) and Prison Mutiny (1943).
The Glen Cinemas company showed films in various venues throughout the North East of Scotland during the 1930s to early 60s. One of these venues was Culter Community Centre.
Glen Cinemas was founded in 1936 by a local man called Arthur M. Burns. The company folded in 1961. Cinema equipment from the Culter Glen Cinema remained in the community centre for around 21 years before being sold by Burns to the London based collector Ronald Grant.
Grant was born in Banchory and worked as a projectionist in the Playhouse, Majestic and Kingsway cinemas in Aberdeen. He was also the assistant general manager of the Cosmo 2 in Diamond Street, before moving to the British Film Institute in London in 1967. The Ronald Grant Archive of Film and Cinematic Memorabilia remains active today.
Glen Cinemas also operated in the Shepherd's Hall in Bucksburn (also known as the Argosy Ballroom).
See the Aberdeen Press & Journal article 'Culter "upset" over cinema history loss' from 14th September 1982, page 3, and Michael Thomson's book Silver Screen in the Silver City (1988) for more information on Glen Cinemas. |