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Culter Paper Mills
163 Culter Paper Mills, the oldest paper mill in the Aberdeen area, having been founded in 1750 by Bartholomew Smith.
The Gordon Arms Hotel can also be seen in the lower right of the image. Red Cross Ambulance
364 A photograph from the presentation of a new ambulance by Aberdeen District engineering and shipbuilding firms to the Scottish Branch of the Red Cross Society on Monday 29th January 1917.
The vehicle, funded by subscription, was for use in Aberdeen and was handed over to Colonel J. Scott Riddell, the Red Cross Commissar. He can be seen fourth from the left in the group on the right.
The leftmost figure of that grouping is Lord Provost James Taggart. He presided over the presentation event that took place in the Red Cross Transport Headquarters on Holburn Street, visible here in the background. Taggart was a granite sculptor by trade and had a works nearby at 92 Great Western Road.
The location of this photograph is at the junction of Justice Mill and Holburn Street. A branch of the Summerhill Farm Dairy is visible in the background.
An account of the presentation and a list of subscribers can be read on page 3 of The Aberdeen Daily Journal for 22nd January 1917. Stoneywood Paper Mills
389 A photograph showing an interior view of Stoneywood Paper Mills. The image shows a large hall full of workers and machinery producing large sheets of paper. Culter
876 This image was taken around 1909 from a hill at the west end of Culter - 7 miles west from Aberdeen looking down on the North Deeside Road towards Banchory. The image shows the cottages known as Clayhills with the houses of Malcolm Road beyond. Hidden in the trees at the right hand side is the statue of Rob Roy overlooking the Leuchar Burn which runs through the wooded valley. Donside Paper Mill
1220 Donside Paper Mill. William Falconer attends the paper reels. c.1928.
The production of paper in the area goes back as far as 1696 at Gordon mills which later changed to a cloth mill, then meal mill before returning to paper production in 1890.
Donside Paper Company Ltd. took over in 1893 with many men and women from Woodside working in the Donside Paper Mill.
In 1913 a modern newsprint machine was installed (reportedly the fastest in the country). By the mid-1900s the mill modernised further and was home to the two fastest running paper machines in the North east. Grandholm Mills
1715 The dinner hour, workers crossing the bridge over the River Don.
The history of the mills in Woodside has gone through prosperous and bad times with several being closed in the mid-1800s and subsequently reopened towards the end of the century. The success especially of the paper and cloth mills of the area has provided work for many generations of Woodsiders.
A linen and cloth factory moved to the Grandholme mills site in mid-18th century from Gordon Mills and was taken over by James and John Crombie in 1859. J&J Crombie went on to produce the famous worldwide Crombie cloth at the Grandholme Mill, leading to the long association between Woodside and the fabric. The mill at one point employed up to 3000 people.
J&J Crombie were included on a list of government suppliers and one tenth of all coats worn by British officers of the First World War were made with the Crombie cloth. By World War II 467 miles of the cloth was being produced at the Grandholme mill per year.
By 1960 Grandholm was the largest supplier of tweed in the UK and also produced silk, wool, cashmere and yarns. Sadly the business has now been moved away from the Woodside area to the Borders.
Stoneywood Paper Mills
1958 A photograph showing an interior view of Stoneywood Paper Mills. The image shows a large hall full of workers and machinery producing large sheets of paper. Stoneywood Paper Mill Canteen
1980 A photograph of a group of women enjoying tea in the garden of Stoneywood Paper Mills Canteen. These are the women who worked in the mills' counting house and were managed by William Ford. Stoneywood Paper Mills Football Team
1984 Stoneywood Paper Mills football team pose outside what looks to be a clubhouse.
"The Stoneywood Football team is the 1925/26 team and the man second from the right in the row of seated men is my Grandfather Robert McDonald Ford".
The above information was kindly provided by Mr Keith AM Ford, March 2016. Stoneywood Paper Mills
1986 A group portrait of William Ford and the women who worked in the counting house at Stoneywood Paper Mills. Ford was the manager of this part of the works. Stoneywood Paper Mill Group Portrait
1987 A large group of people related to the Stoneywood Paper Mill pose outside. The man in the centre of the image can also be seen in images E17_08 and E17_10. Group Portrait at Stoneywood Paper Mills
1989 A group portrait of William Ford and the workers from Stoneywood Paper Mills' counting house. Ford managed this part of the works.
The building in the background is the mill's canteen. The company who owned the mill, Alex. Pirie & Sons, also provided a school and library for their employees. Craibstone School of Rural Domestic Economy
2270 Craibstone House was formerly the home of the Pirie family who owned Stoneywood Paper Mills and it was bought by the North of Scotland College of Agriculture in 1913 and this school was set up around 1920. It is situated near Bucksburn, about 5 miles north of Aberdeen. The School was a training college for women who wanted to work on the land and provided training in household work, cookery, laundry, dairying, poultry and bee keeping and farm accounts.
This 20-roomed mansion was totally destroyed by fire in January 1953 but a new college was built and the college continued to use the estate for research and experimental work in relation to grassland and crops. However, by 1968 Rural Domestic Economy was no longer a viable course and the School closed. Prince Albert Statue, Wallace Statue, and H. M. Theatre, Aberdeen
2721 An Adelphi Real Photograph Series postcard (no. 440) showing His Majesty's Theatre and the two statues on Rosemount Viaduct. Schoolhill Railway Station can be seen on the right. A group of young people mill around in the foreground. A. McRobb, plumber & electrician
2904 A collated group portrait from 1928 of the staff of Andrew McRobb, a then prominent plumbing and electrician business in Aberdeen. McRobb himself is pictured in the middle at the top.
The print features a inscription reading "by the employees, as a mark of esteem on the occasion of his acquiring Central Premises 27, 28, 29 Adelphi."
The Aberdeen Post Office directory from 1928-29 indicates that McRobb also had a branch at 103 Market Street and his home address was 24 Murray Terrace. In the directory he is described as a plumber, gasfitter, electrical and sanitation engineer.
The print includes a small photograph of the new premises in the Adelphi. In 2018 the shown shopfront is occupied by Asylum, a retailer of comics, graphic novels and roleplaying games.
McRobb took an active part in Aberdeen civic life and his profession. In May 1935 he was elected as the president of the Scottish Federation of Plumbers' and Domestic Engineers Association (Press & Journal, 11/05/1935, p. 8). He was also later a councillor for the Ferryhill Ward, a Town Council baillie, and elder and Sunday school superintendent at Trinity Church (Evening Express, 13/03/1952, p. 12).
The portraits in this print were taken and compiled by prominent Aberdeen photographer Fred W. Hardie. At the time he had premises at 416 Union Street and 8 Justice Mill Lane.
This print was kindly donated to Aberdeen Local Studies by David Parkinson. His grandfather, David Charles Kelly Parkinson, can be seen by counting four portraits to the right from the bottom right and then three up. His portrait is just down and left from a symbol showing two tools of the trade. Aberdeen Portraits: Group No. 8
3110 Group No. 8 from Messrs G. W. Wilson & Co.'s Aberdeen portraits series published in 1907. An article in The Aberdeen Daily Journal of 27th April 1907, page 4, states:
"There are few more interesting local pictures than the two groups of photographic portraits of Aberdeen public men which were published by Mr G. W. Wilson in the very early days of photography - in 1856 and 1857.
These groups were selected and arranged by Mr (afterwards Baillie) George Walker, who is one of the very few survivors of the 196 note worthy Aberdonians portrayed; and an animated description of one of them is given by Mr William Carnie in 'Reporting Reminiscences.'
A third group was published 1896; and most of the faces presented in it have likewise vanished from the scene. The happy idea has just occurred to Messrs G. W. Wilson and Co. to reproduce these three groups, along with six other groups (containing 100 portraits each) selected from the large collection of negatives taken at the firm's Crown Street studio between 1852 and 1896.
The nine groups thus constitute a collection fairly representative of the leading men of Aberdeen during the latter half of the nineteenth century. They are printed in permanent collotype, and are encased in a handsome portfolio, an index of names also being supplied. But each group can be had separately, and is so mounted as to be available for framing; while copies printed on gelatine paper are also to be had, and copies of the single portraits may be secured.
Messrs G. W. Wilson and Co. claim - and probably with every reason - that this series of portraits is unique, no other city having a similar portrait gallery of its leading citizens, covering practically the whole period between the beginning of the photographic portraiture on paper and the end of the nineteenth century." Aberdeen Portraits: Group No. 9
3111 Group No. 9 from Messrs G. W. Wilson & Co.'s Aberdeen portraits series published in 1907. An article in The Aberdeen Daily Journal of 27th April 1907, page 4, states:
"There are few more interesting local pictures than the two groups of photographic portraits of Aberdeen public men which were published by Mr G. W. Wilson in the very early days of photography - in 1856 and 1857.
These groups were selected and arranged by Mr (afterwards Baillie) George Walker, who is one of the very few survivors of the 196 note worthy Aberdonians portrayed; and an animated description of one of them is given by Mr William Carnie in 'Reporting Reminiscences.'
A third group was published 1896; and most of the faces presented in it have likewise vanished from the scene. The happy idea has just occurred to Messrs G. W. Wilson and Co. to reproduce these three groups, along with six other groups (containing 100 portraits each) selected from the large collection of negatives taken at the firm's Crown Street studio between 1852 and 1896.
The nine groups thus constitute a collection fairly representative of the leading men of Aberdeen during the latter half of the nineteenth century. They are printed in permanent collotype, and are encased in a handsome portfolio, an index of names also being supplied. But each group can be had separately, and is so mounted as to be available for framing; while copies printed on gelatine paper are also to be had, and copies of the single portraits may be secured.
Messrs G. W. Wilson and Co. claim - and probably with every reason - that this series of portraits is unique, no other city having a similar portrait gallery of its leading citizens, covering practically the whole period between the beginning of the photographic portraiture on paper and the end of the nineteenth century." Aberdeen Cinemas: Regent / Odeon
3417 The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could.
Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland.
The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate.
The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following:
"Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base."
The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two".
The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks.
The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent.
On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] |