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Rubislaw House
104 Rubislaw House, 50 Queen's Road, Aberdeen. It was designed by J.B. Pirie and built in 1886 for the builder, John Morgan. Rubislaw House
328 Rubislaw House, No 50 Queens Road. Architect J.B. Pirie built for the Aberdeen builder John Morgan. 1886. Rubislaw House
332 Rubislaw House, No 50 Queens Road. Architect J.B. Pirie for the Aberdeen builder John Morgan. Built in 1886. Kittybrewster School
458 The school was opened 14th August 1899 on Great Northern Road with space for 1,100 eager to learn pupils!
This photographs shows the school, and the junction with Lilybank Place, looking north west from Great Northern Road.
The school was built by a popular Aberdeen builder named John Morgan who amongst other things also built the Caledonian Hotel, King Street School, various churches and the statue of William Wallace which stands opposite His Majesty's Theatre.
In the early days, students would have had to learn in a building with no heating and only outdoor toilets. Seaton's view of Castle Street
670 This view was drawn by Robert Seaton in 1806. On the left is the Tolbooth and adjoining it is the Mason Lodge and New Inn. The property was sold in 1839 to the proprietors of the North of Scotland Bank and the bank offices were erected on the site in 1840-2. In the late 1990s, the bank closed and became a pub, called Archibald Simpson's, after the original architect. The prominent building on the right side was the Aberdeen Bank, later to become the Bank of Scotland building. The tall man in the centre was John Ewen, jeweller, the man on the right with the drum was Watty Leith, Town Drummer, and on the left is John Milne, the Town Hangman, talking to the fishwives, claiming his free fish as perks of his trade. Jack's Brae
710 A photograph looking north west up Jack's Brae, from its junction with Upper Denburn, in the Rosemount area. Jack's Brae was named after the owner of property there. This photograph likely dates from the mid-to-late 19th century.
The Ordnance Survey town plan of Aberdeen, 1:500 scale, surveyed in 1866-67 depicts a "Coffee Roasting and Grinding Works" at the top of Jack's Brae at its junction with Leadside Road. A large chimney of these works can be seen on the right side of this image in the distance.
These works were the premises of John Strachan. In the Aberdeen Post Office Directory for 1867-68, Strachan is described as follows:
"Strachan, John, coffee roaster, coffee, sugar, and sugar grinder, Jack's brae" (page 213).
Aberdeen City Council's Historic Environment Record describes the site thusly:
"Site of meal mills, built in the 18th - 19th Centuries and demolished in the 1980s. The works was two-storey with a basement, comprising a 9-bay range with a single kiln and a three-storey with attic 5 by 6-bay block of later date. There were also two 2-storey store blocks. The mill was originally water powered, later electrically driven. The OS 1st edition map depicts a coffee roasting and grinding works here; they are annotated as corn mills on the OS 25in map published 1924." (link here).
The business was known as John Strachan & Sons and the works as Gilcomston Mill. The business was started in around 1852 and John Strachan was succeeded as its proprietor by his son James Strachan (1838-1914). His obituary can be found in the Evening Express of 28th December 1914, page 5. His son, John Strachan, was later to become the business's managing director. The obituary of this later John Strachan can be found in the Press & Journal of 1st July 1935, page 8.
At the time of writing in 2022, the site is occupied by a residential complex called Strachan Mill Court - no doubt named after the coffee roasting and milling enterprise. Seaton's view of Castle Street
746 This view was drawn by Robert Seaton in 1806. On the left is the Tolbooth and adjoining it is the Mason Lodge and New Inn. The property was sold in 1839 to the proprietors of the North of Scotland Bank and the bank offices were erected on the site in 1840-2. In the late 1990s, the bank closed and became a pub, called Archibald Simpson's, after the original architect. The prominent building on the right side was the Aberdeen Bank, later to become the Bank of Scotland building. The tall man in the centre was John Ewen, jeweller, the man on the right with the drum was Watty Leith, Town Drummer, and on the left is John Milne, the Town Hangman, talking to the fishwives, claiming his free fish as perks of his trade. Hamilton Place
1111 A photograph of 3 Hamilton Place in the late 1980s. The building was designed by Pirie and Clyne and built by John Morgan in the 1880s.
The sign above the door identifies the house as Hamilton Lodge.
Ordnance Survey maps indicate the building was a surgery in the 1950s. Brae Farm
1790 This photograph was taken in 1951 by James Kellas and looks east showing, on the left, the rear of Brae Farm, located on Morningside Road, and part of 142 Morningside Avenue on the right.
There was originally a Brae Farm to the north west of this location that can be seen the Ordnance Survey map published in 1869 (Aberdeen Sheet LXXV.14). Just to the north of the old farm on the map is a single Aberdeen Water Works reservoir.
An article from The Leopard magazine by Diane Morgan (October/November 1985) explains that in 1885 an Aberdeen Corporation Water Act was passed to empower the Town Council to take eight million gallons daily from the River Dee and to build a second reservoir at Mannofield. This was to keep up with the city's rapid population increase.
To carry out the expansion, the council acquired the land adjoining the initial reservoir including the first Brae Farmhouse and its steadings. They then became known as Reservoir Cottage and Reservoir House and served as the home of the inspector of the water works. A relatively early inspector was called William Clark. On 28th February 1898 he died at the cottage aged 64. He was buried in the John Knox Churchyard (Aberdeen Weekly Journal, 02/03/1898, p.4).
Clark was likely succeeded as waterworks inspector by James Forsyth. The Forsyth family lived at the cottage well into the 20th century. James was married to Margaret (née Jaffray), who died after him on 28th July 1945, aged 85. Their second son, Sapper John Forsyth, died aged 26 at Oldmill Military Hospital on 20th April 1917. He was buried at Springback Cemetery.
The reservoirs continue to play a vital role in supplying water to Aberdeen. The cottage and house however were demolished in the late 20th century and replaced by modern water treatment buildings.
As shown on the 1901 OS map, sometime shortly after the passing of the 1885 act the Brae Farm we can see in this picture was built to the south east, where Morningside Road met Auchinyell Bridge. To the east, Aberdeenshire County Cricket Ground was also built around the same time.
This later Brae Farm was the home to the Kinnaird family for the first half of the 20th century. The heads of the family were Frank Kinnaird and Margaret Amelia Smith.
Their son Lance-Corporal A. G. Kinnaird, of the Royal Scots, was reported as a prisoner of war in Germany in June 1918. Prior to the war he had worked with the Clydesdale Bank (Evening Express, 03/06/1918 p.3).
Frank's eldest daughter, Jessie Sinclair, married James Smith Mathieson at Ruthrieston U.F. Church on 7th September 1927 (Evening Express, 08/09/1927, p.6).
A younger daughter, Edith Kinnaird, married a man from Portsmouth called Andrew Livingstone in July 1936. The marriage took place in Ruthrieston West Church and the reception was at the Caledonian Hotel (Press & Journal, 06/06/1936 p.8).
Daughters Amelia Elizabeth and Margaret Kinnaird both left Brae Farm in the 1920s (1924 and 1920, respectively) to reunite with fiancés who had travelled ahead to Canada.
Frank Kinnaird died on 12th August 1950, aged 84.
At some point during the 1930s-1950s the residential streets we know today, Morningside Avenue, Terrace and Place were constructed between the reservoir and the new farmstead. These streets take their name from Morningside Farm to the east. As can be seen in this photograph, the farm stood into the 1950s. It was eventually demolished when Morningside Avenue was extended to meet Morningside Road. The newer bungalows can be distinguished by their tiled, rather than slated roofs. John Morgan
1893 A portrait of John Morgan, Treasurer and building contractor. He lived in Rubislaw House. Baillie Rust
2063 A photographic portrait of Baillie John Rust (1853-1919). He was the son of John Rust and Margaret Henderson. His father founded the well-known timber merchants John Rust & Son in 1845.
John Rust junior was an architect and local politician. He served his architectural apprenticeship with John Russell McKenzie before going into business for himself with offices on Union Street, latterly number 224.
Rust was highly active in local life. He was elected to the Council in 1886 representing the Rubislaw Ward. He was re-elected in 1889 and promoted to the position of Third Ballie in 1890.
On the death of the incumbent, William Smith, Rust was a successful applicant for the post of city architect. On his appointment in March 1892 he retired his place on the Council. He served as city architect until his death in 1919.
Along with Sir Alexander Lyon and John Morgan, the builder, Rust was considered a moving spirit in the local government regime known as the "Young Party".
His Aberdeen Journal obituary highlights his involvement in the Beach Bathing Station scheme and the Union Terrace improvements. Also that he was a justice of the peace for Aberdeen City and Kincardineshire.
Moreover he was a significant property owner and was involved in local political, civic, military and church groups.
He died suddenly while on his way to work from his residence of Hawkshill, Milltimber. He was buried in Nellfield Cemetery. His Aberdeen Journal obituary can be found in the issue for 12th September 1919, page 6.
An entry for John Rust can be found in the Dictionary of Scottish Architects here G. W. Morgan Portrait
2145 This portrait of a smartly dressed young man was taken by G. W. Morgan (1855-1909). The photo features the ornate furniture and painted background that was the convention of the time. On the rear of the postcard photograph is printed "For further copies apply Elite Studios, 5 Market St, Aberdeen." This dates the image as between 1897 and 1907 when the business was trading under this name at the Market Street premises. Morgan and his brother William also operated photographic studios at 3 Bridge Place, 393 Union Street, and two in Aboyne and Ballater.
Morgan was the son of a blacksmith from the village of Clatt, called John Morgan. Born in 1855, George trained as a druggist in Aberdeen before leaving for California where he worked as a photographer. He returned to the city in 1880 and became the principal photographic assistant to Mr Dinnie of Bridge Place. The premises in Market Street were his first studio after going into business with his brother. He lived at Westfield Terrace.
In the coming years Morgan established a reputation in the city as an excellent photographer and businessman. He was described in his Aberdeen Daily Journal obituary as "A thorough artist in every sense of the word. Mr Morgan was remarkably successful in developing the very extensive business, and it was largely owning to his efforts that the firm attained its well deserved renown for the excellence of its portraiture and scenic work, all of which reach a high degree of artistic merit."
In 1909, Morgan died aged 54 in quite unusual circumstances. On the night of 25th June he was travelling with Mr J. B. Davidson, a solicitor and business associate, to London on the Caledonian sleeper train. All was well up to Stirling when the two men went to sleep. Davidson was awoken in the night by the wind blowing into their compartment and with Morgan nowhere to be seen. After a thorough search of the train and much telegraphic inquiries it was determined that Morgan had fallen from the train and died just south of Carstairs. The exact conditions of his death are unknown but it was believed that he woke in the night and groggy with sleep used the wrong door.
In addition to photography Morgan was a very accomplished violinist and acted as choirmaster for Ferryhill Parish Church for many years. He and his wife had 12 children. Rev. John Duncan, D.D.
3128 A photographic portrait of Rev. John Duncan, D.D., minister of Trinity Congregational Church. See the book Rev. John Duncan, D.D.: A Memoir and a Tribute (1909) by J. B. Allan for information on Duncan's life and career.
This reproduction was included as a supplement to the Aberdeen Weekly Journal of Wednesday 28th December 1898. Elsie S. Rae
3303 A portrait by Aberdeen's Morgan photographic studio of the poet Elsie S. Rae (1897-1973). She was known for her WWI poems and use of Doric, the local dialect, in her writing.
This image was used as a frontispiece to an edition of her poetry called Private John M'Pherson (1917). Pitmedden Garden
4207 A photograph showing three boys admiring the fountain at Pitmedden Garden.
Pitmedden Garden is a Natural Trust for Scotland property. Their website describes it as a "re-created Scottish Renaissance walled garden with vibrant floral designs and Museum of Farming Life."
Concerning its history, the website states "the Great Garden dates back to 1675 when it was originally laid out by Sir Alexander Seton." [...] "In the 1950s Pitmedden was gifted to the Trust who re-created the garden based on 17th-century plans after it was ploughed up to grow vegetables during the Second World War and used as a kitchen garden for over 100 years."
This fountain is detailed in an entry on Historic Environment Scotland's CANMORE website (CANMORE ID: 338622). Quoting a guide pamphlet by Dr James Richardson, designer of the garden restoration, it states "In the re-creation of the Great Garden of Pitmedden, the National Trust for Scotland not only has established once again the site of the original fountain but it has erected a further fountain as a focal point in the centre of the Great garden. The sculptured stones that compose this second fountain have an interesting history as seven of them formed, at one time, part of the Cross Fountain of Linlithgow designed and executed by Robert Milne, King's Master Mason, to commemorate King Charles II's Restoration. These detached fragments were given by the Ministry of Works. Three fragments of the original Pitmedden construction have also been worked into the composition of the fountain."
Looking west, a stairway up to Pitmedden's terrace garden and Pitmedden House can be seen in the background.
This image likely dates from the 1970s. It comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department. Seaton's view of Castle Street
85 This view was drawn by Robert Seaton in 1806. On the left is the Tolbooth and adjoining it is the Mason Lodge and New Inn. The property was sold in 1839 to the proprietors of the North of Scotland Bank and the bank offices were erected on the site in 1840-2. In the late 1990s, the bank closed and became a pub, called Archibald Simpson's, after the original architect. The prominent building on the right side was the Aberdeen Bank, later to become the Bank of Scotland building. The tall man in the centre was John Ewen, jeweller, the man on the right with the drum was Watty Leith, Town Drummer, and on the left is John Milne, the Town Hangman, talking to the fishwives, claiming his free fish as perks of his trade. John Jazdowski
285 John Jazdowski, drawing master in Aberdeen from 1843 to 1871 as drawn by J. Beattie Scott. Treasure 80: The Great Wizard of the North's Hand-Book of Natural Magic by John Henry Anderson
291 Ninety years since the Aberdeen Magical Society was founded, we feature a rare edition of the Hand-book of Natural Magic written and published by the famous 'Wizard of the North', John Henry Anderson, one of the best magicians of the 19th Century.
The book reveals 128 experiments "adapted for performance at the parlour or drawing-room table or fire-side? practicable without expensive chemical or mechanical apparatus".
The book features tricks such as The Conjuror's Table, The Gun Trick, and The Self-Balancing Pail, in addition to a number of card tricks and ruses.
For nearly forty years of his life, John Henry Anderson baffled appreciative audiences with his popular performances, which often featured advanced and intricate props. The 'Wizard of the North' travelled around the world delighting audiences in many countries, including Australia and America.
John Henry Anderson died in February 1874 and was buried alongside his mother Mary Robertson, in Mither Kirk graveyard in Aberdeen. He had many imitators and the great Houdini himself said he was one of his mentors. Houdini paid his respects to John Henry Anderson when he visited the Granite City in 1909.
In 1930, the Aberdeen Magical Society arranged to have the gravestone of Professor Anderson restored "as a mark of respect to this past-master in the art of conjuring entertainment" (Press and Journal, 8 August 1930).
Explore the life and work of the great wizard, and find out more about Aberdeen Magical Society in our interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Treasure 81: John Morgan Plans
293 In this year of Innovation, Architecture and Design, we feature original building plans which provide us with an insight into the development of Aberdeen in the late 19th century. The plans were designed by builder John Morgan (1844-1907), who worked with many well-known city architects.
John Morgan's memoirs are held in our collections and the 282-page document provides a first-hand account of the builder's career. Along with his memoirs, we hold a bound volume of Morgan's original plans which were donated by a tobacconist named James Yule Keswick, husband of John Morgan's eldest daughter, Elisabeth Jane.
Together, the plans and memoirs reveal the personality of an important figure from our city's past, and map the changing landscape of Victorian Aberdeen as witnessed by Morgan himself.
Find out more about John Morgan and the many buildings he constructed in the Treasures from our Collections interactive exhibition on the touchscreens in our libraries. Woodside Primary School from <i>Annals of Woodside and Newhills</i> by Patrick Morgan (1886)
306 Morgan tells us that the first schools in Woodside were provided as the population of the village increased by Gordon, Barron & Co. They were a company of cotton spinners and manufacturers with a works at Woodside dating from around 1779.
The first large school was funded by public subscription and was opened in 1837 in the building now known as the Burgh Hall.
The school shown in the illustration on the left was opened in February 1875 and was known as the Board School. Presumably as it was run by the Old Machar Parish and School Board before being taken over by the Aberdeen Burgh School Board in 1894.
At the time Morgan was writing it was the second largest school in Scotland and had nearly 1400 pupils.
This building was altered in subsequent years and plans for a major reconstruction were begun in 1901. The architect was J. A. O. Allan of the Aberdeen School Board. The building warrant application and associated plans are available at Aberdeen City and Aberdeenshire Archives, as are other historic records related to the school.
The proposed reconstruction is detailed in the Aberdeen Daily Journal of 6th August 1902. This enlarged building continues to function today as Woodside Primary School. The dates of 1890 and 1902 can be seen written in the building's stonework.
Boards containing the names of all the people to win the Sir John Anderson Dux Award can be found within the school's assembly hall. The nursery can be found in a separate building with its own garden.
When Sir John Anderson first gifted 9000 books to the people of Woodside they were kept at Woodside School until the purpose built library was opened on 15th October 1883. Woodside Library from Annals of Woodside and Newhills, by Patrick Morgan (1886)
307 Sir John Anderson gave the credit for his success to his upbringing in Woodside. To pay tribute, he decided to gift a library to people of the area. The library was initially retained in the Woodside School, before the present day building was opened in 1883.
On its initial opening the library was used to great success, however after ten years the library was in trouble. The small income the library made on the selling of cheque books and catalogues did not allow for many new books to be purchased, leaving the people of Woodside with the same stock.
The library was saved in January 1932, when it became the largest Branch Library in Aberdeen. This helped to boost the stock available to the people, and the next twenty years was the library's most successful, averaging at 70,000 books borrowed every year.
The beautiful building itself was designed by architect, Arthur Clyne, under the strict instructions of Sir John. Sir John was determined the building should stand sure for generations.
Treasure 97: Aberdeen Grammar School Art Club
316 The work of the Aberdeen Grammar School Art Club can be seen in the collection of sketch books held in Local Studies for the years 1920 - 1923 and 1926 & 1928, and as supplements in some of the school magazines which also describe the early activities of the club.
The Art Club was started by the enthusiastic Art Master, C.R. Leslie Millar, in 1917. There was an initial membership of 25 boys with H. Morgan acting as Secretary, who was later complemented for his delightful posters and sketches on the notice boards. The club would go out sketching on Saturdays from mid-May and throughout June, working in pencil, oils, water-colours and pastels.
The first sketch book was produced for Christmas 1919 with introductory club notes. It's a tribute to the art masters that they did much to develop the appreciation of art and encourage individual talent among the pupils. The work of the club was favourably commented on by His Majesty's Inspectors and at the Aberdeen Artists Society Exhibition in December 1921 two club members were successful in having pictures accepted.
Have a look at some fine examples of the art club's sketches in the Treasures from our Collections interactive exhibition on the touchscreens.
Treasure 105: Sir John Anderson Library Medal
326 The story of Sir John Anderson and his Woodside Library is told in "The Admirable Mechanic by Moira Anderson", published by Aberdeen City Libraries in 1983.
On the back cover is a photograph of the Anderson Library Medal given to every pupil at Woodside School to mark the inauguration of the Woodside Library and the Scholar's Library in 1881, both of which were housed temporarily in the Headmaster's Room at the school until a purpose-built library could be constructed.
The medal was presented to the Library in August 1983 and now forms part of the Anderson Library Archive held in Local Studies. We can take a look at the history of Woodside Library through some of the other items held in the collection.
Woodside Library opened on 15 October 1883 and was described By Patrick Morgan in The Annals of Woodside as "the most beautiful and valuable institution in the Burgh of Woodside, containing a wealth of literature, which is difficult to estimate". The library was a gift to the people of Woodside by the noted engineer, Sir John Anderson.
Over the years there was a noticeable decline in the use of the library with lack of funds to purchase new stock, no room for expansion and no separate Reading Room. Eventually, ownership of Woodside Library was transferred to the City Council and The Sir John Anderson Branch Library Woodside comprising a Lending Library, Reading Room with games tables, Juvenile Library and Reading Room was opened by Lord Provost Rust on 19 January 1932 and regarded as the largest and most complete Branch in the System.
To learn more about the interesting history of this unique library, have a browse in the Treasures from our Collections interactive exhibition. Tragedy of Douglas; or, The Noble Shepherd
488 This broadside advertises a play on Saturday 20th November 1813 at the Theatre Royal on Marischal Street. The play is Douglas; or, The Noble Shepherd. Printed locally by John Booth of North Street, the broadside modestly declares the play to be of equal quality to any production outside of London.
Accompanying the play were comical songs, a ballad, and a reworking of Shakespeare's Taming of the Shrew by David Garrick, titled Catharine & Petruchio.
The broadside indicates locations that tickets may be bought, the "Public Library" and the "Musical Repository", and other productions available for viewing. The play's cheapest ticket, for the gallery, cost 1 shilling. This was approximately half a shilling shy of the cost of a loaf of bread (Aberdeen Journal, 7th July 1813).
Douglas was a five-act tragedy authored by John Homes. Performed first in 1756 Edinburgh, it was a resounding success, with productions put on across the eighteenth and nineteenth centuries, travelling as far a field as North America. That being said, that week's edition of Aberdeen's Journal only gave the announcement of the play's arrival one line, buried in the third page.
The play's contents was often changed by Home, depending on its audience. The play examines the deep tension between Scotland's people and its nationhood, particularly in regard to Scotland's cultural independence from Britain. On the play's first night in 1756, the play so inspired one playgoer with patriotism that he shouted "Whar's yer Wully Shakespeare noo!" in the middle of the performance. (Megan Stoner Morgan, Scottish Literary Review, vol. 4, no. 1 (2012)).
The play also left a deep impression on the Scottish Enlightenment philosopher David Hume. Regarding the broadside, it is interesting to note that Douglas, not the Shakespearean comedy, was the headline act.
The play's protagonist, Douglas, is played by an H. Johnston, most likely a 36-year-old Henry Erskine Johnston. A portrait of him playing the title role is held at the National Portrait Gallery. Impressively, he also serves as Petruchio in Garrick's Catherine & Petruchio. Likewise, other actors play characters in both productions. |