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CONCLUSION
2880 Sadly, my report ends here. It has been a great pleasure researching the relationship between two countries with which I strongly identify. I was born in Poland and moved to Scotland when I was 6 months old along with my family. I can relate to both parts and consider myself a citizen of both countries. I hope you have enjoyed reading this report and are encouraged to research into your own family ancestry. Maybe you'll find some Polish heritage. Who knows? But most of all I hope you have become more knowledgeable on the matter, possibly making our community more aware of racism and prejudice and helping to tackle these very important issues in Aberdeen.
Sources and References
'Scots in Poland, Poles in Scotland' from The Krakow Post
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Aberdeen Press and Journal, Saturday 27th April 1935
Aberdeen Press and Journal, Friday 13th September 1931
Wikipedia entry for Alexander Czamer
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'Scotland and Poland' from #ScotlandIsNow
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'Polish "most targeted group" in prejudice in Aberdeen' from BBC News
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'Alexander Chalmers, Scottish Mayor of Warsaw' by Ross 'Teddy' Craig
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'History of Gordon's' from Robert Gordon's College website
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'Scots Diaspora' by Andrew Elliott
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'Did you know?' from Mapa Scotland: the Great Polish Map of Scotland
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'Papers Relating to the Scots in Poland (1576-1798)' from Electric Scotland
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Treasure 30: G M Fraser Local History Lectures to Children - Selection of Tickets
203 Our treasure from the Library archive reflects the policy of the Library in the early 20th century and very much as it is today - "to get closely into touch with the children of the community" (Library Annual report 1913/14).
G M Fraser delivered a series of free local history lectures (in a series of 4) to children in the Juvenile Department every winter from 1914 - until the last one in February 1936. However there was one exception! After his first lecture in November 1928 he slipped on ice and broke 3 ribs so the remaining 3 winter lectures were cancelled.
Topics for the lectures included Historical buildings, Streets of Aberdeen, Place names, Battlefields, Streams and Lochs, Hill Forts, School Names and many more.
Tickets for the lectures were distributed with the co-operation of the Elementary Schools and each lecture was attended by up to 300 schoolchildren.
The earliest ticket we have in our collection is for the final lecture of the first series, "Historic Street Names in Aberdeen" on 11 February 1915, seen on display with a selection of others. The very first lecture was given on 6 November 1914 "An Evening in Historical Aberdeen" with lantern illustrations, followed by, The Story of the Castlegate and The Friars in Aberdeen.
Children were invited to write an essay on the subject of each lecture and local history books such as "The Old Deeside Road" were awarded as prizes.
The lectures were described as "a delightful experience for everyone concerned" and "the subsequent essays sent in were a pleasure to read". To ensure blind people were included, from 1916 the lectures were delivered separately at the Asylum for the Blind at their social evenings and we are told "heckling" the lecturer was encouraged!
Treasure 41: Mary Garden Record Collection
210 We hold a number of original vinyl records in our collections, including those of Mary Garden, a local girl who found global fame as an opera singer in the early 20th Century.
Born at 35 Charlotte Street on 20 February 1874, Mary Garden left her native Aberdeen around the age of nine when the family moved to America in search of better opportunities and a new life.
After a period of uncertainty and several moves, a young Mary accepted a role as a childminder in Chicago, with payment taking the form of singing lessons to further her obvious interest. By 1896, Mary had shown sufficient progress that she accompanied her tutor to Paris in a quest to pursue a career in opera.
Mary's first big break came in 1900, when she performed in the new opera, Louise after the main star became unwell. A series of leading roles followed in 1901, including Thaïs, Manon and Madame Chrysanthème. For the next decade, Mary courted both limelight and controversy as she portrayed leading characters on stage, while being romantically linked to various composers and directors off-stage. Adding fuel to these fires of speculation, Claude Debussy chose Garden to create the title role of his new play, Mélisande, overruling the preference of his own librettist.
At the outbreak of the First World War, Mary attempted to enlist in the French army - but with her identity discovered, she instead turned to nursing at a hospital in Versailles. When she returned to America, she continued to raise funds for the French Red Cross. Her efforts during both war and peacetime generated awards from Serbia and France.
Mary appeared in two silent films - the first released in 1918 - but she found difficulty adapting to the new medium and this separate career never took off. She returned to her first passion and continued to perform in opera until the mid-1930s.
In 1921, Mary was offered the role of director of the Chicago Opera Association, and as she was still performing - undertook both roles with fervour. Under her tenure, the Association took on many new and exciting artists and works.
At the outbreak of war in 1939, Mary chose to remain in Paris, until the German invasion forced her to escape, leaving all of her possessions behind. In June 1940, she returned to Aberdeen but the lure of teaching the next operatic generation proved too strong and she once again travelled to America to coach young stars and give lectures in 1949-1950.
By this time, it appears that Mary's memory had started to suffer - evidenced by the 1951 autobiographical publication Mary Garden's Story which was riddled with factual errors. The book received disastrous reviews and possibly led to her decision to reside permanently in Aberdeen from 1954.
Mary died in 1967 in the House of Daviot, a country hospital near Inverurie, aged 92. Fifty friends attended a small ceremony. A small commemorative plaque is located at 41 Dee Street where the Garden family lived, and a small garden is dedicated to her memory in Craigie Loanings.
Although she remains relatively little known in her native Aberdeen, Mary's legacy is considerable in the United States - particularly in Chicago where her stewardship of the Opera Association is still remembered fondly.
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