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A Dead Whale
868 Crowds gathered round a dead whale, with fishing boats (A329) in the background.
Correspondent Ed Fowler suggests that this photograph shows the "Nairn whale".
Initially wrongly identified at the time as a blue whale, it was actually a sei whale (Balaenoptera Borealis), one of the 4th-largest balaenopterid.
The whale stranded at Nairn on 18th December 1884 and was subsequently purchased by Mr Davidson, fish-dealer, Aberdeen. The whale was then towed by the tug Granite City on 2nd February 1885.
The Evening Express from Wednesday 4th February 1885 provides more details about the operation:
"This was accordingly done about five o'clock yesterday afternoon by the tug Granite City, and the leviathan was successfully placed on the waggons which had been provided for the purpose. Suspended in mid-air, the whale presented a remarkable spectacle, its huge proportions being displayed to full advantage. The task of placing it on the huge waggons by which it was conveyed to its destination proved a very laborious and onerous one, and occupied a large staff of men from four o'clock in the afternoon till midnight. Ultimately, the leviathan stretched upon the waggons, and the horses - numbering about two dozen - being attached, the unusual procession proceeded on its way to the Recreation Grounds [Queens Links]. The quay was literally besieged by a crowd which swelled in proportions as time wore on, and whose enthusiasm the disagreeable odour which proceeded from the whale was wholly unable to quench. [About] four o'clock this afternoon, after many difficulties had been encountered and overcome, the whale reached its destination - the Recreations Grounds - where it now lies. As before stated, a very strong smell is felt in the vicinity of the carcase, and the sanitary inspector has brought the matter under the notice of the Public Health Committee".
Ed Fowler adds that "The Landing was a difficult operation as it can reach 19.5M (64-ft) long and weighing as much as 28-Tons. An attempt to haul it from the water at Fittie (Perhaps Alexander Hall's Slipway) with Horses failed and so it was Towed into the harbour to the North Lock Sheer-legs (a lifting system) at the North Lock, Waterloo Quay and hoisted in mid-air with a tackle around the Tail, then placed on a series of Wagons and then dragged by 24 Horses and a crowd of Men to the Recreation Grounds (Queens Links), for Public Exhibition."
Cults Fire Brigade
1049 This photograph from 1905, shows the personnel of Cults Fire Brigade with their horse drawn fire engine. These men were all volunteers and included a joiner, butcher, shoemaker and a plumber. In the photo are - Holding horses - D. Brown (butcher with Wishart), J. R. Reith (chemist). Standing at the side of the engine - Major Hislop of Derncleuch (founder of the Brigade), H. Robertson (gardener), A. R. Will (plumber), A. Calder (slater), J. Robertson (gardener). On Engine - J. McPherson (joiner), Wisley (driver), Prof, J. McIntyre of Abbotswells, J. Davidson (butcher with Williamson), Wm. Davidson (shoemaker), Sir Robert Greig. When a fire broke out, a hooter was blown and the men downed tools to gather at the old school. Horses had to be brought from the local firms such as the baker or coal merchant, who used horses to pull their delivery carts. The fire engine was housed in St. Devenick's Place and had a manual system where the men had to pump by hand. The Last Speech, Confession and Dying Declaration of Three Unfortunate Men
171 Originally broadsides were single sheets of paper printed on one side. They were mainly text, intended to be read unfolded, posted in public places. They were first used for the printing of royal proclamations and official notices but later they served as a vehicle for political agitation and popular culture such as ballads, songs and scaffold speeches.
They were sold on the streets and cost a halfpenny or penny. The mechanisation of the printing industry at the beginning of the 19th Century saw a phenomenal increase in the amount of street literature, including broadsides. By the middle of the century, however, cheap newspapers, weekly magazines and "penny dreadfuls" started to take over.
This broadside tells of the day of execution for three Aberdeen men for the crime of theft and stouthrief (which is the associated crime of assaulting a person defending their property). The sheet details the repentant manner of the offenders and their admonishment to the gathered spectators to "take warning and beware of braking the Sabbath, bade company, and disregard of parental instruction, &c."
This is followed by a resigned letter from William Buchanan's parents that, in the context of the severity of the punishment, evokes the austere moral and religious character of Aberdeen at the time.
A variety of other broadsides are available to view on the Silver City Vault, including one detailing the life and execution of William Allen for the crimes of murder and robbery. Treasure 44: Historic Children's Literature Collection
213 This month we feature beautifully illustrated children's literature from our historic collections to mark World Book Day on 3 March 2016.
World Book Day is a celebration of authors, illustrators, books and - most importantly - it is a celebration of reading. It is designated by UNESCO as a worldwide celebration of books and reading, and marked in over 100 countries all over the world. The main aim of World Book Day in the UK and Ireland is to encourage children to explore the pleasures of books and reading by providing them with the opportunity to have a book of their own.
Little Ann and Other Poems illustrated by Kate Greenaway is a first edition, published by George Routledge & Sons c. 1883. It contains 42 poems all illustrated in her charming style of dainty children dressed in typical Greenaway costume.
Catherine "Kate" Greenaway (17 March 1846 - 6 November 1901) was an English artist and children's book illustrator
Online resources Britannica Encyclopaedia provides a brief biography of Kate Greenaway:
"The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued".
Greenaway's work was praised by John Ruskin, a dear friend who said "her drawings are blissful just in the degree that they are natural; the fairyland that she creates for you is not beyond the sky nor beneath the sea but near to you, even at your doors. She does but show you how to see it and how to cherish".
In our collections we also hold a copy of 'Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends' from 1921.
"In 1890 Greenaway was elected to the Royal Institute of Painters in Water Colours, and in 1891, 1894, and 1898 she exhibited watercolour drawings, including illustrations for her books, at the gallery of the Fine Art Society (by which a representative selection was exhibited in 1902). From 1883 to 1897, with a break only in 1896, she issued a series of Kate Greenaway's Almanacs."
The Kate Greenaway Medal, established in her honour in 1955, is awarded annually by the Chartered Institute of Library and Information Professionals in the UK to an illustrator of children's books.
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