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Stop 11: Early Health Services at Aberdeen General Dispensary, Vaccine and Lying-in Institution, 1823
2310 We have to use our imagination a little as the street known affectionately by locals as the 'Gushie' no longer exists other than Provost Skene's House which has the address of 45 Guestrow. In 1823 The General Dispensary, Vaccine and Lying-In Hospital opened in Guestrow, a street that ran parallel to Broad Street from where approximately the Illicit Still is today to where it joined Upperkirkgate.
The General Dispensary, Vaccine and Lying-in Hospital gave free medical advice and treatment to all that required it. These early health services were provided for poorer families often living in the East End of Aberdeen who couldn't afford to pay for medicine, vaccines or to see a doctor. Although a team of doctors were employed at the Institution, young medical students from across the road here at Marischal College also undertook some of their training at the Institution.
The Lying-In part of the Hospital was for women who, once they had had their babies, would 'lie in' for a few weeks as they had such poor living conditions at home. In 1880 it was recorded that 3327 cases were dealt with in that one year alone. It wasn't until 1892 that midwives were employed, recognizing the need for specialist nursing care for pregnant women. This greatly improved the nursing care provided and understanding of the specific needs of mothers and babies.
A famous daughter of Aberdeen who has shaped midwifery throughout the world is Maggie Myles (1892-1988) who wrote her groundbreaking book Textbook for Midwives 'With Modern Concepts of Obstetrics and Neo-natal Care' in 1953, the year before she retired. Maggie produced a further nine editions, each kept up-to-date with the latest developments and best practice. The book has been translated into many languages and is recognized as the leading international textbook for midwives. The book is now in its 15th edition. Born in 1892 in Aberdeen the daughter of a housepainter and former domestic servant Maggie Myles life story is truly remarkable. Migrating to Canada soon after leaving school Maggie would rise to become the director of midwifery education in Philadelphia and Detroit before returning to Scotland in 1939 to be Midwifery Tutor at Simpson Memorial Maternity Pavilion in Edinburgh.
Memories:
Heather's memories of Billie Maver and the General Dispensary
Nora recounts her memories of Maggie Myles
Edith shares her memories of Maggie Myles Treasure 41: Mary Garden Record Collection
210 We hold a number of original vinyl records in our collections, including those of Mary Garden, a local girl who found global fame as an opera singer in the early 20th Century.
Born at 35 Charlotte Street on 20 February 1874, Mary Garden left her native Aberdeen around the age of nine when the family moved to America in search of better opportunities and a new life.
After a period of uncertainty and several moves, a young Mary accepted a role as a childminder in Chicago, with payment taking the form of singing lessons to further her obvious interest. By 1896, Mary had shown sufficient progress that she accompanied her tutor to Paris in a quest to pursue a career in opera.
Mary's first big break came in 1900, when she performed in the new opera, Louise after the main star became unwell. A series of leading roles followed in 1901, including Thaïs, Manon and Madame Chrysanthème. For the next decade, Mary courted both limelight and controversy as she portrayed leading characters on stage, while being romantically linked to various composers and directors off-stage. Adding fuel to these fires of speculation, Claude Debussy chose Garden to create the title role of his new play, Mélisande, overruling the preference of his own librettist.
At the outbreak of the First World War, Mary attempted to enlist in the French army - but with her identity discovered, she instead turned to nursing at a hospital in Versailles. When she returned to America, she continued to raise funds for the French Red Cross. Her efforts during both war and peacetime generated awards from Serbia and France.
Mary appeared in two silent films - the first released in 1918 - but she found difficulty adapting to the new medium and this separate career never took off. She returned to her first passion and continued to perform in opera until the mid-1930s.
In 1921, Mary was offered the role of director of the Chicago Opera Association, and as she was still performing - undertook both roles with fervour. Under her tenure, the Association took on many new and exciting artists and works.
At the outbreak of war in 1939, Mary chose to remain in Paris, until the German invasion forced her to escape, leaving all of her possessions behind. In June 1940, she returned to Aberdeen but the lure of teaching the next operatic generation proved too strong and she once again travelled to America to coach young stars and give lectures in 1949-1950.
By this time, it appears that Mary's memory had started to suffer - evidenced by the 1951 autobiographical publication Mary Garden's Story which was riddled with factual errors. The book received disastrous reviews and possibly led to her decision to reside permanently in Aberdeen from 1954.
Mary died in 1967 in the House of Daviot, a country hospital near Inverurie, aged 92. Fifty friends attended a small ceremony. A small commemorative plaque is located at 41 Dee Street where the Garden family lived, and a small garden is dedicated to her memory in Craigie Loanings.
Although she remains relatively little known in her native Aberdeen, Mary's legacy is considerable in the United States - particularly in Chicago where her stewardship of the Opera Association is still remembered fondly.
Treasure 44: Historic Children's Literature Collection
213 This month we feature beautifully illustrated children's literature from our historic collections to mark World Book Day on 3 March 2016.
World Book Day is a celebration of authors, illustrators, books and - most importantly - it is a celebration of reading. It is designated by UNESCO as a worldwide celebration of books and reading, and marked in over 100 countries all over the world. The main aim of World Book Day in the UK and Ireland is to encourage children to explore the pleasures of books and reading by providing them with the opportunity to have a book of their own.
Little Ann and Other Poems illustrated by Kate Greenaway is a first edition, published by George Routledge & Sons c. 1883. It contains 42 poems all illustrated in her charming style of dainty children dressed in typical Greenaway costume.
Catherine "Kate" Greenaway (17 March 1846 - 6 November 1901) was an English artist and children's book illustrator
Online resources Britannica Encyclopaedia provides a brief biography of Kate Greenaway:
"The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued".
Greenaway's work was praised by John Ruskin, a dear friend who said "her drawings are blissful just in the degree that they are natural; the fairyland that she creates for you is not beyond the sky nor beneath the sea but near to you, even at your doors. She does but show you how to see it and how to cherish".
In our collections we also hold a copy of 'Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends' from 1921.
"In 1890 Greenaway was elected to the Royal Institute of Painters in Water Colours, and in 1891, 1894, and 1898 she exhibited watercolour drawings, including illustrations for her books, at the gallery of the Fine Art Society (by which a representative selection was exhibited in 1902). From 1883 to 1897, with a break only in 1896, she issued a series of Kate Greenaway's Almanacs."
The Kate Greenaway Medal, established in her honour in 1955, is awarded annually by the Chartered Institute of Library and Information Professionals in the UK to an illustrator of children's books.
Treasure 101: Advice to Women
322 In recognition of International Women's Day (March 8th), we offer a selection of books for this month's treasure which highlight the role of women in society, and how attitudes and approaches have changed over time. One of our Treasures this month includes a work entitled "The Five Talents of Woman" in which the author (a male) proposes the five main talents as:
- Pleasing people
- Feeding them in dainty ways
- Clothing them
- Keeping them orderly
- Teaching them
With the exception of the final "talent", the author proposes a rather limited view of a woman's capabilities! However, this is from the same author who writes that "Shakespeare's mother could not have written Hamlet, but she - perhaps she alone - could and did produce Shakespeare".
Offered as a contrasting view for our Treasures, is another work: "Pearls for Young Ladies", in which the author (female) rightly comments that "we scarcely ever, in our study of education, ask this most essential of all questions about a man - What patience had his mother or sister with him?" Regardless of the viewpoints proposed, the truth remains that even at the close of the Victorian period, one key symbol of equality - that of the parliamentary franchise - was still denied to women. All later developments towards equality - including the Suffragette movement, and the right to vote - can trace their origins to the early Victorian writers who began to propose, argue and question how society should treat women. While it may be claimed that these writers did very little to progress the situation, it can also be proposed that the conversation they started is one that remains with us today.
Find out more about Victorian attitudes towards women in the Treasures from our Collections interactive exhibition on the touchscreen. |