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George Washington Wilson's photographic works
4 George Washington Wilson's photographic works at St. Swithin Street, showing the female workers laying out the glass plates to dry in the sun. Aberdeen Market interior
8 The interior of the New Market, architect Archibald Simpson. Aberdeen Market, built in April 1842, was burnt to the ground in 1882. It was rebuilt and re-opened in 1883, remaining a popular shopping market until 1971 when it was demolished to make way for the present Market and British Home Stores. c. 1884 George Washington Wilson's photographic works
9 The premises of George Washington Wilson, photographer, in St. Swithin Street. Dee Village
26 Dee Village (also known as Potter's Creek), on site later covered by the Corporation Electricity Works, Millburn Street. Desswood Place
29 Desswood Place was laid out in 1888 by the City of Aberdeen Land Association in what was then a relatively rural area in the west end of Aberdeen but it was rapidly being filled with large granite houses for the more prosperous citizens. It was named after Alexander Davidson of Desswood who was Chairman of the Land Association for many years. Desswood was his country property near Kincardine O'Neil on Deeside. Dee Village
31 Dee Village (also known as Potter's Creek) on the site covered by the Aberdeen Corporation's Electricity Works, Millburn Street. Rubislaw Quarry
37 Rubislaw Quarry, c.1882. Granite was first taken from a 60ft hill on the site in 1875. Rubislaw Quarry was reputed to be the largest man-made hole in Europe. It came to the end of its active life in 1970 and is now filled with water. Denburn Valley
48 The Denburn Valley Railway, shown here on the right, was constructed in 1865-67. It runs from the Joint Station at Guild Street north through the valley. To the left of the railway lines is Union Terrace Gardens which were opened to the public on 11th August 1879.
The closeness of the railway led to the gardens being nicknamed the "Trainie Park". The bandstand shown here in the centre of the park was removed in around 1931.
The iron footbridge visible in this image allowed access over the Denburn and railway between Rosemount and the city centre. It was replaced by the Denburn Viaduct which was built in 1886, at the same time as Rosemount Viaduct, by engineer William Boulton. Part of the footbridge was moved and reassembled in the newly created Duthie Park.
This image also predates the construction of significant buildings on Rosemount Viaduct such as the Public Library and the Free South Church (both dating from 1892). In the background, on the left of the image can be seen the houses at the foot of a then longer Skene Terrace. These are on the site later occupied by the library and church.
To the right of those houses are Black's Buildings. Local historian Diane Morgan explains that they were "a small curving crescent of tall tenements, four and five storeys high, [and] sat below the Royal Infirmary, Woolmanhill, just west of the apex of the Woolmanhill triangle. (...) The houses were built in stages between 1789 and 1830, by the wine merchant James Black." (Lost Aberdeen: Aberdeen's lost architectural heritage, 2004). The tenements were pulled down in 1957.
Woolmanhill Hospital, designed by Archibald Simpson and built 1832-1838, can be seen in the background. Chimneys of Broadford Works, the textile factory located between Ann Street, Maberly Street and Hutcheon Street, are also visible. Upper Dock
52 A photograph showing many large sailing ships in the Upper Dock of Aberdeen Harbour. This image looks north west towards the junction of Market and Guild Street from Regent Road (near the start of Blaikie's Quay).
The prominent granite building in the background was at the corner of this junction at 62-68 Market Street. It was a warehouse and offices with shops on the ground floor. The site was redeveloped for the office blocks that can be seen today in around the early 1980s. This block may have been demolished at that time.
Prior to the late 19th century continuing development of Market Street and the creation of Provost Jamieson's Quay, the south side of the Upper Dock was the site of various ship building yards, with timber yards behind.
The ship shown in front of the building is the City of Aberdeen. It was built in 1862 by John Duthie, Sons & Co. for the China trade. It was altered to barque rigging in 1877 and this be the period of this photograph. The ship has an entry on the Aberdeen Built Ships website here. Tillyfourie Quarry
53 Granite quarrying at Tillyfourie Quarry. In action is one of the first steam boring machines in the country. Near the top of the picture are hand drillers and borers at work. Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. Beach Bathing Station
99 The interior of the Beach Bathing Station, where generations of Aberdonians learnt to swim in the fresh water pool. The Bathing Station was designed by City Architect, John Rust, and opened on 13th July 1898. A distinctive red brick chimney dominated the beach skyline. The Bathing Station was eventually filled in and demolished, the door having finally closed to the public on 11th July 1972. Marischal College
127 Granite facade of Marischal College, Broad Street, with Greyfriars Church at the right.
Interior of King's College Chapel
139 Interior of King's College Chapel, University of Aberdeen, Old Aberdeen, c.1900. King's College was founded by Bishop William Elphinstone under a Papal Bull issued by Pope Alexander VI on 10th February 1495. Marischal College was founded as an independent university in 1593 and the two became the University of Aberdeen in the Fusion of 1860. Work began on the College in 1500 and it took 6 years to complete the Chapel. This photograph shows the interior looking west, showing Bishop Stewart's pulpit on the right, through the nave and choir to the choir stalls and rood screen, with the antechapel behind it. Non-residents entered through the west door and occupied the antechapel, while students entered from the College Library via a special staircase within the rood screen. The central gallery of the screen is still used to house the organ. The 52 choir stalls, commissioned by Elphinstone, are "a unique survival as well as the finest of their king in Scotland". The finely panelled Renaissance pulpit of William Stewart (Bishop 1532-1545) bears his coat of arms and was originally in use in St. Machar's Cathedral. The timber ceiling was constructed soon after 1506 and was probably designed by John Fendour. It consists of a diagonal arrangement of ribs and widely spreading foliage sprigs radiating from centre bosses. The choir stalls and ceiling both show a strong Flemish influence. The Chapel is still in use today for University services and is a popular marriage venue for graduates. Granite yard
146 Local historian A. G. Duthie has been in touch to suggest that this photograph most likely shows a granite yard. Slabs of the rock can be seen by the wooden fence and the men are standing near small sheerleg cranes.
Brian Kennedy has also contact us to identify the location of the image. It is looking north west along the thoroughfare that is identified as Duthie's Brae on early Ordnance Survey maps. The tenements in the background are those on Nellfield Place. The smaller house on the left in the background was known as Home Cottage and was one of the first built on the street that was then called Holburn Place.
Maps indicate the buildings shown on the left were used as malt barns and later as storehouses. Duthie's Brae was just south of where Hardgate met Fonthill Terrace.
This photograph was likely taken by James Ritchie in 1917. There is another image on this website by Ritchie that looks south from a nearby position. Bridge of Grandholme
160 An engraving showing Grandholm Bridge over the River Don from a drawing by James Giles. The inscription in the bottom right indicates that the engraving was printed at the Deaf and Dumb Institution.
This drawing likely looks west up the river and in the middle distance shows the Cruive Dikes, a complex of weirs and sluices across the River Don built for the purpose of fishing. Remains of these are located not far to the east of the modern Diamond Bridge.
Some information on the ownership and operation of the cruives is given in the book The Annals of Aberdeen (Volume II, 1818) by William Kennedy, on pages 207-209.
In the far distance is Grandholm Bridge. Aberdeen City Council's Historic Environment Record states that the bridge was built by the firm of Leys, Masson and Company in 1810 to improve access to its Granholm Works. It was a wooden bridge with a small lodge and was known locally as the "White Bridge."
The 1810 bridge was replaced by the present steel structure, built by the Motherwell Bridge Company, in 1922. Powis Gateway, Old Aberdeen
165 Powis Gateway, Old Aberdeen. These curious towers stand at the gate leading to Powis Lodge, almost opposite King's College, Old Aberdeen. They were constructed by John Leslie of Powis, who succeeded his father, Hugh Leslie of Powis, the builder of Powis House (1802).
John Leslie succeeded his father in 1812, and the towers were finished in 1834. The crescent on the top of one of the towers is the crest of the Frasers, the predecessors of the Leslies in the property of Powis.
As indicated in the bottom right, this etching of the gateway is by Aberdeen artist Henry Jackson Simpson (1893-1963), known professionally as Jackson Simpson. He was a prolific and successful local artist who specialised in etchings and watercolours of architecture, land and seascapes and wildlife.
Simpson died at his home at 58 Craigton Road, aged 70, on 28th March 1963. His obituary, which gives an account of his life, featured in the next day's Press & Journal.
He was a native of Aberdeen, the son of William Jackson, an art dealer in Diamond Street. He trained as a lithographer and joined his father in business. He served in WWI with the Northumberland Fusiliers and was awarded the Military Cross for bravery.
In 1935 he took over the family business following the death of his father. He was well travelled around Aberdeenshire and Kincardineshire and this is reflected in his art. University related subjects such as Marischal College, King's College and, here, the Powis Gateway, were among his most well known works.
A keen sportsperson, and prominent freemason, he also set-up the Craigton Club and was highly involved with the Northern Arts Club.
An article titled 'The charming story of Jackson Simpson: Scotland's celebrated etcher' featured on the Press & Journal website, in partnership with the McEwan Gallery near Ballater, on 8th June 2022. The feature was produced to highlight an exhibition of Simpson's work at the aforementioned gallery. Aberdeen Savings Bank, Union Terrace
178 Aberdeen Savings Bank, Union Terrace, 1894. Aberdeen Savings Bank was established in May 1815 "for receiving such small sums as may be saved from the earnings of tradesmen, mechanics, labourers, servants etc". As the bank became more successful, they moved from premises in the Guestrow to a new building in Exchange Street. By the 1890s, the directors decided that a new site was necessary, especially as the population in the city was moving westwards. This illustration, by the architect William Kelly in 1894, shows the building that was to be constructed at the junction of Union Terrace and Diamond Street at a cost of £11,000. The design is of Renaissance style, with the central entrance leading to an inner porch lined with red and grey granite, then a short flight of steps led to the main telling office. This office had a deeply panelled ceiling and dome partially filled with painted and decorated glass. Coats of Arms of the City and Lord Provosts were also displayed. The counter and desks were made of mahogany and oak with wrought iron and wrought copper grills. In the 1960s, a large extension was built on an adjacent site and, in 1983, the bank became part of the Trustees Savings Bank in Scotland and in 1999 became part of Lloyds TSB. View of Aberdeen from Cornhill
181 View of Aberdeen from Cornhill, c.1840. This picture was contained in a series of lithographs of Aberdeen published in 1840 by J and D Nichol, booksellers, Montrose. The elevated position of Cornhill provided one of the best points of view over the city. The idyllic rural scene in the foreground is in contrast to the array of smoking chimneys in the distance, interspersed with the spires of various buildings. In the middle is Broadford Textile Works with Hutcheon Street on the left. On the far right, there is the tall chimney of Rubislaw Bleachfield Works, which was demolished in July 1908. The spires belong to the East and West Churches of St. Nicholas, and the Tolbooth while, in the centre, there are the four turrets of the central tower of Marischal College and the tower of the North Church. The chimneys were evidence of the extent and importance of manufacturing in the city, while the western suburbs were the most attractive, with beautiful villas whose residents were often those citizens whose wealth came from these industries. Marischal College
198 Marischal College dated c.1906. The view overlooks the Guestrow area which would become part of a slum clearance scheme in the 1930's although Provost Skene's House, the turretted building in the foreground, would survive. The sparkling Kemnay granite of the newly completed frontage to the College stands out clearly. At the right are the tower of the North Church, now Aberdeen Arts Centre, and the spire of Greyfriars Church. Clifton Road, Aberdeen
213 This view from around 1910 shows Clifton Road looking south at its crossroads with Leslie Road and Hilton Street. Clifton Road runs north from Kittybrewster to Woodside, which was a separate burgh form Aberdeen until 1891. It was originally call Tanfield Road but was renamed in 1894. These mainly granite terraced houses were being built during the 1890s. On the left of the photo are the premises of A.M. Black, grocer. This corner shop, at 104 Clifton Road, was run by Miss Agnes M. Black and Miss Margaret Black between 1902 and 1940. Their home was at 1 Leslie Road. The windows contain adverts for Rowntrees Chocolates and Fry's Pure Cocoa. Victoria Park
241 In 1871 Aberdeen Town Council decided to convert nearly 14 acres of Glennie's Parks, which had been used for cattle grazing, into a public recreation ground - Aberdeen's first public park.
Aberdeen's lack of a public park up to this point had become a contentious issue. For example, newspaper reports indicate that those opposed to the Municipality Extension Act of 1871 (which extended the boundary of the city, brought the functions of the Police Commissioners under the Council and incorporated the gasworks) repeatedly suggested that the expense involved in the new bill would be better used in the creation of a much wanted public park.
It is not unreasonable to suppose that this debate, and criticism of the Council, hastened the creation of Victoria Park. While work likely begun in 1871, it was not until March 1873 that the Improvements Committee of the Council recommended that the new park should be called "Victoria Park". At the same time, they also outlined a series of 13 rules and regulations for agreement by the full Council. There does not appear to have been an official opening for the new amenity.
Glennie's Park was not the only site considered for Aberdeen's first public park. Interest in such an undertaking was increasing at the same time as work was underway to divert the River Dee and improve the harbour. The new ground created in this latter project, encompassing the old, more northerly course of the river and the Inches, was a much proposed location for a park. Following the creation of Victoria Park this newly leveled ground was instead given over for buildings related to the expanding fishing industry.
A nurseryman called Robert Walker (1848-1930), originally from Perth, was chosen out of 450 candidates to be the city's first public park keeper and appointed to Victoria Park. He was likely largely responsible for the park's initial layout and appearance. His Press & Journal obituary (21/04/1930, p.6) suggests that prior to his appointment the site was "little better than a waste space".
Walker subsequently laid out Westburn Park, Stewart Park, Union Terrace Gardens and the Promenade. He also advocated and pioneered the planting of street trees. He served the Corporation for 46 years, retiring in 1919, and must be considered one of the unsung heroes of Aberdeen history.
This photograph, taken around 1900, shows one of the main paths leading to a large granite fountain, which was designed by J.B. Pirie. It is built of 14 different types of granite and was presented by the granite polishers and master builders of the city.
Since the park is almost in the city centre, it is an oasis of peace with its mature trees and, in spring, there are masses of flowering bulbs scattered through the grass. Interior of St. Machar's Cathedral, Old Aberdeen
247 Interior of St. Machar's Cathedral, Old Aberdeen, showing the west end |