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Glenburnie Distillery
5 Glenburnie Distillery stood near to the Denburn, about 100 yards east of the dam in Rubislaw Den, and was reached from Spademill Road. It was in operation until 1857 when the buildings were taken over by Mr G. W. Wilson for photographic printing until 1875. They were later demolished to make way for the construction of Forest Road. This photograph dates from the 1860s. Aberdeen Savings Bank, Union Terrace
11 Engraving of the New Aberdeen Savings Bank, Union Terrace. Designed by William Kelly, 1896. Thomson and Duncan, collo-type, Aberdeen W. and J. Smith and Kelly, architects Cottages with drystane dyke
22 Stoneyton, old Skene Road, approximately 300 yards west of Albert Street. Demolished 1875-76 to build part of Carden Place. The houses depicted in the above picture are listed in the Post Office Directory of 1873/74. The thatched building on the left was used as a blacksmiths shop and the other buildings were inhabited mostly by Rubislaw Quarry workers. They were demolished to make room for the erection of modern villas about 1879. Rubislaw Quarry
37 Rubislaw Quarry, c.1882. Granite was first taken from a 60ft hill on the site in 1875. Rubislaw Quarry was reputed to be the largest man-made hole in Europe. It came to the end of its active life in 1970 and is now filled with water. Denburn Valley
48 The Denburn Valley Railway, shown here on the right, was constructed in 1865-67. It runs from the Joint Station at Guild Street north through the valley. To the left of the railway lines is Union Terrace Gardens which were opened to the public on 11th August 1879.
The closeness of the railway led to the gardens being nicknamed the "Trainie Park". The bandstand shown here in the centre of the park was removed in around 1931.
The iron footbridge visible in this image allowed access over the Denburn and railway between Rosemount and the city centre. It was replaced by the Denburn Viaduct which was built in 1886, at the same time as Rosemount Viaduct, by engineer William Boulton. Part of the footbridge was moved and reassembled in the newly created Duthie Park.
This image also predates the construction of significant buildings on Rosemount Viaduct such as the Public Library and the Free South Church (both dating from 1892). In the background, on the left of the image can be seen the houses at the foot of a then longer Skene Terrace. These are on the site later occupied by the library and church.
To the right of those houses are Black's Buildings. Local historian Diane Morgan explains that they were "a small curving crescent of tall tenements, four and five storeys high, [and] sat below the Royal Infirmary, Woolmanhill, just west of the apex of the Woolmanhill triangle. (...) The houses were built in stages between 1789 and 1830, by the wine merchant James Black." (Lost Aberdeen: Aberdeen's lost architectural heritage, 2004). The tenements were pulled down in 1957.
Woolmanhill Hospital, designed by Archibald Simpson and built 1832-1838, can be seen in the background. Chimneys of Broadford Works, the textile factory located between Ann Street, Maberly Street and Hutcheon Street, are also visible. Union Terrace Gardens
85 Union Terrace showing Union Terrace Gardens. The gardens were laid out between 1891 and 1893. Union Terrace
86 Union Terrace at the junction with Union Street. The imposing building on the left is the Northern Assurance Building (Commercial Union Assurance), designed by A. Marshall Mackenzie and known locally as "The Monkey House". The statue of Prince Albert was relocated to the other end of Union Terrace to make space for the new statue of King Edward VII in 1914. Union Terrace Gardens
89 Union Terrace Gardens looking towards the Union Bridge. The spires of Belmont Congregational Church are on the left. The gardens were laid out in 1891-3. The chimney belonged to Hadden's textile factory in the Green. Queen's Cross
90 Queen's Cross, Aberdeen, looking west. Rubislaw Church (architect J. Russell Mackenzie) 1875, is on the right. The structure in the centre of the street was part of the tramways system and was later removed to Hazlehead Park. Honeybrae House
96 Honeybrae House. This house stood in the middle of a market garden near Morningfield Hospital about one-and-a-half miles west of Aberdeen City Centre. The lands were part of the old royal hunting forest of Stocket, given to the town of Aberdeen by Robert the Bruce. In the 17th century, it came into the ownership of the Skenes of Rubislaw and, in 1875, it was owned by Aberdeen Land Association. This two-storeyed house is most famous for its connection with the poet Lord Byron. In 1798, as a boy of about 10, he was taken there to spend a summer holiday while he was a pupil at Aberdeen Grammar School. At that time, it was probably a fairly new house, standing in its own grounds in a rural situation. He stayed there with his mother and their maid, Isabella Mitchell, before going to visit his old nurse, Agnes Gray. His room was on the first floor. By the 1830s, it was the home of a Captain John Boyd and later of market gardeners. Above the main door, there was a window whose thirteen small designed panes led it to be called 'the thirteen' window. By the 1920s, it had fallen into disrepair and the house was demolished in November 1928. The site was redeveloped for modern housing. Provost Skene's House
98 Provost Skene's House, dating from 1545, also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum. Provost Skene's House
100 Provost Skene's House c.1880. The building dates from 1545, and is also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum. Rubislaw House
104 Rubislaw House, 50 Queen's Road, Aberdeen. It was designed by J.B. Pirie and built in 1886 for the builder, John Morgan. Castlehill Barracks
106 A view of the southern aspect of the Castlehill in about 1850, with the Barracks featuring prominently. The Barracks replaced the Chapel of St. Ninian and an observatory erected in 1781. The foundation stone was laid on 24th June 1794 by the Marquis of Huntly and it was completed early in 1796, with accommodation for 600 men. The picture is interesting, as it shows the line of Hangman's Brae, which descended from the south west corner of the hill to Castle Lane and into Virginia Street. It was partly absorbed into the construction of Castle Terrace in 1864. The houses on the left of the illustration with the outside steps were incorporated into the first Hospital for Sick Children in 1877. Union Terrace Gardens
116 This photograph was taken from the Union Terrace Gardens, in the city centre. The building in the background is the Palace Hotel in Union Street. The building burnt on the 31st October 1941 and was subsequently demolished after the WW2, which give us a solid lead to date the photograph. The building on the corner is the Monkey house. The Cowdray Hall War Memorial
122 The Cowdray Hall, War Memorial and Art Gallery taken from Union Terrace Gardens. The Hall was opened by King George V and Queen Mary on 29th September 1925. Union Bridge from Windmill Brae
123 This photograph by George Washington Wilson, looking towards Union Bridge, shows the old red-tiled roofed houses in the Windmill Brae area in the 1850s. Most of these were swept away with the construction of the railway and the building of Bridge Street around 1865-1867.
The house at the left, on the corner of Union Terrace, was owned by Harry Lumsden of Belhelvie and later by the Northern Club. Its site became part of that occupied by the Northern Assurance Company offices.
The spire of the Triple Kirks and the tower of the South Parish Church are visible in the background. Marischal College, University of Aberdeen
131 Marischal College, Broad Street, as it was between 1740 and 1840, when it was demolished for re-development. It had been designed by William Adam, architect, of Edinburgh. This drawing is by James Skene of Rubislaw, c.1820. Bon Accord Crescent
135 Isometrical view of Bon Accord Crescent - This perspective drawing shows the gently curving terrace of 19 identical two-storey houses, with basement and attic, designed by Archibald Simpson in the 1820s for the Corporation of Tailors. In 1823, the "Aberdeen Journal" carried an advertisement for building areas to feu. The houses were to be laid out on what had previously been garden ground and the advert boasts "No situation, immediately in the vicinity of Aberdeen, possesses so completely the advantages of free air and fine exposure". The properties overlook the hollow once occupied by the Howe Burn and the area has now been converted into landscaped parkland as part of a conservation area. Houses 3-17 have a curved frontage, while numbers 1 and 2, and 18 and 19 have straight frontages. However, even by the 1950s, most of the houses were being, and still are, used as offices. Granite yard
146 Local historian A. G. Duthie has been in touch to suggest that this photograph most likely shows a granite yard. Slabs of the rock can be seen by the wooden fence and the men are standing near small sheerleg cranes.
Brian Kennedy has also contact us to identify the location of the image. It is looking north west along the thoroughfare that is identified as Duthie's Brae on early Ordnance Survey maps. The tenements in the background are those on Nellfield Place. The smaller house on the left in the background was known as Home Cottage and was one of the first built on the street that was then called Holburn Place.
Maps indicate the buildings shown on the left were used as malt barns and later as storehouses. Duthie's Brae was just south of where Hardgate met Fonthill Terrace.
This photograph was likely taken by James Ritchie in 1917. There is another image on this website by Ritchie that looks south from a nearby position. Rosemount Viaduct
154 Union Terrace looking towards Rosemount Viaduct. On the left is St. Mark's Church and on the right His Majesty's Theatre. In front of the theatre is the statue of William Wallace with Prince Albert at the left. Aberdeen Savings Bank, Union Terrace
178 Aberdeen Savings Bank, Union Terrace, 1894. Aberdeen Savings Bank was established in May 1815 "for receiving such small sums as may be saved from the earnings of tradesmen, mechanics, labourers, servants etc". As the bank became more successful, they moved from premises in the Guestrow to a new building in Exchange Street. By the 1890s, the directors decided that a new site was necessary, especially as the population in the city was moving westwards. This illustration, by the architect William Kelly in 1894, shows the building that was to be constructed at the junction of Union Terrace and Diamond Street at a cost of £11,000. The design is of Renaissance style, with the central entrance leading to an inner porch lined with red and grey granite, then a short flight of steps led to the main telling office. This office had a deeply panelled ceiling and dome partially filled with painted and decorated glass. Coats of Arms of the City and Lord Provosts were also displayed. The counter and desks were made of mahogany and oak with wrought iron and wrought copper grills. In the 1960s, a large extension was built on an adjacent site and, in 1983, the bank became part of the Trustees Savings Bank in Scotland and in 1999 became part of Lloyds TSB. View of Aberdeen from Cornhill
181 View of Aberdeen from Cornhill, c.1840. This picture was contained in a series of lithographs of Aberdeen published in 1840 by J and D Nichol, booksellers, Montrose. The elevated position of Cornhill provided one of the best points of view over the city. The idyllic rural scene in the foreground is in contrast to the array of smoking chimneys in the distance, interspersed with the spires of various buildings. In the middle is Broadford Textile Works with Hutcheon Street on the left. On the far right, there is the tall chimney of Rubislaw Bleachfield Works, which was demolished in July 1908. The spires belong to the East and West Churches of St. Nicholas, and the Tolbooth while, in the centre, there are the four turrets of the central tower of Marischal College and the tower of the North Church. The chimneys were evidence of the extent and importance of manufacturing in the city, while the western suburbs were the most attractive, with beautiful villas whose residents were often those citizens whose wealth came from these industries. |