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Edward Hall
2389 In March 1885, the City Librarian, A.W. Robertson, reported to the Free Public Library Committee that he had examined all the volumes that were to be transferred from the Mechanics' Institution, "and a note taken of any injury or imperfections, or both, that may have been found therein". He discovered that, while many were unsuitable due to their poor condition, others required repairs including fixing leaves and plates, re-attaching books to their covers and mending corners, and believed that this work "could be done most economically and conveniently on the library premises".
Edward Hall worked for the William Jackson bookbinders at the time and was sent by the company to carry out this work, including all the gilt lettering.
After the first six months of the new public library, and the wear and tear on the books "being already large and accumulating from day to day", the library committee were considering the appointment of a library binder to maintain the stock and repair minor faults before the volumes needed total rebinding. In August 1886, Mr Hall was appointed at a wage of twenty-three shillings weekly. Although other binding work was still undertaken by local firms William Jackson and John Avery, the Librarian was pleased to note in his annual report for 1885-86 that "The results of the experiment so far have been satisfactory, justifying the expectation that it would effect a saving both of time and of cost of rebinding".
The library bookbinders' wages and working hours were regulated by agreement with their trade union and in the 1890-91 Library Committee Minutes, it is noted that the Bookbinders and Machine Rulers' Consolidated Union had agreed a reduction in the bookbinders' working week from 54 to 51 hours.
After the Town Council made a resolution that all staff should retire when they reached the age of 65 years, the Library Committee had to ask Mr Hall to retire in May 1935. At this time his wages were £3.15. 6 per week.
In an interview with the People's Journal reporter, he expressed his disappointment that he was unable to complete his 50 years' service, even though he was then 72 years old. The Library Committee agreed that he would receive a weekly allowance of 16/8 (sixteen shillings and eight pence) in recognition of his long and efficient service.
At his retiral presentation, he was presented by the City Librarian, G.M. Fraser, with "a beautiful chiming clock with Westminster and the new Jubilee chimes". Bust of Professor Alexander Bain
4373 A photograph of a 1891 bust of Professor Alexander Bain (1818-1903) by sculptor Henry Bain Smith (1857-1893).
Alexander Bain was a philosopher, educationalist, early psychologist and free thinker. At a public meeting on 25th March 1884, he put forward the successful motion for Aberdeen to adopt the Public Libraries Act and create a Free Public Library. This noble enterprise would first open in the old Mechanics' Institute building on Market Street in March 1886.
Bain was an autodidact from an impoverished family. He had studied at the Mechanics' Institute prior to entering Marischal College so he knew well the importance and potential of libraries and public education.
A new purpose built Public Library for Aberdeen, now known as the Central Library, opened on Rosemount Viaduct on 5th July 1892. Two months after first being open to the public, with a Lending Department and Reading Room, a Reference Department opened on the second floor on 29th August.
Three days before this addition, the Library was presented with the first of a number of marble busts which would grace the Reference Department until the 1960s.
It was this bust of Alexander Bain, the professor of logic, who had been an early champion of Aberdeen's public library. The bust, funded by public subscription, was work of the sculptor Henry Bain-Smith. Bain-Smith was also the artist of the Burns Statue on Union Terrace.
The bust of Professor Bain is now in the collection of the Aberdeen Archives, Gallery and Museums (AAGM), having been gifted by the Libraries in 1999. The entry for the bust on their online catalogue contains further details on Bain's life and work. |