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Free Churches and Denburn
2263 This photo, taken from Union Bridge, shows the Denburn Valley being used as a bleaching green, prior to the creation of Union Terrace Gardens. The photo also predates the Denburn railway constructed in 1865 and the Belmont Street Congregational Church. The absence of Rosemount Viaduct means that Woolmanhill Hospital is visible in the distance.
The photo was probably taken in the early 1860s. It is almost certainly the work of noted Aberdeen photographer George Washington Wilson. The image is one of two that made up a stereo picture when viewed using a special device. This type of stereoscopy was an early method of creating the illusion of depth in an image by presenting each eye with a slightly different image. Wilson created a series of such views and they were sold by "A. Brown & Co., 77 Union Street".
This image was very kindly shared with Aberdeen Local Studies by Michael Eriksson from Södertälje, Sweden. We are always pleased to receive new images of Aberdeen and hear from our users. If you would like to share images with the general public or just get in touch, we can be reached at localstudies@aberdeencity.gov.uk. Aberdeen Cinemas: Regent / Odeon
3417 The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could.
Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland.
The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate.
The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following:
"Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base."
The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two".
The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks.
The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent.
On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Treasure 102: Newhills Convalescent Home and Sanatorium
323 Aberdeen City Libraries has a large and significant collection of historic photographs. This month we are highlighting a collection of images of Newhills Convalescent Home and Sanatorium in the 1930s.
The album contains 58 photographs of the home's buildings, grounds, staff and patients. The institution is shown at different times of the year and celebrating special occasions. The majority of the images are delightful portraits. We do not have names for the individuals shown but the pictures convey a sense of the life and community of the home. If you are able to identify any of those photographed, we would be pleased to hear from you. The Newhills Convalescent Home was founded by Christian Catherine Smith in 1874. She was the wife of Rev. James Smith, the minister of Newhills Parish Church. It was shortly after arriving in the parish that she recognised the potential for a place for ill people to come to rest and regain their health. Annual newspaper reports on the home described its purpose as being for "the benefit of respectable persons in humble life who appear to be failing into dishealth, or are convalescing after non-infectious ailments."
The convalescent home was started at Dykeside Cottage in Newhills. It was a great success and operated at this location for 7 years. In 1882 a new building just north of the parish church was constructed to meet the rising demand for treatment. By 1900 patients with tuberculosis were admitted, with the home operating a sanatorium department from 1902.
Learn more about this Home's history in the Treasures from our Collections interactive exhibition on the touchscreen. |