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Palace Hotel, Union Street
401 The main entrance to the Palace Hotel on Union Street. Children look on as a lady climbs onto a motor car. In the background can be seen the shop front of James Lorimer. The Palace Hotel, on Union Street, was built in 1874 for Messrs Pratt and Keith, milliners, who occupied the street level area, it operated as one of a chain of LNER hotels. It's upper stories were destroyed by fire 31 October 1941, with loss of life, and the building was entirely demolished after the war. Old Tolbooth
485 Old Tolbooth, Aberdeen, from an etching by J. Skene. This view of the Tolbooth shows the Market Cross in front of it. The Tolbooth was built in 1615. In recent times, it was converted to a museum. Double outside stairs lead up to the main entrance. On the east side was the New Inn. Most of the building is obscured by the modern Town House development. The Puffing Briggie
532 A scene of change and renovation in the Denburn Valley. The image looks south from Union Bridge over the suburban platforms of the old Aberdeen Joint Railway Station. The old station's large, curved roof can be seen in the background.
The area we are looking at has seen much change since this time. It is now largely covered by the 1960s retail development on the south side of the bridge, the later Trinity Centre, the development of Wapping Street and Denburn Road, and the building of Atholl House. Though many of the buildings of note we can see in this image are still visible today.
The tall buildings on the far right are the rear of those on Bridge Street. The small street in front of them, going up to Guild Street, is the start of College Street. It is now a partially pedestrianised lane that goes under Wapping Street. The building at the top of this street is the classical style suburban ticket office, built 1909 and now home to Tiffany Hair & Beauty.
Going west along Guild Street's two span road bridge we come to the Great North of Scotland Railway Company's headquarters. This was designed by architects Ellis & Wilson and built in 1894. It is now part of the Station Hotel, along with number 78 next door. The building retains many of its original features. The Guild Street entrance to the Trinity Centre now runs along the western side of this building.
The image also shows features that are no longer present. The covered walkway that can be seen on the near right of the image enabled direct access from the station's central platform to the Palace Hotel on Union Street. The hotel was owned by the Great North of Scotland Railway Co. (GNSR). The walkway was vaulted to pass over the tracks at sufficient height.
Consulting The Joint Station: Aberdeen Station, 1867-1992 (c1992), this image probably dates from 1912 when, in additional to commencing the reconstruction of the Joint Station, the GNSR also laid new loading docks and carriage storage siding in the Hadden Mills site (left of image). This was to ensure that the main station buildings were used purely for passenger traffic.
The walkway that linked Windmill Brae and the Green, known affectionately as the Puffing Briggie, can be seen in the centre of the image. It looks like a section on the left has been temporarily demolished as part of the ongoing work.
The sidings on the extreme left were used for cleaning carriages in the later 20th century. One of our correspondents recounts using the often-unattended carriages, accessible when entering the station from the Green, as an unusually exciting and plush playground during their youth in the late-1940s. Aberdeen Joint Station exterior view
554 Aberdeen Joint Station exterior view of main entrance area. The station was built between 1913 and 1916. The engineer in charge was a Mr. J.A. Parker Shiprow
693 This view from about 1890, shows one of Aberdeen's historic streets - the Shiprow.
For centuries this was the main street leading from the harbour into the centre of Aberdeen at the Castlegate, until the building of Marischal and Market Street.
At the left is William Arthur's City Bar. This block was demolished around 1900, and most of the other buildings in the photo were also removed in the 1920's as the area had became very rundown.
Further demolition of the area at the left hand side took place in the 1960s to make way for a multi-storey carpark and supermarket.
The buildings on the right hand side were replaced by the Regal/ABC Cinema which was demolished for further redevelopment in 1999.
The only building which remains would have been just round the corner. It is known as Provost Ross' House and now houses Aberdeen Maritime Museum.
It appears that granite cobbles are being laid down in the photograph. Bannermill from Broad Hill
1487 A photograph looking south west from Broad Hill towards the Bannermill (or Banner Mill) cotton works.
The road in the foreground is that which would become Links Road. This continued along the north side of the factory and had a junction with Constitution Street at the north east corner of the works. The land shown in front of Bannermill is Queen's Links.
The location of Bannermill is now occupied by a large square shaped complex of mostly early 21st century flats (completed 2004), with parking in its middle, and a main entrance, on Bannermill Place, accessed from Constitution Street.
The factory was established in 1827 by Thomas Bannerman and closed down in 1904, then under the management of Messers Robinson, Crum & Co. Limited.
The premises were used as stores and for various types of works during the 20th century.
In 1999 the 5.8 acres site was put on the market by the then owners, the North Eastern Farmers (NEF) co-operative, with a price of around £5million. NEF left the site in February 1999 to move to a new headquarters at Rosehall, Turriff. (See P&J, 11 November 1999, p. 7)
Aberdeen City Council subsequently produced a planning brief for developers calling for a housing or mixed housing and hotel development on the site.
Wimpey House submitted a plan for 349 luxury flats and this proposal was given the go-ahead. Construction primarily took place during 2002 and 2003, with the first residents moving-in in October 2002. Hazlehead Park
3019 An image looking towards the main entrance area of Hazlehead Park.
This photograph comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department. Hazlehead Park
3045 A James Valentine postcard showing the avenue in Hazlehead Park. This path is the main thoroughfare from the park's entrance to the café area. F. G. Main farm portrait
3354 A portrait by photographer F. G. Main of a young man and his horses at an Aberdeenshire farm. This was one of three photographs lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
Mr Finney believes the figure in the middle of this image may have been called Stephen Lorimer. This is uncertain however, as is any detail of the location shown. The image may relate to a local ploughing competition or event of this nature.
The figure in the background on the right of the image looks a lot like one of the five workers from Pitglassie shown in another of Mr Finney's images. This strongly suggests this image too is taken at, or connected to, the area and farms of Pitglassie in the Parish of Auchterless.
F. G. Main was an Aberdeen based photographer. Searches in old newspapers do not reveal a great deal about his career, however. As indicated on this card, he had premises in the New Market in Aberdeen town centre. Post office directories suggest this was numbers 39 and 40 in the gallery of the New Market.
Main also appears to have been active as the Electric Studio at 66 St. Nicholas Street. Additionally, searches indicate he operated studios at Aberdeen Sea Beach and at 47 Wellgate in Dundee. Richard D. Torrance in his Photographers in North-Eastern Scotland to 1914 (2001) has entries for both a F. G. Main and a Frank Main. These are likely one and the same photographer.
A newspaper notice for the birth of a son in 1914 indicates that F. G. Main lived at 245 Great Western Road at one time. We can find no obituary for the photographer. A cursory search of statutory records reveals that a Frank G. Main died in Aberdeen aged 65 in 1946. This may be the photographer in question. Aberdeen Cinemas: Electric / Capitol
3402 A photograph showing the Capitol façade in January 2021.
By the 1960s and 70s the Capitol was increasingly being used as a venue for live events. Michael Thomson credits its survival over the Majestic, closed down in September 1973, as due to the Capitol's superior stage facilities. The Donald family, the venue owners, had the stage enlarged in 1975.
Appearances by popular groups like the Bay City Rollers in 1974 suggested the future for the venue at the time. The Capitol also saw performances by the Rolling Stones, Roy Orbison, Queen, Boyzone and Chuck Berry among many others. The Capitol ceased showing films in 1995.
The Capitol contained a restaurant, and subsequently bar, in the cinema's former café area around this period. 1993 saw the opening of the Art Deco and cinema themed bar Oscars in this space.
The Capitol functioned as a wonderful venue giving North-East audiences the chance to see top performers for many years. It became increasingly uneconomic to run and the curtain finally came down on the venue on Monday 15th December 1997.
The building was later converted into a nightclub and restaurant called Jumping Jaks and the Chicago Rock Café that opened in around 2003. These closed down in 2008 and the Capitol laid empty for some time.
In 2013 Knight Property Group began plans to redevelop the site as a modern office complex. The £30m project retained and restored the cinema's original façade and employed an Art Deco style in its foyer entrance to reference the history of the building. The venue's auditorium that had been much altered and had fallen into disrepair was demolished. The launch of the new office complex was held on 10th June 2016. Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Regent / Odeon
3417 The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could.
Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland.
The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate.
The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following:
"Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base."
The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two".
The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks.
The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent.
On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] 16 Schoolhill/arch (looking north)
4309 A photograph looking north showing the east elevation of 16 Schoolhill and a connected wall with arch in around 1986 or 1987.
This image is one of a series taken by Aberdeen City Council to record buildings prior to the redevelopment of the area and construction of the Bon Accord shopping centre.
The house and area shown were located to the north of Schoolhill, between George Street and Harriet Street. Historically, it had been the site of a carting contractors company called Wordie's and associated stables.
This arch would have been the main entrance to the stable buildings. The south west corner of the Bon Accord Centre is now on this site. In Victoria Park, Aberdeen
4318 A postcard image of Victoria Park. The photograph looks west and shows the park's main walkway and fountain. The latter is made from 14 types of granite.
Two stone tazza style planters are at the entrance to the fountain area.
Victoria Park was the first public park in Aberdeen and opened in around 1871. 78-80 George Street/32-38 Loch Street
4333 A photograph looking south east at Loch Street, from its junction with George Street, in around 1986 or 1987.
This image is one of a series taken by Aberdeen City Council to record buildings prior to the redevelopment of the area and construction of the Bon Accord Centre.
From right to left, the image shows The Buttery, a bakery of the A. B. Hutchison firm, at 78-80 George Street, a Post Office at 32 Loch Street and the Swan Bar at 34 Loch Street.
On the site of these buildings now stands the north elevation of the Bon Accord Centre to the east of the main George Street entrance. At the time of writing in 2023, the ground floor unit in the centre in this area is occupied by a womenswear shop called Hobbs. Aberdeen Market: before and after demolition 1
4360 The before image shows the south east corner and the main Market Street entrance of Aberdeen Market before its demolition in 2022. Taken on 26/08/2021.
The after image shows the cleared area following demolition. The market building is completely gone and the area has been walled off. Artwork and graffiti decorate the barricades. The rear of buildings on Union Street can be seen in the background. Taken on 06/09/2023.
This composite image is part of a series by Roddy Millar showing Aberdeen Market and its surrounds before and after it was demolished. Aberdeen Market: before and after demolition 3
4362 The before image shows the entrance to Aberdeen Market in the Green prior to its demolition in 2022. Taken on 01/09/2021.
The after image shows the cleared area following demolition. The market building is completely gone and the rear elevation of 101-105 Union Street is now visible in the background. The demolition site is surrounded by fences in preparation for further development. Taken on 10/09/2023.
This composite image is part of a series by Roddy Millar showing Aberdeen Market and its surrounds before and after it was demolished. Aberdeen Market: before and after demolition 10
4370 The before image shows the main eastern entrance to Aberdeen Market on Market Street. Advertisements for the businesses within are on the entrance to the building. The photograph shows the street relatively quiet during the morning. Taken on 27/02/2019.
The after image shows the cleared and barricaded site. No. 6 Market Street, latterly occupied by Kurdistan21 Xpress, has been demolished as part of the works. The site stands ready for redevelopment. Taken on 28/09/2023.
This composite image is part of a series by Roddy Millar showing Aberdeen Market and its surrounds before and after it was demolished. Aberdeen Market 4: staircase leading from Union Street entrance
4380 A photograph by Roddy Millar looking down the staircase that provided access from the Union Street corridor to the main Market building.
Next to the doorway is an advert for Thomson's Quality Butchers, located in the lower food hall. Through the door, past a large charity collection box, can be seen the premises of the Barber Shop at unit 22.
Photograph taken on 27/02/2019. Aberdeen Market 7: the main stairwell
4383 A south east looking view of the main stairwell by Roddy Millar. On the floor above, a bingo gambling machine stands outside a vacant unit. On the floor below, a man walks past Nickel & Dime, general store, towards an entrance on to Hadden Street.
Photograph taken on 26/02/2019. Aberdeen Market 16 - Beauty Salon
4392 The subject of this Roddy Millar photograph is unit 10 in the Aberdeen Market building as occupied by the Beauty Salon.
This busy establishment was located in the eastern end of the building next to the main Market Street entrance (to the left of this image).
As indicated by the price list on the window, Beauty Salon offered an extensive array of nail treatments, alongside other cosmetic treatments such as eyebrow tinting and shaping. A large number of nail polishes and products can be seen within the premises.
A line of seats is available outside for those waiting for appointments.
At the edge of the photograph a small plaque with opening times for the Market building can be seen attached to the wall. This would have been for visitors as they entered from Market Street.
Photograph taken on 27/02/2019. Aberdeen Market 20 - view from foyer area
4396 This photograph by Roddy Millar looks west down the main corridor of the Aberdeen Market building.
It gives a good representation of the initial view a visitor would encounter having came in via the large Market Street entrance, located to the rear of this image.
On the left can be seen Ai to Ai, offering cosmetic treatments for eyelashes and eyebrows, Aberdeen Vinyl Records is further on, identifiable by the baskets of records, then D&S Discounts and Dream Beauty Studio at the very rear.
On the right, starting at the back and coming forward, is Outfits, Combo Café & Restaurant, Liberty Hair and the Market Heel & Key Bar in the foreground.
The Market Heel & Key Bar offer shoe repairs, watch batteries, luggage, shopper trolleys, belts, key cutting and slippers. Due to the closure of the Market, this business moved to nearby premises at 88 Union Street.
Photograph taken on 26/02/2019. Aberdeen Market 22 - main entrance on Market Street
4398 A Roddy Millar photograph showing the main entrance to the Aberdeen Market building on Market Street.
This image dates from over a year after the building had been closed to the public in March 2020. The entranceway consequently shows some signs of disuse.
The steps, entrance doors and signage can be seen clearly. The latter features the branding of the Market's last operators, Aberdeen Market Village.
Above the entranceway part of the building's east elevation can be seen with its name in relief lettering.
Adverts for a number of the businesses that had occupied units within the Market are attached to the entrance.
Photograph taken on 27/08/2021. Old Tolbooth
64 Old Tolbooth, Aberdeen, from an etching by J. Skene. This view of the Tolbooth shows the Market Cross in front of it. The Tolbooth was built in 1615. In recent times, it was converted to a museum. Double outside stairs lead up to the main entrance. On the east side was the New Inn. Most of the building is obscured by the modern Town House development. |