Quick Search
|
Search Results
You searched for: More Like: 'New fire training centre hailed as the best'
22 items
items as
Shuttle Lane prior to slum clearance
193 This 1930s photograph shows the Shuttle Lane slum clearance area situated between East North Street and Frederick Street, before the families were rehoused on new estates.
These houses were typical of the cramped, overcrowded tenements to be found in most Scottish cities. Large families would be crammed into 1 or 2 rooms. There might have been a shared toilet on the landings or more commonly outside in the back yard.
Infectious diseases such as diptheria and scarlet fever could be spread rapidly with such close contact of families, and infant mortality was high. There was often no drying green so many tenements had iron washing poles which could be slid out of windows when needed. Each family would have their allocated day to use the wash house.
Washing clothes was a laborious affair as the mother, maybe with the assistance of an older daughter, would stoke and light the boiler, and trek back and forth with water from an outside tap. Washing would be done by hand and if the weather was bad, then it would have to be hung inside in the kitchen to dry in the heat of the coal fire.
However, it seemed that community spirit was warm and close neighbours helped each other in times of crisis. This was a bond that would be broken when families were rehoused in the modern housing estates. St. Nicholas Church and Churchyard
374 St. Nicholas Kirk and graveyard, showing the new spire after the 1874 fire, which destroyed the ancient tower and steeple of the East Kirk. William Smith, son of John Smith, rebuilt both chancel and crossing between 1875 and 1877. When the present granite steeple was built, a carillon of 37 new bells was installed, cast by Van Aerschodt of Louvain, in Belgium. A further 11 bells were added in 1954, making a total of 48 bells - the largest carillon in Great Britain. St. Nicholas Church West, shown here, was built between 1751 and 1755. Designed by James Gibb, it is a classic example of an 18th century preaching kirk. Building took 4 years and it opened for public worship on 9th November 1755. St. Nicholas Kirkyard is a popular place for family historians, with its many table tombs and monuments. Amongst the famous local names are Archibald Simpson, architect, John Anderson, Wizard of the North, and William Dyce, the painter. Trinity Lane
1208 Trinity Lane, Aberdeen, c.1975, from Exchange Street.
The Trinity place-name comes from the area once being the site of a Trinitarian Friary.
The building to the right in this photograph was once known as Trinity Chapel, or Trinity Parish Church. It was opened for public worship on Sunday 27th April, 1794.
For a number of years, the chapel was an important centre of religious life and activity. The Disruption of 1843 significantly diminished the congregation. The building was subsequently sold by the Presbytery and became the Alhambra Music Hall.
See Gammie's Churches of Aberdeen (1909) for more information on the history of this congregation and building.
A large part of the exterior still stands and the building currently houses Wagley's public house. In this photograph Alex. McKay, electrical appliance showroom, is in occupation. Newspaper notices indicate that the business moved here, from 41 The Green, in 1966.
The building in the centre of the image is best known, as shown here, as a banana warehouse for Knowles & Sons, fruiterers and later as a restaurant and art gallery. It was originally built as a church for Aberdeen's Catholic Apostolic congregation.
MUSA was a restaurant and art space, with a focus on music, throughout the first two decades of the 21st century. It closed down in October 2018.
8th March 2019 saw the opening of a new bar in the building called The Hop & Anchor, specialising in craft beer. It is owned by a company called the Draft House and this is their first pub outside London. The Draft House is owned by Brewdog, the North East beer company. St Nicholas Church
1289 East and West St Nicholas Churches and churchyard, between the building of the new East Church in 1837 and the destruction by fire of the original lead-covered steeple in 1874. The West Church was built by James Gibbs in 1741. The East Church was restored by Archibald Simpson 1835/7. Central School (Aberdeen Academy)
1458 In 1901, Aberdeen School Board planned to build a new central higher grade school and plans were drawn up by John A. O. Allan for a building on the corner of Schoolhill and Belmont Street. The new school was opened in November 1905. It planned to cater for pupils aged 12 - 15 years coming from all the town's elementary schools, with over 1,000 on the roll initially. In 1954, the school changed name to become Aberdeen Academy, and its intake comprised those pupils who successfully passed their 11+ exams in Primary 7. The school closed in 1969 and the pupils moved to the newly built Hazlehead Academy. The building became a Resources centre for the Department of Education and then in the late 1990s became a shopping centre named "The Academy". 95-99 Union Street
2196 Lumsden and Gibson, grocers, at 95 Union Street and Manfield and Sons, shoe shop, at 99 Union Street. Grants, a furniture shop can be seen above.
Correspondent Ed Fowler supplied has supplied some further excellent information:
"Grants Furnishings eventually extended in to the street level premises from the first floor and was a popular supplier of furniture items in the 1940's and 50's by offering convenient hire purchase.
Just out of frame is the sliding gate across the arcade style entrance which crossed via a covered cast iron support bridge above Carnegie Brae and up steps to the North Gallery of Simpson's New Market which was mainly laid out with 2nd hand Books Stall displays and a Stamp Collector's Shop.
A Victorian coin operated clockwork display provided entertainment for children of an exciting fire engine and ladder rescue scene." St. Nicholas Church
2235 St. Nicholas Church East and Churchyard before a fire destroyed the ancient tower and steeple in 1874. The Old Church of St. Nicholas was erected between 1477 and 1522. The church was divided in 1596 and stone walls built between the Nave and Choir, forming the West and East Kirk respectively. In 1835, the old building was demolished and a new Gothic church, designed by Archibald Simpson, erected on the site. It opened for public worship on 7th May 1837 but was destroyed by fire on the evening of 9th October 1874. The oak steeple and its lead spire were both consumed by flames and the historic bell "Auld Lawrie" crashed to the bottom of the tower. The congregation worshipped in the Music Hall for some time whilst the church was rebuilt by William Smith between 1875 and 1877. The Astoria Cinema
2268 The Astoria Cinema on Clifton Road, Woodside.
In 1934, a new cinema was built on part of the old Central Park, just north of Kittybrewster Auction Marts. It was designed by the architect T. Scott Sutherland and was opened on 8th December 1934 with space for more than 2000 people. Its proximity to the relatively new housing areas of Kittybrewster, Powis, Woodside and Hilton should have ensured its success.
It was made of concrete over a steel framework, with the roof sloping in a series of steps to produce the best acoustics. It had a colour scheme of light pink, ivory and brown with walnut panelling and 2 miles of Wilton carpet. It closed on Saturday 13th August 1966, reopening later that month as a Bingo Hall but that only lasted a few months and it finally closed in January 1967. In April 1967, it was being demolished and the site redeveloped as a shopping complex.
The cinema had had one of the latest Compton theatre organs, which had been removed piece by piece and restored to be placed in the hall of Powis Academy. Tragedy befell it in November 1982, when, in an act of vandalism, a youth set fire to the hall and the organ was totally destroyed. Craibstone School of Rural Domestic Economy
2270 Craibstone House was formerly the home of the Pirie family who owned Stoneywood Paper Mills and it was bought by the North of Scotland College of Agriculture in 1913 and this school was set up around 1920. It is situated near Bucksburn, about 5 miles north of Aberdeen. The School was a training college for women who wanted to work on the land and provided training in household work, cookery, laundry, dairying, poultry and bee keeping and farm accounts.
This 20-roomed mansion was totally destroyed by fire in January 1953 but a new college was built and the college continued to use the estate for research and experimental work in relation to grassland and crops. However, by 1968 Rural Domestic Economy was no longer a viable course and the School closed. Stop 11: Early Health Services at Aberdeen General Dispensary, Vaccine and Lying-in Institution, 1823
2310 We have to use our imagination a little as the street known affectionately by locals as the 'Gushie' no longer exists other than Provost Skene's House which has the address of 45 Guestrow. In 1823 The General Dispensary, Vaccine and Lying-In Hospital opened in Guestrow, a street that ran parallel to Broad Street from where approximately the Illicit Still is today to where it joined Upperkirkgate.
The General Dispensary, Vaccine and Lying-in Hospital gave free medical advice and treatment to all that required it. These early health services were provided for poorer families often living in the East End of Aberdeen who couldn't afford to pay for medicine, vaccines or to see a doctor. Although a team of doctors were employed at the Institution, young medical students from across the road here at Marischal College also undertook some of their training at the Institution.
The Lying-In part of the Hospital was for women who, once they had had their babies, would 'lie in' for a few weeks as they had such poor living conditions at home. In 1880 it was recorded that 3327 cases were dealt with in that one year alone. It wasn't until 1892 that midwives were employed, recognizing the need for specialist nursing care for pregnant women. This greatly improved the nursing care provided and understanding of the specific needs of mothers and babies.
A famous daughter of Aberdeen who has shaped midwifery throughout the world is Maggie Myles (1892-1988) who wrote her groundbreaking book Textbook for Midwives 'With Modern Concepts of Obstetrics and Neo-natal Care' in 1953, the year before she retired. Maggie produced a further nine editions, each kept up-to-date with the latest developments and best practice. The book has been translated into many languages and is recognized as the leading international textbook for midwives. The book is now in its 15th edition. Born in 1892 in Aberdeen the daughter of a housepainter and former domestic servant Maggie Myles life story is truly remarkable. Migrating to Canada soon after leaving school Maggie would rise to become the director of midwifery education in Philadelphia and Detroit before returning to Scotland in 1939 to be Midwifery Tutor at Simpson Memorial Maternity Pavilion in Edinburgh.
Memories:
Heather's memories of Billie Maver and the General Dispensary
Nora recounts her memories of Maggie Myles
Edith shares her memories of Maggie Myles Treasure 31: Hays' Isometrical View of Aberdeen 1850
2586 In September 1850 an advert appeared in the local papers of Aberdeen for "Hays' Isometrical View of Aberdeen, giving a Distinct and Correct View of the Whole City and Environs". We hold copy of the plan from 1850 in our Local Studies collection.
The plan was available to purchase for 3s. 6d. and measured 34 inches by 19 inches. Carvers and gilders, J. & J. Hays, had premises at 2 Market Street where they also sold prints and optical instruments. At the bottom left of the image we see the words George Wilson, Delt. (abbreviation of delineator, i.e. the artist). George Wilson was to find fame a few years later as George Washington Wilson when he became one of Scotland's premier photographers.
George Washington Wilson
George Washington Wilson was born in 1823 at Waulkmill of Carnousie in Banffshire and left school at 12 years of age to be an apprentice carpenter. He practised his artistic skills by drawing portraits of friends and neighbours and, after training at art schools in Edinburgh and London, he returned to Aberdeen to become an art teacher and portrait painter.
By the late 1840's Wilson was attracted by the work of Fox Talbot in the new art of photography and after initial experiments with a homemade camera, he advertised a business offering photographic portraits before eventually expanding into landscape photography.
A Bird's Eye View of History
Wilson created this panoramic view of the city by making numerous sketches from the roofs of high buildings and then merging them into one comprehensive drawing. We are looking north across the city from the harbour with Union Street running horizontally across the centre and Old Aberdeen in the far distance. We can see how small the city actually was at this time - open fields are visible just to the north of the west end of Union Street.
A key to the most prominent buildings was provided and it is interesting to see which buildings have survived until today, often with additions, and which had yet to be built. Robert Gordon's Hospital (now College), Marischal College, and various churches including the Triple Kirks and St Nicholas East and West are all still standing but the West Prison, Castlehill Barracks and the Poorhouse have been demolished.
Bird's Eye View 1889
In December 1889, the Aberdeen Free Press offered its readers an updated version of the Bird's Eye View as a supplement to their newspaper. Numerous changes to the landscape of the city had taken place since Wilson's view. Aberdeen Market
2684 The New Market after the great fire of 29th April 1882. The photograph shows the Market Street and Hadden Street fronts showing outwardly little damage. New Market
2706 An Adelphi Series postcard (no. 49) showing the interior of Aberdeen's indoor market. It is referred to as a the New Market as it was rebuilt in 1883 following a serious fire in the original Archibald Simpson building.
A large "Good Wishes" sign can be seen hanging from the ceiling. In addition to stalls selling flowers and fresh produce, the book and art print stands that made the market a much loved venue for collectors are also in evidence.
The premises of the American Restaurant can be seen at the far end of the hall. It served "good dinners" for 6d and promised "prompt attention" in newspaper adverts from 1895. It's frontage indicates it was a company with offices in London and Newcastle.
There is a sign for the Ellon Stall towards the back. Correspondent A. G. Duthie informs us that this outlet, which existed for much of the 20th century, specialised in country produce like eggs, cheese and butter. The company that ran the stall was George Milne & Son (Ellon Stall) Ltd, grocery and provision merchants, and they can be found recorded in the old Post Office Directories. Union St, Aberdeen, Looking East
3169 An Adelphi Series postcard showing a crowded Union Street with trams running in both directions. The photograph is looking east down Union Street.
The building on the left, at the junction with Back Wynd, is now inhabited by shops on the ground floor and a nightclub above. It was initially built in 1836-37 to a design by John Smith for the Society of Advocates in Aberdeen. It was their first purpose-built meeting hall and library in the city.
The society sold this building at 120 Union Street in 1870 and moved to new premises in Concert Court, where they remain to this day. The Union Street building was purchased by a confectioners called Lockhart & Salmond, later R. & J. Salmond, and functioned as a restaurant and public hall.
It was taken over in the early 1880s by a prominent Aberdeen caterer called George Watson. He had previously been the proprietor at The Grill and of a restaurant at 1 Union Terrace. For much of that decade the meeting rooms were also the home of the Aberdeen Conservative Club.
Watson opened the Queen's Restaurant at 118 Union Street in 1888 and this appears to be the origin of the building's lasting name. The main hall became the Queen's Billiards Saloon in the 1890s following the death of Watson in 1893.
The building was partially reconstructed and reopened as the lavish Queen's Restaurant and Tea Rooms by the Cabin Tea Rooms company in 1899. Following a stint as an auction house, it became a popular Aberdeen cinema in 1913 that operated for much of the 20th century.
A severe fire at the Queen's Cinema in 1936 led to the reconstruction of the building's interior. After the cinema closed in 1981 the premises laid empty before the reopening as a nightclub called Eagles in 1987. The building has remained in use as a nightclub ever since, becoming De Niro's in 1996 and Espionage in 2002.
This postcard was lent to Aberdeen City Libraries so that we could create a digital copy for public use. Aberdeen Theatres: Libraries' book sale
3378 This photograph shows the queue for the first ever Public Library book sale held in the Ballroom of the Music Hall on Saturday 24 February 1979, when well over a thousand people swarmed through the doors to grab a bargain. The Press and Journal covered the event with the headline: "Bonanza Day for Bookworms; bargain hunters pack the Music Hall".
Books were divided into three categories: Children's, Adult Fiction and Non-Fiction (including reference books) and prices were kept low at 20p for fiction books and non-fiction titles slightly more at 50p.
Best sellers included children's books purchased by play groups, out of date encyclopaedias and Whittaker's Almanacs, and bound volumes of National Geographic Magazine. By the end of the day, the event was deemed an overwhelming success, selling over 13,000 books and raising more than £3,645 for the purchase of new stock. Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Queen's
3420 The building that housed the Queen's cinema was initially built in 1836-37 to a design by John Smith for the Society of Advocates in Aberdeen. It was their first purpose-built meeting hall and library in the city. The society sold this building at 120 Union Street in 1870 and moved to new premises in Concert Court, where they remain to this day.
After varied use as a restaurant, billiard hall, and salesroom, the building was converted into a cinema in 1913 by its then owner Robert J. Mackenzie. He shortly afterwards opened a companion cinema, also called the Queen's, in Stonehaven's Allardyce Street.
Michael Thomson in Silver Screen in the Silver City (1988) explains that by the late 1920s the Queen's Rooms Cinema Syndicate was struggling. In the spring of 1927 James F. Donald made an offer for a majority share interest in the company and this was accepted. On 24th July of that year, a re-seated and redecorated Queen's reopened under Donald's operation. This revitalised the venue and it became a popular picture house once more.
The cinema saw its first talking picture, So this is College, on 6th August 1930 and was advertised at the time as "The Finest and Clearest Talkie House in Town". A severe fire at the Queen's Cinema in 1936 led to the reconstruction of the building's interior. Thomson states that the granite outer shell was all that the rebuilt cinema, designed by architects George Watt & Stewart, had in common with its predecessor.
The Queen's was a popular cinema for much of the 20th century. This Aberdeen Journals Archive photograph shows the cinema in 1969 at its prominent location at the junction of Back Wynd and Union Street. Its large display boards are advertising screenings of the film Never Mention Murder.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Coliseum / New Kinema / Belmont
3433 An Aberdeen Journals Archive image of the Belmont Cinema in 1952.
The building that now houses the Belmont Filmhouse was originally built in 1896 as a Trades Hall to a design by architects Alexander Ellis and Robert Gordon Wilson.
The grey granite ashlar entrance at 49-51 Belmont Street leads to the main building, best seen from Union Terrace and Rosemount Viaduct. With multiple floors, the building makes full use of the different levels of the Denburn valley. Historic Environmental Scotland's statement of special interest for the building notes its tall and narrow design and bartizan towers at its far end, describing it as "a distinctive piece of architecture."
Michael Thomson explains that the Trades Hall provided much needed accommodation for meetings, social events and lectures. The main hall originally featured ceiling paintings by Robert Douglas Strachan (1875-1950), who went on to become an acclaimed stained-glass artist.
The construction of the hall was an ambitious and costly undertaking for Aberdeen's labour movement. This led to the hall being increasingly rented out for commercial performances, including cinematographic showings.
William Walker, a local cinematographic pioneer who was also a successful bookseller, leased out the building's main hall as a picture house. The Coliseum was opened on 22 August 1910 by Messrs Walker and Company and so began the building's long life as a cinema.
In July 1911 Glasgow's J. J. Bennell took over control of the Coliseum. Popular features of the venue during Walker and Bennell's time included short "topicals" that documented local life and live variety acts. Thomson explains that Bennell was also a pioneer of Saturday morning matinees for children.
In August 1913 Dove Paterson, another local pioneer who had opened Aberdeen's first permanent cinema on Shiprow, took over at the Coliseum. Paterson died unexpectedly in May 1916 and this brought a temporary halt to the Coliseum cinema. It briefly reopened in December of that year under the management of the Trades Hall, but this only lasted a couple of months before the cinema closed again.
The cinema was then managed by veteran singer D. Brown McGill, who made use of his established contacts in variety circles. His tenure saw the venue complementing its programme of film showings with a range of other entertainments including roller skating, boxing and dancing.
On 11th April 1921 the cinema reopened as the New Kinema, under the management of Henry Philips, who had previously run the Picturedrome on Skene Terrace. One interesting performer at the venue in 1929 noted by Michael Thomson was an illusionist called Carletta who conjured up rabbits to give away to patrons as pets.
In 1935 the then proprietors of the New Kinema, James Brebner and George Walker, were involved in the formation of the Caledonian Theatre public company. It was formed to purchase the site of the La Scala cinema and nearby buildings on Union Street with the intention of building a new super-cinema. In time this would become the Majestic.
June 1935 saw the renovation of the New Kinema and renewal of its heating plant, lighting and sound equipment. It reopened as The Belmont on the 24th of that month.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Coliseum / New Kinema / Belmont
3437 The cinema on Belmont Street had operated as the Belmont from 24th June 1935. On 4th January 1938 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had acquired a controlling share in Caledonian Theatres, who ran the Majestic on Union Street and the Belmont. Michael Thomson credits Caledonian Theatres' financial difficulties at this time to their inability to book the best films.
An organisation known as the Ship Contractors' and Ship Wrights' Association had a right to sell bond on the Belmont Street property that included both the cinema and the headquarters of the Aberdeen Trades Council. From 1946 onwards the aforementioned association tried to sell the property and this was contested by the Trades Council. This fight went all the way to the House of Lords but the Trades Council's appeal was dismissed in January 1949.
Caledonian Theatres had attempted to purchase the building outright from the Ship Contractors' and Ship Wrights' Association but this sale was interrupted by the Aberdeen Sheriff Court following an appeal from the Trades Council. In the end the building was sold to the NAAFI (Navy, Army and Air Force Institutes) in February 1952 to be converted into their new Aberdeen headquarters.
Following this sale, the Belmont cinema closed on down 29th March 1952. Its final film was The Steel Helmet an American film, directed by Samuel Fuller, about the Korean War.
In mid-1956 NAAFI moved its accounts operations out of Aberdeen and put the block up for sale. On 22nd April 1958 the Clydesdale Supply Co. Ltd. moved from premises at 111/2 Rose Street to the former Trades Hall and cinema at 49 Belmont Street. The large premises were employed as the warehouse for the company's wide range of clothing, household goods, furniture, radios, televisions and radiograms. Clydesdale appear to have occupied the building until around 1962.
This Aberdeen Journals Archive photograph from 1966 likely shows the building when it was unoccupied.
During the early 1980s the building was used as a carpet showroom. In October 1994 plans were announced by Aberdeen City Council to create a media centre at 49 Belmont Street. This included three cinema screens, educational facilities and a café bar. The building was converted for this purpose but funding could not be secured for its operation.
The revamped cinema finally opened as The Belmont Picturehouse in September 2000 and was operated by the Picturehouse company. This firm was later bought by Cineworld and had to relinquish the lease on The Belmont in adherence with competition law. In 2014, the Centre for the Moving Image was selected to take on its management and the much-loved cinema became the Belmont Filmhouse.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. The Foundry
4409 A photograph of The Foundry pub and restaurant at 41-43 Holburn Street taken on 21st March 2024.
43 Holburn Street, today The Foundry, was built in around 1915/16 as a motor showroom and workshop for Mr. John Harper, engineer of Bournemouth, to a design by architect George B. Mitchell (Aberdeen Daily Journal, 20th September 1915, p. 4).
In November 1916, during the First World War, the Harper Motor Company put their new garage, at the junction of Holburn Street and Justice Mill Lane, at the disposal of the Red Cross. The commodious building, ideal for transport work, became the headquarters of the Aberdeen Transport Section of the Red Cross Society (Evening Express, 21st November 1916, p. 5).
43 Holburn Street was occupied and in use by the Harper Motor Company until at least 1979. In 1986, George Dowdles, who had ran a roller skating rink called Rollerland Disco in Bon-Accord Terrace, proposed to turn the premises into a leisure centre for teenagers (Press & Journal, 19th June 1986, p. 3).
The new venture at 43 Holburn Street was to be a soda and burger café modelled on the TV show Happy Days and called Up The Junction. It opened in October 1986 (P&J, 10th October 1986, p. 3).
Up The Junction appears to have struggled financially and 43 Holburn Street was remodelled and opened as Rollerland Mark II in August 1987 (EE, 22nd February 1988, p. 8). The original Rollerland skating rink had been on the second floor of 5 Bon-Accord Terrace and operated from 26th June 1981 to mid-1986.
Rollerland on Holburn Street was briefly owned by Cove Rangers football club and was temporarily renamed Wheels Leisure Centre. George Dowdles remained its manager (P&J, 1st April 1989, p. 1). The venue was reopened as Rollerland under the ownership of Aberdeen District Council in July 1989. DJs Robin Galloway and Gary Stein provided music for a reopening gala night (EE, 27th July 1989, p. 5).
Rollerland finally closed in February 1991 on safety grounds. Water leaks had warped the floor making it unsafe for skating. The venue had struggled financially and the estimated cost of repair was too large (P&J, 18th September 1991, p. 3). In June 1995, there was a significant fire in the building (EE, 19 June 1995, p. 2).
In September 1995, the company Alloa Pubs and Restaurants, who had leased the building from the District Council, unveiled plans for a £500,000 transformation of the run-down property. It was to be turned into a prestige bar-diner called The Granary, with a lay-out based on the company's Glasgow venue of the same name (EE, 16th September 1995, p. 7).
With a final redevelopment cost of £600,000, The Granary opened to the public on 6th February 1996 (P&J, 7th February 1996, p. 11).
A search of Aberdeen City valuation rolls indicates that by April 2005 The Granary had changed its name to The Foundry. At the time, The Foundry was operated by Mitchell & Butlers, one of the largest restaurant and pub businesses in the UK.
Mitchell & Butlers own the O'Neill's chain of Irish pubs, the first branch of which opened at 9-10 Back Wynd, Aberdeen on 22nd September 1994. This was formerly the premises of the Tappit Hen pub (P&J, 16th September 1994, p. 3).
In 2010, Mitchell & Butlers disposed of 333 of their town and community pubs to the Stonegate Pub Company. This likely included The Foundry ('Our history' page on Mitchell & Butlers website: https://www.mbplc.com/about-us/our-history/: accessed 22/03/2024).
In November 2023, The Foundry reopened to the public following a brief closure for a significant redevelopment. Backed by a £277,000 investment from the Stonegate Group, the UK's largest pub company, the work aimed to shift the venue from a sports-focused pub to a more family-friendly food destination. The exterior design changed from a black and gold colour scheme to the red and gold of Aberdeen Football Club (Aberdeen Business News, 23rd November 2023, https://aberdeenbusinessnews.co.uk/the-foundry-unveils-stylish-transformation-after-major-investment/: accessed 22/03/2024).
St Nicholas Church
115 East and West St Nicholas Churches and churchyard, between the building of the new East Church in 1837 and the destruction by fire of the original lead-covered steeple in 1874. The West Church was built by James Gibbs in 1741. The East Church was restored by Archibald Simpson 1835/7. Treasure 42: Marischal College Ground floor Architectural Plan by Archibald Simpson
211 The highly-respected architect Archibald Simpson (1790 - 1847) designed many of our city's well-known landmarks and, along with architect John Smith (1781-1852), is widely regarded as transforming Aberdeen into the Granite City in the 19th Century.
At Aberdeen City Libraries, we hold a collection of Archibald Simpson's architectural plans. Many of the originals were destroyed by a fire in his house in 1826 but the copies we hold demonstrate his initial thoughts and first sketches of some of Aberdeen's most famous buildings.
An architectural plan is usually a drawing or a sketch used by an architect to develop a design idea. The document also includes a scale and precise measurements.
Marischal College, as it stands today, was designed by Simpson in the 19th Century and this image shows a floor plan he drew when working on the project in the 1820s.
The plan depicts the ground floor which occupied three sides of a courtyard opening towards Broad Street. The building proposed by Archibald Simpson formed a U-shaped quadrangle with symmetrical rooms. The exterior granite façade, the second largest granite faced construction in the world and enclosing the quadrangle, was built by Alexander Marshall Mackenzie between 1893 and 1905 which is why it is not represented on the plan. Originally, the entrance to the courtyard was by Guild's College gateway.
Tiny lines were drawn to represent the walls between each room and the often curving stairways can be clearly seen. The rooms dedicated to classes of divinity, mathematics, moral philosophy or Greek and Latin were constructed like semi-circular amphitheatres. To the top of the plan, we can see classrooms connected by the science department, including the Anatomical Museum and Dissecting Rooms.
The building contained sixteen classrooms in addition to lodgings for porters and sacrists, the museum, the chemical laboratory and rooms for the professors. Other sources from the period suggest that the public hall, the museum and the library were spacious and magnificent rooms.
The small entrance via an archway, called 'Vestibule' on the plan, is represented at the courtyard side of the building. It is surrounded by two octagonal towers. A grand staircase, contained in the tower, rose to a height of nearly 100 feet.
The architect added the measurements for each room. As suggested by the scale, the unit of measurement is the foot. More information is given by the city librarian G. M Fraser in his 1918 study into Aberdeen's architecture:
"A centre building, 150 feet long, 50 feet wide, 60 feet high. 450,000 cubic feet at 6d: £11,250 Two side buildings, each 80 feet by 40, and 40 feet high. 128,000 cubic feet at 6d: 6,400 Medical class-rooms at end of garden: 1,500 Allowance for porticoes: 2,000 ______ £21,500" [From G. M. Fraser. Archibald Simpson, Architect and his times. A study in the making of Aberdeen. Published in the Aberdeen Weekly Journal between April and October 1918] Architectural plans are a fascinating insight into days gone by. Although at first glance appearing fairly basic, on closer inspection the plan allows us to view one of the Granite City's best loved landmarks through the eyes of the students learning in amphitheatre-style lecture rooms, anatomical museums and dissecting rooms in 19th Century Aberdeen. |