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New Quay
350 New Quay, Aberdeen Harbour. This photograph shows the navigation channel leading from Aberdeen Harbour into the North Sea, with the North Pier in the far distance on the left. The New Quay later became part of Pocra Quay.
The Pier was built by John Smeaton in 1781 and extended on several occasions to provide better access to the harbour. At the corner of the photograph is the customs Watch House, part of which has now been converted into a seafood restaurant.
The brick obilisk in the centre is a ventilation shaft for a sewer which emptied into the channel. A newer sewer outfall has rendered it redundant.
It is popularly known as Scarty's Monument. 'Scarty' was the nickname of William Smith, one of two harbour pilots in the mid-19th century. His duty was to keep watch from the North Pier during rough weather.
Nicknames were often used in the fishing community to distinguish between people of the same surname. Exchequer Row
687 This view shows the narrow congested Exchequer Row, around 1900. It is a photograph of a watercolour painting by Alexander J. Murray that is in the collection of Aberdeen Archives, Gallery and Museums (AAGM).
The Balmoral style tower of the Salvation Army Citadel, opened in 1896, is seen in the distance with the Market Cross surrounded by an ongoing market.
Exchequer Row (first mentioned in 1350) was a short street connecting the Shiprow to the Castlegate, and on its right side, were a number of courts leading into an area crammed with insanitary dwellings which were later demolished.
It was popularly supposed that the name Exchequer Row derived from the Aberdeen Mint which stood in the area. However, it comes from the name of the Royal Customs House - the Skakkarium, dating back to the 14th century. Round House
1244 Aberdeen Harbour's Pocra Quay with the Round House, the Harbour Master's Office, in the centre of the photograph and the Customs House on the right. This image was taken in the 1970s. This part of Pocra Quay was originally known as the New Quay.
St. Fittick's Well
1853 A photograph from 1906 of St. Fittick's Well, located in the Bay of Nigg.
An account of the well is given by Thomas W. Ogilvie (1861-1908) in The Book of Saint Fittick, a history of Torry, written and presented as a Bazaar Book to Saint Fittick's Church, Torry, in December 1901.
Ogilvie worked as a doctor in Torry for seven years and was prominent in the public life of the district. An account of his life is given in the introduction to a posthumously published collection of his verse, Poems (1911).
Ogilvie suggests use the well dates to pagan times and gives an account of its storied healing powers and the tradition of offering gifts in the hope of good health and fortune. He suggests St Fittick, the patron saint of Torry, became the object of these benefactions after the arrival of Christianity.
He details the tradition of visiting the area and leaving gifts on the first Sunday of May. Ogilvie writes:
"Town Council and Kirk Session struggled by laws and punishments to stop those Sunday wanderings and to efface those vestiges of old superstitions, but the customs of centuries die hard, and to-day young and old, to whom the name St. Fittick is a meaningless term and the repute of his well quite unknown, ramble on Sundays and week-days to the bay once called by his name, and they find the old power still lingers, for the beauty of the Bay, the fresh sea-breeze, and the pure draught from the old spring still bless and heal."
The well is understood to have been washed away by coastal erosion in the early 20th century. Its location, latterly its site, is recorded in old large scale Ordnance Survey maps. 95-99 Union Street
2196 Lumsden and Gibson, grocers, at 95 Union Street and Manfield and Sons, shoe shop, at 99 Union Street. Grants, a furniture shop can be seen above.
Correspondent Ed Fowler supplied has supplied some further excellent information:
"Grants Furnishings eventually extended in to the street level premises from the first floor and was a popular supplier of furniture items in the 1940's and 50's by offering convenient hire purchase.
Just out of frame is the sliding gate across the arcade style entrance which crossed via a covered cast iron support bridge above Carnegie Brae and up steps to the North Gallery of Simpson's New Market which was mainly laid out with 2nd hand Books Stall displays and a Stamp Collector's Shop.
A Victorian coin operated clockwork display provided entertainment for children of an exciting fire engine and ladder rescue scene." Alexander Macdonald
4314 A photographic portrait, believed to be by George Washington Wilson, of Alexander Macdonald (1794-1860) the granite manufacturer and pioneer of Aberdeen's monumental industry.
An entry for Macdonald, written by Tom Donnelly, can be found in the Oxford Dictionary of National Biography.
Macdonald and his work are also the subject of the fifth chapter in the book The Granite Men: A History of the Granite Industries of Aberdeen and North East Scotland (2019) by Jim Fiddes.
Macdonald was the father of Alexander Macdonald (1837-1884), who continued his father's business and was a prominent local art collector. Glen Cinema Poster
407 A poster for the Glen Cinema in Culter advertising showings of Home at Seven (1952), Bride of the Gorilla (1951), Call of the Jungle (1944) and Prison Mutiny (1943).
The Glen Cinemas company showed films in various venues throughout the North East of Scotland during the 1930s to early 60s. One of these venues was Culter Community Centre.
Glen Cinemas was founded in 1936 by a local man called Arthur M. Burns. The company folded in 1961. Cinema equipment from the Culter Glen Cinema remained in the community centre for around 21 years before being sold by Burns to the London based collector Ronald Grant.
Grant was born in Banchory and worked as a projectionist in the Playhouse, Majestic and Kingsway cinemas in Aberdeen. He was also the assistant general manager of the Cosmo 2 in Diamond Street, before moving to the British Film Institute in London in 1967. The Ronald Grant Archive of Film and Cinematic Memorabilia remains active today.
Glen Cinemas also operated in the Shepherd's Hall in Bucksburn (also known as the Argosy Ballroom).
See the Aberdeen Press & Journal article 'Culter "upset" over cinema history loss' from 14th September 1982, page 3, and Michael Thomson's book Silver Screen in the Silver City (1988) for more information on Glen Cinemas. |