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Aberdeen Sea Beach
51 The Promenade at Aberdeen Sea Beach, c. 1950 with the Beach Shelter and Beach Bathing Station in the background. Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. H. Company, 7th Gordon Highlanders
281 H. Company, 7th Gordon Highlanders leaving Culter for War Service. August 6th 1914 Aberdeen Beach from the south
406 Aberdeen Beach from the south. A crowded day on the beach. Note the roof of the Beach Ballrooom at the right of the photograph. D. Cameron, Bakers
442 A photograph of Mr D. Cameron on his horse and cart and outside his bakery and confectioners shop at 76 Skene Square.
This photograph was taken by Kidd & Stridgen of 33 New Market Gallery, Aberdeen.
A copy of this image was kindly lent to the Aberdeen City Libraries for reproduction by William Donald of Udny Green.
Local historian A. G. Duthie has been in touch to suggest that if we look at the Ordance Survey from 1902 (Aberdeenshire sheet 075.11), judging by the shape and position of the buildings, there is a plausible location for this building north of Skene Square School on the other side of the road. Statue of General Charles George Gordon
777 Statue of General Charles George Gordon outside entrance to Robert Gordon's College, Schoolhill.
The inscription on the base reads "Charles George Gordon, R.E.C.B., Major General, born 28 January 1833, fell in his country's service at Kartoum, January 1885, dedicated to his memory by members of the Gordon Clan "I have done my best for the honour of our country", Kartoum 14 December 1884"
The statue was sculpted by T. Stuart Burnett, ARSA, and unveiled by the Marquis of Huntly on Saturday 16th June 1888. Culter
876 This image was taken around 1909 from a hill at the west end of Culter - 7 miles west from Aberdeen looking down on the North Deeside Road towards Banchory. The image shows the cottages known as Clayhills with the houses of Malcolm Road beyond. Hidden in the trees at the right hand side is the statue of Rob Roy overlooking the Leuchar Burn which runs through the wooded valley. Settmaker at Persley Quarry
1071 The Aberdeen area had many granite quarries, and there was a need for men who had the skill to reduce huge blocks of granite into manageable pieces by chipping it with a variety of hammers, and chisels to produce the required shape and size. In this 1920's photograph we see a settmaker at Persley Quarry on the north side of the River Don in Aberdeen, at his wooden shelter or 'skaithie'. These shelters provided some sort of wind break for these men who had to sit on blocks of granite patiently working on the hard stone. Settmakers made cassies for roads and Aberdeen setts were used to pave streets in London. On his left is a tripod structure which acted like a small crane to lift the bigger stones into position. Note the lack of protective safety equipment apart from some extra padding on his knees. Central School (Aberdeen Academy)
1458 In 1901, Aberdeen School Board planned to build a new central higher grade school and plans were drawn up by John A. O. Allan for a building on the corner of Schoolhill and Belmont Street. The new school was opened in November 1905. It planned to cater for pupils aged 12 - 15 years coming from all the town's elementary schools, with over 1,000 on the roll initially. In 1954, the school changed name to become Aberdeen Academy, and its intake comprised those pupils who successfully passed their 11+ exams in Primary 7. The school closed in 1969 and the pupils moved to the newly built Hazlehead Academy. The building became a Resources centre for the Department of Education and then in the late 1990s became a shopping centre named "The Academy". 1929 This illustration shows Queen Victoria receiving the keys of the City of Aberdeen in October 1857 as she travelled to the railway station after a summer spent at Balmoral. The Queen and the Prince Consort had travelled by coach the 60 miles from Balmoral to visit the Earl of Aberdeen at Haddo House on Wednesday 14th October. Their route was decorated with flags and arches at various points. A dinner, with a number of guests, including Lord Provost Webster of Aberdeen, was held at Haddo that evening and huge bonfires on surrounding hills lit the scene. On Thursday 15th October, the Queen and Prince Consort left Haddo, accompanied by the Earl and his son. More decorative arches had been erected on the roads south to Aberdeen. The Lord Provost, magistrates and councillors met the Queen at this Royal Arch near the city boundary at Love Lane (now Nelson Street) on King Street. The arch had been designed by the City Architect, William Smith. It was 15 feet wide, 26 feet high, with two smaller side arches. It was surmounted by the Royal Arms, flags and banners, with the words, "God save the Queen" and "Victoria", on either side in gilt letters. The side arches had the City motto, "Bon Accord", with floral crowns above, with flowers, evergreens and heather decorations. Many of the Guard of Honour wore the Crimean medal. The Lord Provost presented the silver keys on a velvet cushion to the Queen, who touched them, returned them to the Provost and said, "It affords me great gratification to be once more in my City of Aberdeen". The dignitaries returned to their coaches and the procession traveled on to Guild Street railway station, where, after a luncheon, the Royal Party now joined by the Royal children, who had come direct from Balmoral, boarded the train for Windsor. Stoneywood Paper Mills Football Team
1984 Stoneywood Paper Mills football team pose outside what looks to be a clubhouse.
"The Stoneywood Football team is the 1925/26 team and the man second from the right in the row of seated men is my Grandfather Robert McDonald Ford".
The above information was kindly provided by Mr Keith AM Ford, March 2016. Newhills Manse
2137 The Manse of the Church and Parish of Newhills. This photograph was taken around 1930. Andrew Currie, who became the minister of Newhills in 1918, wrote "I love the old Manse, and I fondle in my heart a wish that the old house in turn will grow to like me, and that somehow it will remember mine and me when we are far from its shelter. For us all comes the day when 'our place shall know us no more.'" Duthie Park
2192 A postcard image, likely from the early 20th century, looking east across the northernmost section of Duthie Park's Upper Lake, towards the bandstand.
As can be seen on old large scale Ordnance Survey maps, the northern section of the lake was originally lobed shape as visible here. It was made more cohesively rounded at some point in the mid-20th century.
This part of the Upper Lake has traditionally been used for pedalos. Odeon Cinema
2267 The Odeon Cinema on Justice Mill Lane in October 1973. The cinema is showing a western starring Richard Crenna called A Man Called Noon and the South Africa drama The Winners, which was also known as My Way.
The cinema, originally called The Regent Cinema, was designed by Aberdeen architect T. Scott Sutherland and opened in 1927. It closed down as a cinema in 2002 and the building later became a health and fitness centre.
The exterior of the building is now listed. The Regent was the first of a number of cinema designed by Scott Sutherland. Treasure 34: A Selection of Original Scots Songs in Three Parts
2322 Although the union of the Parliaments between Scotland and England had taken place almost a hundred years before, as the 18th century was drawing to a close there was still much fascination regarding the differing cultures. In time, Victorian society would give this fascination a renewed vigour, helped by Queen Victoria's passion for Scotland - including the establishment of Balmoral Castle as her residence North of the border. Before that time though, in the late 1790s, books were produced offering English readers an insight into their neighbours' traditions.
One such book was entitled 'A selection of original Scots songs' edited by Franz Haydn and published between 1790 and 1794. The book is designed to introduce the reader to the music and lyrics of traditional songs in Scotland. Haydn's book reproduced the songs along with corresponding music, and also offered a glossary to help with the more obscure language.
Burns' song 'My Heart's In The Highlands' - more popularly regarded today as a poem - makes an appearance in the selected works by Franz Haydn. With the collected works produced between 1790 - 1794, this was at a time when Burns began to suffer from the illnesses which would eventually end his life just a couple of years later.
Robert Burns
Celebrated across Scotland every year, Robert Burns Day takes place on 25 January and is an opportunity to remember Scotland's Bard and his work. Known the world over as the National Poet of Scotland, Robert Burns (1759 - 1796) was born in Alloway, Ayrshire. Burns' early life was one of balance; he toiled on his family's farm by day, and was taught reading and writing by candlelight at night. He conversed in Scots, while learning passages from English texts to further his studies. Although regarded by history largely as a poet, Burns also composed many songs - perhaps his most famous work 'Auld Lang Syne' being one of the few traditionally remembered in song form. One of our treasures this month celebrates Robert Burns' work and that of many other traditional Scottish musicians. Lord Provost Collie at Aberdeen Joint Station
2645 In the 1980s, long distance train travel started to become popular again. The High Speed Trains on the East Coast route to London were the stars of the new fleet. Lord Provost Collie gave the accelerated "Flying Scotsman" service to London Kings Cross a send-off in June 1981. Hamilton Place, Looking West
2732 A postcard of Hamilton Place likely dating from the early 20th century. The view looks west from the juntion with Westfield Road. The house on the left foreground appears to be 8 Hamilton Place. A small part of 3 Hamilton Place can be seen across the road.
Correspondent Urlan Wannop, a former resident at 41 Hamilton Place, shared his memories about this place:
"My family lived in Hamilton Place between 1935 and 1948. The trees have since been removed, but on warm summer evenings we played ball games in the street before cars became prevalent. The trees stood in for stumps for games of cricket. In wartime, snow clearance for the very few motor cars and steam powered coal delivery wagons meant walls of snow at the pavement edge. I still have weights cast from lead left when all garden railings were removed in an abortive attempt to build tanks and ships for the war effort. (...)
[The] photograph precedes the wartime removal of railings. For historical record, the photograph was possibly taken in the 1920's, judging by the motor car in the background, the presence of the railings and the trees being less fully grown than in the days when they stood in as wickets for street games of cricket.
No sign of the knife grinders, bicycles of visiting French onion sellers nor of the street singer that progressed down Hamilton Place. All disappeared except from my memory.
The wartime Lord Provost, Tommy Mitchell - of Mitchell and Muil, the bakers - lived in a house at the near left; my Headmaster at the Grammar School, JJ Robertson, lived in one at the near right. Like me, he would walk to school down Craigie Loanings". Town House Extension Foundation Stone
2757 The foundation stone of the Aberdeen Town House extension on Broad Street.
As stated on the stone, it was laid by Lord Provost Robert S. Lennox on 17th November 1975.
The city architects responsible for the extension were I. A. Ferguson and T. C. Watson. It was built by Taylor Woodrow Construction (Scotland) Ltd.
The stone also makes reference to a casket buried five metres below the foundations to commemorate the dissolution of the Corporation of the City of Aberdeen as part of local government reform.
The casket ceremony was held on 15th May 1975 shortly after the last meeting of the Aberdeen Town Council which was being replaced by the City of Aberdeen District Council.
The casket ceremony was the final act of John Smith as lord provost. The official switch over of councils was marked by the "Bon-Accord" bell of the West Church of St Nicholas tolling from 11:50pm to midnight on 15th May. Earlier in the day saw a fireworks display at the Queens Links, pipe bands and a special lunch and church service for members and officials of the corporation. See local newspaper coverage from the time for more details on the occasion.
Around 80 people, including councillors, family and Taylor Woodrow employees watched Lord Provost John Smith place 29 items of interest into the copper clad box. Smith joked, "About the year 3048, an unsuspecting archaeological digger may come upon this box and he will no doubt remark on my genius."
Among the buried items were copies of the Press & Journal and the Evening Express, local books, records and cassettes of Scottish music, local government data, sets of coins of the realm and postage stamps, local stones, a phial of North Sea oil and plans for the Town House extension.
The casket was placed on a crane hook by Aberdeen Town House project manager Tom Nisbet and guided into the ground by foreman Andrew Benzies.
The ceremony was reported in local newspapers and the July 1975 issue of the construction company's magazine, Taywood News. ROBERT GORDON'S REMUNERATIVE RELATIONS WITH DANZIG
2874 In 17th century Poland, business was at its peak. At the time the country had the same population as Russia. The port town of Danzig - now known as Gdansk - was a worldwide trading centre to which many people migrated in order to make their riches.
It may be a shock to you, but in 1570 the number of Scottish immigrants in Poland was estimated to be 30,000. This is an immense number of immigrants when compared to the relatively small population of Scotland in the 16th century. One of these migrants was Robert Gordon (1668-1731), later to be the founder of Gordon's Hospital; which is now known as Robert Gordon's College and the Robert Gordon University.
Robert Gordon was a merchant trader during his time in Poland and he was successful from early on in his career. With a fortune of £10,000 amassed in Poland he invested in the rebuilding of Marischal College, lent money to estate owners and funded Robert Gordon's School for Boys.
In his Founder's Day oration of 1935, former Gordonian, Sir Alexander Roger, described presenting to the Polish government a photograph of the letter Robert Gordon wrote in 1700 from Warsaw to the people of Aberdeen, describing his plans to set-up up his hospital, and the reaction from the recipients:
"My Polish audience were more than ordinarily interested to learn what the writer of that letter, with a fortune strenuously acquired from Poland two hundred years ago, had been enabled to found a college in Scotland which today offered inestimable benefit balanced and liberal education to a thousands boys." Aberdeen Press and Journal, 27th April 1935
The image to the left is a reproduction of a painted portrait of Robert Gordon taken from The History of Robert Gordon's Hospital Aberdeen 1729 - 1881 (1896) by Robert Anderson. CONCLUSION
2880 Sadly, my report ends here. It has been a great pleasure researching the relationship between two countries with which I strongly identify. I was born in Poland and moved to Scotland when I was 6 months old along with my family. I can relate to both parts and consider myself a citizen of both countries. I hope you have enjoyed reading this report and are encouraged to research into your own family ancestry. Maybe you'll find some Polish heritage. Who knows? But most of all I hope you have become more knowledgeable on the matter, possibly making our community more aware of racism and prejudice and helping to tackle these very important issues in Aberdeen.
Sources and References
'Scots in Poland, Poles in Scotland' from The Krakow Post
link
Aberdeen Press and Journal, Saturday 27th April 1935
Aberdeen Press and Journal, Friday 13th September 1931
Wikipedia entry for Alexander Czamer
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'Scotland and Poland' from #ScotlandIsNow
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'Polish "most targeted group" in prejudice in Aberdeen' from BBC News
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'Alexander Chalmers, Scottish Mayor of Warsaw' by Ross 'Teddy' Craig
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'History of Gordon's' from Robert Gordon's College website
link
'Scots Diaspora' by Andrew Elliott
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'Did you know?' from Mapa Scotland: the Great Polish Map of Scotland
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'Papers Relating to the Scots in Poland (1576-1798)' from Electric Scotland
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Annie "Nan" Henry
2999 Annie "Nan" Henry (1880-1970) was one of the Henry sisters who worked with the magician Walford Bodie.
We hold a photograph album of hers at Aberdeen City Libraries. A handwritten inscription inside the front cover reads "To My Dear Sister 'Nurse Nan', From her loving Sis Loo, With Fondest Love." The inscription is dated 8 April 1912. "Loo" is Louisa Henry (1888-1912).
The album is a large volume, bound in dark green leather. The volume has seen damage over the years and now lacks some of this intriguing covering. Within floral endpapers is around 101 pages each containing approximately three photographs. The images are a mixture of postcards and photographic prints. Most appear to have been sent to Nan Henry while she was living in the Bodie family home in Macduff. Many have signed endearments on front and carry short messages on the reverse.
The life of variety performers was one of perpetual travel and many of the postcards are clearly missives sent back home. The majority of the images are studio portraits but there are also some outdoor scenes and views of home life in MacDuff. While it is difficult to establish exact information, the images look to date primarily from the 1910s with some perhaps reaching into the following two decades. As the album progresses we see new people, uniformed individuals clearly off to World War I and children who are likely to be the next generation of the family. Louisa Henry
3003 A studio portrait of Louisa Henry (1888-1912). She was one of the Henry sisters who lived and worked with the magician Walford Bodie.
This photograph comes from a family photograph album, originally owned by Annie "Nan" Henry, held by Aberdeen City Libraries.
A handwritten inscription inside the front cover reads "To My Dear Sister 'Nurse Nan', From her loving Sis Loo, With Fondest Love." The inscription is dated 8 April 1912. "Loo" is most likely Louisa Henry. Aberdeen Theatres: J. Scott Skinner
3394 James Scott Skinner (1843-1927) was a violinist and composer born in Banchory-Ternan. He was a regular performer on the stages of the North-East and beyond.
During his career he toured extensively including in North America. He performer as part of Walker & Company, the local cinema pioneers, and his playing was recorded many times.
Skinner was also a prolific and influential composer of violin music, particularly slow strathspeys. He wrote over 700 tunes, some of the most famous include The Bonnie Lass o' Bon Accord, The Cradle Song and The Miller o' Hirn.
He died on 17th March 1927 at his home at 25 Victoria Street, Aberdeen, after an exhausting tour of American. He is buried in Allenvale Cemetery. He wrote about his life in a book called My Life and Adventures.
This photographic portrait of James Scott Skinner is by Morgan of Aberdeen. Skinner stands dressed in formal Highland garb and holding his violin and bow. The image is the frontispiece of an edition of The Harp and Claymore. Underneath the photo his signature is accompanied by the quote "My age is a lusty winter, frostly but kindly". |