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Correction Wynd
894 A late 1970s or early 80s photograph looking south along Correction Wynd towards the Green and the indoor market. The arch above is that which takes Union Street over this lane.
The Union Bar can be seen in the distance on the corner of Hadden Street and Carmelite Street. The pub closed down in 1968 and its block was demolished likely not long after this photo for the widening of the Hadden Street access to the Green and a new residential development. His Majesty's Theatre renovations
1161 The stage and new grid at His Majesty's Theatre during renovations. His Majesty's Theatre renovations
1168 The support and underneath of the new revolving stage under constrruction at His Majesty's Theatre, Aberdeen. His Majesty's Theatre renovations
1169 The support and underneath of the new revolving stage under constrruction at His Majesty's Theatre, Aberdeen. His Majesty's Theatre after renovations
1183 The understage area at His Majesty's Theatre. The underside of the revolving stage is in the centre of the image. The shuttered door belongs to the lift which takes scenery up to the stage level. Aberdeen Theatres: His Majesty's Theatre
3356 Seating more than 1400, His Majesty's Theatre is the largest theatre in North-East Scotland and is now a category A listed building.
Situated on Rosemount Viaduct, it was designed by the architect Frank Matcham and costed £35,000. It was originally built as a replacement for the former Her Majesty's Theatre (now the Tivoli), meeting the need for a larger venue and better staging facilities.
Robert Arthur, the theatre impresario, submitted the plans for the new theatre in 1901. Construction started in 1904 and it opened on the 3rd December 1906 with a production of the pantomime Little Red Riding Hood, of which you will see the programme next in this exhibition. The pantomime played to a full house on its opening night and ran until the end of the year to great success.
Arthur's company presented plays, opera and pantomimes until 1912, when it ran out of funds. Robert Arthur Theatres Ltd. sold the theatre in 1923 to Walter Gilbert, managing director of the Tivoli Theatre. It changed hands again in 1932, after Gilbert's death, when it was bought by Councillor James F. Donald. The new owner refurbished the venue and introduced new features such as a revolving stage and a cinema projector.
In 1975, Aberdeen City council bought the venue, then allocated £3.5 million to give it a new life. After being closed for 23 months, His Majesty's Theatre was reopened on the 17th of September 1982 by Prince Charles.
In 2004, the theatre was once again closed for refurbishment. It reopened in 2005, renovated and modernised with a new green room, a coffee shop and re-upholstered seating. Aberdeen Theatres: His Majesty's Theatre in 1936
3360 The exterior of His Majesty's Theatre on Rosemount Viaduct in May 1936.
Buses line the street outside the building. This is a summer line up of Aberdeen registered touring buses together with their smartly dressed drivers. The destinations of the vehicles include Lossiemouth and Killiekrankie.
The sign above HMT's main entrance advertises showings of two films: In Person with Ginger Rogers and George Brent and Old Gay Dog, about a vet played by Edward Rigby. These screenings were accompanied by a "singing, dancing and orchestral Irish scene" performed on the stage.
More regular film showings at HMT, and superior equipment to do so, were introduced by James F. Donald after he purchased the theatre in 1932.
The fine ionic columned building to the left of the image was originally known as the South United Free Church and later as St Marks Church. The Central Library is beyond. Aberdeen Theatres: Prince Charles at HMT's reopening
3363 Prince Charles on stage after the gala re-opening of His Majesty's Theatre on the 17th September 1982. The theatre had been closed for 23 months for renovation. Aberdeen Theatres: Aberdeen Arts Centre
3386 In 1960 the education committee of Aberdeen Town Council proposed the conversion of the empty North and Trinity Parish Church into an adult education and civic arts centre. The plan was given final approval in February 1961, much to the delight of Aberdeen's art enthusiasts.
The Evening Express detailed the need for such a venue at the time by describing the difficulties faced by the William Gavin Players, a local drama group, in staging a play earlier that week in the ballroom of the Music Hall. They had to overcome the roar of a nearby wrestling audience, the incessant ringing of an unanswered telephone, a cramped stage and poor acoustics.
A temporary restriction on capital expenditure and a particularly severe winter caused delays for the conversion. Work began in late 1961 and was concluded by the autumn of 1963. The work cost around £33,000 and saw the reconstruction of the interior and a thorough re-vamp for the building's exterior. At one point the new centre was going to be called Longacre, but this idea was scrapped in favour of Aberdeen Arts Centre.
The completed venue was opened on 18th October 1963 by Sir Herbert Read (1893-1968), an art critic, poet and anarchist philosopher. In his speech Read criticised the main political parties of the day for neglecting the development of the arts and the human imagination in favour of a blind drive for scientific and technological efficiency.
In addition to the 385-seat auditorium, the venue had an exhibition space, a lounge, and a tea bar. The Arts Centre has remained the focal point for local arts groups and arts education to this day. It has also served as a meeting place and provided a useful stage for theatrical productions of all types.
In 1998, facing the need to cut £17.5 million from their budget, Aberdeen City Council withdrew their funding from the Arts Centre. This left the future of the venue in danger. A popular campaign to avoid its closure was led by Annie Inglis MBE (1922-2010), Aberdeen's first lady of theatre.
This led to the Aberdeen Arts Centre Association taking over the venue on a voluntary basis and the eventual formation of the Castlegate Arts Limited, a company with charitable status who continue to run the venue today.
Over the years the Arts Centre has played host to many noted local theatre groups like the Attic Theatre Co., The Revue Group, the aforementioned William Gavin Players, Phoenix Theatre, the Gilbert & Sullivan Society, Aberdeen Opera Company, Confederate Theatre, Dragongate Theatre, and no doubt many more. It remains a much-loved venue for performers and audiences of all ages. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Electric / Capitol
3402 A photograph showing the Capitol façade in January 2021.
By the 1960s and 70s the Capitol was increasingly being used as a venue for live events. Michael Thomson credits its survival over the Majestic, closed down in September 1973, as due to the Capitol's superior stage facilities. The Donald family, the venue owners, had the stage enlarged in 1975.
Appearances by popular groups like the Bay City Rollers in 1974 suggested the future for the venue at the time. The Capitol also saw performances by the Rolling Stones, Roy Orbison, Queen, Boyzone and Chuck Berry among many others. The Capitol ceased showing films in 1995.
The Capitol contained a restaurant, and subsequently bar, in the cinema's former café area around this period. 1993 saw the opening of the Art Deco and cinema themed bar Oscars in this space.
The Capitol functioned as a wonderful venue giving North-East audiences the chance to see top performers for many years. It became increasingly uneconomic to run and the curtain finally came down on the venue on Monday 15th December 1997.
The building was later converted into a nightclub and restaurant called Jumping Jaks and the Chicago Rock Café that opened in around 2003. These closed down in 2008 and the Capitol laid empty for some time.
In 2013 Knight Property Group began plans to redevelop the site as a modern office complex. The £30m project retained and restored the cinema's original façade and employed an Art Deco style in its foyer entrance to reference the history of the building. The venue's auditorium that had been much altered and had fallen into disrepair was demolished. The launch of the new office complex was held on 10th June 2016. Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Picturedrome / Cinema House
3413 This photograph shows the Picturedrome/Cinema House building in the mid-to-late 1970s, after it had ceased being a cinema. As with many cinemas at the time, it was converted into a bingo hall. In 1981 it was rechristened Casino Bingo.
In the Evening Express of 22nd December 1986 it was announced that Coral Social Clubs of Nottingham had purchased the Kingsways on King Street and Casino Bingo on Skene Terrace. Both were former cinemas owned by James F. Donald (Aberdeen Cinemas) that were then operational as bingo halls.
The chairman of James F. Donald (Aberdeen Cinemas), Richard Donald, confirm the sale of the venues and expressed sadness to see them go, particularly the old Cinema House hall that had been in the family firm for over 50 years and that he had managed as a 14-year-old. Both venues were retained as bingo halls by Coral Social Clubs, which later became known as Gala Bingo.
In 1995 the Cinema House building was redeveloped and opened as a 350-capacity live entertainment centre. It was named the Playhouse after the old Donald owned cinema located at the west end of Union Street.
The new Playhouse offered live music, cabaret and dancing. At the time of opening a spokesperson for the owners, Balgownie Development Company Ltd., said "We're offering a full night's entertainment where they can come in have a meal and enjoy a night of cabaret and dancing all under the one roof". Interior changes were kept to a minimum in the redevelopment to retain the atmosphere (Evening Express, 21/10/1995, p. 4).
1995 also saw the opening of the Stage Door Restaurant in the North Silver Street side of the building. The eatery was from the same team that operated Aberdeen's Courtyard Restaurant and retained a number of design features from its time as a cinema. The restaurant had an impressive large bowed ceiling and theatre related wall illustrations. This space was later occupied by a computer gaming and esports hub called Engage Gaming. In 2020 this company changed their name to Reset Gaming and moved to premises on John Street.
After the Playhouse, the main part of the building was occupied by the Forum from 1998 and operated as a well-known concert and events venue. Most recently it was a venue called The Assembly, which sadly closed down in 2019. His Majesty's Theatre: The Revolving stage under construction
3442 HMT had the only permanent revolving stage in Scotland. Image taken around 1932. The scenery dock doors are on the right and the 'Props Room' on the left. [Image from the Aberdeen Performing Arts Archive.] His Majesty's Theatre: Cine-Variety advert
3447 Advert from a programme for a Cine-Variety bill. After the two films were projected, the stage would revolve to reveal the variety acts. Lambert Wilson was the resident HMT Musical Director. [Image from the Aberdeen Performing Arts Archive.] His Majesty's Theatre: Margaret Lockwood
3467 Signed photograph of the stage and screen star Margaret Lockwood. The autograph was dedicated to Mr James Donald who was the manager of HMT at the time.
Margaret Lockwood played Peter Pan, in a version of J. M. Barrie's famous play, at His Majesty's Theatre in February 1958. Her daughter Julia Lockwood played Wendy in the production. It has been suggested that this signed photograph might date from this appearance.
[Image from the Aberdeen Performing Arts Archive.] His Majesty's Theatre: The modern exterior
3489 The facade of HMT. The most recent extension, to the right of this image, incorporates new front of house and back stage facilities. The extension was designed by Trevor Smith from the Aberdeen City Council Architects Department. This photograph dates from 2005. [Image from the Aberdeen Performing Arts Archive.] Site of McKay's
3498 A photograph from 24th February 2021 showing the cleared former site of McKay's clothing shop at 29-31 Queen Street. The business relocated to new premises at 251-253 Great Northern Road in early 2020.
The Queen Street site was sold to Aberdeen City Council in 2019. The building was demolished in the early months of 2021 as a preliminary stage of the authority's Queen Street regeneration project.
The £150 million transformation includes plans for 300 new homes, a civic hub, cultural assets, enhanced heritage features and a high-quality public realm.
McKay's opened their two-floor premises on Queen Street on 25th March 1971. The family business, which has been on the go since the early 20th century, had previously occupied two other locations on Queen Street. The latter Queen Street premises was famous for its abundant and varied stock.
The eastern exterior wall of the building was the site of a large mural depicting a golfer by Norwegian artist Martin Whatson. This was created for Aberdeen's first Nuart festival in 2017 and sadly had to be demolished along with the building.
The rear of A. Marshall Mackenzie's Greyfriars Church of 1903 can be seen on the left of this image. |