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Settmaker at Persley Quarry
1071 The Aberdeen area had many granite quarries, and there was a need for men who had the skill to reduce huge blocks of granite into manageable pieces by chipping it with a variety of hammers, and chisels to produce the required shape and size. In this 1920's photograph we see a settmaker at Persley Quarry on the north side of the River Don in Aberdeen, at his wooden shelter or 'skaithie'. These shelters provided some sort of wind break for these men who had to sit on blocks of granite patiently working on the hard stone. Settmakers made cassies for roads and Aberdeen setts were used to pave streets in London. On his left is a tripod structure which acted like a small crane to lift the bigger stones into position. Note the lack of protective safety equipment apart from some extra padding on his knees. The Aberdeenshire Canal
1789 This drawing shows a barge being pulled by two horses along the Aberdeenshire Canal, with the twin spires of St. Machar Cathedral in the background.
The Aberdeenshire Canal was opened in 1805 and ran for 18 miles from Aberdeen to Port Elphinstone, near Inverurie. It was first proposed in 1795 by various landed proprietors as a means of providing better transport connections for the rural interior of Aberdeenshire.
The new waterway was fed by the River Don and various streams and springs. Barges transported goods and fly boats or gig boats carried passengers.
In 1840, the goods transported included nearly 4000 tons of lime, 5000 tons of coal, 1124 tons of meal, 54 tons of salt, 110 tons of wood, 51 tons of granite, 43 tons of livestock and 8 tons of whisky. Passenger traffic was catered for by two iron boats, which made the trip twice a day in summer and once a day in winter. It cost 2 shillings (10p.) for the full journey or 2d. (about a half pence) per mile.
As a result of the number of locks to be negotiated at the Aberdeen end, passengers disembarked at the Boathouse at Kittybrewster, having completed the journey in 2 and a half hours. Goods traffic was handled by various barges, some of which belonged to the canal company. It took them 10-14 hours to complete their passage to Aberdeen Harbour. There were facilities for changing the horses at Dyce and Kintore.
In his book The Annals of Woodside and Newhills Patrick Morgan remarks that the canal "was a great convenience to the inhabitants, and a luxury to the boys for bathing in summer and skating in winter." There is no mention of girls using the canal for leisure purposes - perhaps they were required to stay at home and help with housework instead.
The canal increased the prosperity of the area that it served but it was never a huge financial success for its owners. Also it was about to be overtaken by a much speedier rival. Its demise as in other parts of the country was largely brought about by the coming of the railways. The Aberdeenshire Canal was bought over by the Great North of Scotland Railway and finally closed in 1854. The company gave £1000 as compensation for depriving the inhabitants of Woodside of the privilege of the Canal and to assist in obtaining a supply of water from other sources.
There is very little physical evidence to remind us that the Aberdeenshire Canal ever existed. However there is one quite substantial remnant which lies close to Great Northern Road - Warrack's Bridge was one of the original canal bridges and looking over the west side of the bridge the curve of the canal bed can clearly be seen. Aberdeen Theatres: Dufton Scott
3393 Robert Dufton Scott (1880-1944), born in Forgue, was another prominent North-East entertainer.
Much can be learnt of his life from the Press & Journal obituary that followed his death at his home at 3 Kirkland Terrace, Inverurie on 19th September 1944. He was sixty four years of age.
He is described as a well known elocutionist and exponent of Aberdeenshire doric. He spent his youth in Huntly and later moved to Aberdeen. The P&J suggest his "vivid delineation of Aberdeen life and character" quickly placed him at the forefront of Scottish entertainers.
He toured with Walker & Company, the local cinema pioneers, and appeared on the same bill as artists such as James Scott Skinner, Durward Lely, Mackenzie Murdoch and Jessie McLachlan.
He was associated with David Thomson at the Beach Pavilion and also appeared in concerts at the Music Hall.
Additionally, Scott found success publishing books of Scottish stories and broadcasting on the radio. In the 1910s he had moved to Inverurie and had set up business as a bookseller.
He was survived by his wife and three sons.
Pocra Quay
3569 This photograph depicts Pocra Quay on the left and the South breakwater lighthouse off in the distance on the right.
Multiple ships are registered in Aberdeen and Banff, such as Ebenezer (A892) belonging to Thomas Davidson, Callykhan (BF122) of J. Murray & others, and Tarbat Ness (A203) and Buchan Ness (A204) which belonged to the Girdleness Herring Drifting Company Ltd. based in Aberdeen.
Buchan Ness (A204) was built in 1908 and over the years had its name and registration changed a couple of times. In 1912 it was renamed to F.H.S. and moved to Yarmouth for John F. C. Salmon. Then, in 1929 it was moved to Banff and renamed again to Thealby for John Wood.
The wood screw steamer Vine (A279) also has an interesting story. It was built in 1900 by Forbes & Birnie based in Peterhead for a fish salesman from Aberdeen Thomas Davidson. An article written in The Buchan Observer of 20th March 1900 describes a celebratory banquet in honour of the newly built ship as it was leaving Peterhead to Aberdeen, where it would have a steam engine installed. The vessel was described as an "extraordinary success" due to its appearance and speed.
Unfortunately, in 1915, the ship was captured by enemy submarine and sunk with gunfire 30 miles north-east from Out Skerries, Shetland. All crew returned home safely.
The photograph was likely taken between the years of 1908 and 1915. Newhills Convalescent Home and Sanitorium
3810 A group portrait of patients and staff at the Newhills Convalescent Home and Sanatorium in the 1930s.
The Newhills Convalescent Home was founded by Christian Catherine Smith in 1874. She was the wife of Rev. James Smith, the minister of Newhills Parish Church. The couple lived in the nearby church manse. Christian grew up in North Ayrshire and demonstrated concern for the welfare of others from a young age.
Christian married James Smith on 14th April 1869 and it was shortly after arriving in the parish that she recognised the potential of the place as somewhere ill people could come to rest and regain their health. The convalescent home was subsequently started at Dykeside Cottage. It was a great success and operated at this location for 7 years.
Annual newspaper reports on the home described its purpose as being for "the benefit of respectable persons in humble life who appear to be failing into dishealth, or are convalescing after non-infectious ailments."
In 1908 Christian Smith stepped down as head of the home due to ill health and was replaced by a publicly elected executive board. This was led for many years by Dr. Walter A. Reid and during his tenure the institute was modernised and extended.
In 1948 the home was incorporated into the National Health Service. Due to issues of staffing and its unsuitability during winter, the decision was taken to close the home. Patients were transferred to other local hospitals and in the same year the home was sold to Aberdeen Town Council.
The buildings were subsequently operated as a home for the elderly and homeless until March 1980 when it was sold into private hands.
After leaving the manse in 1917, Christian Catherine Smith, the founder of the home, lived at 2 West Craibstone Street. She died there on 6th December 1924 aged 81. She was buried at Newhills Church and the then minister Rev. Andrew Currie led a memorial service. He described the Newhills Convalescent Home as "an institution not only for the healing of bodies, but a place for the comfort of hearts and the cure of souls." Christian Smith's name can still be seen today in one of the church's stained-glass windows. Treasure 48: Tuberculosis Exhibition Poster
219 In March 1912 an exhibition on the infectious disease tuberculosis was held in the Music Hall on Union Street. This striking poster, with the headline 'War on consumption', advertised the six day event and the accompanying series of lectures.
The exhibition was organised by the Town Council of Aberdeen and the National Association for the Prevention of Consumption. The majority of the exhibition was brought to the city by the latter party with local additions from the Aberdeen Public Health Department, the pathological and public health laboratories of the University of Aberdeen and the Aberdeen Mothers' and Babies' Club.
The exhibition arrived in Aberdeen on the 16 March from Dundee where it had been visited by 30,000 people. It had also toured Glasgow, Edinburgh, Liverpool and Hull.
The exhibits were arranged in the Music Hall's Ball Room and Square Room by Mr Haughton, the organising secretary, with assistance by officials of the Public Health Department. The exhibition included two full sized model rooms. Living conditions such as good ventilation, fresh air and sunlight were considered vital in combating the disease. A "bad room" was modelled on a real property in the East End of London.
Tuberculosis was a grave health concern at the time. The poster states that "During the past Ten Years in Aberdeen 1997 persons died from Consumption, and 1039 from other forms of Tuberculosis." In a preview of the exhibition from 19 March, the Aberdeen Journal wrote "The object of the exhibition is to draw attention to the enormous wastage of life and work caused by tuberculosis in its various forms; to show how the disease is caused and spread; and to illustrate the methods of cure and the precautions for its prevention."
The importance of the exhibition was further stressed in a later article which stated: "There is no single disease that causes among civilian communities so many deaths and manifests itself in such various forms, and nothing can be more desirable than to bring home to the masses of people how the deadly scourge can best be prevented or checked. In Aberdeen alone the number of deaths yearly from all forms of tuberculosis is about 270, and of these about two-thirds, or 180, are due to pulmonary tuberculosis. The disease usually lasts long, and the number of definite diseases attributable to it at any one time in the city is probably not less than four or even five times as large as the deaths."
The exhibition was opened by the Principal of the University of Aberdeen, George Adam Smith, and was accompanied by a series of daily public lectures by experts on the disease. Each day's lecture was followed by cinematograph presentations illustrating the precautions taken in connection to tuberculosis. The lectures were held next-door to the Music Hall in the Aberdeen Y.M.C.A. Hall.
At the close of the "six day crusade against tuberculosis", Lord Provost Maitland described the exhibition and lecture series as "Magnificent" and the Journal stated that the success of the event, "judged by popularity, is beyond all doubt." In total 39,960 attended over the six days, placing Aberdeen behind only Hull which was open for an extra day. Approximately 20,000 health pamphlets were disseminated around the city, including 15,000 catalogues freely distributed by the Public Health Committee. A copy of this catalogue, which includes an instructive article from Hay, is kept in the collection of Aberdeen Local Studies. Treasure 102: Newhills Convalescent Home and Sanatorium
323 Aberdeen City Libraries has a large and significant collection of historic photographs. This month we are highlighting a collection of images of Newhills Convalescent Home and Sanatorium in the 1930s.
The album contains 58 photographs of the home's buildings, grounds, staff and patients. The institution is shown at different times of the year and celebrating special occasions. The majority of the images are delightful portraits. We do not have names for the individuals shown but the pictures convey a sense of the life and community of the home. If you are able to identify any of those photographed, we would be pleased to hear from you. The Newhills Convalescent Home was founded by Christian Catherine Smith in 1874. She was the wife of Rev. James Smith, the minister of Newhills Parish Church. It was shortly after arriving in the parish that she recognised the potential for a place for ill people to come to rest and regain their health. Annual newspaper reports on the home described its purpose as being for "the benefit of respectable persons in humble life who appear to be failing into dishealth, or are convalescing after non-infectious ailments."
The convalescent home was started at Dykeside Cottage in Newhills. It was a great success and operated at this location for 7 years. In 1882 a new building just north of the parish church was constructed to meet the rising demand for treatment. By 1900 patients with tuberculosis were admitted, with the home operating a sanatorium department from 1902.
Learn more about this Home's history in the Treasures from our Collections interactive exhibition on the touchscreen. Tragedy of Douglas; or, The Noble Shepherd
488 This broadside advertises a play on Saturday 20th November 1813 at the Theatre Royal on Marischal Street. The play is Douglas; or, The Noble Shepherd. Printed locally by John Booth of North Street, the broadside modestly declares the play to be of equal quality to any production outside of London.
Accompanying the play were comical songs, a ballad, and a reworking of Shakespeare's Taming of the Shrew by David Garrick, titled Catharine & Petruchio.
The broadside indicates locations that tickets may be bought, the "Public Library" and the "Musical Repository", and other productions available for viewing. The play's cheapest ticket, for the gallery, cost 1 shilling. This was approximately half a shilling shy of the cost of a loaf of bread (Aberdeen Journal, 7th July 1813).
Douglas was a five-act tragedy authored by John Homes. Performed first in 1756 Edinburgh, it was a resounding success, with productions put on across the eighteenth and nineteenth centuries, travelling as far a field as North America. That being said, that week's edition of Aberdeen's Journal only gave the announcement of the play's arrival one line, buried in the third page.
The play's contents was often changed by Home, depending on its audience. The play examines the deep tension between Scotland's people and its nationhood, particularly in regard to Scotland's cultural independence from Britain. On the play's first night in 1756, the play so inspired one playgoer with patriotism that he shouted "Whar's yer Wully Shakespeare noo!" in the middle of the performance. (Megan Stoner Morgan, Scottish Literary Review, vol. 4, no. 1 (2012)).
The play also left a deep impression on the Scottish Enlightenment philosopher David Hume. Regarding the broadside, it is interesting to note that Douglas, not the Shakespearean comedy, was the headline act.
The play's protagonist, Douglas, is played by an H. Johnston, most likely a 36-year-old Henry Erskine Johnston. A portrait of him playing the title role is held at the National Portrait Gallery. Impressively, he also serves as Petruchio in Garrick's Catherine & Petruchio. Likewise, other actors play characters in both productions. |