Quick Search
|
Search Results
You searched for: More Like: 'Businessman's new charity role'
19 items
items as
Aberdeen Public Soup Kitchen
1191 Aberdeen Public Soup Kitchen was first established as a charity in 1800 in St. Mary's Chapel in St. Nicholas Church. It supplied a breakfast of coffee and bread and a lunch of bread, soup and a piece of beef or mutton to the needy of the city. In a period of nearly 240 days it supplied over 140,000 servings of soup and bread.
The Soup Kitchen moved to Loch Street in 1838 and this new building was opened by Lord Provost Stewart in December 1894. The ground floor dining room had accommodation for at least 50 people and the tables were marble topped. In 1926, a total of nearly 27,000 meals were provided with funding still coming from charitable donations since few could afford even the two pence (1p) for the lunch.
The building survived major developments in the surrounding area but in recent years its charitable purpose was no longer thought necessary, and it was converted into a café in the mid 1990s. In 2022, the building still stands at 41-43 Loch Street, with the covered walkway for John Lewis and the Bon Accord Centre to its south (to the left of this image). It is occupied by a outlet of the Jo Malone London fragrance and candle store. Brae Farm
1790 This photograph was taken in 1951 by James Kellas and looks east showing, on the left, the rear of Brae Farm, located on Morningside Road, and part of 142 Morningside Avenue on the right.
There was originally a Brae Farm to the north west of this location that can be seen the Ordnance Survey map published in 1869 (Aberdeen Sheet LXXV.14). Just to the north of the old farm on the map is a single Aberdeen Water Works reservoir.
An article from The Leopard magazine by Diane Morgan (October/November 1985) explains that in 1885 an Aberdeen Corporation Water Act was passed to empower the Town Council to take eight million gallons daily from the River Dee and to build a second reservoir at Mannofield. This was to keep up with the city's rapid population increase.
To carry out the expansion, the council acquired the land adjoining the initial reservoir including the first Brae Farmhouse and its steadings. They then became known as Reservoir Cottage and Reservoir House and served as the home of the inspector of the water works. A relatively early inspector was called William Clark. On 28th February 1898 he died at the cottage aged 64. He was buried in the John Knox Churchyard (Aberdeen Weekly Journal, 02/03/1898, p.4).
Clark was likely succeeded as waterworks inspector by James Forsyth. The Forsyth family lived at the cottage well into the 20th century. James was married to Margaret (née Jaffray), who died after him on 28th July 1945, aged 85. Their second son, Sapper John Forsyth, died aged 26 at Oldmill Military Hospital on 20th April 1917. He was buried at Springback Cemetery.
The reservoirs continue to play a vital role in supplying water to Aberdeen. The cottage and house however were demolished in the late 20th century and replaced by modern water treatment buildings.
As shown on the 1901 OS map, sometime shortly after the passing of the 1885 act the Brae Farm we can see in this picture was built to the south east, where Morningside Road met Auchinyell Bridge. To the east, Aberdeenshire County Cricket Ground was also built around the same time.
This later Brae Farm was the home to the Kinnaird family for the first half of the 20th century. The heads of the family were Frank Kinnaird and Margaret Amelia Smith.
Their son Lance-Corporal A. G. Kinnaird, of the Royal Scots, was reported as a prisoner of war in Germany in June 1918. Prior to the war he had worked with the Clydesdale Bank (Evening Express, 03/06/1918 p.3).
Frank's eldest daughter, Jessie Sinclair, married James Smith Mathieson at Ruthrieston U.F. Church on 7th September 1927 (Evening Express, 08/09/1927, p.6).
A younger daughter, Edith Kinnaird, married a man from Portsmouth called Andrew Livingstone in July 1936. The marriage took place in Ruthrieston West Church and the reception was at the Caledonian Hotel (Press & Journal, 06/06/1936 p.8).
Daughters Amelia Elizabeth and Margaret Kinnaird both left Brae Farm in the 1920s (1924 and 1920, respectively) to reunite with fiancés who had travelled ahead to Canada.
Frank Kinnaird died on 12th August 1950, aged 84.
At some point during the 1930s-1950s the residential streets we know today, Morningside Avenue, Terrace and Place were constructed between the reservoir and the new farmstead. These streets take their name from Morningside Farm to the east. As can be seen in this photograph, the farm stood into the 1950s. It was eventually demolished when Morningside Avenue was extended to meet Morningside Road. The newer bungalows can be distinguished by their tiled, rather than slated roofs. Stop 4: Health Services for Women and Children - Agnes Thomson (1880-1952) Clementina Esslemont OBE (1864-1958) Fenella Paton (1901-1945) and Mary Esslemont (1891-1984)
2303 The first sick children's hospital on site of former Naval Surgeon's Dr Blaikie surgery on 6-8 Castle Terrace in 1877 extended to take in Castle Brae Chapel. An unsung heroine that worked on this site is Dr Agnes Thomson (nee Baxter) a graduate from Aberdeen University who served as an anaesthetist at the Sick Children's and Maternity Hospitals during the First World War. Agnes Thomson was instrumental in founding the Aberdeen Mother and Baby Home and volunteered her services to the Mother and Child Welfare Association, which was established to address the shockingly high death rate of babies and toddlers in the east end of Aberdeen.
Throughout her life, Clementina Esslemont OBE was a champion of liberal ideas and good causes and well known for her no-nonsense approach to social service provision. One of her principal achievements was the foundation of the Aberdeen Mother and Child Welfare Association in 1909, which played an important role in social service and public health provision in the City of Aberdeen until the creation of the Public Health Department in 1949. She was also involved in the establishment of a model block of tenements on the Spital, Aberdeen, in the formation of Aberdeen Lads' Club, St Katherine's Club, and the nursery school movement.
Dr Mary Esslemont, one of Clementina Esslemont's daughters, worked as a Gynaecologist at the hospital. Mary did much to improve the care and wellbeing for mothers and babies with her determination and hard work. As well as being the Gynaecologist she also ran prenatal and family planning clinics. Mary was an advocate of women's rights, health education and family planning. She was the first female president of the Student University Council and the first woman to be president of Aberdeen Liberal Association in 1954. Awarded the CBE in 1955, Aberdeen City Council bestowed the Freedom of the City of Aberdeen in 1981.
Aberdeen has also led the way in family planning with a remarkable woman at the forefront of fertility control. Pioneer Fenella Paton opened Aberdeen's first family planning clinic in 1926 at Gerrard street. The clinic, the first of its kind in Scotland, moved to new premises in Castle Street in 1948. But prior to these clinics and innovations in family planning there were large families and mothers that needed to go out to work and at our next stop an initiative was put in place to help these working women.
Memories:
Norma Michie speaking about Mary Esslemont
Audrey's memories of the Family Planning Clinic
Denise's memory of the Family Planning Clinic
Heather's memories of Ina Lawrence and the Children's Hospital
Alma Duncan's memories of Cocky Hunters Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Picturedrome / Cinema House
3411 The Cinema House was located at the corner of Union Terrace, Skene Terrace and North Silver Street. The building was designed by Arthur H. L. Mackinnon and originally built in 1897-1898 as a clubhouse for the Aberdeen Union Club. Mackinnon (1870-1937) was a local architect who also designed the Aberdeen Fire Station on King Street and Mile End School.
The building's first recorded use for cinematographic purposes was a New Year Holiday Carnival organised by the pioneering Aberdeen cinematographer and exhibitor William Walker in December 1901. Alongside an early picture show the extravaganza featured the popular fiddler James Scott Skinner and a conjurer called Harry Marvello.
It was a Londoner by the name of Henry N. Philips who came to Aberdeen and in June 1910 converted this building into Aberdeen's second permanent cinema: the Picturedrome. The enterprise was a great success and Philip's formed a company called British Animated Pictures to run the cinema.
The 'Drome's first manager was Harry Fenton. He also appeared on the cinema's stage as a singer. This was a time when cinemas would often show a mixture of films and variety performances. The venue had a pianist called Hal Scott who would accompany performances and provided musical ambience.
The Picturedrome was noted for showing the film productions of Thomas Edison's Edison Studios and for consistently good stage turns.
In 1923 the Picturedrome/Union Club block was sold to the Loyal Order of Ancient Shepherds. They were one of the 19th century friendly societies in which people would band together prior to the development of more comprehensive welfare provision. The Shepherds continued to run the cinema for a period. A sign for the society can be seen in the top left of this image.
In May 1924 the cinema was taken over by James F. Donald. He was the patriarch of the Donald family that played a prominent role in the history of cinemas and theatres in Aberdeen. Restored and improved, the venue reopened on the 11th August of that year as the Cinema House. Donald initially held the premises on a 20-year lease, but would go on to buy the property outright.
This photograph, taken from in front of the Central Library, dates from around 1934 and shows the cinema advertising Father Brown Detective and The Lemon Drop Kid. Also visible next door at 2 Skene Terrace is a branch of the successful grocer and provision merchants, Wilburn Ltd.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Treasure 24: Aberdeen Mechanics Institute
195 2015 marks 170 years since the founding stone of Aberdeen Mechanics' Institute was laid. The history of this well-known building in Aberdeen's landscape has however often been forgotten. We hold a small collection of posters and flyers relating to the Institute and its courses and lectures in our Local Studies collection.
The School of Arts of Edinburgh, established in 1821, was the world's first Mechanics' Institute. Two years later, the Aberdeen Mechanics' Institute was established "for the purpose of affording to Mechanics, and others employed during the day, the means of acquiring such knowledge as may be of practical utility to them in their several professions, or which may be useful for cultivating their minds by extending their acquaintance with the phenomena of nature and the arts of life" (A. Yeats, Secretary. Aberdeen Journal, 14 February 1844).
The Mechanics' Institute soon became a very important educational force in the city. It also provided educational advantages for those who otherwise would never have had the opportunity or the means of acquiring them.
Initially a place of entertainment, the Mechanics' Institute subsequently became a public library on the adoption of the Public Libraries Act (1884). The Library was the most valuable asset of the institution and was viewed as a necessity, providing significant educational opportunities to its members.
For a period of nearly 60 years, the Mechanics Institute played a major role in influencing the culture and education of the people of Aberdeen.
See the whole digital exhibition (the link will open in a new browser window). Treasure 41: Mary Garden Record Collection
210 We hold a number of original vinyl records in our collections, including those of Mary Garden, a local girl who found global fame as an opera singer in the early 20th Century.
Born at 35 Charlotte Street on 20 February 1874, Mary Garden left her native Aberdeen around the age of nine when the family moved to America in search of better opportunities and a new life.
After a period of uncertainty and several moves, a young Mary accepted a role as a childminder in Chicago, with payment taking the form of singing lessons to further her obvious interest. By 1896, Mary had shown sufficient progress that she accompanied her tutor to Paris in a quest to pursue a career in opera.
Mary's first big break came in 1900, when she performed in the new opera, Louise after the main star became unwell. A series of leading roles followed in 1901, including Thaïs, Manon and Madame Chrysanthème. For the next decade, Mary courted both limelight and controversy as she portrayed leading characters on stage, while being romantically linked to various composers and directors off-stage. Adding fuel to these fires of speculation, Claude Debussy chose Garden to create the title role of his new play, Mélisande, overruling the preference of his own librettist.
At the outbreak of the First World War, Mary attempted to enlist in the French army - but with her identity discovered, she instead turned to nursing at a hospital in Versailles. When she returned to America, she continued to raise funds for the French Red Cross. Her efforts during both war and peacetime generated awards from Serbia and France.
Mary appeared in two silent films - the first released in 1918 - but she found difficulty adapting to the new medium and this separate career never took off. She returned to her first passion and continued to perform in opera until the mid-1930s.
In 1921, Mary was offered the role of director of the Chicago Opera Association, and as she was still performing - undertook both roles with fervour. Under her tenure, the Association took on many new and exciting artists and works.
At the outbreak of war in 1939, Mary chose to remain in Paris, until the German invasion forced her to escape, leaving all of her possessions behind. In June 1940, she returned to Aberdeen but the lure of teaching the next operatic generation proved too strong and she once again travelled to America to coach young stars and give lectures in 1949-1950.
By this time, it appears that Mary's memory had started to suffer - evidenced by the 1951 autobiographical publication Mary Garden's Story which was riddled with factual errors. The book received disastrous reviews and possibly led to her decision to reside permanently in Aberdeen from 1954.
Mary died in 1967 in the House of Daviot, a country hospital near Inverurie, aged 92. Fifty friends attended a small ceremony. A small commemorative plaque is located at 41 Dee Street where the Garden family lived, and a small garden is dedicated to her memory in Craigie Loanings.
Although she remains relatively little known in her native Aberdeen, Mary's legacy is considerable in the United States - particularly in Chicago where her stewardship of the Opera Association is still remembered fondly.
Treasure 54: On the Planting of Trees in Towns
229 Aberdeen was something of a pioneer when it came to the planting of street trees in Scotland. An article on the subject in the Aberdeen Journal from 1905 states: "As is constantly remarked by visitors, Aberdeen has great reason to be proud of its trees. In some respects, it can, in this direction, show the way to other Scottish cities."
Alongside St. Andrews, Aberdeen led the way in the extensive and effective planting of trees on city streets. This was largely due to the work of Aberdeen's first park superintendent, Robert Walker. The 1905 article states: "To those who know Mr Walker only as the busy man in charge of Victoria and Westburn Parks, the Union Terrace Gardens, the Links, and the grounds of Robert Gordon's College, the fact of his being an author may be new, but it is something to which Mr Walker can look back with pride, because the publication of 'On the Planting of Trees in Towns' was the means of stimulating the movement for tree-planting, not only in Aberdeen, but also in a good many more places in Scotland."
Walker's book, printed in 1890 at the University of Aberdeen, consists of two papers read before The North of Scotland Horticultural Association in 1889. The volume was issued by the two Aberdeen members of Mr Ruskin's Guild of Saint George after a strong request to publish was made by those unable to attend Walker's lectures. The book argues that trees should be planted not just in parks, but in city streets too: "The slight good effected by fine parks placed here or there towards the outskirts of a city is as nothing to what might be carried out by so planning and planting streets and roads, that the air might be comparatively pure and free, and the eye refreshed with green at almost every point."
The Aberdeen Journal states that the value of the book is "very much materially enhanced by illustrations of a number of our best-known trees from drawings from Sir George Reid, lithographed by Messrs Thomson and Duncan." George Reid (1841-1913) was a nationally renowned Aberdeen-born painter. A year after the publication of the book, in 1891, he was elected as the president of the Royal Scottish Academy and knighted by Queen Victoria. In 1905 he played a significant role in the extension of Aberdeen Art Gallery, determining the layout and contents of the building. He died at his home in Somerset in 1913 and was buried in St Peter's Cemetery, Aberdeen.
On the publication of Walker's book a copy was send to keen arboriculturist and habitual Prime Minister William Ewart Gladstone. The 1905 Aberdeen Journal article reports that, in his acknowledgement of the gift, Gladstone wrote that "he would read the book with the greatest pleasure, the subject being one in which he took a special interest." At the time, the post card with acknowledgment could still be seen framed in Mr Walker's house. The Journal article also states that the book has been unobtainable for a long time but that a copy is available to view at the Reference Department of the Public Library. Over a hundred years later this is still correct and the item now sits in our Local Studies collection.
"Trees not only afford shade and shelter," states Walker's book "but adorn the landscape and purify the air. They improve the heart as well as the taste; they refresh the body and enlighten the spirit. And the more refined the taste is, the more exquisite is the gratification that may be enjoyed from every leaf-building tree." |