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James Beattie's House
362 This house stood in Crown Court at 36 Upperkirkgate, Aberdeen. It had an internal stone stair and some of the rooms were oak panelled. James Beattie was born in 1735 in Laurencekirk and in 1760 he was appointed Professor of Moral Philosophy at Marischal College. He died at this house on 18th August 1803 and was buried in St. Nicholas Churchyard.
His house became the home of an advocate, but in the 1850s and 60s it was used by the Aberdeen General Dispensary, lying in an vaccine institution which supplied advice and medicines to the sick and poor. In more recent times, the area behind the Upperkirkgate was cleared and redeveloped as the Bon-Accord Shopping Centre.
Correspondent Ed Fowler suggests that the items that can be seen in front of the house are likely early Victorian laundry mangles. This would account for the trail of water draining from its position. The tarpaulin that is visible would have been to protect the wooden rollers and gears from the elements. The drying area was probably in the garden beyond the Dispensary building, to the north, as no improvised window drying jibs are visible. Guild Street
399 Guild Street looking towards the harbour.
On the left hand side of the road is the facade of Her Majesty's Theatre built in 1872. It was renamed the Tivoli in 1910. It was a popular theatre and many well-known performers appeared on its stage including W. C. Fields, Tony Hancock and Andy Stewart.
The Tivoli became a bingo hall in 1966 and finally closed its doors in 1997. However, following refurbishment, the Tivoli reopened in 2013.
The Criterion Bar is on the left of the photograph and the old Goods Station is on the right. Leaving Aberdeen Harbour
502 A Leith registered fifie leaving Aberdeen Harbour. The white building seen behind the sails is the Round House, the Harbour Master's office, on the New Quay at Fittie.
The fifie was a fast wind-powered sailing boat favoured for herring fishing on much of Scotland's east coast from the 1850s until well into the 20th century. Its main features were the vertical stem (front) and stern (back) and the wide beam (width) making them stable in the water.
Fifies had two masts, a main dipping lugsail and a mizzen sail. Fifie's were increasingly decked following the recommendations of Captain Washington's 1849 report into the Moray Firth fishing disaster.
See SCRAN's webpage on Scottish sail powered fishing boats for more information on the subject.
The Tidal Harbour is in the background, beyond the landing stage of Pocra Quay's Lower Basin. Boys' Brigade King's Message
1010 A photograph showing the Boys' Brigade King's Message at Stonehaven Market on 23rd April 1935. The town's 1827 Market Buildings can be seen in the background.
To mark the silver jubilee of King George V on 6th May 1935 the Boys' Brigade undertook a roughly 2300 mile relay run of a silver baton containing a message of homage and congratulation from John O' Groats to London.
The journey started in stormy weather at 7am on 16th April 1935. As the baton travelled south it was passed from runners from one Brigade company to another.
The leg from Culter to Maryculter was carried by Sgt. W. Duthie, Cpl. D. Birse and Pte. D. Angus. The baton was then transferred to Sgt. H. Douglas, Pte. W. Brooks and Pte. L. Gordon for the next leg to Netherley and the leg to Stonehaven was carried by Sgt. J. Brown, Pte. A. Brown and Pte. I. Hay.
This photo likely shows the latter three runners having handed on the baton for the next leg. An account of this part of the baton's journey can be found in the Press & Journal of 24th April 1935 on page 5. The article indicates the baton left Culter at 7.45am on 23rd April 1935 and reached Stonehaven at 11am the same day.
The next stage south, to Kinneff, was undertaken by Sergeant J. Thomson, escorted by Corporal Christie and Lance-Corporal G. Thomson, all of 21st Aberdeen company. Cults and District Recreation Club
1048 Cults and District Recreation Club performed "Mains' Wooin'" in East Church Hall 1923. The players are named as: Piper - G. Wilson, J. W. Robertson, W. Christie, W. A. Thompson, John Kidd, unknown, Jack Morrison, A. Ironside, Bert Anderson, Miss Robertson, Miss Skakle, Peter Walker, John Forsyth, Miss Skakle, Dr Robert Bruce, Mrs Pirie, Miss Ironside, W. Ironside, Miss Robertson, W. Marshall. Front of stage: T. Ambrose, J. Milne, John Salthouse, unknown, D. Kidd, M. Morrison, D. Kidd, John Lovie, J. Adams, Jack Meston. His Majesty's Theatre renovations
1154 The stage of His Majesty's Theatre, Aberdeen showing the op fly floor and hemp lines. This photograph was taken just prior to closure for renovation. His Majesty's Theatre renovations
1158 The base of the old revolving stage at His Majesty's Theatre, prior to renovation. The revolve still exists, but has been covered over by the management. His Majesty's Theatre renovations
1161 The stage and new grid at His Majesty's Theatre during renovations. His Majesty's Theatre renovations
1168 The support and underneath of the new revolving stage under constrruction at His Majesty's Theatre, Aberdeen. His Majesty's Theatre renovations
1169 The support and underneath of the new revolving stage under constrruction at His Majesty's Theatre, Aberdeen. His Majesty's Theatre during renovations
1177 The stage left fly floor at His Majesty's Theatre prior to reconstruction. Note the hemp lines and cleats on the fly floor rails. His Majesty's Theatre renovations
1182 The support and underneath of the old revolving stage at His Majesty's Theatre. His Majesty's Theatre after renovations
1183 The understage area at His Majesty's Theatre. The underside of the revolving stage is in the centre of the image. The shuttered door belongs to the lift which takes scenery up to the stage level. His Majesty's Theatre staff
1187 The staff of His Majesty's Theatre, Aberdeen. Photographed on the stage. The bandstand in Duthie Park in winter
1374 The bandstand was designed by William McKelvie, the architect responsible for designing the layout of Duthie Park, and was completed in 1893 at a cost of around £400. It has served as a stage for many concerts and recitals over the years. The railings of the bandstand were removed for the war effort, however, they were restored in the mid-1990s during a refurbishment. James Cassie
2076 A Portrait of James Cassie, R.S.A., (1819-1879) by James Beattie-Scott. Born at Keithhall, Cassie was the son of James Cassie, a tea merchant, and Catherine, née Dawnie. His movement was impaired after a childhood injury and he subsequently dedicated himself to painting.
Cassie became a student of Highland scenery painter James Giles and settled in Aberdeen. In 1869 he was elected an associate of the Royal Scottish Academy and moved to Edinburgh, where he stayed until his death. Many of his works are kept in the Aberdeen Art Gallery. William Dyce
2084 A portrait of William Dyce, R.A. (1806-1864) by James Beattie-Scott. He was a nationally successful painter and educationalist. Dyce was the son of William Dyce, a lecturer of medicine at Marischal College, and Margaret Chalmers. Born at 48 Marischal Street, Aberdeen, he was educated at Aberdeen Grammar School and Marischal College. Stop 6: Annie Inglis MBE (1922-2010), Aberdeen Arts Centre, Catherine Hollingsworth (1904-1999) and Isabella Fyvie Mayo (1843-1914), 31 King Street
2305 Aberdeen's first lady of the theatre Annie Inglis MBE dedicated her life to drama in Aberdeen, founding Aberdeen Arts Centre and inspiring generations to take to the stage. Born Annie Nicol in 1922, Annie studied English at Glasgow University before taking up a career in teaching. She joined the Monklands Rep in the 1940s, perfecting her directing skills which she would use to great effect in Aberdeen where she founded the Attic Theatre Group, an amateur group, which enjoyed an enviable reputation for performance. Over the years Annie founded Aberdeen's Arts Carnival, Texaco Theatre School, and Giz Giz Theatre Project for Youth. When the Arts Centre was threatened by closure in 1998 Annie ran a hugely successful campaign to save it involving many famous theatre actors who had trod the boards there.
Born in 1904 in Brechin and known by local folk as the 'speakin'wifie' Catherine Hollingworth started her teaching career in 1927 and might have remained a drama teacher but for the road traffic accident in 1933 which led her to use her learning to address the injury to her own speech. This ignited a lifelong interest in speech therapy at a time when there were very few speech therapists. While another pioneer of the profession Lional Logue (as dramatised in The King's Speech) was supporting King George VI in London, Catherine was appointed as the first superintendent of Speech & Drama and Speech Therapy in Aberdeen. In 1942 she founded the Children's Theatre, which went on to develop an international reputation. She had the theory that if you allowed children to play only to children, with no adults in the audience, their creativity and imagination would be much greater.
Another woman of culture associated with 31 King Street was Isabella Fyvie Mayo a prolific poet and novelist who wrote under the pen name Edward Garret. Although she was to spend most of her life living in Aberdeen, Isabella was born in London in 1843. She was also a pioneering translator for Tolstoy and became not only his friend but was also friends with Mahatma Gandhi. She became an ethical anarchist, pacifist, anti-imperialist, anti-racist and suffragette campaigner. In 1894 she was elected a member of the Aberdeen School Board, the first woman elected to any public board in Aberdeen and it is in this building that the Aberdeen School Board convened. In Memoriam St. Nicholas House 1970-2011: 8
2450 Statue of Robert The Bruce, by Alan Beattie Herriot, with the tower block behind. 16/10/2011. Burnieboozle House
2603 A photograph of Burnieboozle House taken from The Freedom Lands and Marches of Aberdeen 1319-1929 compiled by Donald B. Gunn (1929).
This was a country house located to the north west of Craigiebuckler House, at the end of what is now Burnieboozle Crescent. The house could be accessed by a road going south from Burnieboozle Farm on Hazledene Road.
Judging by Ordnance Survey mapping, the building looks to have been demolished as the area was developed for housing in the late 1950s. The house's location is now a children's play area in the centre of a modern housing development.
There is an excellent plan by surveyor James J. Beattie of the lands and house of Burnieboozle in 1848 available on the National Library of Scotland website here. It features a detailed illustration of the house's exterior, showing an extended conservatory and gabled entrance, a floorplan of its two floors and a map of the estate's land. Mr Prentice and Beattie's Court
2957 A photograph showing a Mr Prentice on a horse and cart outsude 99-101 Beattie's Court on the Gallowgate.
The occupation of Mr Prentice is unknown. He was possibly a fish merchant. He was the brother of the Mrs Henderson (Miss Prentice) shown in N12_05.
This photograph was taken by Kidd & Stridgen of 9 New Market Gallery, Aberdeen.
A copy of this image was kindly lent to the Aberdeen City Libraries for reproduction by William Donald of Udny Green. The Five Graces
3005 A group portrait showing the five Henry sisters: Nan, Jean, Lib, Louie and Kitty.
Kitty is most likely a youthful name for Jeannie Henry (1869-1931) who married Walford Bodie and performed on the stage as Princess Rubie.
This image comes from a family photograph album, originally owned by Annie "Nan" Henry, held by Aberdeen City Libraries. The Henry Sisters
3006 A fantastic group portrait showing the Henry sisters in Highland dress.
The figure on the near left is most likely a youthful Jeannie Henry (1869-1931) who married Walford Bodie and performed on the stage as Princess Rubie. She appears to have been known as Kitty when she was younger.
It is difficult to say for certain but top and bottom right could be Isabella and Mary Walford Henry respectively.
This image comes from a family photograph album, originally owned by Annie "Nan" Henry, held by Aberdeen City Libraries. |