Quick Search
|
Search Results
You searched for: More Like: 'Simply Stunning'
16 items
items as
Beach Bathing Station
99 The interior of the Beach Bathing Station, where generations of Aberdonians learnt to swim in the fresh water pool. The Bathing Station was designed by City Architect, John Rust, and opened on 13th July 1898. A distinctive red brick chimney dominated the beach skyline. The Bathing Station was eventually filled in and demolished, the door having finally closed to the public on 11th July 1972. Plan of the Harbour of Aberdeen
292 Plan of the Harbour of Aberdeen with its alterations as proposed 1787 by Mr. Smeaton.
Sail Ship at Aberdeen Harbour
2099 Aberdeen Harbour at the time of the construction of the Victoria Dock which was started in 1846. This photograph taken in 1859 shows the still incomplete dock. Ships simply lay on the muddy bottom of the dock at low tide. Street entertainer
3346 We believe this photograph shows a man historically known as Fool Friday entertaining a group of children and adults outside a house in Aberdeen. Fool Friday was a street vendor who sold ice cream in summer and hot chestnuts in winter. He may have also played a barrel piano as shown here.
Fool Friday was an often seen, distinctive character on the streets of Aberdeen. References to him in recorded oral history and newspapers suggest he sold his goods around the town centre, including at the Castlegate. He appears to have been around in the earlier years of the 20th century, between the two world wars. Little seems to be known, or recorded, about the life of this intriguing figure.
He is mentioned in an article of reminiscences by Arthur Bruce from the Leopard magazine of December 1986/January 1987. Bruce writes "I am reminded of another worthy who lived round the corner in Harriet Street, an Ice Cream Mannie, with a home and family. Of Italian origins he was known as 'Fool Friday' - nothing to do with being stupid, I may add, simply the local dialect for foul or dirty. Legend had it that the nickname was well deserved, but as a child I was never aware of his less than hygienic approach to the business of selling ice cream from a 'cairtie'. I have never solved the mystery of the 'Friday' part, although I should be delighted to hear from anyone who knows the answer."
It is possible that this photograph shows not Fool Friday, but someone else entirely. A letter in the Evening Express of 30th October 1979, looking back to this earlier time, describes a man known as Can-Tam who played a barrel organ in the streets. The letter writer suggests that Can-Tam's organ was smashed by a tram and subsequently replaced by the council.
A suggestion received through social media and subsequent further research indicates that this image may show Guiseppe, or Joseph, Bordone (1872-1957). He was an eating house keeper and an ice-cream and chestnuts vendor. A brief mention in the Evening Express newspaper of 15th March 1994, page 8, suggests that Bordone may have been known as Fool Friday, but this is uncertain.
This photograph was printed as a postcard and these were perhaps sold to the families visited by the entertainer. This postcard was lent to Aberdeen City Libraries by Bill Cheyne so that we could create and preserve a digital copy for public use. Aberdeen Theatres: Professor Anderson at the Royal Lyceum Theatre
3390 A programme/advertisement for performances of John Henry Anderson (1814-1874) at the Royal Lyceum Theatre, London in November 1855.
Anderson, better known as "The Great Wizard of the North", was born at Craigmyle in Kincardine and became a prominent 19th century magician.
This large programme (50 x 26 cm) details the various acts in the performance and those involved. Most of the performers are given exotic pseudonyms like Hermes Trismagistus, the Wizard of Greece. The Wizard of Scotland, however, is simply called Michael Scott.
The other side of the programme features a reprinted article about Anderson from The Times of 4th September 1855 and one on 'Spiritualism in London' from The Hartford Times of 10th August. Aberdeen Cinemas: Regal / ABC / Cannon
3397 A photograph of the Union Street entrance to the ABC Cinema in around 1963. The canopy above the entrance advertises It Happened at the World's Fair with Elvis Presley and Joan O'Brien. This was an MGM film and the ABC had first rights to films from this company, a big draw for the public.
Prior to ABC's arrival in Aberdeen in 1954, MGM films were previously first shown in Aberdeen Picture Palace's Capitol on Union Street.
This cinema on Shiprow and Union Street had been known as the Regal since opening in 1954. In March 1962 ABC rationalised the names of its cinemas and this venue, along with many Regals around the UK, became known simply as the ABC. An earlier Regal vertical sign was replaced by the new one we can see in this photograph.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Mearns' Quay
3542 A photograph looking east along Mearns' Quay. Multiple trawlers with designations from Aberdeen and Great Yarmouth can be seen along the quayside.
The fishing boat Trustful (BF369) can be seen in the middle distance. The Scottish Built Ships website states that this boat was built in 1906 by Carnegie & Matthew of Peterhead.
The boat's first owner was George Mair Snr & Sons, Portknockie. By 1920 it was registered in Peterhead, for a new owner, with the number PD366. This gives a probable date for this photograph of between 1906 and 1920.
The ornate granite building on the quayside in the distance is one of two Valve House Siphon Outlets of Aberdeen Corporation Sewage Works located on either side of the River Dee.
These valve houses were vital pieces of infrastructure in the Girdleness Outfall Sewerage Works. This engineering scheme, completed in 1907, involved tunnelling under the river to provide a safer outlet for much of a growing Aberdeen's sewage.
An article on the ceremonial opening of the system featured in the Aberdeen Daily Journal of 14th November 1907 on page 7. The complete sewer was 3 1/2 miles long and a total £137,000 had been spent on it at the time of opening.
Due to Aberdeen's growing population, which was approaching 200,000 at the time, a more systematic method was needed to take the city's sewage to the North Sea, as opposed to simply using nearby rivers and burns.
The scheme, which appears to have been primarily designed by burgh surveyor William Dyack, took sewage to the North Sea at Girdleness and aimed to prevent harm to both residents of the city and visitors to the Bay of Nigg.
As the two harbour side valve houses continue to stand, the final drainage works building and the outflow pipe can still be found today to the east of Girdleness Lighthouse. Floor plan of the Athenaeum
144 The frontage of this four-storey building is dominated by three tall windows, separated by four giant Ionic columns surmounted by a huge architrave.
The library and the reading room were located on the first floor with associated facilities.
Arches on the ground floor formed the entrance of the Athenaeum. The entrance hall led to an elegant staircase that climbed up to the reading room. On the first floor, this room was 50ft. long and 30ft. high. Its two circular recesses were separated by the main room by tall columns.
The reading room was decorated simply in a Grecian style. A café room, 30ft. long and 19ft. high, was also available on this floor. Treasure 50: Heroines of Shakspeare
221 Celebrating 400 years since the death of the literary great, one of our April treasures looks at an unusual publication concerning the works of William Shakespeare.
Published in the mid-19th Century, this wonderful volume was donated to Aberdeen Public Library by Miss Emily Jane Duthie, a retired teacher living on Skene Terrace.
Born in India in 1868 Miss Duthie was the daughter of Robert Duthie, Superintendent of the Scottish Orphanage in Bombay during the days of the British Empire. The school was founded in 1847 by Scottish Christian Missionaries to educate the daughters of Scottish Presbyterian Soldiers based in India. Since then, the school has continued to thrive and is now one of the most prestigious in Mumbai.
It is highly likely that Miss Duthie's early years based at the institution, followed by her own studies and subsequent career would have introduced her to the world of Shakespeare and perhaps piqued an interest in the many female characters depicted therein. The kind donation clearly demonstrates her continuing desire and passion to educate others in later life, once her career as a teacher had come to an end.
"The heroines of Shakspeare" is chiefly an art book; a means to showcase the forty-eight imagined portraits of the Bard's fictional characters. The attempt to capture a visual representation of the prominent female characters provides a neat bridge between Shakespeare's contemporary audiences (who would have seen female roles assigned to young boys), and our modern age of television and film which is frequently dominated by physical appearance.
Although educated Victorian audiences would have been familiar with the written words, the illustrations attempt to capture a definitive image of each character, including approximate age, costume, physical features and demeanour as revealed by the playwright.
The images are portraits of Hamlet's Ophelia, Othello's Desdemona, Romeo and Juliet's Juliet and of course - Lady Macbeth (from the Scottish play!)
The illustrations are printed on thick paper from original engravings by portrait artists including Augustus Egg, John Hayter and John William Wright. The book is bound with gilt edges and also contains sturdy decorated endboards.
The curious spelling of Shakespeare in the title reflects the fact that during the Bard's own lifetime there was no single accepted form - the man himself spelling his own name differently in various editions of his work. Although this may seem strange to modern readers the tradition harks back to an era when language was much more fluid, and established forms of spelling simply did not exist in the way that we know today.
Treasure 55: Punch
230 The first edition of the satirical magazine Punch was published on 17 July 1841. The title being derived from a conversation between the founders who claimed that - just as the alcoholic drink of the same name - the magazine would be nothing without Lemon (Punch's first editor was named Mark Lemon).
Despite a difficult start of low circulation figures, the success of the magazine was ensured with the decision to publish an annual edition, or Almanack. Copies of these soared and shortly after the magazine was taken over by the printing firm of Bradbury and Evans whereupon it entered its golden age.
Modern satirical magazines - such as Private Eye or the French publication Charlie Hebdo - often purposefully push the boundaries of good taste in order to land a searing political blow of maximum impact. In the Victorian age, Punch attempted to capture the mood of the public in tasteful, yet no-less provocative terms.
Punch frequently used illustrations to highlight contemporary problems in a stark visual manner. So much so in fact, that it can claim to have changed the English language in the process. The original definition of the word cartoon meant simply a preliminary drawing for a work of art - similar to "sketch" - with no additional meaning. However, the word took on the additional connotation of being applied to humour with the publication of Punch's 'Cartoon No.1 - Substance and Shadow'.
The enduring popularity of the magazine is in many ways, inextricably linked to its own downfall. With changing appetites for publications and satire, Punch desperately needed to keep re-inventing itself, but seen by many as a national institution, change was far from easy. Eventually the magazine succumbed to the pressure of low circulation and finally ceased publication in 2002, leaving behind 160 years of humour and wit.
Punch's lasting legacy is a snapshot of opinion on some key historic events from the preceding decades - notably including coronations, scandals, wars, budgets, coalitions and many other subjects high on the political agenda. Professor Anderson at the Royal Lyceum Theatre
424 A programme/advertisement for performances of John Henry Anderson (1814-1874) at the Royal Lyceum Theatre, London in November 1855.
Anderson, better known as "The Great Wizard of the North", was born at Craigmyle in Kincardine and became a prominent 19th century magician.
This large programme (50 x 26 cm) details the various acts in the performance and those involved. Most of the performers are given exotic pseudonyms like Hermes Trismagistus, the Wizard of Greece. The Wizard of Scotland, however, is simply called Michael Scott.
The other side of the programme features a reprinted article about Anderson from The Times of 4th September 1855 and one on 'Spiritualism in London' from the Hartford Times of 10th August. Horatio Ross, Esq. Of Rossie,to the Constituency of the Montrose District, on his retiring from their representation
505 Horatio Ross had been a Member of Parliament for Montrose from December 1832 to December 1834. This broadside released in Edinburgh on the 2nd December 1834 is an address to the constituency and electors of the Montrose district on the occasion of his retirement.
This text should be critically scrutinised to evaluate whether Mr Ross has been truthful or simply aimed at presenting himself under a good light. He extensively listed the Parliamentary acts he supported, including the Parliamentary Reform Act of 1832, the abolition of slavery in the colonies, and the promotion of the district's Shipping and Manufacturing Interests. He therefore showed that he has been benevolent both at a local and a national level. Moreover, he also clearly stated his support and approval to the Protestant Established Church and to the Crown.
This broadside was printed in Aberdeen by D. Chalmers and Co. |