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Aberdeen Sea Beach
51 The Promenade at Aberdeen Sea Beach, c. 1950 with the Beach Shelter and Beach Bathing Station in the background. Aberdeen City Hospital
585 Aberdeen City Hospital, Urquhart Road, built as a fever hospital in 1874, later used for elderly patients.
This photograph, which looks south west, was taken from the southern end of Broad Hill. Jack's Brae
710 A photograph looking north west up Jack's Brae, from its junction with Upper Denburn, in the Rosemount area. Jack's Brae was named after the owner of property there. This photograph likely dates from the mid-to-late 19th century.
The Ordnance Survey town plan of Aberdeen, 1:500 scale, surveyed in 1866-67 depicts a "Coffee Roasting and Grinding Works" at the top of Jack's Brae at its junction with Leadside Road. A large chimney of these works can be seen on the right side of this image in the distance.
These works were the premises of John Strachan. In the Aberdeen Post Office Directory for 1867-68, Strachan is described as follows:
"Strachan, John, coffee roaster, coffee, sugar, and sugar grinder, Jack's brae" (page 213).
Aberdeen City Council's Historic Environment Record describes the site thusly:
"Site of meal mills, built in the 18th - 19th Centuries and demolished in the 1980s. The works was two-storey with a basement, comprising a 9-bay range with a single kiln and a three-storey with attic 5 by 6-bay block of later date. There were also two 2-storey store blocks. The mill was originally water powered, later electrically driven. The OS 1st edition map depicts a coffee roasting and grinding works here; they are annotated as corn mills on the OS 25in map published 1924." (link here).
The business was known as John Strachan & Sons and the works as Gilcomston Mill. The business was started in around 1852 and John Strachan was succeeded as its proprietor by his son James Strachan (1838-1914). His obituary can be found in the Evening Express of 28th December 1914, page 5. His son, John Strachan, was later to become the business's managing director. The obituary of this later John Strachan can be found in the Press & Journal of 1st July 1935, page 8.
At the time of writing in 2022, the site is occupied by a residential complex called Strachan Mill Court - no doubt named after the coffee roasting and milling enterprise. Wellington Lodge
811 A photograph showing Wellington Lodge on the corner of Justice Mill Lane and Holburn Street.
The top of Holburn Street, towards Holburn Junction, was previously known as South Street and later as Wellington Place. In the background of this image, on the far left, can be seen the John Smith designed Water House on Union Street.
Wellington Lodge stood across the road from Holburn Church, roughly where the Glentanar Bar stands today. It can be seen on the large scale Ordnance Survey town plan and map sheets from the 1860s.
The property appears to have belonged to the Whytes of Dalhebity, Cults. For some time Wellington Lodge was the residence of Helen Whyte and she was likely the house's final resident.
Helen Whyte died aged 85 on 31st January 1898 (death notice: Aberdeen Weekly Journal, 09/02/1898, p. 4). Newspaper references suggest she was involved in various charitable activities. She was the daughter of Baillie John Whyte, a merchant, and had a brother also called John Whyte (1845-1904), a prominent citizen and advocate.
Another death notice indicates that Mary Ann Hardie, of 48 Victoria Road, Torry, was employed for 38 years as the servant for Miss Helen Whyte. Hardie died in 1895 (death notice: Aberdeen Journal, 17/08/1895, p. 4).
Newspapers also suggest the villa was the home of Miss Mary Murray Gordon. She would likely have been a relation of James Murray Gordon who was a partner in the same law firm as John Whyte, Helen's aforementioned brother.
Wellington Lodge was probably demolished shortly after the death of Helen Whyte. It made way for the extension of the larger tenement buildings on Holburn Street that can be seen in the background of this photograph.
The Aberdeen Weekly Journal's 'Granite Chips' column of 17th May 1899 (p. 9) states "A very large and handsome block of buildings for Mr Peter Farquharson has been erected in Holburn Street, stretching from the office of the Union Bank of Scotland to Justice Mill Lane." This most likely refers to this development.
David Miller in Archibald Simpson, Architect, His Life and Times 1790-1847 (2006) states that this villa was designed by Simpson for Mrs Yeats of Auquharney (page 174). Silverhillock Farm
1482 An image looking north east showing Silverhillock Farm in the 1950s.
The property, through which flowed the Gilcomston Burn, was located at the junction of Westburn Road and Foresterhill Road.
The Royal Infirmary buildings can be seen in the background. Bowling green in Westburn Park
1560 On the opposite side of Westburn Road from Victoria Park, this popular area was formerly a residential property and contains some fine specimens of oak, ash, elm and sycamore trees. It was acquired by the Town Council in 1899 and extends to fully 25 acres. Facilities are provided for bowling and tennis, as well as for children's games. Altogether, the estate greatly enhances the amenities of the city. Johnston Gardens
1776 Secluded in the West End of the city off Viewfield Road, Johnston Gardens are a hidden gem. The Aberdeen Journal captioned a photograph of the gardens in their paper from 23 August 1939; "The Beauty of Johnston Gardens, a public pleasance, property of the City of Aberdeen, of the situation of which one town councillor at this week's Council meeting confessed complete ignorance." (page 12) This photograph taken from the narrow walk-bridge shows the large duck pond to the east of the gardens. This wooden bridge visible was later replaced by one made primarily of metal. 8 Beaconsfield Place
2411 Beaconsfield Place is situated on the north side of Queen's Road in the west end of the city and takes its name from the 19th century statesman, Benjamin Disraeli, 1st. Earl of Beaconsfield, with Gladstone Place on the south complimenting the street naming. It would appear that 8 Beaconsfield Place acted as an annexe to St. Mary's Roman Catholic School, which was located in Summer Street in the years immediately before and after the First World War. The property itself was designed by James Souttar. Calder Design
2666 The Calder Design shop at 66-68 Esslemont Avenue. As indicated on the window the shop provides architecture and design services, house accessories, furniture and gifts.
Their Royal Incorporation of Architects in Scotland (RIAS) entry states that Calder Design has operated as a single person architectural practice for over 20 years and they have over 40 years of experience in the profession. Their specialisms are commercial, house extensions/renovations and refurbishments.
This photograph was taken on 24th January 2018. The shop appears to be for sale through the property agent FG Burnett. It is located near the top of Esslemont Avenue, across the road from the Rosemount Community Centre. Pitglassie Group Portrait
3353 This photograph was one of three lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
This photograph by David Smith is a group portrait that appears to show five workers from the farm or area of Pitglassie in 1923. The image might have been taken at a local event or competition. This could well be a competitive ploughing team.
Pitglassie is an area with a number of farms located to the south of Turriff and north of the Kirktown of Auchterless. Ordnance Survey maps from the period show farms called Upper Pitglassie, Mid Pitglassie and North Pitglassie. There is also a Wood of Pitglassie and Crofts of Pitglassie.
The man in the middle of the lower row bears a resemblance to a figure from another of Mr Finney's images who is tentatively identified as a Fred Matthews. The man in the top left can be seen in the background of another of the three images. We do not have any knowledge about the other sitters.
Not a great deal is known about the photographer either. The card states David Smith is a "Photographic artist and picture frame maker" and that he is available for marriages and picnics. A search of old newspapers indicates there was a photographer called David Smith active in Inverurie in the 1910s. He appears to have lived in Souterford, a property that still stands today, though derelict, on the Oldmeldrum Road just after it crosses the River Urie, going out of the town. This may or may not be the David Smith who took this portrait. Aberdeen Cinemas: Picturedrome / Cinema House
3411 The Cinema House was located at the corner of Union Terrace, Skene Terrace and North Silver Street. The building was designed by Arthur H. L. Mackinnon and originally built in 1897-1898 as a clubhouse for the Aberdeen Union Club. Mackinnon (1870-1937) was a local architect who also designed the Aberdeen Fire Station on King Street and Mile End School.
The building's first recorded use for cinematographic purposes was a New Year Holiday Carnival organised by the pioneering Aberdeen cinematographer and exhibitor William Walker in December 1901. Alongside an early picture show the extravaganza featured the popular fiddler James Scott Skinner and a conjurer called Harry Marvello.
It was a Londoner by the name of Henry N. Philips who came to Aberdeen and in June 1910 converted this building into Aberdeen's second permanent cinema: the Picturedrome. The enterprise was a great success and Philip's formed a company called British Animated Pictures to run the cinema.
The 'Drome's first manager was Harry Fenton. He also appeared on the cinema's stage as a singer. This was a time when cinemas would often show a mixture of films and variety performances. The venue had a pianist called Hal Scott who would accompany performances and provided musical ambience.
The Picturedrome was noted for showing the film productions of Thomas Edison's Edison Studios and for consistently good stage turns.
In 1923 the Picturedrome/Union Club block was sold to the Loyal Order of Ancient Shepherds. They were one of the 19th century friendly societies in which people would band together prior to the development of more comprehensive welfare provision. The Shepherds continued to run the cinema for a period. A sign for the society can be seen in the top left of this image.
In May 1924 the cinema was taken over by James F. Donald. He was the patriarch of the Donald family that played a prominent role in the history of cinemas and theatres in Aberdeen. Restored and improved, the venue reopened on the 11th August of that year as the Cinema House. Donald initially held the premises on a 20-year lease, but would go on to buy the property outright.
This photograph, taken from in front of the Central Library, dates from around 1934 and shows the cinema advertising Father Brown Detective and The Lemon Drop Kid. Also visible next door at 2 Skene Terrace is a branch of the successful grocer and provision merchants, Wilburn Ltd.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Coliseum / New Kinema / Belmont
3437 The cinema on Belmont Street had operated as the Belmont from 24th June 1935. On 4th January 1938 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had acquired a controlling share in Caledonian Theatres, who ran the Majestic on Union Street and the Belmont. Michael Thomson credits Caledonian Theatres' financial difficulties at this time to their inability to book the best films.
An organisation known as the Ship Contractors' and Ship Wrights' Association had a right to sell bond on the Belmont Street property that included both the cinema and the headquarters of the Aberdeen Trades Council. From 1946 onwards the aforementioned association tried to sell the property and this was contested by the Trades Council. This fight went all the way to the House of Lords but the Trades Council's appeal was dismissed in January 1949.
Caledonian Theatres had attempted to purchase the building outright from the Ship Contractors' and Ship Wrights' Association but this sale was interrupted by the Aberdeen Sheriff Court following an appeal from the Trades Council. In the end the building was sold to the NAAFI (Navy, Army and Air Force Institutes) in February 1952 to be converted into their new Aberdeen headquarters.
Following this sale, the Belmont cinema closed on down 29th March 1952. Its final film was The Steel Helmet an American film, directed by Samuel Fuller, about the Korean War.
In mid-1956 NAAFI moved its accounts operations out of Aberdeen and put the block up for sale. On 22nd April 1958 the Clydesdale Supply Co. Ltd. moved from premises at 111/2 Rose Street to the former Trades Hall and cinema at 49 Belmont Street. The large premises were employed as the warehouse for the company's wide range of clothing, household goods, furniture, radios, televisions and radiograms. Clydesdale appear to have occupied the building until around 1962.
This Aberdeen Journals Archive photograph from 1966 likely shows the building when it was unoccupied.
During the early 1980s the building was used as a carpet showroom. In October 1994 plans were announced by Aberdeen City Council to create a media centre at 49 Belmont Street. This included three cinema screens, educational facilities and a café bar. The building was converted for this purpose but funding could not be secured for its operation.
The revamped cinema finally opened as The Belmont Picturehouse in September 2000 and was operated by the Picturehouse company. This firm was later bought by Cineworld and had to relinquish the lease on The Belmont in adherence with competition law. In 2014, the Centre for the Moving Image was selected to take on its management and the much-loved cinema became the Belmont Filmhouse.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Sandilands: aerial view
3828 An aerial view, looking south east, of Sandilands Chemical Works from around the 1920s that featured on a postcard.
Surrounding houses on Baltic Street, Garvock Wynd and Garvock Square can also be seen. These houses were primarily used for chemical workers. The property was owned by the Miller family and they were no doubt the origin of the name of the street running along the west side of the works (on the right in this image), Miller Street.
The main gate for the works was on the road that leaves Miller Street at the lodge house, shown in the bottom left of the highlighted area here.
The large property south along Miller Street, on the corner of Baltic Street, was called the "Big Hoose". Attached to this house was the factor's house and a public W.C. The factor collected rents from all the houses on the Miller property.
Sandilands Chemical Works produced cod liver oil, other oils, pitch, disinfectants, candles, fertilisers and serums. In this image, a mixture of newer granite buildings and those from earlier in the 19th century can be seen. |