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The Castlegate and Market Cross
486 Painting of the Castlegate featuring the Market Cross. The Market Cross was designed by John Montgomery in 1686. The Cross was moved to this location in the Castlegate in 1842. Exchequer Row
687 This view shows the narrow congested Exchequer Row, around 1900. It is a photograph of a watercolour painting by Alexander J. Murray that is in the collection of Aberdeen Archives, Gallery and Museums (AAGM).
The Balmoral style tower of the Salvation Army Citadel, opened in 1896, is seen in the distance with the Market Cross surrounded by an ongoing market.
Exchequer Row (first mentioned in 1350) was a short street connecting the Shiprow to the Castlegate, and on its right side, were a number of courts leading into an area crammed with insanitary dwellings which were later demolished.
It was popularly supposed that the name Exchequer Row derived from the Aberdeen Mint which stood in the area. However, it comes from the name of the Royal Customs House - the Skakkarium, dating back to the 14th century. Aberdeen Central Library
1272 The main doorway to Aberdeen City Libraries Central Library on Rosemount Viaduct. The two people in the doorway are librarians Jean Dodds and Alan Rennie. Silverhillock Farm
1482 An image looking north east showing Silverhillock Farm in the 1950s.
The property, through which flowed the Gilcomston Burn, was located at the junction of Westburn Road and Foresterhill Road.
The Royal Infirmary buildings can be seen in the background. George Innes, Boot & Shoemaker
1965 A photograph of George Innes, Boot & Shoemaker with the proprietor standing in the doorway.
Correspondent Alan Duthie has identified the location of this photograph as on the Spital in Old Aberdeen. In the Aberdeen Post Office Directory for 1900-01 there is a entry for a bootmaker called George Innes with a shop at 49 Spital and a home address of 394 King Street.
Ordnance Survey maps from the period show buildings on in the area comparable to that in the photograph. Arrival of Queen Victoria and Prince Albert
1996 The arrival at Aberdeen Harbour in September 1848 of Queen Victoria and Prince Albert. The original of this painting by the artist Peter Cleland is now in the possession of Aberdeen City Council. The Royal Family had traveled from London on the Royal Yacht - a wooden paddle steamer called 'Victoria and Albert', with the intention of berthing at Aberdeen and then proceeding by coach to Balmoral. The City's careful arrangements were thrown into disarray when the vessel made such good time under Captain John Cargill that she arrived on Thursday 7th September 1848 - a full day ahead of her expected arrival on the 8th. By good fortune the Harbour Engineer happened to be supervising another vessel when he recognised the Royal Yacht arriving. So that he could arrange its safe mooring and send messages to the Lord Provost George Thompson, bells in the city were set ringing and crowds rushed to the harbour to see the Queen and prince Albert. James A. Ross
2018 A portrait of Harbour Treasurer James A. Ross situated in his office. On his desk can be seen a fine boxed barometer, while on the wall above the fireplace, there hangs a copy of a painting by Peter Cleland depicting Queen Victoria's first visit to Aberdeen in September 1848. John Ross of Clochan and Arnage
2033 A portrait of Provost John Ross of Arnage (1665 - 1714). He served as Provost of Aberdeen from 1710-1711. Provost Ross' House on Shiprow, later part of the Aberdeen Maritime Museum, was named after him. Ross died on 15th September 1714 while on business in Amsterdam and is buried in the English Church of that city.
This portrait is said to have been painted in 1685 by Sir John Medina (1659-1710). The painting is at Fyvie Castle and is owned by the National Trust for Scotland. A correspondent informs us that it was donated by the Leith-Ross family, and formerly hung in Leith Hall. James Cassie
2076 A Portrait of James Cassie, R.S.A., (1819-1879) by James Beattie-Scott. Born at Keithhall, Cassie was the son of James Cassie, a tea merchant, and Catherine, née Dawnie. His movement was impaired after a childhood injury and he subsequently dedicated himself to painting.
Cassie became a student of Highland scenery painter James Giles and settled in Aberdeen. In 1869 he was elected an associate of the Royal Scottish Academy and moved to Edinburgh, where he stayed until his death. Many of his works are kept in the Aberdeen Art Gallery. A School of Dolphins: Handy Andy at Ferryhill Library
2163 Every student of the class had a chance to design and contribute to the dolphin with no-one left out. Painting their hands and using bright colours helped achieve this. Also included is the Ferryhill School badge. A School of Dolphins: Eric at Central Library
2191 "Eric" replaced "Carnegie" and remained in the Central Library on the dolphin trail throughout June until the end of August. Eric was a tribute to artist Eric Auld FRSA (1931 - 24 December 2013) who supported the Wild Dolphins project but sadly passed away before painting a dolphin. 'Eric" is a collage of portraits and landscapes applied reflecting his stylistic brush strokes featuring some of his most iconic images mixed with original sketches of former students. Schoolhill
2269 The facade of Aberdeen Art Gallery and Gray's School of Art on Schoolhill. The Arts School was founded by John Gray, engineer, 'to promote education in drawing, painting, modelling, and all branches of art' and was built in 1885 next door to the Art Gallery and on the site of the old Grammar School. The architects were Matthews and Mackenzie who used a mixture of pink granite from Corrennie Quarry and sparkling white Kemnay Granite.
The gateway leads to Robert Gordon's College, founded by Robert Gordon, a Danzig merchant, and opened in 1750. It is now a co-educational private school. Gray's School of Art became part of the Robert Gordon University, and was re-sited to the Garthdee area in 1965. The statue in the foreground is that of General Charles Gordon who was killed at Khartoum. The statue was sculpted by T. Stuart Burnett, ARSA. This Gordon was unrelated to Robert Gordon. In Memoriam St. Nicholas House 1970-2011: 8
2450 Statue of Robert The Bruce, by Alan Beattie Herriot, with the tower block behind. 16/10/2011. McKay's of Queen Street
2764 This photograph shows the exterior of McKay's clothing shop at 29-31 Queen Street in 2018. The business dates from around the 1910s and this large 2 floor outlet was opened on 25th March 1971.
A newspaper advert from the time describes their stock as "Workwear, Footwear, Leisurewear, Camping Equipment, plus our usual Government Surplus Lines".
The advert states that the business was a contractor to the Ministry of Defence.
Prior to this larger store, the business operated at 24-26 Queen Street. Ordnance Survey maps from the 1950s indicate that this address was on the opposite side of the road, across from Greyfriars Church.
Correspondent Alan Duthie has pointed out that McKay's was also located in the building on the southern side of the junction of Broad Street and Queen Street. This can be seen in old photographs. These were the same premises previously occupied by George and James Anderson, ironmongers, and later Ewen & Co., cabinetmakers and furnishers and had the address of 34 Broad Street and 2 Queen Street.
McKay's was likely at this location shortly prior to its demolition for the widening of Broad Street and the construction of the Town House extension. Alan remembers that the shop was entered from Queen Street and the door on Broad Street was not used.
This building at 29-31 Queen Street was demolished in the early months of 2021. McKay's had relocated to Great Northern Road. Castle Street, Aberdeen in 1812
2959 An Adelphi Series postcard with a reproduction of Hugh Irvine of Drum's painting of Castle Street in 1812.
The postcard was lent to Aberdeen City Libraries so that we could create a digital copy for public use. The Development of Marischal Square and Broad Street (23/08/2015-20/04/2018): 10
3060 The clad and illuminated lift shaft shot from between the legs of Alan Beattie Herriot's impressive equestrian statue of Robert the Bruce on Broad Street. 18/11/2015. The Development of Marischal Square and Broad Street (23/08/2015-20/04/2018): 15
3065 Once again, Alan Beattie Herriot's equestrian statue of Robert the Bruce makes a striking reference point regarding the Marischal Square development opposite. Provost Skene's House bottom, centre. 08/04/2016. The Development of Marischal Square and Broad Street (23/08/2015-20/04/2018): 21
3071 Marischal Square taking shape in Broad Street with Alan Beattie Herriot's statue of Robert the Bruce forming a focal point. 06/07/2016. Aberdeen Cinemas: Regal / ABC / Cannon
3396 An Aberdeen Journals Archive photograph of the Shiprow entrance to the Regal cinema in February 1961. The cinema is advertising showings of Saturday Night, Sunday Morning with Albert Finney, Linda with Carol White and Alan Rothwell, and Pathé News.
The Regal was opened on Monday 26th June 1954 by Associated British Cinema (ABC). The opening of this substantial cinema was the conclusion of a long and much delayed enterprise.
This Shiprow site was previously the location of Aberdeen's first permanent cinema, Dove Paterson's Gaiety. It had later become the Palladium and had laid shuttered for close to seven years when the owner put the site up for sale in early 1937.
Bert Gates of Aberdeen Picture Palaces (APP) put in an offer and made plans to build a very large cinema at the location. Michael Thomson in Silver Screen in the Silver City (1988) suggests that had this plan gone ahead it would have made the local company a force with which to be reckoned.
Gate's plans were thwarted however when another offer for the property from ABC (Cinemas) was accepted. ABC were a major cinema operator throughout the UK, at the time second only to the Rank Organisation, which owned the Odeon and Gaumont chains. ABC's arrival in Aberdeen would offer stiff competition to local companies such as APP. Both in terms of having the best venues and having the best films to show in them.
ABC's arrival in Aberdeen did not go smoothly, however. It was not until 1939 that the cinema's plans received official approval. War was declared not long after construction had begun and in 1941 the project was stopped by government restrictions that halted the construction of non-essential buildings where roofing had not already been started. Only the outer shell had been built at Shiprow and the building would subsequently lie incomplete for over a decade.
After much campaigning, including by local MP Hector Hughes, the government finally gave its consent and on 28th October 1953 ABC announced that work on the Regal would recommence. The plans for the cinema were modernised and construction was quickly finished.
The completed Regal was an impressive, modern cinema with a seating capacity of 1,914. Its inaugural film was The Knights of the Round Table and the opening gala was attended by stars Richard Todd and Anne Crawford.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Matthews' Quay
3534 Photograph taken looking north-east from Albert Quay into the Tidal Harbour, with Matthew's Quay visible on the left.
Photo depicts the Aberdeen Floating Dock which was located near and around Pocra Quay. This floating dock is mentioned in an April 24th, 1911 article from the Aberdeen Press & Journal where it states that it was built by Messrs Vickers, Ltd. in Barrow from their Naval Construction Works. The article was written while the floating dock was en route to Aberdeen which dates the photograph to some time after April 24th 1911.
Another article from the Aberdeen P&J from the 13th of July 1909 details how the construction of this floating dock cost the Harbour Commissioners of Aberdeen £49,250.
This floating dock was used for the maintenance, repair and painting of vessels within Aberdeen Harbour. It was commissioned and then later constructed for the purposes of servicing vessels which were too large for the existing stationary Graving Dock. Ken
3770 A mural by artist KMG depicting of a multi-eyed being, understood to be called Ken, that is advocating respect. This painting is located in the East Green lane under one of the walkways connecting the Indoor Market and Union Street.
This photograph was taken in July 2018.
The Castlegate and Market Cross
65 Painting of the Castlegate featuring the Market Cross. The Market Cross was designed by John Montgomery in 1686. The Cross was moved to this location in the Castlegate in 1842. |