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Tilling-Stevens petrol electric bus
1050 In 1901, Aberdeen Suburban Tramway Company proposed a system of tram routes running from the city to the suburban areas of Bucksburn and Bieldside. These came into operation in 1904. In 1914, the Company decided to acquire three Tilling-Stevens petrol electric buses to augment their tram service. These vehicles had a petrol engine which was used to drive a dynamo which, in turn, fed an electric motor driving the wheels. It was claimed that they were cheaper to use and easier for tram drivers to learn to operate. They were double deck open top rear entrance vehicles with benchseats inside for 20 passengers and slatted wooden seats for 18 passengers on the upper deck. Their maximum permitted speed was 12 mph. All three buses were converted to charabanc bodies in 1921, and were sold in 1927. Walford Bodie
2996 In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain.
He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street, Aberdeen on 11 June 1869, he was the son of a journeyman baker called William Bodie and his wife Margaret and received his education at Robert Gordon's College.
He went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon' and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on the Earth.
At Aberdeen City Libraries we hold a family photograph album that offers an insight into the life and times of Bodie and his amazing family.
The inscription on this image reads "To Dear Nan with Fondest Love Sam". Isabella Henry as La Belle Electra
2998 Isabella Henry was famous to the theatrical world as La Bella Electra. For a long time she was Walford Bodie's foremost performing assistant.
As part of the act she would have electricity passed through her body to illuminate arc lights in her mouth or to be dramatically emitted from her fingertips.
She also regularly faced death by electric chair. This image comes from an album of her sister, Annie Henry, held by Aberdeen City Libraries.
Isabella also performed as a chorus comedienne under the name Miss Bella Skene, and signed the postcards to her sister as "Lib". Isabella died in Glasgow in 1919 aged 42. Aberdeen Theatres: Fun on an Ocean Liner
3391 A group portrait of Dr Walford Bodie and his theatre company during a production called Fun on an Ocean Liner. This was a revue written by Bodie himself and first staged in 1924. It included a number of scenes and promised "gorgeous scenery" and "startling mechanical electrical effects". Bodie played a character called Capt. Waldon and his wife played Lady Henri.
Bodie (1869-1939) is in the centre of the image with the ventriloquist dummy. The woman sat to the right of him is mostly likely his wife Jeannie Henry (1869-1931), eldest daughter of David Henry (1839-1903), a road surveyor from Macduff, and Margaret Skene Henry (1843-1912). Jeannie performed with Walford as an illusionist and mind-reader under the name of Princess Rubie until her retirement in 1930.
Fun on a Ocean Liner was also known as Ocean Frolics and was performed twice nightly at the Palace Theatre in July 1928. It was advertised in the local newspapers as Walford Bodie's "Great Electrical, Musical, Revusical Extravaganza." Aberdeen Theatres: Walford Bodie
3392 A profile photographic portrait of Aberdeen born magician and entertainer, Walford Bodie (1869-1939).
In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain.
He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street on 11th June 1869, he was the son of a journeyman baker called William Bodie and his wife Margaret and received his education at Robert Gordon's College.
He went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon' and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on the Earth.
The medical profession questioned his qualifications and right to the title of doctor. He would respond that his qualifications were from the United States, a country at the forefront of medical science, though he once conceded that the M.D. following his name in fact stood for "Merry Devil".
This photograph comes from a family photograph album, originally owned by Annie "Nan" Henry, held by Aberdeen City Libraries. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. 47-51 George Street
4303 A photograph showing the buildings at 47-51 George Street in around 1986 or 1987.
This image is one of a series taken by Aberdeen City Council to record buildings prior to the redevelopment of the area and construction of the Bon Accord shopping centre.
At 47 George Street is a stationery shop called Cards and Pens. Its window features a prominent display of souvenir tea towels.
At 51 George Street is D.E.R. Ltd., a television and VCR rental shop. This company also had a branch at 128 Union Street at around the same time. D.E.R. were a UK-wide business and their name stood for Domestic Electric Rentals.
These buildings were among those demolished to make way for the Bon Accord Centre. Harriet Street (rear of)/Donald's Court
4311 A photograph looking south showing the rear of Harriet Street and Donald's Court in around 1986 or 1987.
This image is one of a series taken by Aberdeen City Council to record buildings prior to the redevelopment of the area and construction of the Bon Accord shopping centre.
The shown area was located behind Schoolhill, between George Street and Harriet Street. It was later the site of the western end of the shopping centre and the Harriet Street Car Park.
In this image a number of parked cars can be seen, including two red company cars for the television and VCR rental store D.E.R. Domestic Electric Rentals had a nearby shop at 51 George Street. Treasure 15: Tramways routes
185 This plan of the tramway routes in Aberdeen was produced about 1914 and shows the route colours which were displayed as coloured bands on the top-deck of the Corporation tramcars. There were nine routes which covered most of the city as it existed at this time.
Trams were first introduced to Aberdeen in the 1870s when a group of local businessmen successfully obtained Parliamentary sanction under the Aberdeen District Tramways Act 1872 to set up the Aberdeen District Tramways Company. By 1874, they had constructed their first two lines - one running from Queen's Cross, via Albyn Place and Union Street, to the North Church (now Aberdeen Arts Centre), King Street and the second from St Nicholas Street and George Street to Kittybrewster.
Their horse-drawn trams were opened to the public in September 1874 with two cars which could each carry 20 inside passengers and 4 cars for 20 inside and 20 outside passengers. A fare of 3d was charged for the full route. In their first year they carried 1.1 million passengers.
Over the years additional routes were constructed to Woodside, Mannofield, Bridge of Dee, and Bridge of Don.
By the late 1890s, consideration was being given to the introduction of electric traction in place of horse haulage. After lengthy discussions, the decision was made to sell the company to Aberdeen Corporation and the transfer was completed in August 1898. By 1902 all the tracks had been converted to electric traction and new routes to Torry and Ferryhill were opened in 1903.
Motor buses had first appeared in 1920 and a service from Castle Street to Footdee opened in January 1921.
By the 1930s the expansion of the city was creating problems for the tramway system. It was far too expensive to build new track while maintaining the existing routes. The non-profitable Torry and Ferryhill services closed in 1931. The ongoing housing developments in the 1950s forced the Town Council to take the decision in January 1955 that the tramway system would close by 1959. Over the next few years individual routes ceased until the last trams ran in May 1958. Most of the remaining cars were burnt at the Links and the metal was sold for scrap.
Treasure 47: Illuminated Central Library
218 To mark the Year of Innovation, Architecture and Design, we are unveiling one of our treasures which relate to the Central Library - a drawing from the Library archive showing what the Central Library might have looked like with an illuminated neon sign.
The drawing was produced by the General Electric Company Ltd and dated 14 March 1939. There is no reference in the Library Committee minutes to this proposal and the installation never went ahead, presumably as World War 2 intervened.
Had it been installed, however, it certainly would have been visible for some distance, glowing at the end of the Terrace! Dr Walford Bodie and Company
256 The front page of a programme for a performance by Walford Bodie at the Britannia Theatre in London. The show is set commence 27th March, 1905. Treasure 120: Walford Bodie
343 In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain. He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street, Aberdeen on 11 June 1869, he went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon', and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on Earth.
Our treasure is a photograph album held by Aberdeen City Libraries that offers an insight into the life and times of Bodie and his amazing family. Walford Bodie was for much of his career the headline performer of an extended and shifting company of artists. Members of his family, and in particular those of his wife, often played important roles in the Bodie Show. In 1890 Bodie married Jeannie Henry (1869-1931), who performed with Walford as an illusionist and mind-reader called Princess Rubie, until her retirement in 1930. Jeannie and 3 of her sisters went on to play important parts in the Bodie show. One of her sisters was Annie "Nan" Henry (1880-1970) and it is her album that we now hold in the library.
The album is a large volume, bound in dark green leather. Within floral endpapers there are around 101 pages each containing approximately 3 photographs. The images are a mixture of postcards and photographic prints. Most appear to have been sent to Nan Henry while she was living in the Bodie family home in Macduff. Many have signed endearments on the front and carry short messages on the reverse.
To learn more about this unique character, have a browse in the Treasures from our Collections interactive exhibition. Aberdeen Tramway Routes
374 This plan of the tramway routes in Aberdeen was produced about 1914.
There were nine routes which covered most of the city as it existed at this time. Until Aberdeen Corporation took over in 1898 the private Aberdeen District Tramways Company operated the system with horse-drawn trams.
By 1899, the first electric cars (to Woodside) were running. |