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Settmaker at Persley Quarry
1071 The Aberdeen area had many granite quarries, and there was a need for men who had the skill to reduce huge blocks of granite into manageable pieces by chipping it with a variety of hammers, and chisels to produce the required shape and size. In this 1920's photograph we see a settmaker at Persley Quarry on the north side of the River Don in Aberdeen, at his wooden shelter or 'skaithie'. These shelters provided some sort of wind break for these men who had to sit on blocks of granite patiently working on the hard stone. Settmakers made cassies for roads and Aberdeen setts were used to pave streets in London. On his left is a tripod structure which acted like a small crane to lift the bigger stones into position. Note the lack of protective safety equipment apart from some extra padding on his knees. Treasure 34: A Selection of Original Scots Songs in Three Parts
2322 Although the union of the Parliaments between Scotland and England had taken place almost a hundred years before, as the 18th century was drawing to a close there was still much fascination regarding the differing cultures. In time, Victorian society would give this fascination a renewed vigour, helped by Queen Victoria's passion for Scotland - including the establishment of Balmoral Castle as her residence North of the border. Before that time though, in the late 1790s, books were produced offering English readers an insight into their neighbours' traditions.
One such book was entitled 'A selection of original Scots songs' edited by Franz Haydn and published between 1790 and 1794. The book is designed to introduce the reader to the music and lyrics of traditional songs in Scotland. Haydn's book reproduced the songs along with corresponding music, and also offered a glossary to help with the more obscure language.
Burns' song 'My Heart's In The Highlands' - more popularly regarded today as a poem - makes an appearance in the selected works by Franz Haydn. With the collected works produced between 1790 - 1794, this was at a time when Burns began to suffer from the illnesses which would eventually end his life just a couple of years later.
Robert Burns
Celebrated across Scotland every year, Robert Burns Day takes place on 25 January and is an opportunity to remember Scotland's Bard and his work. Known the world over as the National Poet of Scotland, Robert Burns (1759 - 1796) was born in Alloway, Ayrshire. Burns' early life was one of balance; he toiled on his family's farm by day, and was taught reading and writing by candlelight at night. He conversed in Scots, while learning passages from English texts to further his studies. Although regarded by history largely as a poet, Burns also composed many songs - perhaps his most famous work 'Auld Lang Syne' being one of the few traditionally remembered in song form. One of our treasures this month celebrates Robert Burns' work and that of many other traditional Scottish musicians. Annie "Nan" Henry
2999 Annie "Nan" Henry (1880-1970) was one of the Henry sisters who worked with the magician Walford Bodie.
We hold a photograph album of hers at Aberdeen City Libraries. A handwritten inscription inside the front cover reads "To My Dear Sister 'Nurse Nan', From her loving Sis Loo, With Fondest Love." The inscription is dated 8 April 1912. "Loo" is Louisa Henry (1888-1912).
The album is a large volume, bound in dark green leather. The volume has seen damage over the years and now lacks some of this intriguing covering. Within floral endpapers is around 101 pages each containing approximately three photographs. The images are a mixture of postcards and photographic prints. Most appear to have been sent to Nan Henry while she was living in the Bodie family home in Macduff. Many have signed endearments on front and carry short messages on the reverse.
The life of variety performers was one of perpetual travel and many of the postcards are clearly missives sent back home. The majority of the images are studio portraits but there are also some outdoor scenes and views of home life in MacDuff. While it is difficult to establish exact information, the images look to date primarily from the 1910s with some perhaps reaching into the following two decades. As the album progresses we see new people, uniformed individuals clearly off to World War I and children who are likely to be the next generation of the family. Aberdeen Theatres: J. Scott Skinner
3394 James Scott Skinner (1843-1927) was a violinist and composer born in Banchory-Ternan. He was a regular performer on the stages of the North-East and beyond.
During his career he toured extensively including in North America. He performer as part of Walker & Company, the local cinema pioneers, and his playing was recorded many times.
Skinner was also a prolific and influential composer of violin music, particularly slow strathspeys. He wrote over 700 tunes, some of the most famous include The Bonnie Lass o' Bon Accord, The Cradle Song and The Miller o' Hirn.
He died on 17th March 1927 at his home at 25 Victoria Street, Aberdeen, after an exhausting tour of American. He is buried in Allenvale Cemetery. He wrote about his life in a book called My Life and Adventures.
This photographic portrait of James Scott Skinner is by Morgan of Aberdeen. Skinner stands dressed in formal Highland garb and holding his violin and bow. The image is the frontispiece of an edition of The Harp and Claymore. Underneath the photo his signature is accompanied by the quote "My age is a lusty winter, frostly but kindly". Treasure 29: The Snow Queen and Hans Christian Andersen
202 Hans Christian Andersen wrote 'The Snow Queen' in 1844. Aberdeen City Libraries hold a number of interesting resources relating to the author. Perhaps the most notable is a 1926 reprint of his autobiography 'The True Story of My Life' translated by Mary Howitt and published by George Routledge & Sons.
Born in Odense, Denmark in 1805, Andersen wrote three autobiographies during his lifetime. 'The Book of My Life', written in 1832 aged 27, was for close friends, the Collin family, and was not intended for publication. 'The True Story of My Life' in 1846 was to accompany a German edition of his collected works and his final autobiography, 'The Fairy Tale of My Life', was published in 1855.
Mary Howitt (1799-1888) was an English author who came to prominence as a translator of Scandinavian literature, in particular eighteen volumes of the Swedish novelist Frederika Bremer (1842-1863) and many translations of Hans Christian Andersen. In the 1926 preface to 'The True Story of My Life' Scottish author and poet, Violet Jacob, claims that Howitt's "precise and innocence English" is the ideal vehicle for conveying Andersen's writing. It was through Howitt's translations that the English speaking world first came to know Andersen's work.
Howitt dedicates her translation of 'The True Story of My Life' to the Swedish opera singer Jenny Lind (1820-1887). Lind was world famous for her immaculate voice, generosity and strong religious convictions. She and Andersen were good friends. When Lind rejected Andersen as a suitor she became the model for the Snow Queen with a heart of ice. Their friendship endured nonetheless and in 'The True Story of My Life' Andersen explains the central influence Lind had on his work: "Through Jenny Lind I first became sensible of the holiness there is in art; through her I learned that one must forget oneself in the service of the Supreme. No books, no men have had a better or a more ennobling influence on me as the poet, than Jenny Lind, and I therefore have spoken of her so long and so warmly here."
The autobiography also contains other glimpses into the inspiration behind 'The Snow Queen'. For example, Andersen's childhood surroundings are said to have inspired the roof top garden on which the story's heroes, Gerda and Kai, first meet and become friends: "Our little room, which was almost filled with the shoemaker's bench, the bed, and my crib, was the abode of my childhood; the walls, however, were covered with pictures, and over the work-bench was a cupboard containing books and songs; the little kitchen was full of shining plates and metal pans, and by means of a ladder it was possible to go out on the roof, where, in the gutters between and the neighbour's house, there stood a great chest filled with soil, my mother's sole garden, and where she grew her vegetables. In my story of the Snow Queen that garden still blooms." Treasure 110: A Tribute to Marcus Kelly Milne, City Librarian 1938 - 1968
331 By the time he retired in April 1968, Marcus Milne had been with the Library Service for 47 years and 10 months. In the Evening Express of 1 May 1968 he talked about what the library meant to him:
"I shall always regard meeting people and being able to help them as perhaps the most satisfying feature of my work".
Milne started out as a junior assistant on 8 July 1920 and for a long time was the only male assistant. This meant he often doubled as Reading Room Attendant and Janitor, cleaning out the furnace on a Saturday afternoon for which he said "I carried out this task with great gusto and lots of dust". In 1928 he was appointed Senior Assistant and acted as interim City Librarian during G.M. Fraser's illness. Upon Fraser's death he was unanimously appointed City Librarian from 18 October 1938 at the age of 35. Under his direction, the library service in the city expanded enormously, with new branch libraries being opened across the city (some of these achievements have featured in previous treasures from our collections). Outside of the Library, Marcus Milne was very much known as 'Mr Aberdeen' because of his omnipresence in civic life, and in our Local Studies Collections we have a variety of material reflecting this.
Marcus Milne is shown on the left, speaking with Library staff. The photograph dates from September 1963.
Find out more about the achievements of this notable Aberdonian in our Treasures from our Collections interactive exhibition. |