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Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. Schoolhill
95 Schoolhill, Aberdeen. The building on the left is Aberdeen Art Gallery. The archway leads to Robert Gordon's College and the building at the far right was Gray's School of Art, which took its name from John Gray, an engineer who paid for the building. It was built in 1884 on the site of the Old Grammar School, hence the name Schoolhill. Honeybrae House
96 Honeybrae House. This house stood in the middle of a market garden near Morningfield Hospital about one-and-a-half miles west of Aberdeen City Centre. The lands were part of the old royal hunting forest of Stocket, given to the town of Aberdeen by Robert the Bruce. In the 17th century, it came into the ownership of the Skenes of Rubislaw and, in 1875, it was owned by Aberdeen Land Association. This two-storeyed house is most famous for its connection with the poet Lord Byron. In 1798, as a boy of about 10, he was taken there to spend a summer holiday while he was a pupil at Aberdeen Grammar School. At that time, it was probably a fairly new house, standing in its own grounds in a rural situation. He stayed there with his mother and their maid, Isabella Mitchell, before going to visit his old nurse, Agnes Gray. His room was on the first floor. By the 1830s, it was the home of a Captain John Boyd and later of market gardeners. Above the main door, there was a window whose thirteen small designed panes led it to be called 'the thirteen' window. By the 1920s, it had fallen into disrepair and the house was demolished in November 1928. The site was redeveloped for modern housing. The Cowdray Hall War Memorial
122 The Cowdray Hall, War Memorial and Art Gallery taken from Union Terrace Gardens. The Hall was opened by King George V and Queen Mary on 29th September 1925. Powis Gateway, Old Aberdeen
165 Powis Gateway, Old Aberdeen. These curious towers stand at the gate leading to Powis Lodge, almost opposite King's College, Old Aberdeen. They were constructed by John Leslie of Powis, who succeeded his father, Hugh Leslie of Powis, the builder of Powis House (1802).
John Leslie succeeded his father in 1812, and the towers were finished in 1834. The crescent on the top of one of the towers is the crest of the Frasers, the predecessors of the Leslies in the property of Powis.
As indicated in the bottom right, this etching of the gateway is by Aberdeen artist Henry Jackson Simpson (1893-1963), known professionally as Jackson Simpson. He was a prolific and successful local artist who specialised in etchings and watercolours of architecture, land and seascapes and wildlife.
Simpson died at his home at 58 Craigton Road, aged 70, on 28th March 1963. His obituary, which gives an account of his life, featured in the next day's Press & Journal.
He was a native of Aberdeen, the son of William Jackson, an art dealer in Diamond Street. He trained as a lithographer and joined his father in business. He served in WWI with the Northumberland Fusiliers and was awarded the Military Cross for bravery.
In 1935 he took over the family business following the death of his father. He was well travelled around Aberdeenshire and Kincardineshire and this is reflected in his art. University related subjects such as Marischal College, King's College and, here, the Powis Gateway, were among his most well known works.
A keen sportsperson, and prominent freemason, he also set-up the Craigton Club and was highly involved with the Northern Arts Club.
An article titled 'The charming story of Jackson Simpson: Scotland's celebrated etcher' featured on the Press & Journal website, in partnership with the McEwan Gallery near Ballater, on 8th June 2022. The feature was produced to highlight an exhibition of Simpson's work at the aforementioned gallery. Cowdray Hall, 1927
218 Shrine, war memorial, Cowdray Hall, 1927.
The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925.
These were erected at a cost of 80,000 pounds, with the cost of the War Memorial being raised by public subscription.
The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'".
The shrine is of white and grey marble in a niche in the north wall of the Memorial Court, directly opposite the entrance. It takes the form of a table on which is placed the Roll of Honour, printed on vellum, within glass.
The table is supported by trusses decorated in Renaissance style. On either side are the Union Jack and White Ensign, representing Army and Navy, and in the centre is a laurel wreath in gilt bronze.
Also in the picture can be seen the circular balcony or gallery, with a graceful balustrade, grey marble coping and ornate mouldings, which encircles the Court and leads to various picture galleries, one of which can be seen through the doorway War memorial at Cowdray Hall
219 War memorial at Cowdray Hall. The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925. These were erected at a cost of £80,000, with the cost of the War Memorial being raised by public subscription. The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'". Royal visit by Princess Beatrice
315 A photograph showing Princess Beatrice at Aberdeen Music Hall to open a bazaar in aid of the Sick Children's Hospital.
The bazaar took place in the Music Hall on Saturday 29th and Sunday 30th October 1898. Princess Beatrice, then known as Princess Henry of Battenberg, opened the bazaar the day before on Friday 28th October.
The opening ceremony was covered in the Aberdeen Journal of 29th October 1898, page 5. The article states that Beatrice arrived by train at the Joint Station before travelling to the Music Hall from Guild Street by the horse drawn carriage that we can see here.
The route travelled and much of the surrounding area were specially decorated for the occasion. The various businesses and buildings along the route decorated their own premises and many of these decorations are described in the newspaper report.
The city gardeners Peter Harper of Duthie Park and Robert Walker of Victoria Park were tasked with creating floral displays. Harper decorated the interior of the Joint Station and the Music Hall, while Walker decorated the route between the two.
The special royal train arrived at the joint station a couple of minutes before its scheduled time of 12:15pm. Beatrice was greeted at the station by a large civic and military reception and crowds of onlookers.
The newspaper report indicates that travelling in the horse drawn carriage with Beatrice was Miss Minnie Cochrane and Lord William Cecil, both were royal courtiers. The man sat in the carriage is therefore most likely the latter.
Following the opening ceremony, Beatrice was entertained at a luncheon at the Palace Hotel by the directors of the Royal Aberdeen Hospital for Sick Children.
Beatrice and her party returned to Balmoral on a train leaving the station at 2:45pm.
The newspaper also tells us that Messrs. Walker & Company, cinematographers, Bridge Street, filmed the procession as it passed along the railway bridge on Guild Street. Assistant photographers with still cameras captured the rest of proceedings. This photograph was likely taken by one of these assistants.
A sign for Walker & Company can be seen hanging above the Music Hall entrance. This dates the image as belonging to this later royal visit by Princess Beatrice. She previously visited the city on 27th September 1883 to open an earlier bazaar for the Children's Hospital and to open the newly created Duthie Park Schoolhill, Aberdeen
497 Schoolhill, Aberdeen. The building on the left is Aberdeen Art Gallery. The archway leads to Robert Gordon's College and the building at the far right is Gray's School of Art (1884), which takes its name from John Gray, an engineer who paid for the building. It was built on the site of the Old Grammar School, hence the name Schoolhill. Exchequer Row
687 This view shows the narrow congested Exchequer Row, around 1900. It is a photograph of a watercolour painting by Alexander J. Murray that is in the collection of Aberdeen Archives, Gallery and Museums (AAGM).
The Balmoral style tower of the Salvation Army Citadel, opened in 1896, is seen in the distance with the Market Cross surrounded by an ongoing market.
Exchequer Row (first mentioned in 1350) was a short street connecting the Shiprow to the Castlegate, and on its right side, were a number of courts leading into an area crammed with insanitary dwellings which were later demolished.
It was popularly supposed that the name Exchequer Row derived from the Aberdeen Mint which stood in the area. However, it comes from the name of the Royal Customs House - the Skakkarium, dating back to the 14th century. Upper Denburn
729 Upper Denburn, looking east, prior to its demolition.
Brick gable tenements can be seen on the left already stripped of their roofs.
The viewpoint is looking from the Dyers Court area eastwards towards Marischal College Tower and the retaining wall of the Royal Infirmary (with its dome on the skyline). This lead to Spa Street and Woolmanhill beyond.
The houses and tenements on the right are more sparse and primarily traders yards.
Garden Nook Close led off the left past a timber yard to the Well of Spa. The Well O' Spa Pub was on the extreme left corner.
Note the partial visible trade sign on the ridge of the distant roof - most likely James Stephen & Son. They were carvers, gilders/ornamental plasterers, mirror & picture frame makers, artists' colourmen and fine art dealers and operated at 48-50 Woolmanhill from around 1890-1933. Gordon's Hospital Spire rises beyond these premises.
(Many thanks to Ed Fowler for the above description). St. Nicholas Churchyard façade decorated for a royal visit
735 The facade of St. Nicholas Churchyard on Union Street, decorated for a royal visit. Castlegate decorated for a Royal visit
737 Union Street at the Castlegate decorated for the visit of the King and Queen. Schoolhill decorated for a royal visit
776 Schoolhill, showing Aberdeen Art Gallery, the entrance to Robert Gordon's College and Gray's School of Art.
This image shows the buildings decorated for the city's celebrations of the coronation of Edward VII and Queen Alexandra that were held on Saturday 9th August 1902. The new monarchs had been crowned the previous year.
The decorations on Schoolhill and Rosemount Viaduct were carried out under the direction of Mr Stewart, superintendent of Stewart Park.
See the Aberdeen Daily Journal from Monday 11th August 1902 for an extensive report on the coronation celebrations. Schoolhill after the great snowstorm of 1908
781 Schoolhill after the great snowstorm of 1908. The Art Gallery and the entrance to Robert Gordon's College are on the left. Schoolhill decorated for a royal visit
796 Schoolhill, showing the Art Gallery and Gray's School of Art, decorated for a royal visit. Honeybrae House
816 Honeybrae House. This house stood in the middle of a market garden near Morningfield Hospital about one and a half miles west of Aberdeen City Centre. The lands were part of the old royal hunting forest of Stocket, given to the town of Aberdeen by Robert the Bruce. In the 17th century, it came into the ownership of the Skenes of Rubislaw, and in 1875, it was owned by Aberdeen Land Association. This two storeyed house is most famous for its connection with the poet Lord Byron. In 1798, as a boy of about 10, he was taken there to spend a summer holiday while he was a pupil at Aberdeen Grammar School. At that time, it was probably a fairly new house, standing in its own grounds in a rural situation. He stayed there with his mother and their maid Isabella Mitchell, before going to visit his old nurse, Agnes Gray. His room was on the first floor. By the 1830's, it was the home of a Captain John Boyd and later of market gardeners. Above the main door, there was a window whose thirteen small designed panes, led it to be called 'the thirteen' window. By the 1920's, it had fallen into disrepair and the house demolished in November 1928, and the site redeveloped for modern housing. Town House decorated for a royal visit
865 Town House decorated for the royal visit, 1906, to open the new extension of Marischal College. Trinity Lane
1208 Trinity Lane, Aberdeen, c.1975, from Exchange Street.
The Trinity place-name comes from the area once being the site of a Trinitarian Friary.
The building to the right in this photograph was once known as Trinity Chapel, or Trinity Parish Church. It was opened for public worship on Sunday 27th April, 1794.
For a number of years, the chapel was an important centre of religious life and activity. The Disruption of 1843 significantly diminished the congregation. The building was subsequently sold by the Presbytery and became the Alhambra Music Hall.
See Gammie's Churches of Aberdeen (1909) for more information on the history of this congregation and building.
A large part of the exterior still stands and the building currently houses Wagley's public house. In this photograph Alex. McKay, electrical appliance showroom, is in occupation. Newspaper notices indicate that the business moved here, from 41 The Green, in 1966.
The building in the centre of the image is best known, as shown here, as a banana warehouse for Knowles & Sons, fruiterers and later as a restaurant and art gallery. It was originally built as a church for Aberdeen's Catholic Apostolic congregation.
MUSA was a restaurant and art space, with a focus on music, throughout the first two decades of the 21st century. It closed down in October 2018.
8th March 2019 saw the opening of a new bar in the building called The Hop & Anchor, specialising in craft beer. It is owned by a company called the Draft House and this is their first pub outside London. The Draft House is owned by Brewdog, the North East beer company. The Town House
1516 A photograph showing the Town House on Union Street decorated for a special occasion. The crests adoring the centre of the facade read "Long Live The King", which suggests the building is decorated for a Royal visit in the early 20th century. |